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Color name
HEX #DDBD69

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDBD69 it is the complementary color #224296. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDBD69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDBD69 shade: #E2BD64, #F3CF77, #FFE18A, #FFF39D and #FFFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDBD69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDBD69 shade: #DDBD69, #CCAB56, #BB9943, #AA8730 and #99751D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDBD69 shade: #DDBD69, #DD9D69, #DD7E69 and #DD6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDBD69 shade: #DDBD69, #DDDC69, #BEDD69, #9FDD69 and #80DD69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDBD69 shade matches the following richer shades: #DDBD69, #EBC35A and #FACA4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDBD69 shade: #DDBD69, #CEB678, #BFAF87, #B0A995 and #A1A2A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDBD69 shade: #DD7E69, #DD9D69, #DDBC69, #DDDB69 and #C0DD69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDBD69 shade: #C69C2D, #D5AE47, #DDBD69, #E4CB8A and #ECDAAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDBD69 shade: #DDBD69, #73DD69 and #8D69DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDBD69 shade: #DDBD69, #69DDBC and #BC69DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDBD69 shade: #DDBD69, #73DD69, #698ADD and #D369DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDBD69 shade: #DDBD69, #69DD82, #698ADD and #DD69C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

Complementary color

CMYK 77 / 56 / 0 / 41

HEX #224296

RGB 34 66 150

HSL 223.45, 0.63%, 0.36%

LAB 30.49, 19.75, -49.5

 

CMYK 0 / 16 / 56 / 11

HEX #E2BD64

RGB 226 189 100

HSL 42.38, 0.68%, 0.64%

LAB 78.16, 2.71, 49.33

 

CMYK 0 / 15 / 51 / 5

HEX #F3CF77

RGB 243 207 119

HSL 42.58, 0.84%, 0.71%

LAB 84.49, 1.89, 48.07

 

CMYK 0 / 12 / 46 / 0

HEX #FFE18A

RGB 255 225 138

HSL 44.62, 1%, 0.77%

LAB 90.3, -0.8, 46.18

 

CMYK 0 / 5 / 38 / 0

HEX #FFF39D

RGB 255 243 157

HSL 52.65, 1%, 0.81%

LAB 95.07, -7.92, 42.91

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

CMYK 0 / 16 / 58 / 20

HEX #CCAB56

RGB 204 171 86

HSL 43.22, 0.54%, 0.57%

LAB 71.31, 1.91, 47.55

 

CMYK 0 / 18 / 64 / 27

HEX #BB9943

RGB 187 153 67

HSL 43, 0.47%, 0.5%

LAB 64.77, 2.93, 48.74

 

CMYK 0 / 21 / 72 / 33

HEX #AA8730

RGB 170 135 48

HSL 42.79, 0.56%, 0.43%

LAB 58.12, 4.15, 49.74

 

CMYK 0 / 24 / 81 / 40

HEX #99751D

RGB 153 117 29

HSL 42.58, 0.68%, 0.36%

LAB 51.36, 5.64, 50.2

 

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

CMYK 0 / 29 / 52 / 13

HEX #DD9D69

RGB 221 157 105

HSL 26.9, 0.63%, 0.64%

LAB 69.83, 18.08, 36.53

 

CMYK 0 / 43 / 52 / 13

HEX #DD7E69

RGB 221 126 105

HSL 10.86, 0.63%, 0.64%

LAB 62.77, 34.63, 27.47

 

CMYK 0 / 52 / 52 / 13

HEX #DD6969

RGB 221 105 105

HSL 0, 0.63%, 0.64%

LAB 58.5, 45.32, 21.81

 

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

CMYK 0 / 0 / 52 / 13

HEX #DDDC69

RGB 221 220 105

HSL 59.48, 0.63%, 0.64%

LAB 85.8, -14.77, 55.79

 

CMYK 14 / 0 / 52 / 13

HEX #BEDD69

RGB 190 221 105

HSL 76.03, 0.63%, 0.64%

LAB 83.8, -27.51, 52.89

 

CMYK 28 / 0 / 52 / 13

HEX #9FDD69

RGB 159 221 105

HSL 92.07, 0.63%, 0.64%

LAB 81.89, -39, 50.17

 

CMYK 42 / 0 / 52 / 13

HEX #80DD69

RGB 128 221 105

HSL 108.1, 0.63%, 0.64%

LAB 80.36, -49.25, 47.96

 

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

CMYK 0 / 17 / 62 / 8

HEX #EBC35A

RGB 235 195 90

HSL 43.45, 0.78%, 0.64%

LAB 80.42, 2.61, 56.83

 

CMYK 0 / 19 / 70 / 2

HEX #FACA4B

RGB 250 202 75

HSL 43.54, 0.95%, 0.64%

LAB 83.48, 4.4, 66.93

 

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

CMYK 0 / 12 / 42 / 19

HEX #CEB678

RGB 206 182 120

HSL 43.26, 0.47%, 0.64%

LAB 74.78, 0.03, 34.68

 

CMYK 0 / 8 / 29 / 25

HEX #BFAF87

RGB 191 175 135

HSL 42.86, 0.3%, 0.64%

LAB 71.88, -0.44, 22.63

 

CMYK 0 / 4 / 15 / 31

HEX #B0A995

RGB 176 169 149

HSL 44.44, 0.15%, 0.64%

LAB 69.31, -0.94, 11.22

 

CMYK 2 / 1 / 0 / 36

HEX #A1A2A4

RGB 161 162 164

HSL 220, 0.02%, 0.64%

LAB 66.59, 0.03, -1.17

 

CMYK 0 / 43 / 52 / 13

HEX #DD7E69

RGB 221 126 105

HSL 10.86, 0.63%, 0.64%

LAB 62.77, 34.63, 27.47

 

CMYK 0 / 29 / 52 / 13

HEX #DD9D69

RGB 221 157 105

HSL 26.9, 0.63%, 0.64%

LAB 69.83, 18.08, 36.53

 

CMYK 0 / 15 / 52 / 13

HEX #DDBC69

RGB 221 188 105

HSL 42.93, 0.63%, 0.64%

LAB 77.49, 1.58, 45.98

 

CMYK 0 / 1 / 52 / 13

HEX #DDDB69

RGB 221 219 105

HSL 58.97, 0.63%, 0.64%

LAB 85.53, -14.27, 55.49

 

CMYK 13 / 0 / 52 / 13

HEX #C0DD69

RGB 192 221 105

HSL 75, 0.63%, 0.64%

LAB 83.93, -26.73, 53.08

 

CMYK 0 / 21 / 77 / 22

HEX #C69C2D

RGB 198 156 45

HSL 43.53, 0.63%, 0.48%

LAB 66.5, 4.99, 60.08

 

CMYK 0 / 18 / 67 / 16

HEX #D5AE47

RGB 213 174 71

HSL 43.52, 0.63%, 0.56%

LAB 72.81, 3.16, 56.39

 

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

CMYK 0 / 11 / 39 / 11

HEX #E4CB8A

RGB 228 203 138

HSL 43.33, 0.63%, 0.72%

LAB 82.4, -0.19, 35.62

 

CMYK 0 / 8 / 27 / 7

HEX #ECDAAC

RGB 236 218 172

HSL 43.13, 0.63%, 0.8%

LAB 87.46, -0.73, 24.92

 

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

CMYK 48 / 0 / 52 / 13

HEX #73DD69

RGB 115 221 105

HSL 114.83, 0.63%, 0.64%

LAB 79.83, -53.05, 47.2

 

CMYK 36 / 52 / 0 / 13

HEX #8D69DD

RGB 141 105 221

HSL 258.62, 0.63%, 0.64%

LAB 52.93, 39.81, -54.52

 

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

CMYK 52 / 0 / 15 / 13

HEX #69DDBC

RGB 105 221 188

HSL 162.93, 0.63%, 0.64%

LAB 80.93, -40.76, 6.23

 

CMYK 15 / 52 / 0 / 13

HEX #BC69DD

RGB 188 105 221

HSL 282.93, 0.63%, 0.64%

LAB 58.05, 51.86, -46.07

 

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

CMYK 48 / 0 / 52 / 13

HEX #73DD69

RGB 115 221 105

HSL 114.83, 0.63%, 0.64%

LAB 79.83, -53.05, 47.2

 

CMYK 52 / 38 / 0 / 13

HEX #698ADD

RGB 105 138 221

HSL 222.93, 0.63%, 0.64%

LAB 58.42, 11.8, -45.96

 

CMYK 5 / 52 / 0 / 13

HEX #D369DD

RGB 211 105 221

HSL 294.83, 0.63%, 0.64%

LAB 60.93, 57.99, -41.33

 

CMYK 0 / 14 / 52 / 13

HEX #DDBD69

RGB 221 189 105

HSL 43.45, 0.63%, 0.64%

LAB 77.75, 1.05, 46.29

 

CMYK 52 / 0 / 41 / 13

HEX #69DD82

RGB 105 221 130

HSL 132.93, 0.63%, 0.64%

LAB 79.8, -52.14, 34.87

 

CMYK 52 / 38 / 0 / 13

HEX #698ADD

RGB 105 138 221

HSL 222.93, 0.63%, 0.64%

LAB 58.42, 11.8, -45.96

 

CMYK 0 / 52 / 12 / 13

HEX #DD69C3

RGB 221 105 195

HSL 313.45, 0.63%, 0.64%

LAB 61.15, 56.36, -26.22

 

Description

Color code: HEX #DDBD69 | qconv.com Color code: HEX #DDBD69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 189 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 189 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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