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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDBD63 it is the complementary color #22429C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDBD63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDBD63 shade: #E2BD5E, #F3CF71, #FFE184, #FFF397 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDBD63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDBD63 shade: #DDBD63, #CCAB50, #BB993D, #AA872A and #997517

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDBD63 shade: #DDBD64, #DD9C64, #DD7C64 and #DD6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDBD63 shade: #DDBD64, #DCDD64, #BBDD64, #9BDD64 and #7ADD64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDBD63 shade matches the following richer shades: #DDBD64, #ECC455 and #FBCB45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDBD63 shade: #DDBD64, #CDB673, #BEAE82, #AFA792 and #9FA0A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDBD63 shade: #DD7C64, #DD9C64, #DDBC64, #DDDD64 and #BCDD64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDBD63 shade: #C39B2A, #D5AE42, #DDBD64, #E4CB86 and #EBDAA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDBD63 shade: #DDBD63, #6CDD64 and #8C64DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDBD63 shade: #DDBD63, #64DDBC and #BC64DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDBD63 shade: #DDBD63, #6CDD64, #6484DD and #D464DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDBD63 shade: #DDBD63, #64DD80, #6484DD and #DD64C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 55 / 13

HEX #DDBD63

RGB 221 189 99

HSL 44.26, 0.64%, 0.63%

LAB 77.68, 0.56, 49.13

 

Complementary color

CMYK 78 / 58 / 0 / 39

HEX #22429C

RGB 34 66 156

HSL 224.26, 0.64%, 0.37%

LAB 30.97, 22.11, -52.38

 

CMYK 0 / 16 / 58 / 11

HEX #E2BD5E

RGB 226 189 94

HSL 43.18, 0.69%, 0.63%

LAB 78.09, 2.26, 52.12

 

CMYK 0 / 15 / 53 / 5

HEX #F3CF71

RGB 243 207 113

HSL 43.38, 0.84%, 0.7%

LAB 84.42, 1.39, 50.89

 

CMYK 0 / 12 / 48 / 0

HEX #FFE184

RGB 255 225 132

HSL 45.37, 1%, 0.76%

LAB 90.22, -1.35, 49.01

 

CMYK 0 / 5 / 41 / 0

HEX #FFF397

RGB 255 243 151

HSL 53.08, 1%, 0.8%

LAB 94.99, -8.54, 45.74

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 14 / 55 / 13

HEX #DDBD63

RGB 221 189 99

HSL 44.26, 0.64%, 0.63%

LAB 77.68, 0.56, 49.13

 

CMYK 0 / 16 / 61 / 20

HEX #CCAB50

RGB 204 171 80

HSL 44.03, 0.55%, 0.56%

LAB 71.24, 1.47, 50.34

 

CMYK 0 / 18 / 67 / 27

HEX #BB993D

RGB 187 153 61

HSL 43.81, 0.51%, 0.49%

LAB 64.71, 2.56, 51.42

 

CMYK 0 / 21 / 75 / 33

HEX #AA872A

RGB 170 135 42

HSL 43.59, 0.6%, 0.42%

LAB 58.08, 3.86, 52.19

 

CMYK 0 / 24 / 85 / 40

HEX #997517

RGB 153 117 23

HSL 43.38, 0.74%, 0.35%

LAB 51.33, 5.44, 52.2

 

CMYK 0 / 14 / 55 / 13

HEX #DDBD64

RGB 221 189 100

HSL 44.13, 0.64%, 0.63%

LAB 77.69, 0.64, 48.66

 

CMYK 0 / 29 / 55 / 13

HEX #DD9C64

RGB 221 156 100

HSL 27.77, 0.64%, 0.63%

LAB 69.52, 18.2, 38.77

 

CMYK 0 / 44 / 55 / 13

HEX #DD7C64

RGB 221 124 100

HSL 11.9, 0.64%, 0.63%

LAB 62.26, 35.25, 29.59

 

CMYK 0 / 55 / 55 / 13

HEX #DD6464

RGB 221 100 100

HSL 0, 0.64%, 0.63%

LAB 57.47, 47.34, 23.31

 

CMYK 0 / 14 / 55 / 13

HEX #DDBD64

RGB 221 189 100

HSL 44.13, 0.64%, 0.63%

LAB 77.69, 0.64, 48.66

 

CMYK 0 / 0 / 55 / 13

HEX #DCDD64

RGB 220 221 100

HSL 60.5, 0.64%, 0.63%

LAB 85.93, -16.06, 58.18

 

CMYK 15 / 0 / 55 / 13

HEX #BBDD64

RGB 187 221 100

HSL 76.86, 0.64%, 0.63%

LAB 83.55, -29.12, 54.82

 

CMYK 30 / 0 / 55 / 13

HEX #9BDD64

RGB 155 221 100

HSL 92.73, 0.64%, 0.63%

LAB 81.62, -40.93, 52.09

 

CMYK 45 / 0 / 55 / 13

HEX #7ADD64

RGB 122 221 100

HSL 109.09, 0.64%, 0.63%

LAB 80.05, -51.64, 49.85

 

CMYK 0 / 14 / 55 / 13

HEX #DDBD64

RGB 221 189 100

HSL 44.13, 0.64%, 0.63%

LAB 77.69, 0.64, 48.66

 

CMYK 0 / 17 / 64 / 7

HEX #ECC455

RGB 236 196 85

HSL 44.11, 0.8%, 0.63%

LAB 80.72, 2.19, 59.42

 

CMYK 0 / 19 / 73 / 2

HEX #FBCB45

RGB 251 203 69

HSL 44.18, 0.96%, 0.63%

LAB 83.78, 4.03, 69.59

 

CMYK 0 / 14 / 55 / 13

HEX #DDBD64

RGB 221 189 100

HSL 44.13, 0.64%, 0.63%

LAB 77.69, 0.64, 48.66

 

CMYK 0 / 11 / 44 / 20

HEX #CDB673

RGB 205 182 115

HSL 44.67, 0.47%, 0.63%

LAB 74.62, -0.9, 37.04

 

CMYK 0 / 8 / 32 / 25

HEX #BEAE82

RGB 190 174 130

HSL 44, 0.32%, 0.63%

LAB 71.44, -0.96, 24.71

 

CMYK 0 / 5 / 17 / 31

HEX #AFA792

RGB 175 167 146

HSL 43.45, 0.15%, 0.63%

LAB 68.63, -0.72, 11.9

 

CMYK 1 / 1 / 0 / 37

HEX #9FA0A1

RGB 159 160 161

HSL 210, 0.01%, 0.63%

LAB 65.82, -0.16, -0.65

 

CMYK 0 / 44 / 55 / 13

HEX #DD7C64

RGB 221 124 100

HSL 11.9, 0.64%, 0.63%

LAB 62.26, 35.25, 29.59

 

CMYK 0 / 29 / 55 / 13

HEX #DD9C64

RGB 221 156 100

HSL 27.77, 0.64%, 0.63%

LAB 69.52, 18.2, 38.77

 

CMYK 0 / 15 / 55 / 13

HEX #DDBC64

RGB 221 188 100

HSL 43.64, 0.64%, 0.63%

LAB 77.44, 1.16, 48.36

 

CMYK 0 / 0 / 55 / 13

HEX #DDDD64

RGB 221 221 100

HSL 60, 0.64%, 0.63%

LAB 86.01, -15.66, 58.29

 

CMYK 15 / 0 / 55 / 13

HEX #BCDD64

RGB 188 221 100

HSL 76.36, 0.64%, 0.63%

LAB 83.61, -28.73, 54.92

 

CMYK 0 / 21 / 78 / 24

HEX #C39B2A

RGB 195 155 42

HSL 44.31, 0.65%, 0.46%

LAB 65.91, 4.09, 60.5

 

CMYK 0 / 18 / 69 / 16

HEX #D5AE42

RGB 213 174 66

HSL 44.08, 0.64%, 0.55%

LAB 72.77, 2.88, 58.49

 

CMYK 0 / 14 / 55 / 13

HEX #DDBD64

RGB 221 189 100

HSL 44.13, 0.64%, 0.63%

LAB 77.69, 0.64, 48.66

 

CMYK 0 / 11 / 41 / 11

HEX #E4CB86

RGB 228 203 134

HSL 44.04, 0.64%, 0.71%

LAB 82.34, -0.62, 37.59

 

CMYK 0 / 7 / 29 / 8

HEX #EBDAA7

RGB 235 218 167

HSL 45, 0.63%, 0.79%

LAB 87.29, -1.76, 27.26

 

CMYK 0 / 14 / 55 / 13

HEX #DDBD63

RGB 221 189 99

HSL 44.26, 0.64%, 0.63%

LAB 77.68, 0.56, 49.13

 

CMYK 51 / 0 / 55 / 13

HEX #6CDD64

RGB 108 221 100

HSL 116.03, 0.64%, 0.63%

LAB 79.51, -55.57, 49.08

 

CMYK 37 / 55 / 0 / 13

HEX #8C64DD

RGB 140 100 221

HSL 259.83, 0.64%, 0.63%

LAB 51.74, 42.4, -56.44

 

CMYK 0 / 14 / 55 / 13

HEX #DDBD63

RGB 221 189 99

HSL 44.26, 0.64%, 0.63%

LAB 77.68, 0.56, 49.13

 

CMYK 55 / 0 / 15 / 13

HEX #64DDBC

RGB 100 221 188

HSL 163.64, 0.64%, 0.63%

LAB 80.77, -41.82, 5.97

 

CMYK 15 / 55 / 0 / 13

HEX #BC64DD

RGB 188 100 221

HSL 283.64, 0.64%, 0.63%

LAB 57.1, 54.37, -47.57

 

CMYK 0 / 14 / 55 / 13

HEX #DDBD63

RGB 221 189 99

HSL 44.26, 0.64%, 0.63%

LAB 77.68, 0.56, 49.13

 

CMYK 51 / 0 / 55 / 13

HEX #6CDD64

RGB 108 221 100

HSL 116.03, 0.64%, 0.63%

LAB 79.51, -55.57, 49.08

 

CMYK 55 / 40 / 0 / 13

HEX #6484DD

RGB 100 132 221

HSL 224.13, 0.64%, 0.63%

LAB 56.52, 14.3, -48.99

 

CMYK 4 / 55 / 0 / 13

HEX #D464DD

RGB 212 100 221

HSL 295.54, 0.64%, 0.63%

LAB 60.19, 60.61, -42.49

 

CMYK 0 / 14 / 55 / 13

HEX #DDBD63

RGB 221 189 99

HSL 44.26, 0.64%, 0.63%

LAB 77.68, 0.56, 49.13

 

CMYK 55 / 0 / 42 / 13

HEX #64DD80

RGB 100 221 128

HSL 133.88, 0.64%, 0.63%

LAB 79.6, -53.67, 35.59

 

CMYK 55 / 40 / 0 / 13

HEX #6484DD

RGB 100 132 221

HSL 224.13, 0.64%, 0.63%

LAB 56.52, 14.3, -48.99

 

CMYK 0 / 55 / 13 / 13

HEX #DD64C0

RGB 221 100 192

HSL 314.38, 0.64%, 0.63%

LAB 60.15, 58.23, -26.05

 

Description

Color code: HEX #DDBD63 | qconv.com Color code: HEX #DDBD63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 189 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 189 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 55 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 55% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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