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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDBEA0 it is the complementary color #22415F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDBEA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDBEA0 shade: #E2BE9B, #F3D0AE, #FFE2C1, #FFF4D4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDBEA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDBEA0 shade: #DDBEA0, #CCAC8D, #BB9A7A, #AA8867 and #997654

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDBEA0 shade: #DDBEA1, #DDAEA1 and #DDA1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDBEA0 shade: #DDBEA1, #DDCEA1, #DBDDA1, #CBDDA1 and #BBDDA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDBEA0 shade matches the following richer shades: #DDBEA1, #E7BE96, #F1BE8C and #FCBE82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDBEA0 shade: #DDBEA1, #D2BEAB, #C8BFB5, #BEBFC0 and #B3BFCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDBEA0 shade: #DDA1A4, #DDAEA1, #DDBEA1, #DDCEA1 and #DCDDA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDBEA0 shade: #C79564, #D2A982, #DDBEA1, #E8D3BF and #F3E8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDBEA0 shade: #DDBEA0, #B4DDA1 and #A6A1DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDBEA0 shade: #DDBEA0, #A1DDBE and #BEA1DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDBEA0 shade: #DDBEA0, #B4DDA1, #A1C0DD and #CAA1DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDBEA0 shade: #DDBEA0, #A2DDA1, #A1C0DD and #DCA1DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 28 / 13

HEX #DDBEA0

RGB 221 190 160

HSL 29.51, 0.47%, 0.75%

LAB 78.89, 6.58, 19.24

 

Complementary color

CMYK 64 / 32 / 0 / 63

HEX #22415F

RGB 34 65 95

HSL 209.51, 0.47%, 0.25%

LAB 26.58, -1.13, -21.22

 

CMYK 0 / 16 / 31 / 11

HEX #E2BE9B

RGB 226 190 155

HSL 29.58, 0.55%, 0.75%

LAB 79.25, 7.84, 22.48

 

CMYK 0 / 14 / 28 / 5

HEX #F3D0AE

RGB 243 208 174

HSL 29.57, 0.74%, 0.82%

LAB 85.62, 7.34, 21.44

 

CMYK 0 / 11 / 24 / 0

HEX #FFE2C1

RGB 255 226 193

HSL 31.94, 1%, 0.88%

LAB 91.46, 5.05, 19.79

 

CMYK 0 / 4 / 17 / 0

HEX #FFF4D4

RGB 255 244 212

HSL 44.65, 1%, 0.92%

LAB 96.29, -1.4, 16.75

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 14 / 28 / 13

HEX #DDBEA0

RGB 221 190 160

HSL 29.51, 0.47%, 0.75%

LAB 78.89, 6.58, 19.24

 

CMYK 0 / 16 / 31 / 20

HEX #CCAC8D

RGB 204 172 141

HSL 29.52, 0.38%, 0.68%

LAB 72.41, 7.08, 20.29

 

CMYK 0 / 18 / 35 / 27

HEX #BB9A7A

RGB 187 154 122

HSL 29.54, 0.32%, 0.61%

LAB 65.81, 7.65, 21.41

 

CMYK 0 / 20 / 39 / 33

HEX #AA8867

RGB 170 136 103

HSL 29.55, 0.28%, 0.54%

LAB 59.1, 8.32, 22.63

 

CMYK 0 / 23 / 45 / 40

HEX #997654

RGB 153 118 84

HSL 29.57, 0.29%, 0.46%

LAB 52.25, 9.11, 23.96

 

CMYK 0 / 14 / 27 / 13

HEX #DDBEA1

RGB 221 190 161

HSL 29, 0.47%, 0.75%

LAB 78.91, 6.72, 18.74

 

CMYK 0 / 21 / 27 / 13

HEX #DDAEA1

RGB 221 174 161

HSL 13, 0.47%, 0.75%

LAB 74.96, 15.25, 13.21

 

CMYK 0 / 27 / 27 / 13

HEX #DDA1A1

RGB 221 161 161

HSL 0, 0.47%, 0.75%

LAB 71.85, 22.25, 8.8

 

CMYK 0 / 14 / 27 / 13

HEX #DDBEA1

RGB 221 190 161

HSL 29, 0.47%, 0.75%

LAB 78.91, 6.72, 18.74

 

CMYK 0 / 7 / 27 / 13

HEX #DDCEA1

RGB 221 206 161

HSL 45, 0.47%, 0.75%

LAB 82.96, -1.67, 24.31

 

CMYK 1 / 0 / 27 / 13

HEX #DBDDA1

RGB 219 221 161

HSL 62, 0.47%, 0.75%

LAB 86.68, -10.1, 29.32

 

CMYK 8 / 0 / 27 / 13

HEX #CBDDA1

RGB 203 221 161

HSL 78, 0.47%, 0.75%

LAB 85.5, -16.03, 27.52

 

CMYK 15 / 0 / 27 / 13

HEX #BBDDA1

RGB 187 221 161

HSL 94, 0.47%, 0.75%

LAB 84.41, -21.81, 25.87

 

CMYK 0 / 14 / 27 / 13

HEX #DDBEA1

RGB 221 190 161

HSL 29, 0.47%, 0.75%

LAB 78.91, 6.72, 18.74

 

CMYK 0 / 18 / 35 / 9

HEX #E7BE96

RGB 231 190 150

HSL 29.63, 0.63%, 0.75%

LAB 79.62, 9.16, 25.72

 

CMYK 0 / 21 / 42 / 5

HEX #F1BE8C

RGB 241 190 140

HSL 29.7, 0.78%, 0.75%

LAB 80.42, 11.95, 32.21

 

CMYK 0 / 25 / 48 / 1

HEX #FCBE82

RGB 252 190 130

HSL 29.51, 0.95%, 0.75%

LAB 81.37, 15.32, 38.85

 

CMYK 0 / 14 / 27 / 13

HEX #DDBEA1

RGB 221 190 161

HSL 29, 0.47%, 0.75%

LAB 78.91, 6.72, 18.74

 

CMYK 0 / 10 / 19 / 18

HEX #D2BEAB

RGB 210 190 171

HSL 29.23, 0.3%, 0.75%

LAB 78.15, 4.01, 12.16

 

CMYK 0 / 5 / 10 / 22

HEX #C8BFB5

RGB 200 191 181

HSL 31.58, 0.15%, 0.75%

LAB 77.8, 1.42, 6.16

HEX #C8BFB5

CMYK 1 / 1 / 0 / 25

HEX #BEBFC0

RGB 190 191 192

HSL 210, 0.02%, 0.75%

LAB 77.29, -0.16, -0.63

HEX #BEBFC0

CMYK 11 / 5 / 0 / 21

HEX #B3BFCA

RGB 179 191 202

HSL 208.7, 0.18%, 0.75%

LAB 76.75, -1.92, -6.94

HEX #B3BFCA

CMYK 0 / 27 / 26 / 13

HEX #DDA1A4

RGB 221 161 164

HSL 357, 0.47%, 0.75%

LAB 71.92, 22.67, 7.25

 

CMYK 0 / 21 / 27 / 13

HEX #DDAEA1

RGB 221 174 161

HSL 13, 0.47%, 0.75%

LAB 74.96, 15.25, 13.21

 

CMYK 0 / 14 / 27 / 13

HEX #DDBEA1

RGB 221 190 161

HSL 29, 0.47%, 0.75%

LAB 78.91, 6.72, 18.74

 

CMYK 0 / 7 / 27 / 13

HEX #DDCEA1

RGB 221 206 161

HSL 45, 0.47%, 0.75%

LAB 82.96, -1.67, 24.31

 

CMYK 0 / 0 / 27 / 13

HEX #DCDDA1

RGB 220 221 161

HSL 61, 0.47%, 0.75%

LAB 86.75, -9.72, 29.43

 

CMYK 0 / 25 / 50 / 22

HEX #C79564

RGB 199 149 100

HSL 29.7, 0.47%, 0.59%

LAB 65.4, 12.89, 33.08

 

CMYK 0 / 20 / 38 / 18

HEX #D2A982

RGB 210 169 130

HSL 29.25, 0.47%, 0.67%

LAB 72.02, 9.71, 25.81

 

CMYK 0 / 14 / 27 / 13

HEX #DDBEA1

RGB 221 190 161

HSL 29, 0.47%, 0.75%

LAB 78.91, 6.72, 18.74

 

CMYK 0 / 9 / 18 / 9

HEX #E8D3BF

RGB 232 211 191

HSL 29.27, 0.47%, 0.83%

LAB 85.76, 4.1, 12.54

 

CMYK 0 / 5 / 9 / 5

HEX #F3E8DD

RGB 243 232 221

HSL 30, 0.48%, 0.91%

LAB 92.57, 1.88, 6.66

 

CMYK 0 / 14 / 28 / 13

HEX #DDBEA0

RGB 221 190 160

HSL 29.51, 0.47%, 0.75%

LAB 78.89, 6.58, 19.24

 

CMYK 19 / 0 / 27 / 13

HEX #B4DDA1

RGB 180 221 161

HSL 101, 0.47%, 0.75%

LAB 83.96, -24.27, 25.18

 

CMYK 25 / 27 / 0 / 13

HEX #A6A1DD

RGB 166 161 221

HSL 245, 0.47%, 0.75%

LAB 68.62, 14.65, -29.72

 

CMYK 0 / 14 / 28 / 13

HEX #DDBEA0

RGB 221 190 160

HSL 29.51, 0.47%, 0.75%

LAB 78.89, 6.58, 19.24

 

CMYK 27 / 0 / 14 / 13

HEX #A1DDBE

RGB 161 221 190

HSL 149, 0.47%, 0.75%

LAB 83.45, -25.43, 9.1

 

CMYK 14 / 27 / 0 / 13

HEX #BEA1DD

RGB 190 161 221

HSL 269, 0.47%, 0.75%

LAB 70.63, 22.05, -26.45

 

CMYK 0 / 14 / 28 / 13

HEX #DDBEA0

RGB 221 190 160

HSL 29.51, 0.47%, 0.75%

LAB 78.89, 6.58, 19.24

 

CMYK 19 / 0 / 27 / 13

HEX #B4DDA1

RGB 180 221 161

HSL 101, 0.47%, 0.75%

LAB 83.96, -24.27, 25.18

 

CMYK 27 / 13 / 0 / 13

HEX #A1C0DD

RGB 161 192 221

HSL 209, 0.47%, 0.75%

LAB 76.37, -3.9, -17.91

 

CMYK 9 / 27 / 0 / 13

HEX #CAA1DD

RGB 202 161 221

HSL 281, 0.47%, 0.75%

LAB 71.74, 25.87, -24.66

 

CMYK 0 / 14 / 28 / 13

HEX #DDBEA0

RGB 221 190 160

HSL 29.51, 0.47%, 0.75%

LAB 78.89, 6.58, 19.24

 

CMYK 27 / 0 / 27 / 13

HEX #A2DDA1

RGB 162 221 161

HSL 119, 0.47%, 0.75%

LAB 82.9, -30.36, 23.56

 

CMYK 27 / 13 / 0 / 13

HEX #A1C0DD

RGB 161 192 221

HSL 209, 0.47%, 0.75%

LAB 76.37, -3.9, -17.91

 

CMYK 0 / 27 / 0 / 13

HEX #DCA1DD

RGB 220 161 221

HSL 299, 0.47%, 0.75%

LAB 73.5, 31.68, -21.82

 

Description

Color code: HEX #DDBEA0 | qconv.com Color code: HEX #DDBEA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 190 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 190 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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