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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD9B46 it is the complementary color #2264B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD9B46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD9B46 shade: #E29B41, #F3AD54, #FFBF67, #FFD17A and #FFE38D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD9B46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD9B46 shade: #DD9B46, #CC8933, #BB7720, #AA650D and #995300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD9B46 shade: #DD9A45, #DD7245, #DD4945 and #DD4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD9B46 shade: #DD9A45, #DDC345, #CDDD45, #A4DD45 and #7BDD45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD9B46 shade matches the following richer shades: #DD9A45 and #EE9D33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD9B46 shade: #DD9A45, #CB9857, #B99669, #A7947A and #96918C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD9B46 shade: #DD4845, #DD7045, #DD9845, #DDC145 and #D0DD45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD9B46 shade: #AF7120, #D28726, #DD9A45, #E3AD68 and #E9C08B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD9B46 shade: #DD9B46, #6BDD45 and #5C45DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD9B46 shade: #DD9B46, #45DD98 and #9845DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD9B46 shade: #DD9B46, #6BDD45, #4589DD and #B745DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD9B46 shade: #DD9B46, #45DD4D, #4589DD and #DD45D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 68 / 13

HEX #DD9B46

RGB 221 155 70

HSL 33.77, 0.69%, 0.57%

LAB 68.94, 16.67, 52.95

 

Complementary color

CMYK 82 / 46 / 0 / 27

HEX #2264B9

RGB 34 100 185

HSL 213.77, 0.69%, 0.43%

LAB 42.7, 10.88, -50.65

 

CMYK 0 / 31 / 71 / 11

HEX #E29B41

RGB 226 155 65

HSL 33.54, 0.74%, 0.57%

LAB 69.46, 18.52, 55.93

 

CMYK 0 / 29 / 65 / 5

HEX #F3AD54

RGB 243 173 84

HSL 33.58, 0.87%, 0.64%

LAB 75.81, 17.11, 54.69

 

CMYK 0 / 25 / 60 / 0

HEX #FFBF67

RGB 255 191 103

HSL 34.74, 1%, 0.7%

LAB 81.57, 13.83, 52.6

 

CMYK 0 / 18 / 52 / 0

HEX #FFD17A

RGB 255 209 122

HSL 39.25, 1%, 0.74%

LAB 86.14, 5.95, 48.88

 

CMYK 0 / 11 / 45 / 0

HEX #FFE38D

RGB 255 227 141

HSL 45.26, 1%, 0.78%

LAB 90.84, -1.52, 45.39

 

CMYK 0 / 30 / 68 / 13

HEX #DD9B46

RGB 221 155 70

HSL 33.77, 0.69%, 0.57%

LAB 68.94, 16.67, 52.95

 

CMYK 0 / 33 / 75 / 20

HEX #CC8933

RGB 204 137 51

HSL 33.73, 0.6%, 0.5%

LAB 62.48, 18.2, 54.08

 

CMYK 0 / 36 / 83 / 27

HEX #BB7720

RGB 187 119 32

HSL 33.68, 0.71%, 0.43%

LAB 55.95, 19.97, 54.75

 

CMYK 0 / 41 / 92 / 33

HEX #AA650D

RGB 170 101 13

HSL 33.63, 0.86%, 0.36%

LAB 49.35, 22.03, 54.29

 

CMYK 0 / 46 / 100 / 40

HEX #995300

RGB 153 83 0

HSL 32.55, 1%, 0.3%

LAB 42.7, 24.37, 51.76

 

CMYK 0 / 30 / 69 / 13

HEX #DD9A45

RGB 221 154 69

HSL 33.55, 0.69%, 0.57%

LAB 68.69, 17.15, 53.14

 

CMYK 0 / 48 / 69 / 13

HEX #DD7245

RGB 221 114 69

HSL 17.76, 0.69%, 0.57%

LAB 59.74, 38.32, 43.28

 

CMYK 0 / 67 / 69 / 13

HEX #DD4945

RGB 221 73 69

HSL 1.58, 0.69%, 0.57%

LAB 52.47, 57.26, 34.83

 

CMYK 0 / 69 / 69 / 13

HEX #DD4545

RGB 221 69 69

HSL 0, 0.69%, 0.57%

LAB 51.9, 58.81, 34.15

 

CMYK 0 / 30 / 69 / 13

HEX #DD9A45

RGB 221 154 69

HSL 33.55, 0.69%, 0.57%

LAB 68.69, 17.15, 53.14

 

CMYK 0 / 12 / 69 / 13

HEX #DDC345

RGB 221 195 69

HSL 49.74, 0.69%, 0.57%

LAB 78.94, -4.52, 63.83

 

CMYK 7 / 0 / 69 / 13

HEX #CDDD45

RGB 205 221 69

HSL 66.32, 0.69%, 0.57%

LAB 84.55, -24.17, 69.03

 

CMYK 26 / 0 / 69 / 13

HEX #A4DD45

RGB 164 221 69

HSL 82.5, 0.69%, 0.57%

LAB 81.86, -40.24, 65.44

 

CMYK 44 / 0 / 69 / 13

HEX #7BDD45

RGB 123 221 69

HSL 98.68, 0.69%, 0.57%

LAB 79.81, -54.27, 62.7

 

CMYK 0 / 30 / 69 / 13

HEX #DD9A45

RGB 221 154 69

HSL 33.55, 0.69%, 0.57%

LAB 68.69, 17.15, 53.14

 

CMYK 0 / 34 / 79 / 7

HEX #EE9D33

RGB 238 157 51

HSL 34.01, 0.85%, 0.57%

LAB 71.23, 21.92, 63.88

 

CMYK 0 / 30 / 69 / 13

HEX #DD9A45

RGB 221 154 69

HSL 33.55, 0.69%, 0.57%

LAB 68.69, 17.15, 53.14

 

CMYK 0 / 25 / 57 / 20

HEX #CB9857

RGB 203 152 87

HSL 33.62, 0.53%, 0.57%

LAB 66.4, 11.81, 41.23

 

CMYK 0 / 19 / 43 / 27

HEX #B99669

RGB 185 150 105

HSL 33.75, 0.36%, 0.57%

LAB 64.28, 7.03, 28.65

 

CMYK 0 / 11 / 27 / 35

HEX #A7947A

RGB 167 148 122

HSL 34.67, 0.2%, 0.57%

LAB 62.34, 2.91, 16.35

 

CMYK 0 / 3 / 7 / 41

HEX #96918C

RGB 150 145 140

HSL 30, 0.05%, 0.57%

LAB 60.45, 0.91, 3.3

 

CMYK 0 / 67 / 69 / 13

HEX #DD4845

RGB 221 72 69

HSL 1.18, 0.69%, 0.57%

LAB 52.33, 57.65, 34.66

 

CMYK 0 / 49 / 69 / 13

HEX #DD7045

RGB 221 112 69

HSL 16.97, 0.69%, 0.57%

LAB 59.33, 39.34, 42.82

 

CMYK 0 / 31 / 69 / 13

HEX #DD9845

RGB 221 152 69

HSL 32.76, 0.69%, 0.57%

LAB 68.21, 18.23, 52.63

 

CMYK 0 / 13 / 69 / 13

HEX #DDC145

RGB 221 193 69

HSL 48.95, 0.69%, 0.57%

LAB 78.43, -3.49, 63.3

 

CMYK 6 / 0 / 69 / 13

HEX #D0DD45

RGB 208 221 69

HSL 65.13, 0.69%, 0.57%

LAB 84.77, -22.95, 69.32

 

CMYK 0 / 35 / 82 / 31

HEX #AF7120

RGB 175 113 32

HSL 33.99, 0.69%, 0.41%

LAB 52.98, 18.02, 51.52

 

CMYK 0 / 36 / 82 / 18

HEX #D28726

RGB 210 135 38

HSL 33.84, 0.69%, 0.49%

LAB 62.65, 21.38, 59.61

 

CMYK 0 / 30 / 69 / 13

HEX #DD9A45

RGB 221 154 69

HSL 33.55, 0.69%, 0.57%

LAB 68.69, 17.15, 53.14

 

CMYK 0 / 24 / 54 / 11

HEX #E3AD68

RGB 227 173 104

HSL 33.66, 0.69%, 0.65%

LAB 74.33, 11.9, 42.77

 

CMYK 0 / 18 / 40 / 9

HEX #E9C08B

RGB 233 192 139

HSL 33.83, 0.68%, 0.73%

LAB 80.12, 7.63, 32.2

 

CMYK 0 / 30 / 68 / 13

HEX #DD9B46

RGB 221 155 70

HSL 33.77, 0.69%, 0.57%

LAB 68.94, 16.67, 52.95

 

CMYK 52 / 0 / 69 / 13

HEX #6BDD45

RGB 107 221 69

HSL 105, 0.69%, 0.57%

LAB 79.2, -58.93, 61.86

 

CMYK 58 / 69 / 0 / 13

HEX #5C45DD

RGB 92 69 221

HSL 249.08, 0.69%, 0.57%

LAB 40.82, 50.45, -74.36

 

CMYK 0 / 30 / 68 / 13

HEX #DD9B46

RGB 221 155 70

HSL 33.77, 0.69%, 0.57%

LAB 68.94, 16.67, 52.95

 

CMYK 69 / 0 / 31 / 13

HEX #45DD98

RGB 69 221 152

HSL 152.76, 0.69%, 0.57%

LAB 79.18, -55.41, 22.59

 

CMYK 31 / 69 / 0 / 13

HEX #9845DD

RGB 152 69 221

HSL 272.76, 0.69%, 0.57%

LAB 47.17, 60.9, -63.73

 

CMYK 0 / 30 / 68 / 13

HEX #DD9B46

RGB 221 155 70

HSL 33.77, 0.69%, 0.57%

LAB 68.94, 16.67, 52.95

 

CMYK 52 / 0 / 69 / 13

HEX #6BDD45

RGB 107 221 69

HSL 105, 0.69%, 0.57%

LAB 79.2, -58.93, 61.86

 

CMYK 69 / 38 / 0 / 13

HEX #4589DD

RGB 69 137 221

HSL 213.16, 0.69%, 0.57%

LAB 56.46, 5.66, -49.16

 

CMYK 17 / 69 / 0 / 13

HEX #B745DD

RGB 183 69 221

HSL 285, 0.69%, 0.57%

LAB 51.32, 67.22, -56.84

 

CMYK 0 / 30 / 68 / 13

HEX #DD9B46

RGB 221 155 70

HSL 33.77, 0.69%, 0.57%

LAB 68.94, 16.67, 52.95

 

CMYK 69 / 0 / 65 / 13

HEX #45DD4D

RGB 69 221 77

HSL 123.16, 0.69%, 0.57%

LAB 78.18, -66.83, 57.3

 

CMYK 69 / 38 / 0 / 13

HEX #4589DD

RGB 69 137 221

HSL 213.16, 0.69%, 0.57%

LAB 56.46, 5.66, -49.16

 

CMYK 0 / 69 / 4 / 13

HEX #DD45D5

RGB 221 69 213

HSL 303.16, 0.69%, 0.57%

LAB 56.52, 74.09, -43.67

 

Description

Color code: HEX #DD9B46 | qconv.com Color code: HEX #DD9B46 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 155 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 155 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 68 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 68% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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