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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDBE6D it is the complementary color #224192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDBE6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDBE6D shade: #E2BE68, #F3D07B, #FFE28E, #FFF4A1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDBE6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDBE6D shade: #DDBE6D, #CCAC5A, #BB9A47, #AA8834 and #997621

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDBE6D shade: #DDBE6E, #DDA06E, #DD826E and #DD6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDBE6D shade: #DDBE6E, #DDDC6E, #C0DD6E, #A2DD6E and #84DD6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDBE6D shade matches the following richer shades: #DDBE6E, #EBC45F and #F9CB51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDBE6D shade: #DDBE6E, #CEB87C, #C0B18B, #B1AB99 and #A3A4A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDBE6D shade: #DD826E, #DDA06E, #DDBD6E, #DDDB6E and #C1DD6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDBE6D shade: #C99E2F, #D5AF4C, #DDBE6E, #E4CD8F and #ECDCB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDBE6D shade: #DDBE6D, #77DD6E and #916EDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDBE6D shade: #DDBE6D, #6EDDBD and #BD6EDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDBE6D shade: #DDBE6D, #77DD6E, #6E8DDD and #D36EDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDBE6D shade: #DDBE6D, #6EDD86, #6E8DDD and #DD6EC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 51 / 13

HEX #DDBE6D

RGB 221 190 109

HSL 43.39, 0.62%, 0.65%

LAB 78.05, 0.88, 44.68

 

Complementary color

CMYK 77 / 55 / 0 / 43

HEX #224192

RGB 34 65 146

HSL 223.39, 0.62%, 0.35%

LAB 29.9, 18.85, -48.02

 

CMYK 0 / 16 / 54 / 11

HEX #E2BE68

RGB 226 190 104

HSL 42.3, 0.68%, 0.65%

LAB 78.46, 2.51, 47.74

 

CMYK 0 / 14 / 49 / 5

HEX #F3D07B

RGB 243 208 123

HSL 42.5, 0.83%, 0.72%

LAB 84.79, 1.73, 46.48

 

CMYK 0 / 11 / 44 / 0

HEX #FFE28E

RGB 255 226 142

HSL 44.6, 1%, 0.78%

LAB 90.6, -0.92, 44.6

 

CMYK 0 / 4 / 37 / 0

HEX #FFF4A1

RGB 255 244 161

HSL 52.98, 1%, 0.82%

LAB 95.39, -7.98, 41.34

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 14 / 51 / 13

HEX #DDBE6D

RGB 221 190 109

HSL 43.39, 0.62%, 0.65%

LAB 78.05, 0.88, 44.68

 

CMYK 0 / 16 / 56 / 20

HEX #CCAC5A

RGB 204 172 90

HSL 43.16, 0.53%, 0.58%

LAB 71.61, 1.69, 45.95

 

CMYK 0 / 18 / 62 / 27

HEX #BB9A47

RGB 187 154 71

HSL 42.93, 0.46%, 0.51%

LAB 65.07, 2.66, 47.19

 

CMYK 0 / 20 / 69 / 33

HEX #AA8834

RGB 170 136 52

HSL 42.71, 0.53%, 0.44%

LAB 58.42, 3.82, 48.28

 

CMYK 0 / 23 / 78 / 40

HEX #997621

RGB 153 118 33

HSL 42.5, 0.65%, 0.36%

LAB 51.65, 5.23, 48.96

 

CMYK 0 / 14 / 50 / 13

HEX #DDBE6E

RGB 221 190 110

HSL 43.24, 0.62%, 0.65%

LAB 78.07, 0.97, 44.2

 

CMYK 0 / 28 / 50 / 13

HEX #DDA06E

RGB 221 160 110

HSL 27.03, 0.62%, 0.65%

LAB 70.62, 16.92, 34.89

 

CMYK 0 / 41 / 50 / 13

HEX #DD826E

RGB 221 130 110

HSL 10.81, 0.62%, 0.65%

LAB 63.72, 32.97, 25.93

 

CMYK 0 / 50 / 50 / 13

HEX #DD6E6E

RGB 221 110 110

HSL 0, 0.62%, 0.65%

LAB 59.57, 43.28, 20.38

 

CMYK 0 / 14 / 50 / 13

HEX #DDBE6E

RGB 221 190 110

HSL 43.24, 0.62%, 0.65%

LAB 78.07, 0.97, 44.2

 

CMYK 0 / 0 / 50 / 13

HEX #DDDC6E

RGB 221 220 110

HSL 59.46, 0.62%, 0.65%

LAB 85.85, -14.35, 53.55

 

CMYK 13 / 0 / 50 / 13

HEX #C0DD6E

RGB 192 221 110

HSL 75.68, 0.62%, 0.65%

LAB 83.99, -26.26, 50.82

 

CMYK 27 / 0 / 50 / 13

HEX #A2DD6E

RGB 162 221 110

HSL 91.89, 0.62%, 0.65%

LAB 82.12, -37.4, 48.13

 

CMYK 40 / 0 / 50 / 13

HEX #84DD6E

RGB 132 221 110

HSL 108.11, 0.62%, 0.65%

LAB 80.6, -47.42, 45.93

 

CMYK 0 / 14 / 50 / 13

HEX #DDBE6E

RGB 221 190 110

HSL 43.24, 0.62%, 0.65%

LAB 78.07, 0.97, 44.2

 

CMYK 0 / 17 / 60 / 8

HEX #EBC45F

RGB 235 196 95

HSL 43.29, 0.78%, 0.65%

LAB 80.72, 2.43, 54.88

 

CMYK 0 / 18 / 67 / 2

HEX #F9CB51

RGB 249 203 81

HSL 43.57, 0.93%, 0.65%

LAB 83.68, 3.78, 64.65

 

CMYK 0 / 14 / 50 / 13

HEX #DDBE6E

RGB 221 190 110

HSL 43.24, 0.62%, 0.65%

LAB 78.07, 0.97, 44.2

 

CMYK 0 / 11 / 40 / 19

HEX #CEB87C

RGB 206 184 124

HSL 43.9, 0.46%, 0.65%

LAB 75.36, -0.58, 33.34

 

CMYK 0 / 8 / 28 / 25

HEX #C0B18B

RGB 192 177 139

HSL 43.02, 0.3%, 0.65%

LAB 72.57, -0.57, 21.42

 

CMYK 0 / 3 / 14 / 31

HEX #B1AB99

RGB 177 171 153

HSL 45, 0.13%, 0.65%

LAB 70.02, -0.99, 10.03

 

CMYK 3 / 2 / 0 / 34

HEX #A3A4A8

RGB 163 164 168

HSL 228, 0.03%, 0.65%

LAB 67.4, 0.42, -2.2

 

CMYK 0 / 41 / 50 / 13

HEX #DD826E

RGB 221 130 110

HSL 10.81, 0.62%, 0.65%

LAB 63.72, 32.97, 25.93

 

CMYK 0 / 28 / 50 / 13

HEX #DDA06E

RGB 221 160 110

HSL 27.03, 0.62%, 0.65%

LAB 70.62, 16.92, 34.89

 

CMYK 0 / 14 / 50 / 13

HEX #DDBD6E

RGB 221 189 110

HSL 42.7, 0.62%, 0.65%

LAB 77.81, 1.49, 43.89

 

CMYK 0 / 1 / 50 / 13

HEX #DDDB6E

RGB 221 219 110

HSL 58.92, 0.62%, 0.65%

LAB 85.59, -13.85, 53.24

 

CMYK 13 / 0 / 50 / 13

HEX #C1DD6E

RGB 193 221 110

HSL 75.14, 0.62%, 0.65%

LAB 84.06, -25.88, 50.92

 

CMYK 0 / 21 / 77 / 21

HEX #C99E2F

RGB 201 158 47

HSL 43.25, 0.62%, 0.49%

LAB 67.33, 5.31, 60.25

 

CMYK 0 / 18 / 64 / 16

HEX #D5AF4C

RGB 213 175 76

HSL 43.36, 0.62%, 0.57%

LAB 73.11, 2.93, 54.49

 

CMYK 0 / 14 / 50 / 13

HEX #DDBE6E

RGB 221 190 110

HSL 43.24, 0.62%, 0.65%

LAB 78.07, 0.97, 44.2

 

CMYK 0 / 10 / 37 / 11

HEX #E4CD8F

RGB 228 205 143

HSL 43.76, 0.61%, 0.73%

LAB 82.99, -0.67, 33.82

 

CMYK 0 / 7 / 25 / 7

HEX #ECDCB1

RGB 236 220 177

HSL 43.73, 0.61%, 0.81%

LAB 88.06, -1.09, 23.15

 

CMYK 0 / 14 / 51 / 13

HEX #DDBE6D

RGB 221 190 109

HSL 43.39, 0.62%, 0.65%

LAB 78.05, 0.88, 44.68

 

CMYK 46 / 0 / 50 / 13

HEX #77DD6E

RGB 119 221 110

HSL 115.14, 0.62%, 0.65%

LAB 80.04, -51.29, 45.13

 

CMYK 34 / 50 / 0 / 13

HEX #916EDD

RGB 145 110 221

HSL 258.92, 0.62%, 0.65%

LAB 54.44, 37.96, -52.09

 

CMYK 0 / 14 / 51 / 13

HEX #DDBE6D

RGB 221 190 109

HSL 43.39, 0.62%, 0.65%

LAB 78.05, 0.88, 44.68

 

CMYK 50 / 0 / 14 / 13

HEX #6EDDBD

RGB 110 221 189

HSL 162.7, 0.62%, 0.65%

LAB 81.13, -39.42, 6

 

CMYK 14 / 50 / 0 / 13

HEX #BD6EDD

RGB 189 110 221

HSL 282.7, 0.62%, 0.65%

LAB 59.15, 49.56, -44.32

 

CMYK 0 / 14 / 51 / 13

HEX #DDBE6D

RGB 221 190 109

HSL 43.39, 0.62%, 0.65%

LAB 78.05, 0.88, 44.68

 

CMYK 46 / 0 / 50 / 13

HEX #77DD6E

RGB 119 221 110

HSL 115.14, 0.62%, 0.65%

LAB 80.04, -51.29, 45.13

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 5 / 50 / 0 / 13

HEX #D36EDD

RGB 211 110 221

HSL 294.59, 0.62%, 0.65%

LAB 61.84, 55.57, -39.9

 

CMYK 0 / 14 / 51 / 13

HEX #DDBE6D

RGB 221 190 109

HSL 43.39, 0.62%, 0.65%

LAB 78.05, 0.88, 44.68

 

CMYK 50 / 0 / 39 / 13

HEX #6EDD86

RGB 110 221 134

HSL 132.97, 0.62%, 0.65%

LAB 80.04, -50.23, 33.2

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 0 / 50 / 11 / 13

HEX #DD6EC5

RGB 221 110 197

HSL 312.97, 0.62%, 0.65%

LAB 62.13, 54.29, -25.84

 

Description

Color code: HEX #DDBE6D | qconv.com Color code: HEX #DDBE6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 190 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 190 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 51% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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