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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD9C3B it is the complementary color #2263C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD9C3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD9C3B shade: #E29C36, #F3AE49, #FFC05C, #FFD26F and #FFE482

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD9C3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD9C3B shade: #DD9C3B, #CC8A28, #BB7815, #AA6602 and #995400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD9C3B shade: #DC9C3B, #DC703B, #DC453B and #DC3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD9C3B shade: #DC9C3B, #DCC73B, #C6DC3B, #9BDC3B and #6FDC3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD9C3B shade matches the following richer shades: #DC9C3B and #EF9F29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD9C3B shade: #DC9C3B, #CA984E, #B79461, #A49173 and #928D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD9C3B shade: #DC433B, #DC6E3B, #DC993B, #DCC43B and #C9DC3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD9C3B shade: #A8701D, #CB8823, #DC9C3B, #E2AD5E and #E8BF82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD9C3B shade: #DD9C3B, #5EDC3B and #593BDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD9C3B shade: #DD9C3B, #3BDC99 and #993BDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD9C3B shade: #DD9C3B, #5EDC3B, #3B7EDC and #B93BDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD9C3B shade: #DD9C3B, #3BDC49, #3B7EDC and #DC3BCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 73 / 13

HEX #DD9C3B

RGB 221 156 59

HSL 35.93, 0.7%, 0.55%

LAB 69.09, 15.58, 57.95

 

Complementary color

CMYK 83 / 49 / 0 / 23

HEX #2263C4

RGB 34 99 196

HSL 215.93, 0.7%, 0.45%

LAB 43.14, 15.81, -56.34

 

CMYK 0 / 31 / 76 / 11

HEX #E29C36

RGB 226 156 54

HSL 35.58, 0.75%, 0.55%

LAB 69.62, 17.5, 60.7

 

CMYK 0 / 28 / 70 / 5

HEX #F3AE49

RGB 243 174 73

HSL 35.65, 0.88%, 0.62%

LAB 75.95, 15.98, 59.78

 

CMYK 0 / 25 / 64 / 0

HEX #FFC05C

RGB 255 192 92

HSL 36.81, 1%, 0.68%

LAB 81.69, 12.59, 57.89

 

CMYK 0 / 18 / 56 / 0

HEX #FFD26F

RGB 255 210 111

HSL 41.25, 1%, 0.72%

LAB 86.26, 4.57, 54.29

 

CMYK 0 / 11 / 49 / 0

HEX #FFE482

RGB 255 228 130

HSL 47.04, 1%, 0.75%

LAB 90.94, -3.04, 50.87

 

CMYK 0 / 29 / 73 / 13

HEX #DD9C3B

RGB 221 156 59

HSL 35.93, 0.7%, 0.55%

LAB 69.09, 15.58, 57.95

 

CMYK 0 / 32 / 80 / 20

HEX #CC8A28

RGB 204 138 40

HSL 35.85, 0.67%, 0.48%

LAB 62.65, 17.23, 58.61

 

CMYK 0 / 36 / 89 / 27

HEX #BB7815

RGB 187 120 21

HSL 35.78, 0.8%, 0.41%

LAB 56.14, 19.13, 58.39

 

CMYK 0 / 40 / 99 / 33

HEX #AA6602

RGB 170 102 2

HSL 35.71, 0.98%, 0.34%

LAB 49.56, 21.3, 56.82

 

CMYK 0 / 45 / 100 / 40

HEX #995400

RGB 153 84 0

HSL 32.94, 1%, 0.3%

LAB 42.93, 23.81, 51.9

 

CMYK 0 / 29 / 73 / 14

HEX #DC9C3B

RGB 220 156 59

HSL 36.15, 0.7%, 0.55%

LAB 68.97, 15.15, 57.8

 

CMYK 0 / 49 / 73 / 14

HEX #DC703B

RGB 220 112 59

HSL 19.75, 0.7%, 0.55%

LAB 59.09, 38.45, 47.58

 

CMYK 0 / 69 / 73 / 14

HEX #DC453B

RGB 220 69 59

HSL 3.73, 0.7%, 0.55%

LAB 51.6, 58.03, 39.4

 

CMYK 0 / 73 / 73 / 14

HEX #DC3B3B

RGB 220 59 59

HSL 0, 0.7%, 0.55%

LAB 50.29, 61.64, 37.93

 

CMYK 0 / 29 / 73 / 14

HEX #DC9C3B

RGB 220 156 59

HSL 36.15, 0.7%, 0.55%

LAB 68.97, 15.15, 57.8

 

CMYK 0 / 10 / 73 / 14

HEX #DCC73B

RGB 220 199 59

HSL 52.17, 0.7%, 0.55%

LAB 79.83, -7.48, 68.42

 

CMYK 10 / 0 / 73 / 14

HEX #C6DC3B

RGB 198 220 59

HSL 68.2, 0.7%, 0.55%

LAB 83.71, -27.04, 71.5

 

CMYK 30 / 0 / 73 / 14

HEX #9BDC3B

RGB 155 220 59

HSL 84.22, 0.7%, 0.55%

LAB 81, -43.72, 67.96

 

CMYK 50 / 0 / 73 / 14

HEX #6FDC3B

RGB 111 220 59

HSL 100.62, 0.7%, 0.55%

LAB 78.97, -58.16, 65.28

 

CMYK 0 / 29 / 73 / 14

HEX #DC9C3B

RGB 220 156 59

HSL 36.15, 0.7%, 0.55%

LAB 68.97, 15.15, 57.8

 

CMYK 0 / 33 / 83 / 6

HEX #EF9F29

RGB 239 159 41

HSL 35.76, 0.86%, 0.55%

LAB 71.76, 20.97, 67.88

 

CMYK 0 / 29 / 73 / 14

HEX #DC9C3B

RGB 220 156 59

HSL 36.15, 0.7%, 0.55%

LAB 68.97, 15.15, 57.8

 

CMYK 0 / 25 / 61 / 21

HEX #CA984E

RGB 202 152 78

HSL 35.81, 0.54%, 0.55%

LAB 66.18, 10.71, 45.48

 

CMYK 0 / 19 / 47 / 28

HEX #B79461

RGB 183 148 97

HSL 35.58, 0.37%, 0.55%

LAB 63.43, 6.45, 31.84

 

CMYK 0 / 12 / 30 / 36

HEX #A49173

RGB 164 145 115

HSL 36.73, 0.21%, 0.55%

LAB 61.12, 2.38, 18.54

 

CMYK 0 / 3 / 8 / 43

HEX #928D86

RGB 146 141 134

HSL 35, 0.05%, 0.55%

LAB 58.86, 0.55, 4.38

 

CMYK 0 / 70 / 73 / 14

HEX #DC433B

RGB 220 67 59

HSL 2.98, 0.7%, 0.55%

LAB 51.32, 58.79, 39.09

 

CMYK 0 / 50 / 73 / 14

HEX #DC6E3B

RGB 220 110 59

HSL 19.01, 0.7%, 0.55%

LAB 58.68, 39.47, 47.15

 

CMYK 0 / 30 / 73 / 14

HEX #DC993B

RGB 220 153 59

HSL 35.03, 0.7%, 0.55%

LAB 68.25, 16.76, 57.07

 

CMYK 0 / 11 / 73 / 14

HEX #DCC43B

RGB 220 196 59

HSL 51.06, 0.7%, 0.55%

LAB 79.05, -5.94, 67.67

 

CMYK 9 / 0 / 73 / 14

HEX #C9DC3B

RGB 201 220 59

HSL 67.08, 0.7%, 0.55%

LAB 83.92, -25.82, 71.78

 

CMYK 0 / 33 / 83 / 34

HEX #A8701D

RGB 168 112 29

HSL 35.83, 0.71%, 0.39%

LAB 51.84, 15.35, 51.29

 

CMYK 0 / 33 / 83 / 20

HEX #CB8823

RGB 203 136 35

HSL 36.07, 0.71%, 0.47%

LAB 62.02, 17.72, 59.77

 

CMYK 0 / 29 / 73 / 14

HEX #DC9C3B

RGB 220 156 59

HSL 36.15, 0.7%, 0.55%

LAB 68.97, 15.15, 57.8

 

CMYK 0 / 23 / 58 / 11

HEX #E2AD5E

RGB 226 173 94

HSL 35.91, 0.69%, 0.63%

LAB 74.1, 10.7, 47.47

 

CMYK 0 / 18 / 44 / 9

HEX #E8BF82

RGB 232 191 130

HSL 35.88, 0.69%, 0.71%

LAB 79.63, 6.81, 36.22

 

CMYK 0 / 29 / 73 / 13

HEX #DD9C3B

RGB 221 156 59

HSL 35.93, 0.7%, 0.55%

LAB 69.09, 15.58, 57.95

 

CMYK 57 / 0 / 73 / 14

HEX #5EDC3B

RGB 94 220 59

HSL 106.96, 0.7%, 0.55%

LAB 78.39, -62.7, 64.51

 

CMYK 60 / 73 / 0 / 14

HEX #593BDC

RGB 89 59 220

HSL 251.18, 0.7%, 0.55%

LAB 38.58, 55.02, -77.46

 

CMYK 0 / 29 / 73 / 13

HEX #DD9C3B

RGB 221 156 59

HSL 35.93, 0.7%, 0.55%

LAB 69.09, 15.58, 57.95

 

CMYK 73 / 0 / 30 / 14

HEX #3BDC99

RGB 59 220 153

HSL 155.03, 0.7%, 0.55%

LAB 78.7, -56.26, 21.38

 

CMYK 30 / 73 / 0 / 14

HEX #993BDC

RGB 153 59 220

HSL 275.03, 0.7%, 0.55%

LAB 45.73, 65.11, -65.5

 

CMYK 0 / 29 / 73 / 13

HEX #DD9C3B

RGB 221 156 59

HSL 35.93, 0.7%, 0.55%

LAB 69.09, 15.58, 57.95

 

CMYK 57 / 0 / 73 / 14

HEX #5EDC3B

RGB 94 220 59

HSL 106.96, 0.7%, 0.55%

LAB 78.39, -62.7, 64.51

 

CMYK 73 / 43 / 0 / 14

HEX #3B7EDC

RGB 59 126 220

HSL 215.03, 0.7%, 0.55%

LAB 52.97, 10.56, -54.19

 

CMYK 16 / 73 / 0 / 14

HEX #B93BDC

RGB 185 59 220

HSL 286.96, 0.7%, 0.55%

LAB 50.23, 71.17, -58

 

CMYK 0 / 29 / 73 / 13

HEX #DD9C3B

RGB 221 156 59

HSL 35.93, 0.7%, 0.55%

LAB 69.09, 15.58, 57.95

 

CMYK 73 / 0 / 67 / 14

HEX #3BDC49

RGB 59 220 73

HSL 125.22, 0.7%, 0.55%

LAB 77.64, -68.56, 58.27

 

CMYK 73 / 43 / 0 / 14

HEX #3B7EDC

RGB 59 126 220

HSL 215.03, 0.7%, 0.55%

LAB 52.97, 10.56, -54.19

 

CMYK 0 / 73 / 6 / 14

HEX #DC3BCF

RGB 220 59 207

HSL 304.84, 0.7%, 0.55%

LAB 54.92, 76.2, -42.79

 

Description

Color code: HEX #DD9C3B | qconv.com Color code: HEX #DD9C3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 156 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 156 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 73 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 73% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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