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Color name
HEX #DD9368

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD9368 it is the complementary color #226C97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD9368. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD9368 shade: #E29363, #F3A576, #FFB789, #FFC99C and #FFDBAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD9368. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD9368 shade: #DD9368, #CC8155, #BB6F42, #AA5D2F and #994B1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD9368 shade: #DD9369, #DD7469 and #DD6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD9368 shade: #DD9369, #DDB369, #DDD269, #C8DD69 and #A9DD69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD9368 shade matches the following richer shades: #DD9369, #EB8F5A and #FA8C4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD9368 shade: #DD9369, #CE9778, #BF9B87, #B09F95 and #A1A3A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD9368 shade: #DD697C, #DD7469, #DD9369, #DDB269 and #DDD169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD9368 shade: #C6652D, #D57B47, #DD9369, #E4AB8A and #ECC4AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD9368 shade: #DD9368, #9BDD69 and #696DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD9368 shade: #DD9368, #69DD93 and #9369DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD9368 shade: #DD9368, #9BDD69, #69B2DD and #AA69DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD9368 shade: #DD9368, #78DD69, #69B2DD and #CD69DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 53 / 13

HEX #DD9368

RGB 221 147 104

HSL 22.05, 0.63%, 0.64%

LAB 67.46, 23.37, 34.06

 

Complementary color

CMYK 77 / 28 / 0 / 41

HEX #226C97

RGB 34 108 151

HSL 202.05, 0.63%, 0.36%

LAB 43.21, -7.15, -29.81

 

CMYK 0 / 35 / 56 / 11

HEX #E29363

RGB 226 147 99

HSL 22.68, 0.69%, 0.64%

LAB 67.97, 24.98, 37.5

 

CMYK 0 / 32 / 51 / 5

HEX #F3A576

RGB 243 165 118

HSL 22.56, 0.84%, 0.71%

LAB 74.36, 23.81, 35.94

 

CMYK 0 / 28 / 46 / 0

HEX #FFB789

RGB 255 183 137

HSL 23.39, 1%, 0.77%

LAB 80.14, 20.83, 33.69

 

CMYK 0 / 21 / 39 / 0

HEX #FFC99C

RGB 255 201 156

HSL 27.27, 1%, 0.81%

LAB 84.71, 13.39, 29.81

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBAF

RGB 255 219 175

HSL 33, 1%, 0.84%

LAB 89.4, 6.3, 26.28

 

CMYK 0 / 33 / 53 / 13

HEX #DD9368

RGB 221 147 104

HSL 22.05, 0.63%, 0.64%

LAB 67.46, 23.37, 34.06

 

CMYK 0 / 37 / 58 / 20

HEX #CC8155

RGB 204 129 85

HSL 22.18, 0.54%, 0.57%

LAB 60.95, 24.6, 35.69

 

CMYK 0 / 41 / 65 / 27

HEX #BB6F42

RGB 187 111 66

HSL 22.31, 0.48%, 0.5%

LAB 54.37, 26.01, 37.45

 

CMYK 0 / 45 / 72 / 33

HEX #AA5D2F

RGB 170 93 47

HSL 22.44, 0.57%, 0.43%

LAB 47.73, 27.61, 39.31

 

CMYK 0 / 51 / 82 / 40

HEX #994B1C

RGB 153 75 28

HSL 22.56, 0.69%, 0.35%

LAB 41.04, 29.43, 41.07

 

CMYK 0 / 33 / 52 / 13

HEX #DD9369

RGB 221 147 105

HSL 21.72, 0.63%, 0.64%

LAB 67.47, 23.46, 33.54

 

CMYK 0 / 48 / 52 / 13

HEX #DD7469

RGB 221 116 105

HSL 5.69, 0.63%, 0.64%

LAB 60.68, 39.81, 24.71

 

CMYK 0 / 52 / 52 / 13

HEX #DD6969

RGB 221 105 105

HSL 0, 0.63%, 0.64%

LAB 58.5, 45.32, 21.81

 

CMYK 0 / 33 / 52 / 13

HEX #DD9369

RGB 221 147 105

HSL 21.72, 0.63%, 0.64%

LAB 67.47, 23.46, 33.54

 

CMYK 0 / 19 / 52 / 13

HEX #DDB369

RGB 221 179 105

HSL 38.28, 0.63%, 0.64%

LAB 75.22, 6.32, 43.22

 

CMYK 0 / 5 / 52 / 13

HEX #DDD269

RGB 221 210 105

HSL 54.31, 0.63%, 0.64%

LAB 83.17, -9.76, 52.73

 

CMYK 10 / 0 / 52 / 13

HEX #C8DD69

RGB 200 221 105

HSL 70.86, 0.63%, 0.64%

LAB 84.49, -23.62, 53.87

 

CMYK 24 / 0 / 52 / 13

HEX #A9DD69

RGB 169 221 105

HSL 86.9, 0.63%, 0.64%

LAB 82.47, -35.41, 50.99

 

CMYK 0 / 33 / 52 / 13

HEX #DD9369

RGB 221 147 105

HSL 21.72, 0.63%, 0.64%

LAB 67.47, 23.46, 33.54

 

CMYK 0 / 39 / 62 / 8

HEX #EB8F5A

RGB 235 143 90

HSL 21.93, 0.78%, 0.64%

LAB 68.05, 30.06, 42.56

 

CMYK 0 / 44 / 70 / 2

HEX #FA8C4B

RGB 250 140 75

HSL 22.29, 0.95%, 0.64%

LAB 69.18, 36.69, 51.88

 

CMYK 0 / 33 / 52 / 13

HEX #DD9369

RGB 221 147 105

HSL 21.72, 0.63%, 0.64%

LAB 67.47, 23.46, 33.54

 

CMYK 0 / 27 / 42 / 19

HEX #CE9778

RGB 206 151 120

HSL 21.63, 0.47%, 0.64%

LAB 66.98, 16.72, 24.43

 

CMYK 0 / 19 / 29 / 25

HEX #BF9B87

RGB 191 155 135

HSL 21.43, 0.3%, 0.64%

LAB 66.72, 10.41, 15.53

 

CMYK 0 / 10 / 15 / 31

HEX #B09F95

RGB 176 159 149

HSL 22.22, 0.15%, 0.64%

LAB 66.67, 4.51, 7.47

 

CMYK 2 / 1 / 0 / 36

HEX #A1A3A4

RGB 161 163 164

HSL 200, 0.02%, 0.64%

LAB 66.86, -0.52, -0.78

 

CMYK 0 / 52 / 44 / 13

HEX #DD697C

RGB 221 105 124

HSL 350.17, 0.63%, 0.64%

LAB 58.91, 47.09, 11.38

 

CMYK 0 / 48 / 52 / 13

HEX #DD7469

RGB 221 116 105

HSL 5.69, 0.63%, 0.64%

LAB 60.68, 39.81, 24.71

 

CMYK 0 / 33 / 52 / 13

HEX #DD9369

RGB 221 147 105

HSL 21.72, 0.63%, 0.64%

LAB 67.47, 23.46, 33.54

 

CMYK 0 / 19 / 52 / 13

HEX #DDB269

RGB 221 178 105

HSL 37.76, 0.63%, 0.64%

LAB 74.97, 6.85, 42.91

 

CMYK 0 / 5 / 52 / 13

HEX #DDD169

RGB 221 209 105

HSL 53.79, 0.63%, 0.64%

LAB 82.91, -9.25, 52.43

 

CMYK 0 / 49 / 77 / 22

HEX #C6652D

RGB 198 101 45

HSL 21.96, 0.63%, 0.48%

LAB 53.5, 34.78, 47.56

 

CMYK 0 / 42 / 67 / 16

HEX #D57B47

RGB 213 123 71

HSL 21.97, 0.63%, 0.56%

LAB 60.58, 30.56, 42.9

 

CMYK 0 / 33 / 52 / 13

HEX #DD9369

RGB 221 147 105

HSL 21.72, 0.63%, 0.64%

LAB 67.47, 23.46, 33.54

 

CMYK 0 / 25 / 39 / 11

HEX #E4AB8A

RGB 228 171 138

HSL 22, 0.63%, 0.72%

LAB 74.48, 16.69, 25.13

 

CMYK 0 / 17 / 27 / 7

HEX #ECC4AC

RGB 236 196 172

HSL 22.5, 0.63%, 0.8%

LAB 82, 10.72, 17.37

 

CMYK 0 / 33 / 53 / 13

HEX #DD9368

RGB 221 147 104

HSL 22.05, 0.63%, 0.64%

LAB 67.46, 23.37, 34.06

 

CMYK 30 / 0 / 52 / 13

HEX #9BDD69

RGB 155 221 105

HSL 94.14, 0.63%, 0.64%

LAB 81.68, -40.41, 49.85

 

CMYK 52 / 51 / 0 / 13

HEX #696DDD

RGB 105 109 221

HSL 237.93, 0.63%, 0.64%

LAB 50.88, 29.28, -57.99

 

CMYK 0 / 33 / 53 / 13

HEX #DD9368

RGB 221 147 104

HSL 22.05, 0.63%, 0.64%

LAB 67.46, 23.37, 34.06

 

CMYK 52 / 0 / 33 / 13

HEX #69DD93

RGB 105 221 147

HSL 141.72, 0.63%, 0.64%

LAB 80.08, -49.22, 26.56

 

CMYK 33 / 52 / 0 / 13

HEX #9369DD

RGB 147 105 221

HSL 261.72, 0.63%, 0.64%

LAB 53.52, 41.28, -53.55

 

CMYK 0 / 33 / 53 / 13

HEX #DD9368

RGB 221 147 104

HSL 22.05, 0.63%, 0.64%

LAB 67.46, 23.37, 34.06

 

CMYK 30 / 0 / 52 / 13

HEX #9BDD69

RGB 155 221 105

HSL 94.14, 0.63%, 0.64%

LAB 81.68, -40.41, 49.85

 

CMYK 52 / 19 / 0 / 13

HEX #69B2DD

RGB 105 178 221

HSL 202.24, 0.63%, 0.64%

LAB 69.52, -10.91, -28.64

 

CMYK 23 / 52 / 0 / 13

HEX #AA69DD

RGB 170 105 221

HSL 273.62, 0.63%, 0.64%

LAB 55.96, 47.13, -49.52

 

CMYK 0 / 33 / 53 / 13

HEX #DD9368

RGB 221 147 104

HSL 22.05, 0.63%, 0.64%

LAB 67.46, 23.37, 34.06

 

CMYK 46 / 0 / 52 / 13

HEX #78DD69

RGB 120 221 105

HSL 112.24, 0.63%, 0.64%

LAB 80.03, -51.63, 47.48

 

CMYK 52 / 19 / 0 / 13

HEX #69B2DD

RGB 105 178 221

HSL 202.24, 0.63%, 0.64%

LAB 69.52, -10.91, -28.64

 

CMYK 7 / 52 / 0 / 13

HEX #CD69DD

RGB 205 105 221

HSL 291.72, 0.63%, 0.64%

LAB 60.16, 56.39, -42.6

 

Description

Color code: HEX #DD9368 | qconv.com Color code: HEX #DD9368 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 147 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 147 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 53% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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