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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDBA30 it is the complementary color #2245CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDBA30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDBA30 shade: #E2BA2B, #F3CC3E, #FFDE51, #FFF064 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDBA30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDBA30 shade: #DDBA30, #CCA81D, #BB960A, #AA8400 and #997200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDBA30 shade: #DDBA30, #DD8B30, #DD5D30 and #DD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDBA30 shade: #DDBA30, #D1DD30, #A3DD30, #74DD30 and #46DD30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDBA30 shade matches the following richer shades: #DDBA30 and #F0C61D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDBA30 shade: #DDBA30, #CAAE44, #B6A357, #A3976B and #8F8C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDBA30 shade: #DD5C30, #DD8A30, #DDB830, #D4DD30 and #A6DD30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDBA30 shade: #A1861A, #C4A320, #DDBA30, #E3C654 and #E8D277

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDBA30 shade: #DDBA30, #33DD30 and #7330DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDBA30 shade: #DDBA30, #30DDB8 and #B830DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDBA30 shade: #DDBA30, #33DD30, #3056DD and #DA30DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDBA30 shade: #DDBA30, #30DD61, #3056DD and #DD30AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

Complementary color

CMYK 84 / 67 / 0 / 19

HEX #2245CF

RGB 34 69 207

HSL 227.86, 0.72%, 0.47%

LAB 36.18, 39.47, -74.05

 

CMYK 0 / 18 / 81 / 11

HEX #E2BA2B

RGB 226 186 43

HSL 46.89, 0.76%, 0.53%

LAB 76.96, 1.22, 71.2

 

CMYK 0 / 16 / 74 / 5

HEX #F3CC3E

RGB 243 204 62

HSL 47.07, 0.88%, 0.6%

LAB 83.23, -0.15, 71.33

 

CMYK 0 / 13 / 68 / 0

HEX #FFDE51

RGB 255 222 81

HSL 48.62, 1%, 0.66%

LAB 88.97, -3.41, 70.29

 

CMYK 0 / 6 / 61 / 0

HEX #FFF064

RGB 255 240 100

HSL 54.19, 1%, 0.7%

LAB 93.67, -11.28, 67.55

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

CMYK 0 / 18 / 86 / 20

HEX #CCA81D

RGB 204 168 29

HSL 47.66, 0.75%, 0.46%

LAB 70.13, 0.71, 68.37

 

CMYK 0 / 20 / 95 / 27

HEX #BB960A

RGB 187 150 10

HSL 47.46, 0.9%, 0.39%

LAB 63.67, 2.44, 66.31

 

CMYK 0 / 22 / 100 / 33

HEX #AA8400

RGB 170 132 0

HSL 46.59, 1%, 0.33%

LAB 57.12, 4.44, 62.32

 

CMYK 0 / 25 / 100 / 40

HEX #997200

RGB 153 114 0

HSL 44.71, 1%, 0.3%

LAB 50.46, 6.67, 56.84

 

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

CMYK 0 / 37 / 78 / 13

HEX #DD8B30

RGB 221 139 48

HSL 31.56, 0.72%, 0.53%

LAB 65, 24.24, 58.48

 

CMYK 0 / 58 / 78 / 13

HEX #DD5D30

RGB 221 93 48

HSL 15.61, 0.72%, 0.53%

LAB 55.5, 47.69, 49.29

 

CMYK 0 / 78 / 78 / 13

HEX #DD3030

RGB 221 48 48

HSL 0, 0.72%, 0.53%

LAB 49.13, 64.95, 42.85

 

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

CMYK 5 / 0 / 78 / 13

HEX #D1DD30

RGB 209 221 48

HSL 64.16, 0.72%, 0.53%

LAB 84.73, -23.46, 76.06

 

CMYK 26 / 0 / 78 / 13

HEX #A3DD30

RGB 163 221 48

HSL 80.12, 0.72%, 0.53%

LAB 81.68, -41.74, 72.17

 

CMYK 48 / 0 / 78 / 13

HEX #74DD30

RGB 116 221 48

HSL 96.42, 0.72%, 0.53%

LAB 79.41, -57.73, 69.24

 

CMYK 68 / 0 / 78 / 13

HEX #46DD30

RGB 70 221 48

HSL 112.37, 0.72%, 0.53%

LAB 78.01, -68.93, 67.42

 

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

CMYK 0 / 18 / 88 / 6

HEX #F0C61D

RGB 240 198 29

HSL 48.06, 0.88%, 0.53%

LAB 81.29, 0.68, 78.79

 

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

CMYK 0 / 14 / 66 / 21

HEX #CAAE44

RGB 202 174 68

HSL 47.46, 0.56%, 0.53%

LAB 71.72, -1.75, 56.22

 

CMYK 0 / 10 / 52 / 29

HEX #B6A357

RGB 182 163 87

HSL 48, 0.39%, 0.53%

LAB 67.15, -3.08, 41.63

 

CMYK 0 / 7 / 34 / 36

HEX #A3976B

RGB 163 151 107

HSL 47.14, 0.23%, 0.53%

LAB 62.49, -2.4, 24.82

 

CMYK 0 / 2 / 12 / 44

HEX #8F8C7E

RGB 143 140 126

HSL 49.41, 0.07%, 0.53%

LAB 58.13, -1.46, 7.87

 

CMYK 0 / 58 / 78 / 13

HEX #DD5C30

RGB 221 92 48

HSL 15.26, 0.72%, 0.53%

LAB 55.32, 48.15, 49.12

 

CMYK 0 / 38 / 78 / 13

HEX #DD8A30

RGB 221 138 48

HSL 31.21, 0.72%, 0.53%

LAB 64.77, 24.78, 58.26

 

CMYK 0 / 17 / 78 / 13

HEX #DDB830

RGB 221 184 48

HSL 47.17, 0.72%, 0.53%

LAB 75.99, 0.27, 68.61

 

CMYK 4 / 0 / 78 / 13

HEX #D4DD30

RGB 212 221 48

HSL 63.12, 0.72%, 0.53%

LAB 84.96, -22.22, 76.35

 

CMYK 25 / 0 / 78 / 13

HEX #A6DD30

RGB 166 221 48

HSL 79.08, 0.72%, 0.53%

LAB 81.86, -40.61, 72.39

 

CMYK 0 / 17 / 84 / 37

HEX #A1861A

RGB 161 134 26

HSL 48, 0.72%, 0.37%

LAB 56.78, -0.31, 56.28

 

CMYK 0 / 17 / 84 / 23

HEX #C4A320

RGB 196 163 32

HSL 47.93, 0.72%, 0.45%

LAB 68.05, -0.09, 65.54

 

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

CMYK 0 / 13 / 63 / 11

HEX #E3C654

RGB 227 198 84

HSL 47.83, 0.72%, 0.61%

LAB 80.38, -2.67, 59.24

 

CMYK 0 / 9 / 49 / 9

HEX #E8D277

RGB 232 210 119

HSL 48.32, 0.71%, 0.69%

LAB 84.27, -4.09, 47.58

 

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

CMYK 77 / 0 / 78 / 13

HEX #33DD30

RGB 51 221 48

HSL 118.96, 0.72%, 0.53%

LAB 77.66, -71.97, 66.96

 

CMYK 48 / 78 / 0 / 13

HEX #7330DD

RGB 115 48 221

HSL 263.24, 0.72%, 0.53%

LAB 39.55, 63.7, -76.36

 

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

CMYK 78 / 0 / 17 / 13

HEX #30DDB8

RGB 48 221 184

HSL 167.17, 0.72%, 0.53%

LAB 79.5, -50.8, 6.12

 

CMYK 17 / 78 / 0 / 13

HEX #B830DD

RGB 184 48 221

HSL 287.17, 0.72%, 0.53%

LAB 48.91, 74.7, -60.7

 

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

CMYK 77 / 0 / 78 / 13

HEX #33DD30

RGB 51 221 48

HSL 118.96, 0.72%, 0.53%

LAB 77.66, -71.97, 66.96

 

CMYK 78 / 61 / 0 / 13

HEX #3056DD

RGB 48 86 221

HSL 226.82, 0.72%, 0.53%

LAB 42.01, 34.95, -72.51

 

CMYK 1 / 78 / 0 / 13

HEX #DA30DD

RGB 218 48 221

HSL 298.96, 0.72%, 0.53%

LAB 54.28, 80.97, -51.79

 

CMYK 0 / 16 / 78 / 13

HEX #DDBA30

RGB 221 186 48

HSL 47.86, 0.72%, 0.53%

LAB 76.5, -0.78, 69.07

 

CMYK 78 / 0 / 56 / 13

HEX #30DD61

RGB 48 221 97

HSL 136.99, 0.72%, 0.53%

LAB 78, -67.65, 48.3

 

CMYK 78 / 61 / 0 / 13

HEX #3056DD

RGB 48 86 221

HSL 226.82, 0.72%, 0.53%

LAB 42.01, 34.95, -72.51

 

CMYK 0 / 78 / 22 / 13

HEX #DD30AC

RGB 221 48 172

HSL 316.99, 0.72%, 0.53%

LAB 52.36, 74.73, -26.52

 

Description

Color code: HEX #DDBA30 | qconv.com Color code: HEX #DDBA30 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 186 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 186 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 78 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 78% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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