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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDAF73 it is the complementary color #22508C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDAF73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDAF73 shade: #E2AF6E, #F3C181, #FFD394, #FFE5A7 and #FFF7BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDAF73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDAF73 shade: #DDAF73, #CC9D60, #BB8B4D, #AA793A and #996727

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDAF73 shade: #DDAF73, #DD9273, #DD7673 and #DD7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDAF73 shade: #DDAF73, #DDCB73, #D2DD73, #B5DD73 and #98DD73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDAF73 shade matches the following richer shades: #DDAF73, #EBB165 and #F9B257

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDAF73 shade: #DDAF73, #CFAD81, #C1AB8F, #B3A99D and #A5A7AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDAF73 shade: #DD7573, #DD9173, #DDAD73, #DDC973 and #D4DD73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDAF73 shade: #CC8931, #D59C52, #DDAF73, #E5C294 and #EDD5B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDAF73 shade: #DDAF73, #8DDD73 and #8373DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDAF73 shade: #DDAF73, #73DDAD and #AD73DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDAF73 shade: #DDAF73, #8DDD73, #73A3DD and #C273DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDAF73 shade: #DDAF73, #73DD78, #73A3DD and #DD73D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

Complementary color

CMYK 76 / 43 / 0 / 45

HEX #22508C

RGB 34 80 140

HSL 213.96, 0.61%, 0.34%

LAB 33.92, 6.31, -37.87

 

CMYK 0 / 23 / 51 / 11

HEX #E2AF6E

RGB 226 175 110

HSL 33.62, 0.67%, 0.66%

LAB 74.8, 10.94, 40.27

 

CMYK 0 / 21 / 47 / 5

HEX #F3C181

RGB 243 193 129

HSL 33.68, 0.83%, 0.73%

LAB 81.17, 10.07, 38.93

 

CMYK 0 / 17 / 42 / 0

HEX #FFD394

RGB 255 211 148

HSL 35.33, 1%, 0.79%

LAB 86.99, 7.35, 36.95

 

CMYK 0 / 10 / 35 / 0

HEX #FFE5A7

RGB 255 229 167

HSL 42.27, 1%, 0.83%

LAB 91.72, 0.23, 33.52

 

CMYK 0 / 3 / 27 / 0

HEX #FFF7BA

RGB 255 247 186

HSL 53.04, 1%, 0.86%

LAB 96.54, -6.49, 30.36

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 0 / 23 / 53 / 20

HEX #CC9D60

RGB 204 157 96

HSL 33.89, 0.51%, 0.59%

LAB 67.87, 10.26, 38.4

 

CMYK 0 / 26 / 59 / 27

HEX #BB8B4D

RGB 187 139 77

HSL 33.82, 0.45%, 0.52%

LAB 61.28, 11.32, 39.83

 

CMYK 0 / 29 / 66 / 33

HEX #AA793A

RGB 170 121 58

HSL 33.75, 0.49%, 0.45%

LAB 54.58, 12.58, 41.28

 

CMYK 0 / 33 / 75 / 40

HEX #996727

RGB 153 103 39

HSL 33.68, 0.59%, 0.38%

LAB 47.78, 14.1, 42.6

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 0 / 34 / 48 / 13

HEX #DD9273

RGB 221 146 115

HSL 17.55, 0.61%, 0.66%

LAB 67.4, 24.91, 28.03

 

CMYK 0 / 47 / 48 / 13

HEX #DD7673

RGB 221 118 115

HSL 1.7, 0.61%, 0.66%

LAB 61.28, 39.69, 19.83

 

CMYK 0 / 48 / 48 / 13

HEX #DD7373

RGB 221 115 115

HSL 0, 0.61%, 0.66%

LAB 60.67, 41.22, 19

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 0 / 8 / 48 / 13

HEX #DDCB73

RGB 221 203 115

HSL 49.81, 0.61%, 0.66%

LAB 81.47, -5.32, 45.89

 

CMYK 5 / 0 / 48 / 13

HEX #D2DD73

RGB 210 221 115

HSL 66.23, 0.61%, 0.66%

LAB 85.33, -18.77, 50.37

 

CMYK 18 / 0 / 48 / 13

HEX #B5DD73

RGB 181 221 115

HSL 82.64, 0.61%, 0.66%

LAB 83.32, -29.93, 47.48

 

CMYK 31 / 0 / 48 / 13

HEX #98DD73

RGB 152 221 115

HSL 99.06, 0.61%, 0.66%

LAB 81.63, -40.3, 45.02

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 0 / 25 / 57 / 8

HEX #EBB165

RGB 235 177 101

HSL 34.03, 0.77%, 0.66%

LAB 76.1, 12.84, 46.61

 

CMYK 0 / 29 / 65 / 2

HEX #F9B257

RGB 249 178 87

HSL 33.7, 0.93%, 0.66%

LAB 77.68, 17.14, 55.55

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 0 / 16 / 38 / 19

HEX #CFAD81

RGB 207 173 129

HSL 33.85, 0.45%, 0.66%

LAB 72.72, 6.24, 27.23

 

CMYK 0 / 11 / 26 / 24

HEX #C1AB8F

RGB 193 171 143

HSL 33.6, 0.29%, 0.66%

LAB 71.18, 3.6, 17.35

 

CMYK 0 / 6 / 12 / 30

HEX #B3A99D

RGB 179 169 157

HSL 32.73, 0.13%, 0.66%

LAB 69.75, 1.51, 7.47

 

CMYK 4 / 2 / 0 / 33

HEX #A5A7AB

RGB 165 167 171

HSL 220, 0.03%, 0.66%

LAB 68.44, 0.07, -2.32

 

CMYK 0 / 47 / 48 / 13

HEX #DD7573

RGB 221 117 115

HSL 1.13, 0.61%, 0.66%

LAB 61.07, 40.2, 19.56

 

CMYK 0 / 34 / 48 / 13

HEX #DD9173

RGB 221 145 115

HSL 16.98, 0.61%, 0.66%

LAB 67.17, 25.45, 27.73

 

CMYK 0 / 22 / 48 / 13

HEX #DDAD73

RGB 221 173 115

HSL 32.83, 0.61%, 0.66%

LAB 73.87, 10.42, 36.4

 

CMYK 0 / 9 / 48 / 13

HEX #DDC973

RGB 221 201 115

HSL 48.68, 0.61%, 0.66%

LAB 80.95, -4.29, 45.26

 

CMYK 4 / 0 / 48 / 13

HEX #D4DD73

RGB 212 221 115

HSL 65.09, 0.61%, 0.66%

LAB 85.48, -17.98, 50.59

 

CMYK 0 / 33 / 76 / 20

HEX #CC8931

RGB 204 137 49

HSL 34.06, 0.61%, 0.5%

LAB 62.47, 18.11, 54.91

 

CMYK 0 / 27 / 62 / 16

HEX #D59C52

RGB 213 156 82

HSL 33.89, 0.61%, 0.58%

LAB 68.41, 13.5, 46.38

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 0 / 15 / 35 / 10

HEX #E5C294

RGB 229 194 148

HSL 34.07, 0.61%, 0.74%

LAB 80.39, 6.04, 27.78

 

CMYK 0 / 10 / 24 / 7

HEX #EDD5B5

RGB 237 213 181

HSL 34.29, 0.61%, 0.82%

LAB 86.47, 3.44, 18.86

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 36 / 0 / 48 / 13

HEX #8DDD73

RGB 141 221 115

HSL 105.28, 0.61%, 0.66%

LAB 81.08, -43.95, 44.21

 

CMYK 41 / 48 / 0 / 13

HEX #8373DD

RGB 131 115 221

HSL 249.06, 0.61%, 0.66%

LAB 54.35, 31.59, -52.31

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 48 / 0 / 22 / 13

HEX #73DDAD

RGB 115 221 173

HSL 152.83, 0.61%, 0.66%

LAB 80.95, -41.72, 14.23

 

CMYK 22 / 48 / 0 / 13

HEX #AD73DD

RGB 173 115 221

HSL 272.83, 0.61%, 0.66%

LAB 58.38, 42.53, -45.65

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 36 / 0 / 48 / 13

HEX #8DDD73

RGB 141 221 115

HSL 105.28, 0.61%, 0.66%

LAB 81.08, -43.95, 44.21

 

CMYK 48 / 26 / 0 / 13

HEX #73A3DD

RGB 115 163 221

HSL 212.83, 0.61%, 0.66%

LAB 65.8, -0.37, -34.36

 

CMYK 12 / 48 / 0 / 13

HEX #C273DD

RGB 194 115 221

HSL 284.72, 0.61%, 0.66%

LAB 60.74, 48.34, -41.78

 

CMYK 0 / 21 / 48 / 13

HEX #DDAF73

RGB 221 175 115

HSL 33.96, 0.61%, 0.66%

LAB 74.36, 9.35, 37.03

 

CMYK 48 / 0 / 46 / 13

HEX #73DD78

RGB 115 221 120

HSL 122.83, 0.61%, 0.66%

LAB 80.02, -51.05, 40.21

 

CMYK 48 / 26 / 0 / 13

HEX #73A3DD

RGB 115 163 221

HSL 212.83, 0.61%, 0.66%

LAB 65.8, -0.37, -34.36

 

CMYK 0 / 48 / 3 / 13

HEX #DD73D7

RGB 221 115 215

HSL 303.4, 0.61%, 0.66%

LAB 63.79, 54.86, -33.42

 

Description

Color code: HEX #DDAF73 | qconv.com Color code: HEX #DDAF73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 175 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 175 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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