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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDB70B it is the complementary color #2248F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDB70B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDB70B shade: #E2B706, #F3C919, #FFDB2C, #FFED3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDB70B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDB70B shade: #DDB70B, #CCA500, #BB9300, #AA8100 and #996F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDB70B shade: #DBB50A, #DB7D0A, #DB440A, #DB0C0A and #DB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDB70B shade: #DBB50A, #C8DB0A, #90DB0A, #58DB0A and #1FDB0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDB70B shade matches the following richer shades: #DBB50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDB70B shade: #DBB50A, #C8A91C, #B69D2F, #A39142 and #908554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDB70B shade: #DB450A, #DB7D0A, #DBB40A, #C9DB0A and #92DB0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDB70B shade: #8C7406, #B39408, #DBB50A, #F4CC1A and #F6D541

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDB70B shade: #DDB70B, #0ADB0D and #610ADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDB70B shade: #DDB70B, #0ADBB4 and #B40ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDB70B shade: #DDB70B, #0ADB0D, #0A30DB and #DB0AD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDB70B shade: #DDB70B, #0ADB4C, #0A30DB and #DB0A99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 95 / 13

HEX #DDB70B

RGB 221 183 11

HSL 49.14, 0.91%, 0.45%

LAB 75.61, -0.03, 76.49

 

Complementary color

CMYK 86 / 70 / 0 / 4

HEX #2248F4

RGB 34 72 244

HSL 229.14, 0.91%, 0.55%

LAB 40.42, 50.72, -88.16

 

CMYK 0 / 19 / 97 / 11

HEX #E2B706

RGB 226 183 6

HSL 48.27, 0.95%, 0.45%

LAB 76.1, 2.1, 77.6

 

CMYK 0 / 17 / 90 / 5

HEX #F3C919

RGB 243 201 25

HSL 48.44, 0.9%, 0.53%

LAB 82.32, 0.35, 80.46

 

CMYK 0 / 14 / 83 / 0

HEX #FFDB2C

RGB 255 219 44

HSL 49.76, 1%, 0.59%

LAB 88.02, -3.31, 81.45

 

CMYK 0 / 7 / 75 / 0

HEX #FFED3F

RGB 255 237 63

HSL 54.38, 1%, 0.62%

LAB 92.66, -11.67, 80.18

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 17 / 95 / 13

HEX #DDB70B

RGB 221 183 11

HSL 49.14, 0.91%, 0.45%

LAB 75.61, -0.03, 76.49

 

CMYK 0 / 19 / 100 / 20

HEX #CCA500

RGB 204 165 0

HSL 48.53, 1%, 0.4%

LAB 69.29, 1.87, 72.45

 

CMYK 0 / 21 / 100 / 27

HEX #BB9300

RGB 187 147 0

HSL 47.17, 1%, 0.37%

LAB 62.87, 3.94, 67.16

 

CMYK 0 / 24 / 100 / 33

HEX #AA8100

RGB 170 129 0

HSL 45.53, 1%, 0.33%

LAB 56.33, 6.11, 61.78

 

CMYK 0 / 27 / 100 / 40

HEX #996F00

RGB 153 111 0

HSL 43.53, 1%, 0.3%

LAB 49.67, 8.39, 56.3

 

CMYK 0 / 17 / 95 / 14

HEX #DBB50A

RGB 219 181 10

HSL 49.09, 0.91%, 0.45%

LAB 74.91, 0.13, 76

 

CMYK 0 / 43 / 95 / 14

HEX #DB7D0A

RGB 219 125 10

HSL 33.01, 0.91%, 0.45%

LAB 61.44, 29.99, 66.48

 

CMYK 0 / 69 / 95 / 14

HEX #DB440A

RGB 219 68 10

HSL 16.65, 0.91%, 0.45%

LAB 50.94, 56.88, 59.77

 

CMYK 0 / 95 / 95 / 14

HEX #DB0C0A

RGB 219 12 10

HSL 0.57, 0.91%, 0.45%

LAB 46.1, 70.46, 57.09

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 0 / 17 / 95 / 14

HEX #DBB50A

RGB 219 181 10

HSL 49.09, 0.91%, 0.45%

LAB 74.91, 0.13, 76

 

CMYK 9 / 0 / 95 / 14

HEX #C8DB0A

RGB 200 219 10

HSL 65.45, 0.91%, 0.45%

LAB 83.42, -27.07, 81.65

 

CMYK 34 / 0 / 95 / 14

HEX #90DB0A

RGB 144 219 10

HSL 81.53, 0.91%, 0.45%

LAB 79.96, -48.92, 77.47

 

CMYK 60 / 0 / 95 / 14

HEX #58DB0A

RGB 88 219 10

HSL 97.61, 0.91%, 0.45%

LAB 77.73, -65.83, 74.74

 

CMYK 86 / 0 / 95 / 14

HEX #1FDB0A

RGB 31 219 10

HSL 113.97, 0.91%, 0.45%

LAB 76.66, -75.04, 73.43

 

CMYK 0 / 17 / 95 / 14

HEX #DBB50A

RGB 219 181 10

HSL 49.09, 0.91%, 0.45%

LAB 74.91, 0.13, 76

 

CMYK 0 / 17 / 95 / 14

HEX #DBB50A

RGB 219 181 10

HSL 49.09, 0.91%, 0.45%

LAB 74.91, 0.13, 76

 

CMYK 0 / 16 / 86 / 22

HEX #C8A91C

RGB 200 169 28

HSL 49.19, 0.75%, 0.45%

LAB 69.99, -1.62, 68.34

 

CMYK 0 / 14 / 74 / 29

HEX #B69D2F

RGB 182 157 47

HSL 48.89, 0.59%, 0.45%

LAB 65.17, -2.55, 57.52

 

CMYK 0 / 11 / 60 / 36

HEX #A39142

RGB 163 145 66

HSL 48.87, 0.42%, 0.45%

LAB 60.28, -3.32, 43.56

 

CMYK 0 / 8 / 42 / 44

HEX #908554

RGB 144 133 84

HSL 49, 0.26%, 0.45%

LAB 55.43, -3.27, 27.9

 

CMYK 0 / 68 / 95 / 14

HEX #DB450A

RGB 219 69 10

HSL 16.94, 0.91%, 0.45%

LAB 51.08, 56.49, 59.85

 

CMYK 0 / 43 / 95 / 14

HEX #DB7D0A

RGB 219 125 10

HSL 33.01, 0.91%, 0.45%

LAB 61.44, 29.99, 66.48

 

CMYK 0 / 18 / 95 / 14

HEX #DBB40A

RGB 219 180 10

HSL 48.8, 0.91%, 0.45%

LAB 74.65, 0.66, 75.81

 

CMYK 8 / 0 / 95 / 14

HEX #C9DB0A

RGB 201 219 10

HSL 65.17, 0.91%, 0.45%

LAB 83.5, -26.66, 81.73

 

CMYK 33 / 0 / 95 / 14

HEX #92DB0A

RGB 146 219 10

HSL 80.96, 0.91%, 0.45%

LAB 80.06, -48.2, 77.59

 

CMYK 0 / 17 / 96 / 45

HEX #8C7406

RGB 140 116 6

HSL 49.25, 0.92%, 0.29%

LAB 49.59, -0.5, 54.33

 

CMYK 0 / 17 / 96 / 30

HEX #B39408

RGB 179 148 8

HSL 49.12, 0.91%, 0.37%

LAB 62.32, -0.12, 65.23

 

CMYK 0 / 17 / 95 / 14

HEX #DBB50A

RGB 219 181 10

HSL 49.09, 0.91%, 0.45%

LAB 74.91, 0.13, 76

 

CMYK 0 / 16 / 89 / 4

HEX #F4CC1A

RGB 244 204 26

HSL 48.99, 0.91%, 0.53%

LAB 83.18, -0.75, 80.98

 

CMYK 0 / 13 / 74 / 4

HEX #F6D541

RGB 246 213 65

HSL 49.06, 0.91%, 0.61%

LAB 85.79, -3.36, 72.82

 

CMYK 0 / 17 / 95 / 13

HEX #DDB70B

RGB 221 183 11

HSL 49.14, 0.91%, 0.45%

LAB 75.61, -0.03, 76.49

 

CMYK 95 / 0 / 94 / 14

HEX #0ADB0D

RGB 10 219 13

HSL 120.86, 0.91%, 0.45%

LAB 76.53, -76.24, 72.96

 

CMYK 56 / 95 / 0 / 14

HEX #610ADB

RGB 97 10 219

HSL 264.98, 0.91%, 0.45%

LAB 33.72, 71.9, -84.9

 

CMYK 0 / 17 / 95 / 13

HEX #DDB70B

RGB 221 183 11

HSL 49.14, 0.91%, 0.45%

LAB 75.61, -0.03, 76.49

 

CMYK 95 / 0 / 18 / 14

HEX #0ADBB4

RGB 10 219 180

HSL 168.8, 0.91%, 0.45%

LAB 78.48, -53.35, 6.73

 

CMYK 18 / 95 / 0 / 14

HEX #B40ADB

RGB 180 10 219

HSL 288.8, 0.91%, 0.45%

LAB 45.68, 80.94, -64.81

 

CMYK 0 / 17 / 95 / 13

HEX #DDB70B

RGB 221 183 11

HSL 49.14, 0.91%, 0.45%

LAB 75.61, -0.03, 76.49

 

CMYK 95 / 0 / 94 / 14

HEX #0ADB0D

RGB 10 219 13

HSL 120.86, 0.91%, 0.45%

LAB 76.53, -76.24, 72.96

 

CMYK 95 / 78 / 0 / 14

HEX #0A30DB

RGB 10 48 219

HSL 229.09, 0.91%, 0.45%

LAB 32.46, 54.96, -87.13

 

CMYK 0 / 95 / 2 / 14

HEX #DB0AD7

RGB 219 10 215

HSL 301.15, 0.91%, 0.45%

LAB 52.04, 86.29, -51.94

 

CMYK 0 / 17 / 95 / 13

HEX #DDB70B

RGB 221 183 11

HSL 49.14, 0.91%, 0.45%

LAB 75.61, -0.03, 76.49

 

CMYK 95 / 0 / 65 / 14

HEX #0ADB4C

RGB 10 219 76

HSL 138.95, 0.91%, 0.45%

LAB 76.83, -72.42, 56.03

 

CMYK 95 / 78 / 0 / 14

HEX #0A30DB

RGB 10 48 219

HSL 229.09, 0.91%, 0.45%

LAB 32.46, 54.96, -87.13

 

CMYK 0 / 95 / 30 / 14

HEX #DB0A99

RGB 219 10 153

HSL 318.95, 0.91%, 0.45%

LAB 48.98, 78.54, -20.5

 

Description

Color code: HEX #DDB70B | qconv.com Color code: HEX #DDB70B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 183 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 183 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 95 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 95% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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