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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD9345 it is the complementary color #226CBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD9345. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD9345 shade: #E29340, #F3A553, #FFB766, #FFC979 and #FFDB8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD9345. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD9345 shade: #DD9345, #CC8132, #BB6F1F, #AA5D0C and #994B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD9345 shade: #DD9345, #DD6A45 and #DD4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD9345 shade: #DD9345, #DDBC45, #D5DD45, #ACDD45 and #83DD45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD9345 shade matches the following richer shades: #DD9345 and #EE9333

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD9345 shade: #DD9345, #CB9257, #B99269, #A7917A and #96918C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD9345 shade: #DD454A, #DD6845, #DD9145, #DDB945 and #D7DD45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD9345 shade: #AF6920, #D27E26, #DD9345, #E3A768 and #E9BB8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD9345 shade: #DD9345, #73DD45 and #5445DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD9345 shade: #DD9345, #45DD91 and #9145DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD9345 shade: #DD9345, #73DD45, #4591DD and #AF45DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD9345 shade: #DD9345, #45DD45, #4591DD and #DD45DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

Complementary color

CMYK 82 / 42 / 0 / 27

HEX #226CBA

RGB 34 108 186

HSL 210.79, 0.69%, 0.43%

LAB 45.1, 6.17, -47.39

 

CMYK 0 / 35 / 72 / 11

HEX #E29340

RGB 226 147 64

HSL 30.74, 0.74%, 0.57%

LAB 67.58, 22.75, 54.42

 

CMYK 0 / 32 / 66 / 5

HEX #F3A553

RGB 243 165 83

HSL 30.75, 0.87%, 0.64%

LAB 73.93, 21.27, 53.06

 

CMYK 0 / 28 / 60 / 0

HEX #FFB766

RGB 255 183 102

HSL 31.76, 1%, 0.7%

LAB 79.66, 17.94, 50.86

 

CMYK 0 / 21 / 53 / 0

HEX #FFC979

RGB 255 201 121

HSL 35.82, 1%, 0.74%

LAB 84.18, 10, 46.97

 

CMYK 0 / 14 / 45 / 0

HEX #FFDB8C

RGB 255 219 140

HSL 41.22, 1%, 0.77%

LAB 88.84, 2.44, 43.36

 

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

CMYK 0 / 37 / 75 / 20

HEX #CC8132

RGB 204 129 50

HSL 30.78, 0.61%, 0.5%

LAB 60.58, 22.51, 52.62

 

CMYK 0 / 41 / 83 / 27

HEX #BB6F1F

RGB 187 111 31

HSL 30.77, 0.72%, 0.43%

LAB 54.06, 24.35, 53.46

 

CMYK 0 / 45 / 93 / 33

HEX #AA5D0C

RGB 170 93 12

HSL 30.76, 0.87%, 0.36%

LAB 47.5, 26.44, 53.17

 

CMYK 0 / 51 / 100 / 40

HEX #994B00

RGB 153 75 0

HSL 29.41, 1%, 0.3%

LAB 40.9, 28.79, 50.67

 

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

CMYK 0 / 52 / 69 / 13

HEX #DD6A45

RGB 221 106 69

HSL 14.61, 0.69%, 0.57%

LAB 58.14, 42.35, 41.46

 

CMYK 0 / 69 / 69 / 13

HEX #DD4545

RGB 221 69 69

HSL 0, 0.69%, 0.57%

LAB 51.9, 58.81, 34.15

 

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

CMYK 0 / 15 / 69 / 13

HEX #DDBC45

RGB 221 188 69

HSL 46.97, 0.69%, 0.57%

LAB 77.14, -0.89, 61.99

 

CMYK 4 / 0 / 69 / 13

HEX #D5DD45

RGB 213 221 69

HSL 63.16, 0.69%, 0.57%

LAB 85.14, -20.9, 69.82

 

CMYK 22 / 0 / 69 / 13

HEX #ACDD45

RGB 172 221 69

HSL 79.34, 0.69%, 0.57%

LAB 82.33, -37.22, 66.08

 

CMYK 41 / 0 / 69 / 13

HEX #83DD45

RGB 131 221 69

HSL 95.53, 0.69%, 0.57%

LAB 80.16, -51.75, 63.16

 

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

CMYK 0 / 38 / 79 / 7

HEX #EE9333

RGB 238 147 51

HSL 30.8, 0.85%, 0.57%

LAB 68.96, 27.2, 61.76

 

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

CMYK 0 / 28 / 57 / 20

HEX #CB9257

RGB 203 146 87

HSL 30.52, 0.53%, 0.57%

LAB 64.92, 15.07, 39.44

 

CMYK 0 / 21 / 43 / 27

HEX #B99269

RGB 185 146 105

HSL 30.75, 0.36%, 0.57%

LAB 63.25, 9.23, 27.31

 

CMYK 0 / 13 / 27 / 35

HEX #A7917A

RGB 167 145 122

HSL 30.67, 0.2%, 0.57%

LAB 61.54, 4.58, 15.24

 

CMYK 0 / 3 / 7 / 41

HEX #96918C

RGB 150 145 140

HSL 30, 0.05%, 0.57%

LAB 60.45, 0.91, 3.3

 

CMYK 0 / 69 / 67 / 13

HEX #DD454A

RGB 221 69 74

HSL 358.03, 0.69%, 0.57%

LAB 51.98, 59.07, 31.34

 

CMYK 0 / 53 / 69 / 13

HEX #DD6845

RGB 221 104 69

HSL 13.82, 0.69%, 0.57%

LAB 57.75, 43.33, 41.01

 

CMYK 0 / 34 / 69 / 13

HEX #DD9145

RGB 221 145 69

HSL 30, 0.69%, 0.57%

LAB 66.56, 21.99, 50.84

 

CMYK 0 / 16 / 69 / 13

HEX #DDB945

RGB 221 185 69

HSL 45.79, 0.69%, 0.57%

LAB 76.37, 0.67, 61.2

 

CMYK 3 / 0 / 69 / 13

HEX #D7DD45

RGB 215 221 69

HSL 62.37, 0.69%, 0.57%

LAB 85.3, -20.08, 70.03

 

CMYK 0 / 40 / 82 / 31

HEX #AF6920

RGB 175 105 32

HSL 30.63, 0.69%, 0.41%

LAB 51.06, 22.48, 49.79

 

CMYK 0 / 40 / 82 / 18

HEX #D27E26

RGB 210 126 38

HSL 30.7, 0.69%, 0.49%

LAB 60.57, 26.23, 57.76

 

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

CMYK 0 / 26 / 54 / 11

HEX #E3A768

RGB 227 167 104

HSL 30.73, 0.69%, 0.65%

LAB 72.87, 15.1, 40.98

 

CMYK 0 / 20 / 40 / 9

HEX #E9BB8B

RGB 233 187 139

HSL 30.64, 0.68%, 0.73%

LAB 78.88, 10.27, 30.57

 

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

CMYK 48 / 0 / 69 / 13

HEX #73DD45

RGB 115 221 69

HSL 101.84, 0.69%, 0.57%

LAB 79.49, -56.67, 62.26

 

CMYK 62 / 69 / 0 / 13

HEX #5445DD

RGB 84 69 221

HSL 245.92, 0.69%, 0.57%

LAB 40.18, 49.34, -75.42

 

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

CMYK 69 / 0 / 34 / 13

HEX #45DD91

RGB 69 221 145

HSL 150, 0.69%, 0.57%

LAB 79.05, -56.8, 26.04

 

CMYK 34 / 69 / 0 / 13

HEX #9145DD

RGB 145 69 221

HSL 270, 0.69%, 0.57%

LAB 46.31, 59.54, -65.17

 

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

CMYK 48 / 0 / 69 / 13

HEX #73DD45

RGB 115 221 69

HSL 101.84, 0.69%, 0.57%

LAB 79.49, -56.67, 62.26

 

CMYK 69 / 34 / 0 / 13

HEX #4591DD

RGB 69 145 221

HSL 210, 0.69%, 0.57%

LAB 58.73, 0.92, -45.57

 

CMYK 21 / 69 / 0 / 13

HEX #AF45DD

RGB 175 69 221

HSL 281.84, 0.69%, 0.57%

LAB 50.2, 65.55, -58.68

 

CMYK 0 / 33 / 69 / 13

HEX #DD9345

RGB 221 147 69

HSL 30.79, 0.69%, 0.57%

LAB 67.03, 20.91, 51.35

 

CMYK 69 / 0 / 69 / 13

HEX #45DD45

RGB 69 221 69

HSL 120, 0.69%, 0.57%

LAB 78.12, -67.58, 60.39

 

CMYK 69 / 34 / 0 / 13

HEX #4591DD

RGB 69 145 221

HSL 210, 0.69%, 0.57%

LAB 58.73, 0.92, -45.57

 

CMYK 0 / 69 / 0 / 13

HEX #DD45DD

RGB 221 69 221

HSL 300, 0.69%, 0.57%

LAB 56.93, 75.35, -47.56

 

Description

Color code: HEX #DD9345 | qconv.com Color code: HEX #DD9345 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 147 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 147 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 69 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 69% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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