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Color name
HEX #DDA591

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDA591 it is the complementary color #225A6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDA591. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDA591 shade: #E2A58C, #F3B79F, #FFC9B2, #FFDBC5 and #FFEDD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDA591. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDA591 shade: #DDA591, #CC937E, #BB816B, #AA6F58 and #995D45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDA591 shade: #DDA591 and #DD9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDA591 shade: #DDA591, #DDBA91, #DDCE91, #D7DD91 and #C3DD91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDA591 shade matches the following richer shades: #DDA591, #E8A086 and #F49A7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDA591 shade: #DDA591, #D1AB9D, #C6B0A8, #BAB6B4 and #AFBBBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDA591 shade: #DD91A7, #DD9193, #DDA491, #DDB891 and #DDCD91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDA591 shade: #CA7252, #D38B72, #DDA591, #E7BFB1 and #F0D9D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDA591 shade: #DDA591, #BBDD91 and #919DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDA591 shade: #DDA591, #91DDA4 and #A491DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDA591 shade: #DDA591, #BBDD91, #91CADD and #B391DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDA591 shade: #DDA591, #A4DD91, #91CADD and #CA91DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

Complementary color

CMYK 69 / 18 / 0 / 57

HEX #225A6E

RGB 34 90 110

HSL 195.79, 0.53%, 0.28%

LAB 35.55, -11.34, -16.81

 

CMYK 0 / 27 / 38 / 11

HEX #E2A58C

RGB 226 165 140

HSL 17.44, 0.6%, 0.72%

LAB 72.87, 19.34, 21.83

 

CMYK 0 / 25 / 35 / 5

HEX #F3B79F

RGB 243 183 159

HSL 17.14, 0.78%, 0.79%

LAB 79.29, 18.57, 20.65

 

CMYK 0 / 21 / 30 / 0

HEX #FFC9B2

RGB 255 201 178

HSL 17.92, 1%, 0.85%

LAB 85.12, 16.01, 18.82

 

CMYK 0 / 14 / 23 / 0

HEX #FFDBC5

RGB 255 219 197

HSL 22.76, 1%, 0.89%

LAB 89.84, 9.2, 15.43

 

CMYK 0 / 7 / 15 / 0

HEX #FFEDD8

RGB 255 237 216

HSL 32.31, 1%, 0.92%

LAB 94.65, 2.74, 12.36

 

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

CMYK 0 / 28 / 38 / 20

HEX #CC937E

RGB 204 147 126

HSL 16.15, 0.43%, 0.65%

LAB 65.91, 18.8, 19.63

 

CMYK 0 / 31 / 43 / 27

HEX #BB816B

RGB 187 129 107

HSL 16.5, 0.37%, 0.58%

LAB 59.28, 19.7, 20.94

 

CMYK 0 / 35 / 48 / 33

HEX #AA6F58

RGB 170 111 88

HSL 16.83, 0.33%, 0.51%

LAB 52.53, 20.74, 22.41

 

CMYK 0 / 39 / 55 / 40

HEX #995D45

RGB 153 93 69

HSL 17.14, 0.38%, 0.44%

LAB 45.68, 21.95, 24.08

 

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

CMYK 0 / 34 / 34 / 13

HEX #DD9191

RGB 221 145 145

HSL 0, 0.53%, 0.72%

LAB 67.77, 28.76, 11.91

 

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

CMYK 0 / 16 / 34 / 13

HEX #DDBA91

RGB 221 186 145

HSL 32.37, 0.53%, 0.72%

LAB 77.6, 6.77, 25.48

 

CMYK 0 / 7 / 34 / 13

HEX #DDCE91

RGB 221 206 145

HSL 48.16, 0.53%, 0.72%

LAB 82.68, -3.69, 32.27

 

CMYK 3 / 0 / 34 / 13

HEX #D7DD91

RGB 215 221 145

HSL 64.74, 0.53%, 0.72%

LAB 86.11, -13.62, 36.68

 

CMYK 12 / 0 / 34 / 13

HEX #C3DD91

RGB 195 221 145

HSL 80.53, 0.53%, 0.72%

LAB 84.67, -21.15, 34.52

 

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

CMYK 0 / 31 / 42 / 9

HEX #E8A086

RGB 232 160 134

HSL 15.92, 0.68%, 0.72%

LAB 72.24, 23.69, 24.34

 

CMYK 0 / 37 / 50 / 4

HEX #F49A7A

RGB 244 154 122

HSL 15.74, 0.85%, 0.72%

LAB 72.06, 30.35, 30.85

 

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

CMYK 0 / 18 / 25 / 18

HEX #D1AB9D

RGB 209 171 157

HSL 16.15, 0.36%, 0.72%

LAB 72.97, 11.75, 12.42

 

CMYK 0 / 11 / 15 / 22

HEX #C6B0A8

RGB 198 176 168

HSL 16, 0.21%, 0.72%

LAB 73.47, 6.58, 6.98

 

CMYK 0 / 2 / 3 / 27

HEX #BAB6B4

RGB 186 182 180

HSL 20, 0.04%, 0.72%

LAB 74.31, 1.05, 1.51

 

CMYK 8 / 2 / 0 / 25

HEX #AFBBBF

RGB 175 187 191

HSL 195, 0.11%, 0.72%

LAB 75.09, -3.34, -3.45

 

CMYK 0 / 34 / 24 / 13

HEX #DD91A7

RGB 221 145 167

HSL 342.63, 0.53%, 0.72%

LAB 68.32, 31.7, 0.38

 

CMYK 0 / 34 / 33 / 13

HEX #DD9193

RGB 221 145 147

HSL 358.42, 0.53%, 0.72%

LAB 67.82, 29.01, 10.85

 

CMYK 0 / 26 / 34 / 13

HEX #DDA491

RGB 221 164 145

HSL 15, 0.53%, 0.72%

LAB 72.21, 18.54, 18.1

 

CMYK 0 / 17 / 34 / 13

HEX #DDB891

RGB 221 184 145

HSL 30.79, 0.53%, 0.72%

LAB 77.1, 7.83, 24.8

 

CMYK 0 / 7 / 34 / 13

HEX #DDCD91

RGB 221 205 145

HSL 47.37, 0.53%, 0.72%

LAB 82.42, -3.17, 31.93

 

CMYK 0 / 44 / 59 / 21

HEX #CA7252

RGB 202 114 82

HSL 16, 0.53%, 0.56%

LAB 57.27, 31.64, 32.71

 

CMYK 0 / 34 / 46 / 17

HEX #D38B72

RGB 211 139 114

HSL 15.46, 0.52%, 0.64%

LAB 64.59, 24.61, 24.63

 

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

CMYK 0 / 17 / 23 / 9

HEX #E7BFB1

RGB 231 191 177

HSL 15.56, 0.53%, 0.8%

LAB 80.42, 12.18, 12.41

 

CMYK 0 / 10 / 13 / 6

HEX #F0D9D0

RGB 240 217 208

HSL 16.88, 0.52%, 0.88%

LAB 88.31, 6.48, 7.3

 

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

CMYK 15 / 0 / 34 / 13

HEX #BBDD91

RGB 187 221 145

HSL 86.84, 0.53%, 0.72%

LAB 84.13, -24.09, 33.72

 

CMYK 34 / 29 / 0 / 13

HEX #919DDD

RGB 145 157 221

HSL 230.53, 0.53%, 0.72%

LAB 66.02, 10.83, -33.86

 

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

CMYK 34 / 0 / 26 / 13

HEX #91DDA4

RGB 145 221 164

HSL 135, 0.53%, 0.72%

LAB 82.06, -35.21, 20.71

 

CMYK 26 / 34 / 0 / 13

HEX #A491DD

RGB 164 145 221

HSL 255, 0.53%, 0.72%

LAB 64.45, 23.12, -36.19

 

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

CMYK 15 / 0 / 34 / 13

HEX #BBDD91

RGB 187 221 145

HSL 86.84, 0.53%, 0.72%

LAB 84.13, -24.09, 33.72

 

CMYK 34 / 9 / 0 / 13

HEX #91CADD

RGB 145 202 221

HSL 195, 0.53%, 0.72%

LAB 78.16, -13.72, -15.31

 

CMYK 19 / 34 / 0 / 13

HEX #B391DD

RGB 179 145 221

HSL 266.84, 0.53%, 0.72%

LAB 65.79, 27.58, -34

 

CMYK 0 / 25 / 34 / 13

HEX #DDA591

RGB 221 165 145

HSL 15.79, 0.53%, 0.72%

LAB 72.45, 18, 18.43

 

CMYK 26 / 0 / 34 / 13

HEX #A4DD91

RGB 164 221 145

HSL 105, 0.53%, 0.72%

LAB 82.73, -32.2, 31.6

 

CMYK 34 / 9 / 0 / 13

HEX #91CADD

RGB 145 202 221

HSL 195, 0.53%, 0.72%

LAB 78.16, -13.72, -15.31

 

CMYK 9 / 34 / 0 / 13

HEX #CA91DD

RGB 202 145 221

HSL 285, 0.53%, 0.72%

LAB 68.04, 34.63, -30.34

 

Description

Color code: HEX #DDA591 | qconv.com Color code: HEX #DDA591 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 165 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 165 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 34 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 34% 13% C M Y K

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Provide designers and agencies with accurate color values.

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