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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD96B6 it is the complementary color #226949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD96B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD96B6 shade: #E296B1, #F3A8C4, #FFBAD7, #FFCCEA and #FFDEFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD96B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD96B6 shade: #DD96B6, #CC84A3, #BB7290, #AA607D and #994E6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD96B6 shade: #DD97B6, #DD97A3 and #DD9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD96B6 shade: #DD97B6, #DD97C9, #DD97DC, #CB97DD and #B897DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD96B6 shade matches the following richer shades: #DD97B6, #E88BB5, #F380B4 and #FE75B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD96B6 shade: #DD97B6, #D2A2B7, #C6ADB8, #BBB8B9 and #B0C3BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD96B6 shade: #DD97DD, #DD97CA, #DD97B7, #DD97A5 and #DD9B97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD96B6 shade: #C9588B, #D377A1, #DD97B6, #E7B6CC and #F1D5E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD96B6 shade: #DD96B6, #DDCA97 and #97D3DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD96B6 shade: #DD96B6, #B7DD97 and #97B7DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD96B6 shade: #DD96B6, #DDCA97, #97DDBC and #97A9DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD96B6 shade: #DD96B6, #DADD97, #97DDBC and #9997DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 18 / 13

HEX #DD96B6

RGB 221 150 182

HSL 332.96, 0.51%, 0.73%

LAB 69.87, 31.26, -5.73

 

Complementary color

CMYK 68 / 0 / 30 / 59

HEX #226949

RGB 34 105 73

HSL 152.96, 0.51%, 0.27%

LAB 39.45, -30.3, 11.68

 

CMYK 0 / 34 / 22 / 11

HEX #E296B1

RGB 226 150 177

HSL 338.68, 0.57%, 0.74%

LAB 70.28, 32.26, -2.27

 

CMYK 0 / 31 / 19 / 5

HEX #F3A8C4

RGB 243 168 196

HSL 337.6, 0.76%, 0.81%

LAB 76.71, 31.52, -3.09

 

CMYK 0 / 27 / 16 / 0

HEX #FFBAD7

RGB 255 186 215

HSL 334.78, 1%, 0.86%

LAB 82.53, 29.11, -4.66

 

CMYK 0 / 20 / 8 / 0

HEX #FFCCEA

RGB 255 204 234

HSL 324.71, 1%, 0.9%

LAB 87.19, 22.72, -7.92

 

CMYK 0 / 13 / 1 / 0

HEX #FFDEFD

RGB 255 222 253

HSL 303.64, 1%, 0.94%

LAB 91.95, 16.59, -10.84

 

CMYK 0 / 32 / 18 / 13

HEX #DD96B6

RGB 221 150 182

HSL 332.96, 0.51%, 0.73%

LAB 69.87, 31.26, -5.73

 

CMYK 0 / 35 / 20 / 20

HEX #CC84A3

RGB 204 132 163

HSL 334.17, 0.41%, 0.66%

LAB 63.33, 32.02, -4.93

 

CMYK 0 / 39 / 23 / 27

HEX #BB7290

RGB 187 114 144

HSL 335.34, 0.35%, 0.59%

LAB 56.7, 32.83, -4.04

 

CMYK 0 / 44 / 26 / 33

HEX #AA607D

RGB 170 96 125

HSL 336.49, 0.3%, 0.52%

LAB 49.97, 33.7, -3.02

 

CMYK 0 / 49 / 31 / 40

HEX #994E6A

RGB 153 78 106

HSL 337.6, 0.32%, 0.45%

LAB 43.15, 34.59, -1.81

 

CMYK 0 / 32 / 18 / 13

HEX #DD97B6

RGB 221 151 182

HSL 333.43, 0.51%, 0.73%

LAB 70.09, 30.72, -5.4

 

CMYK 0 / 32 / 26 / 13

HEX #DD97A3

RGB 221 151 163

HSL 349.71, 0.51%, 0.73%

LAB 69.58, 27.91, 4.43

 

CMYK 0 / 32 / 32 / 13

HEX #DD9797

RGB 221 151 151

HSL 0, 0.51%, 0.73%

LAB 69.28, 26.3, 10.69

 

CMYK 0 / 32 / 18 / 13

HEX #DD97B6

RGB 221 151 182

HSL 333.43, 0.51%, 0.73%

LAB 70.09, 30.72, -5.4

 

CMYK 0 / 32 / 9 / 13

HEX #DD97C9

RGB 221 151 201

HSL 317.14, 0.51%, 0.73%

LAB 70.68, 33.82, -15.07

 

CMYK 0 / 32 / 0 / 13

HEX #DD97DC

RGB 221 151 220

HSL 300.86, 0.51%, 0.73%

LAB 71.33, 37.18, -24.56

 

CMYK 8 / 32 / 0 / 13

HEX #CB97DD

RGB 203 151 221

HSL 284.57, 0.51%, 0.73%

LAB 69.51, 31.67, -28.08

 

CMYK 17 / 32 / 0 / 13

HEX #B897DD

RGB 184 151 221

HSL 268.29, 0.51%, 0.73%

LAB 67.68, 25.75, -31.04

 

CMYK 0 / 32 / 18 / 13

HEX #DD97B6

RGB 221 151 182

HSL 333.43, 0.51%, 0.73%

LAB 70.09, 30.72, -5.4

 

CMYK 0 / 40 / 22 / 9

HEX #E88BB5

RGB 232 139 181

HSL 332.9, 0.67%, 0.73%

LAB 68.72, 40.73, -6.73

 

CMYK 0 / 47 / 26 / 5

HEX #F380B4

RGB 243 128 180

HSL 332.87, 0.83%, 0.73%

LAB 67.86, 49.85, -7.29

 

CMYK 0 / 54 / 30 / 0

HEX #FE75B3

RGB 254 117 179

HSL 332.85, 0.99%, 0.73%

LAB 67.31, 58.48, -7.38

 

CMYK 0 / 32 / 18 / 13

HEX #DD97B6

RGB 221 151 182

HSL 333.43, 0.51%, 0.73%

LAB 70.09, 30.72, -5.4

 

CMYK 0 / 23 / 13 / 18

HEX #D2A2B7

RGB 210 162 183

HSL 333.75, 0.35%, 0.73%

LAB 71.53, 21.02, -3.96

 

CMYK 0 / 13 / 7 / 22

HEX #C6ADB8

RGB 198 173 184

HSL 333.6, 0.18%, 0.73%

LAB 73.12, 10.91, -2.3

 

CMYK 0 / 2 / 1 / 27

HEX #BBB8B9

RGB 187 184 185

HSL 340, 0.02%, 0.73%

LAB 75.04, 1.24, -0.14

 

CMYK 10 / 0 / 4 / 24

HEX #B0C3BB

RGB 176 195 187

HSL 154.74, 0.14%, 0.73%

LAB 77.19, -8.01, 1.8

 

CMYK 0 / 32 / 0 / 13

HEX #DD97DD

RGB 221 151 221

HSL 300, 0.51%, 0.73%

LAB 71.37, 37.37, -25.06

 

CMYK 0 / 32 / 9 / 13

HEX #DD97CA

RGB 221 151 202

HSL 316.29, 0.51%, 0.73%

LAB 70.71, 33.99, -15.57

 

CMYK 0 / 32 / 17 / 13

HEX #DD97B7

RGB 221 151 183

HSL 332.57, 0.51%, 0.73%

LAB 70.12, 30.88, -5.91

 

CMYK 0 / 32 / 25 / 13

HEX #DD97A5

RGB 221 151 165

HSL 348, 0.51%, 0.73%

LAB 69.63, 28.19, 3.39

 

CMYK 0 / 30 / 32 / 13

HEX #DD9B97

RGB 221 155 151

HSL 3.43, 0.51%, 0.73%

LAB 70.21, 24.14, 12

 

CMYK 0 / 56 / 31 / 21

HEX #C9588B

RGB 201 88 139

HSL 332.92, 0.51%, 0.57%

LAB 53.23, 50.27, -6.02

 

CMYK 0 / 44 / 24 / 17

HEX #D377A1

RGB 211 119 161

HSL 332.61, 0.51%, 0.65%

LAB 61.32, 41.08, -6.67

 

CMYK 0 / 32 / 18 / 13

HEX #DD97B6

RGB 221 151 182

HSL 333.43, 0.51%, 0.73%

LAB 70.09, 30.72, -5.4

 

CMYK 0 / 21 / 12 / 9

HEX #E7B6CC

RGB 231 182 204

HSL 333.06, 0.51%, 0.81%

LAB 78.93, 21.13, -4.31

 

CMYK 0 / 12 / 6 / 5

HEX #F1D5E2

RGB 241 213 226

HSL 332.14, 0.5%, 0.89%

LAB 87.86, 11.87, -2.83

 

CMYK 0 / 32 / 18 / 13

HEX #DD96B6

RGB 221 150 182

HSL 332.96, 0.51%, 0.73%

LAB 69.87, 31.26, -5.73

 

CMYK 0 / 9 / 32 / 13

HEX #DDCA97

RGB 221 202 151

HSL 43.71, 0.51%, 0.73%

LAB 81.76, -0.89, 27.92

 

CMYK 32 / 5 / 0 / 13

HEX #97D3DD

RGB 151 211 221

HSL 188.57, 0.51%, 0.73%

LAB 80.95, -16.69, -11.09

 

CMYK 0 / 32 / 18 / 13

HEX #DD96B6

RGB 221 150 182

HSL 332.96, 0.51%, 0.73%

LAB 69.87, 31.26, -5.73

 

CMYK 17 / 0 / 32 / 13

HEX #B7DD97

RGB 183 221 151

HSL 92.57, 0.51%, 0.73%

LAB 83.97, -24.7, 30.4

 

CMYK 32 / 17 / 0 / 13

HEX #97B7DD

RGB 151 183 221

HSL 212.57, 0.51%, 0.73%

LAB 73.33, -1.95, -22.59

 

CMYK 0 / 32 / 18 / 13

HEX #DD96B6

RGB 221 150 182

HSL 332.96, 0.51%, 0.73%

LAB 69.87, 31.26, -5.73

 

CMYK 0 / 9 / 32 / 13

HEX #DDCA97

RGB 221 202 151

HSL 43.71, 0.51%, 0.73%

LAB 81.76, -0.89, 27.92

 

CMYK 32 / 0 / 15 / 13

HEX #97DDBC

RGB 151 221 188

HSL 151.71, 0.51%, 0.73%

LAB 82.87, -28.84, 9.27

 

CMYK 32 / 24 / 0 / 13

HEX #97A9DD

RGB 151 169 221

HSL 224.57, 0.51%, 0.73%

LAB 69.59, 5.76, -28.31

 

CMYK 0 / 32 / 18 / 13

HEX #DD96B6

RGB 221 150 182

HSL 332.96, 0.51%, 0.73%

LAB 69.87, 31.26, -5.73

 

CMYK 1 / 0 / 32 / 13

HEX #DADD97

RGB 218 221 151

HSL 62.57, 0.51%, 0.73%

LAB 86.43, -11.75, 34.1

 

CMYK 32 / 0 / 15 / 13

HEX #97DDBC

RGB 151 221 188

HSL 151.71, 0.51%, 0.73%

LAB 82.87, -28.84, 9.27

 

CMYK 31 / 32 / 0 / 13

HEX #9997DD

RGB 153 151 221

HSL 241.71, 0.51%, 0.73%

LAB 65.06, 16.51, -35.31

 

Description

Color code: HEX #DD96B6 | qconv.com Color code: HEX #DD96B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 150 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 150 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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