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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD9959 it is the complementary color #2266A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD9959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD9959 shade: #E29954, #F3AB67, #FFBD7A, #FFCF8D and #FFE1A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD9959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD9959 shade: #DD9959, #CC8746, #BB7533, #AA6320 and #99510D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD9959 shade: #DD9959, #DD7659 and #DD5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD9959 shade: #DD9959, #DDBC59, #DADD59, #B6DD59 and #93DD59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD9959 shade matches the following richer shades: #DD9959, #ED9949 and #FD9839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD9959 shade: #DD9959, #CD9A6A, #BD9A7A, #AC9B8A and #9C9B9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD9959 shade: #DD5960, #DD7659, #DD9959, #DDBC59 and #DADD59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD9959 shade: #BD7026, #D68437, #DD9959, #E4AE7C and #EBC39E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD9959 shade: #DD9959, #83DD59 and #6459DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD9959 shade: #DD9959, #59DD99 and #9959DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD9959 shade: #DD9959, #83DD59, #599DDD and #B359DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD9959 shade: #DD9959, #5CDD59, #599DDD and #DA59DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

Complementary color

CMYK 80 / 39 / 0 / 35

HEX #2266A6

RGB 34 102 166

HSL 209.09, 0.66%, 0.39%

LAB 42.15, 2.23, -40.38

 

CMYK 0 / 32 / 63 / 11

HEX #E29954

RGB 226 153 84

HSL 29.15, 0.71%, 0.61%

LAB 69.18, 20.68, 46.66

 

CMYK 0 / 30 / 58 / 5

HEX #F3AB67

RGB 243 171 103

HSL 29.14, 0.85%, 0.68%

LAB 75.55, 19.43, 45.16

 

CMYK 0 / 26 / 52 / 0

HEX #FFBD7A

RGB 255 189 122

HSL 30.23, 1%, 0.74%

LAB 81.32, 16.33, 42.94

 

CMYK 0 / 19 / 45 / 0

HEX #FFCF8D

RGB 255 207 141

HSL 34.74, 1%, 0.78%

LAB 85.91, 8.71, 39.12

 

CMYK 0 / 12 / 37 / 0

HEX #FFE1A0

RGB 255 225 160

HSL 41.05, 1%, 0.81%

LAB 90.62, 1.46, 35.61

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 0 / 34 / 66 / 20

HEX #CC8746

RGB 204 135 70

HSL 29.1, 0.57%, 0.54%

LAB 62.17, 20.3, 44.93

 

CMYK 0 / 37 / 73 / 27

HEX #BB7533

RGB 187 117 51

HSL 29.12, 0.57%, 0.47%

LAB 55.61, 21.84, 46.41

 

CMYK 0 / 42 / 81 / 33

HEX #AA6320

RGB 170 99 32

HSL 29.13, 0.68%, 0.4%

LAB 48.98, 23.64, 47.62

 

CMYK 0 / 47 / 92 / 40

HEX #99510D

RGB 153 81 13

HSL 29.14, 0.84%, 0.33%

LAB 42.29, 25.71, 47.92

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 0 / 47 / 60 / 13

HEX #DD7659

RGB 221 118 89

HSL 13.18, 0.66%, 0.61%

LAB 60.83, 37.52, 33.85

 

CMYK 0 / 60 / 60 / 13

HEX #DD5959

RGB 221 89 89

HSL 0, 0.66%, 0.61%

LAB 55.32, 51.64, 26.85

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 0 / 15 / 60 / 13

HEX #DDBC59

RGB 221 188 89

HSL 45, 0.66%, 0.61%

LAB 77.32, 0.34, 53.44

 

CMYK 1 / 0 / 60 / 13

HEX #DADD59

RGB 218 221 89

HSL 61.36, 0.66%, 0.61%

LAB 85.68, -17.66, 62.63

 

CMYK 18 / 0 / 60 / 13

HEX #B6DD59

RGB 182 221 89

HSL 77.73, 0.66%, 0.61%

LAB 83.11, -31.97, 59.09

 

CMYK 33 / 0 / 60 / 13

HEX #93DD59

RGB 147 221 89

HSL 93.64, 0.66%, 0.61%

LAB 81.09, -44.77, 56.27

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 0 / 35 / 69 / 7

HEX #ED9949

RGB 237 153 73

HSL 29.27, 0.82%, 0.61%

LAB 70.36, 24.58, 53.64

 

CMYK 0 / 40 / 77 / 1

HEX #FD9839

RGB 253 152 57

HSL 29.08, 0.98%, 0.61%

LAB 71.98, 30.94, 62.9

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 0 / 25 / 48 / 20

HEX #CD9A6A

RGB 205 154 106

HSL 29.09, 0.5%, 0.61%

LAB 67.38, 13.23, 32.52

 

CMYK 0 / 19 / 35 / 26

HEX #BD9A7A

RGB 189 154 122

HSL 28.66, 0.34%, 0.61%

LAB 66.01, 8.46, 21.71

 

CMYK 0 / 10 / 20 / 33

HEX #AC9B8A

RGB 172 155 138

HSL 30, 0.17%, 0.61%

LAB 65, 3.42, 11.18

 

CMYK 0 / 1 / 1 / 39

HEX #9C9B9A

RGB 156 155 154

HSL 30, 0.01%, 0.61%

LAB 64.03, 0.17, 0.64

 

CMYK 0 / 60 / 57 / 13

HEX #DD5960

RGB 221 89 96

HSL 356.82, 0.66%, 0.61%

LAB 55.44, 52.15, 22.95

 

CMYK 0 / 47 / 60 / 13

HEX #DD7659

RGB 221 118 89

HSL 13.18, 0.66%, 0.61%

LAB 60.83, 37.52, 33.85

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 0 / 15 / 60 / 13

HEX #DDBC59

RGB 221 188 89

HSL 45, 0.66%, 0.61%

LAB 77.32, 0.34, 53.44

 

CMYK 1 / 0 / 60 / 13

HEX #DADD59

RGB 218 221 89

HSL 61.36, 0.66%, 0.61%

LAB 85.68, -17.66, 62.63

 

CMYK 0 / 41 / 80 / 26

HEX #BD7026

RGB 189 112 38

HSL 29.4, 0.67%, 0.45%

LAB 54.6, 24.89, 51.29

 

CMYK 0 / 38 / 74 / 16

HEX #D68437

RGB 214 132 55

HSL 29.06, 0.66%, 0.53%

LAB 62.57, 25.34, 52.83

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 0 / 24 / 46 / 11

HEX #E4AE7C

RGB 228 174 124

HSL 28.85, 0.66%, 0.69%

LAB 74.96, 13.6, 33.23

 

CMYK 0 / 17 / 33 / 8

HEX #EBC39E

RGB 235 195 158

HSL 28.83, 0.66%, 0.77%

LAB 81.38, 9.05, 23.94

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 41 / 0 / 60 / 13

HEX #83DD59

RGB 131 221 89

HSL 100.91, 0.66%, 0.61%

LAB 80.33, -50.05, 55.2

 

CMYK 55 / 60 / 0 / 13

HEX #6459DD

RGB 100 89 221

HSL 245, 0.66%, 0.61%

LAB 45.74, 40.33, -66.31

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 60 / 0 / 31 / 13

HEX #59DD99

RGB 89 221 153

HSL 149.09, 0.66%, 0.61%

LAB 79.69, -51.62, 22.84

 

CMYK 31 / 60 / 0 / 13

HEX #9959DD

RGB 153 89 221

HSL 269.09, 0.66%, 0.61%

LAB 50.85, 51.39, -57.8

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 41 / 0 / 60 / 13

HEX #83DD59

RGB 131 221 89

HSL 100.91, 0.66%, 0.61%

LAB 80.33, -50.05, 55.2

 

CMYK 60 / 29 / 0 / 13

HEX #599DDD

RGB 89 157 221

HSL 209.09, 0.66%, 0.61%

LAB 62.89, -2.57, -38.97

 

CMYK 19 / 60 / 0 / 13

HEX #B359DD

RGB 179 89 221

HSL 280.91, 0.66%, 0.61%

LAB 53.97, 57.5, -52.62

 

CMYK 0 / 31 / 60 / 13

HEX #DD9959

RGB 221 153 89

HSL 29.09, 0.66%, 0.61%

LAB 68.66, 18.96, 43.4

 

CMYK 58 / 0 / 60 / 13

HEX #5CDD59

RGB 92 221 89

HSL 118.64, 0.66%, 0.61%

LAB 78.87, -60.84, 53.16

 

CMYK 60 / 29 / 0 / 13

HEX #599DDD

RGB 89 157 221

HSL 209.09, 0.66%, 0.61%

LAB 62.89, -2.57, -38.97

 

CMYK 1 / 60 / 0 / 13

HEX #DA59DD

RGB 218 89 221

HSL 298.64, 0.66%, 0.61%

LAB 59.22, 67, -43.96

 

Description

Color code: HEX #DD9959 | qconv.com Color code: HEX #DD9959 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 153 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 153 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 60% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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