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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDAF82 it is the complementary color #22507D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDAF82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDAF82 shade: #E2AF7D, #F3C190, #FFD3A3, #FFE5B6 and #FFF7C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDAF82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDAF82 shade: #DDAF82, #CC9D6F, #BB8B5C, #AA7949 and #996736

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDAF82 shade: #DDAF82, #DD9782 and #DD8282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDAF82 shade: #DDAF82, #DDC782, #D9DD82, #C1DD82 and #A9DD82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDAF82 shade matches the following richer shades: #DDAF82, #E9AF76 and #F6AF69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDAF82 shade: #DDAF82, #D0AF8F, #C3AF9C, #B6AFA9 and #A9B0B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDAF82 shade: #DD8287, #DD9682, #DDAE82, #DDC682 and #DBDD82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDAF82 shade: #CB8542, #D49A62, #DDAF82, #E5C4A3 and #EED8C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDAF82 shade: #DDAF82, #9FDD82 and #8A82DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDAF82 shade: #DDAF82, #82DDAE and #AE82DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDAF82 shade: #DDAF82, #9FDD82, #82B1DD and #C082DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDAF82 shade: #DDAF82, #84DD82, #82B1DD and #DB82DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

Complementary color

CMYK 73 / 36 / 0 / 51

HEX #22507D

RGB 34 80 125

HSL 209.67, 0.57%, 0.31%

LAB 33.05, 0.45, -30.03

 

CMYK 0 / 23 / 45 / 11

HEX #E2AF7D

RGB 226 175 125

HSL 29.7, 0.64%, 0.69%

LAB 75.02, 12.36, 32.74

 

CMYK 0 / 21 / 41 / 5

HEX #F3C190

RGB 243 193 144

HSL 29.7, 0.8%, 0.76%

LAB 81.41, 11.59, 31.47

 

CMYK 0 / 17 / 36 / 0

HEX #FFD3A3

RGB 255 211 163

HSL 31.3, 1%, 0.82%

LAB 87.24, 8.99, 29.57

 

CMYK 0 / 10 / 29 / 0

HEX #FFE5B6

RGB 255 229 182

HSL 38.63, 1%, 0.86%

LAB 91.99, 2.06, 26.2

 

CMYK 0 / 3 / 21 / 0

HEX #FFF7C9

RGB 255 247 201

HSL 51.11, 1%, 0.89%

LAB 96.82, -4.49, 23.12

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 0 / 23 / 46 / 20

HEX #CC9D6F

RGB 204 157 111

HSL 29.68, 0.48%, 0.62%

LAB 68.09, 11.68, 30.75

 

CMYK 0 / 26 / 51 / 27

HEX #BB8B5C

RGB 187 139 92

HSL 29.68, 0.41%, 0.55%

LAB 61.48, 12.61, 32.15

 

CMYK 0 / 29 / 57 / 33

HEX #AA7949

RGB 170 121 73

HSL 29.69, 0.4%, 0.48%

LAB 54.76, 13.7, 33.65

 

CMYK 0 / 33 / 65 / 40

HEX #996736

RGB 153 103 54

HSL 29.7, 0.48%, 0.41%

LAB 47.93, 15, 35.24

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 0 / 32 / 41 / 13

HEX #DD9782

RGB 221 151 130

HSL 13.85, 0.57%, 0.69%

LAB 68.84, 23.78, 21.71

 

CMYK 0 / 41 / 41 / 13

HEX #DD8282

RGB 221 130 130

HSL 0, 0.57%, 0.69%

LAB 64.12, 34.98, 15.22

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 0 / 10 / 41 / 13

HEX #DDC782

RGB 221 199 130

HSL 45.49, 0.57%, 0.69%

LAB 80.64, -1.76, 37.33

 

CMYK 2 / 0 / 41 / 13

HEX #D9DD82

RGB 217 221 130

HSL 62.64, 0.57%, 0.69%

LAB 86.04, -14.53, 44.12

 

CMYK 13 / 0 / 41 / 13

HEX #C1DD82

RGB 193 221 130

HSL 78.46, 0.57%, 0.69%

LAB 84.31, -23.75, 41.56

 

CMYK 24 / 0 / 41 / 13

HEX #A9DD82

RGB 169 221 130

HSL 94.29, 0.57%, 0.69%

LAB 82.79, -32.53, 39.31

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 0 / 25 / 49 / 9

HEX #E9AF76

RGB 233 175 118

HSL 29.74, 0.72%, 0.69%

LAB 75.63, 14.51, 37.34

 

CMYK 0 / 29 / 57 / 4

HEX #F6AF69

RGB 246 175 105

HSL 29.79, 0.89%, 0.69%

LAB 76.84, 18.69, 45.79

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 0 / 16 / 31 / 18

HEX #D0AF8F

RGB 208 175 143

HSL 29.54, 0.41%, 0.69%

LAB 73.58, 7.3, 20.88

 

CMYK 0 / 10 / 20 / 24

HEX #C3AF9C

RGB 195 175 156

HSL 29.23, 0.25%, 0.69%

LAB 72.67, 4.12, 12.36

 

CMYK 0 / 4 / 7 / 29

HEX #B6AFA9

RGB 182 175 169

HSL 27.69, 0.08%, 0.69%

LAB 71.87, 1.42, 3.95

 

CMYK 7 / 3 / 0 / 29

HEX #A9B0B6

RGB 169 176 182

HSL 207.69, 0.08%, 0.69%

LAB 71.46, -1.27, -3.92

 

CMYK 0 / 41 / 39 / 13

HEX #DD8287

RGB 221 130 135

HSL 356.7, 0.57%, 0.69%

LAB 64.23, 35.54, 12.55

 

CMYK 0 / 32 / 41 / 13

HEX #DD9682

RGB 221 150 130

HSL 13.19, 0.57%, 0.69%

LAB 68.6, 24.32, 21.39

 

CMYK 0 / 21 / 41 / 13

HEX #DDAE82

RGB 221 174 130

HSL 29.01, 0.57%, 0.69%

LAB 74.35, 11.42, 29.12

 

CMYK 0 / 10 / 41 / 13

HEX #DDC682

RGB 221 198 130

HSL 44.84, 0.57%, 0.69%

LAB 80.39, -1.24, 37

 

CMYK 1 / 0 / 41 / 13

HEX #DBDD82

RGB 219 221 130

HSL 61.32, 0.57%, 0.69%

LAB 86.2, -13.75, 44.34

 

CMYK 0 / 34 / 67 / 20

HEX #CB8542

RGB 203 133 66

HSL 29.34, 0.57%, 0.53%

LAB 61.54, 20.72, 46.16

 

CMYK 0 / 27 / 54 / 17

HEX #D49A62

RGB 212 154 98

HSL 29.47, 0.57%, 0.61%

LAB 68.01, 15.39, 37.73

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 0 / 14 / 29 / 10

HEX #E5C4A3

RGB 229 196 163

HSL 30, 0.56%, 0.77%

LAB 81.17, 6.87, 20.91

 

CMYK 0 / 9 / 18 / 7

HEX #EED8C3

RGB 238 216 195

HSL 29.3, 0.56%, 0.85%

LAB 87.6, 4.28, 13.11

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 28 / 0 / 41 / 13

HEX #9FDD82

RGB 159 221 130

HSL 100.88, 0.57%, 0.69%

LAB 82.21, -36.01, 38.47

 

CMYK 38 / 41 / 0 / 13

HEX #8A82DD

RGB 138 130 221

HSL 245.27, 0.57%, 0.69%

LAB 58.59, 24.55, -45.54

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 41 / 0 / 21 / 13

HEX #82DDAE

RGB 130 221 174

HSL 149.01, 0.57%, 0.69%

LAB 81.57, -37.63, 14.67

 

CMYK 21 / 41 / 0 / 13

HEX #AE82DD

RGB 174 130 221

HSL 269.01, 0.57%, 0.69%

LAB 61.81, 34.52, -40.25

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 28 / 0 / 41 / 13

HEX #9FDD82

RGB 159 221 130

HSL 100.88, 0.57%, 0.69%

LAB 82.21, -36.01, 38.47

 

CMYK 41 / 20 / 0 / 13

HEX #82B1DD

RGB 130 177 221

HSL 209.01, 0.57%, 0.69%

LAB 70.46, -4.41, -27.08

 

CMYK 13 / 41 / 0 / 13

HEX #C082DD

RGB 192 130 221

HSL 280.88, 0.57%, 0.69%

LAB 63.67, 39.77, -37.21

 

CMYK 0 / 21 / 41 / 13

HEX #DDAF82

RGB 221 175 130

HSL 29.67, 0.57%, 0.69%

LAB 74.6, 10.89, 29.44

 

CMYK 40 / 0 / 41 / 13

HEX #84DD82

RGB 132 221 130

HSL 118.68, 0.57%, 0.69%

LAB 80.87, -44.71, 36.46

 

CMYK 41 / 20 / 0 / 13

HEX #82B1DD

RGB 130 177 221

HSL 209.01, 0.57%, 0.69%

LAB 70.46, -4.41, -27.08

 

CMYK 1 / 41 / 0 / 13

HEX #DB82DD

RGB 219 130 221

HSL 298.68, 0.57%, 0.69%

LAB 66.71, 47.79, -32.25

 

Description

Color code: HEX #DDAF82 | qconv.com Color code: HEX #DDAF82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 175 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 175 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 41 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 41% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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