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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDA5B7 it is the complementary color #225A48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDA5B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDA5B7 shade: #E2A5B2, #F3B7C5, #FFC9D8, #FFDBEB and #FFEDFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDA5B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDA5B7 shade: #DDA5B7, #CC93A4, #BB8191, #AA6F7E and #995D6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDA5B7 shade: #DDA6B7, #DDA6A9 and #DDA6A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDA5B7 shade: #DDA6B7, #DDA6C6, #DDA6D5, #D6A6DD and #C7A6DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDA5B7 shade matches the following richer shades: #DDA6B7, #E79CB4, #F192B0 and #FB88AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDA5B7 shade: #DDA6B7, #D3B0BB, #C9BABF, #BFC3C2 and #B5CDC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDA5B7 shade: #DDA6D5, #DDA6C7, #DDA6B8, #DDA6A9 and #DDB1A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDA5B7 shade: #C66A88, #D188A0, #DDA6B7, #E8C4CF and #F4E2E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDA5B7 shade: #DDA5B7, #DDD5A6 and #A6CEDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDA5B7 shade: #DDA5B7, #B8DDA6 and #A6B8DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDA5B7 shade: #DDA5B7, #DDD5A6, #A6DDCA and #A6ADDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDA5B7 shade: #DDA5B7, #D4DDA6, #A6DDCA and #AFA6DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 17 / 13

HEX #DDA5B7

RGB 221 165 183

HSL 340.71, 0.45%, 0.76%

LAB 73.35, 23.33, -1.16

 

Complementary color

CMYK 62 / 0 / 20 / 65

HEX #225A48

RGB 34 90 72

HSL 160.71, 0.45%, 0.24%

LAB 34.23, -23.29, 4.96

 

CMYK 0 / 27 / 21 / 11

HEX #E2A5B2

RGB 226 165 178

HSL 347.21, 0.51%, 0.77%

LAB 73.74, 24.38, 2.22

 

CMYK 0 / 25 / 19 / 5

HEX #F3B7C5

RGB 243 183 197

HSL 346, 0.71%, 0.84%

LAB 80.15, 23.73, 1.41

 

CMYK 0 / 21 / 15 / 0

HEX #FFC9D8

RGB 255 201 216

HSL 343.33, 1%, 0.89%

LAB 86, 21.39, -0.1

 

CMYK 0 / 14 / 8 / 0

HEX #FFDBEB

RGB 255 219 235

HSL 333.33, 1%, 0.93%

LAB 90.74, 15.04, -3.19

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFE

RGB 255 237 254

HSL 303.33, 1%, 0.96%

LAB 95.57, 9, -5.99

 

CMYK 0 / 25 / 17 / 13

HEX #DDA5B7

RGB 221 165 183

HSL 340.71, 0.45%, 0.76%

LAB 73.35, 23.33, -1.16

 

CMYK 0 / 28 / 20 / 20

HEX #CC93A4

RGB 204 147 164

HSL 342.11, 0.36%, 0.69%

LAB 66.81, 23.99, -0.37

 

CMYK 0 / 31 / 22 / 27

HEX #BB8191

RGB 187 129 145

HSL 343.45, 0.3%, 0.62%

LAB 60.17, 24.72, 0.48

 

CMYK 0 / 35 / 26 / 33

HEX #AA6F7E

RGB 170 111 126

HSL 344.75, 0.26%, 0.55%

LAB 53.41, 25.52, 1.42

 

CMYK 0 / 39 / 30 / 40

HEX #995D6B

RGB 153 93 107

HSL 346, 0.24%, 0.48%

LAB 46.53, 26.41, 2.5

 

CMYK 0 / 25 / 17 / 13

HEX #DDA6B7

RGB 221 166 183

HSL 341.45, 0.45%, 0.76%

LAB 73.59, 22.8, -0.81

 

CMYK 0 / 25 / 24 / 13

HEX #DDA6A9

RGB 221 166 169

HSL 356.73, 0.45%, 0.76%

LAB 73.23, 20.68, 6.36

 

CMYK 0 / 25 / 25 / 13

HEX #DDA6A6

RGB 221 166 166

HSL 0, 0.45%, 0.76%

LAB 73.15, 20.25, 7.91

 

CMYK 0 / 25 / 17 / 13

HEX #DDA6B7

RGB 221 166 183

HSL 341.45, 0.45%, 0.76%

LAB 73.59, 22.8, -0.81

 

CMYK 0 / 25 / 10 / 13

HEX #DDA6C6

RGB 221 166 198

HSL 325.09, 0.45%, 0.76%

LAB 74.01, 25.23, -8.43

 

CMYK 0 / 25 / 4 / 13

HEX #DDA6D5

RGB 221 166 213

HSL 308.73, 0.45%, 0.76%

LAB 74.48, 27.85, -15.95

 

CMYK 3 / 25 / 0 / 13

HEX #D6A6DD

RGB 214 166 221

HSL 292.36, 0.45%, 0.76%

LAB 74.05, 27.02, -21.02

 

CMYK 10 / 25 / 0 / 13

HEX #C7A6DD

RGB 199 166 221

HSL 276, 0.45%, 0.76%

LAB 72.65, 22.16, -23.29

 

CMYK 0 / 25 / 17 / 13

HEX #DDA6B7

RGB 221 166 183

HSL 341.45, 0.45%, 0.76%

LAB 73.59, 22.8, -0.81

 

CMYK 0 / 32 / 22 / 9

HEX #E79CB4

RGB 231 156 180

HSL 340.8, 0.61%, 0.76%

LAB 72.27, 31.28, -0.96

 

CMYK 0 / 39 / 27 / 5

HEX #F192B0

RGB 241 146 176

HSL 341.05, 0.77%, 0.76%

LAB 71.14, 39.5, -0.25

 

CMYK 0 / 46 / 31 / 2

HEX #FB88AD

RGB 251 136 173

HSL 340.7, 0.93%, 0.76%

LAB 70.27, 47.64, 0.3

 

CMYK 0 / 25 / 17 / 13

HEX #DDA6B7

RGB 221 166 183

HSL 341.45, 0.45%, 0.76%

LAB 73.59, 22.8, -0.81

 

CMYK 0 / 17 / 11 / 17

HEX #D3B0BB

RGB 211 176 187

HSL 341.14, 0.28%, 0.76%

LAB 75.13, 14.44, -0.86

 

CMYK 0 / 7 / 5 / 21

HEX #C9BABF

RGB 201 186 191

HSL 340, 0.12%, 0.76%

LAB 76.86, 6.18, -0.62

 

CMYK 2 / 0 / 1 / 24

HEX #BFC3C2

RGB 191 195 194

HSL 165, 0.03%, 0.76%

LAB 78.46, -1.56, 0.01

 

CMYK 12 / 0 / 3 / 20

HEX #B5CDC6

RGB 181 205 198

HSL 162.5, 0.19%, 0.76%

LAB 80.5, -9.42, 0.74

 

CMYK 0 / 25 / 4 / 13

HEX #DDA6D5

RGB 221 166 213

HSL 308.73, 0.45%, 0.76%

LAB 74.48, 27.85, -15.95

 

CMYK 0 / 25 / 10 / 13

HEX #DDA6C7

RGB 221 166 199

HSL 324, 0.45%, 0.76%

LAB 74.04, 25.4, -8.93

 

CMYK 0 / 25 / 17 / 13

HEX #DDA6B8

RGB 221 166 184

HSL 340.36, 0.45%, 0.76%

LAB 73.61, 22.95, -1.32

 

CMYK 0 / 25 / 24 / 13

HEX #DDA6A9

RGB 221 166 169

HSL 356.73, 0.45%, 0.76%

LAB 73.23, 20.68, 6.36

 

CMYK 0 / 20 / 25 / 13

HEX #DDB1A6

RGB 221 177 166

HSL 12, 0.45%, 0.76%

LAB 75.8, 14.34, 11.68

 

CMYK 0 / 46 / 31 / 22

HEX #C66A88

RGB 198 106 136

HSL 340.43, 0.45%, 0.6%

LAB 56.18, 39.9, 0.03

 

CMYK 0 / 35 / 23 / 18

HEX #D188A0

RGB 209 136 160

HSL 340.27, 0.44%, 0.68%

LAB 64.73, 31.2, -1.11

 

CMYK 0 / 25 / 17 / 13

HEX #DDA6B7

RGB 221 166 183

HSL 341.45, 0.45%, 0.76%

LAB 73.59, 22.8, -0.81

 

CMYK 0 / 16 / 11 / 9

HEX #E8C4CF

RGB 232 196 207

HSL 341.67, 0.44%, 0.84%

LAB 82.45, 14.51, -0.74

 

CMYK 0 / 7 / 5 / 4

HEX #F4E2E7

RGB 244 226 231

HSL 343.33, 0.45%, 0.92%

LAB 91.41, 6.98, -0.23

 

CMYK 0 / 25 / 17 / 13

HEX #DDA5B7

RGB 221 165 183

HSL 340.71, 0.45%, 0.76%

LAB 73.35, 23.33, -1.16

 

CMYK 0 / 4 / 25 / 13

HEX #DDD5A6

RGB 221 213 166

HSL 51.27, 0.45%, 0.76%

LAB 84.85, -4.6, 24.28

 

CMYK 25 / 7 / 0 / 13

HEX #A6CEDD

RGB 166 206 221

HSL 196.36, 0.45%, 0.76%

LAB 80.44, -9.81, -11.77

 

CMYK 0 / 25 / 17 / 13

HEX #DDA5B7

RGB 221 165 183

HSL 340.71, 0.45%, 0.76%

LAB 73.35, 23.33, -1.16

 

CMYK 17 / 0 / 25 / 13

HEX #B8DDA6

RGB 184 221 166

HSL 100.36, 0.45%, 0.76%

LAB 84.31, -22.09, 23.1

 

CMYK 25 / 17 / 0 / 13

HEX #A6B8DD

RGB 166 184 221

HSL 220.36, 0.45%, 0.76%

LAB 74.58, 1.91, -20.6

 

CMYK 0 / 25 / 17 / 13

HEX #DDA5B7

RGB 221 165 183

HSL 340.71, 0.45%, 0.76%

LAB 73.35, 23.33, -1.16

 

CMYK 0 / 4 / 25 / 13

HEX #DDD5A6

RGB 221 213 166

HSL 51.27, 0.45%, 0.76%

LAB 84.85, -4.6, 24.28

 

CMYK 25 / 0 / 9 / 13

HEX #A6DDCA

RGB 166 221 202

HSL 159.27, 0.45%, 0.76%

LAB 84.01, -21.5, 3.6

 

CMYK 25 / 22 / 0 / 13

HEX #A6ADDD

RGB 166 173 221

HSL 232.36, 0.45%, 0.76%

LAB 71.7, 7.95, -24.98

 

CMYK 0 / 25 / 17 / 13

HEX #DDA5B7

RGB 221 165 183

HSL 340.71, 0.45%, 0.76%

LAB 73.35, 23.33, -1.16

 

CMYK 4 / 0 / 25 / 13

HEX #D4DDA6

RGB 212 221 166

HSL 69.82, 0.45%, 0.76%

LAB 86.24, -12.02, 26.05

 

CMYK 25 / 0 / 9 / 13

HEX #A6DDCA

RGB 166 221 202

HSL 159.27, 0.45%, 0.76%

LAB 84.01, -21.5, 3.6

 

CMYK 21 / 25 / 0 / 13

HEX #AFA6DD

RGB 175 166 221

HSL 249.82, 0.45%, 0.76%

LAB 70.6, 14.59, -26.61

 

Description

Color code: HEX #DDA5B7 | qconv.com Color code: HEX #DDA5B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 165 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 165 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 17 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 17% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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