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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDC66D it is the complementary color #223992. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDC66D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDC66D shade: #E2C668, #F3D87B, #FFEA8E, #FFFCA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDC66D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDC66D shade: #DDC66D, #CCB45A, #BBA247, #AA9034 and #997E21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDC66D shade: #DDC66E, #DDA86E, #DD8A6E and #DD6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDC66D shade: #DDC66E, #D5DD6E, #B8DD6E, #9ADD6E and #7CDD6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDC66D shade matches the following richer shades: #DDC66E, #EBCE5F and #F9D751

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDC66D shade: #DDC66E, #CEBD7C, #C0B58B, #B1AC99 and #A3A4A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDC66D shade: #DD8A6E, #DDA76E, #DDC56E, #D7DD6E and #BADD6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDC66D shade: #C9A92F, #D5B94C, #DDC66E, #E4D38F and #ECE0B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDC66D shade: #DDC66D, #70DD6E and #986EDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDC66D shade: #DDC66D, #6EDDC5 and #C56EDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDC66D shade: #DDC66D, #70DD6E, #6E86DD and #DB6EDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDC66D shade: #DDC66D, #6EDD8D, #6E86DD and #DD6EBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 51 / 13

HEX #DDC66D

RGB 221 198 109

HSL 47.68, 0.62%, 0.65%

LAB 80.1, -3.28, 47.17

 

Complementary color

CMYK 77 / 61 / 0 / 43

HEX #223992

RGB 34 57 146

HSL 227.68, 0.62%, 0.35%

LAB 27.69, 24.34, -51.62

 

CMYK 0 / 12 / 54 / 11

HEX #E2C668

RGB 226 198 104

HSL 46.23, 0.68%, 0.65%

LAB 80.49, -1.65, 50.16

 

CMYK 0 / 11 / 49 / 5

HEX #F3D87B

RGB 243 216 123

HSL 46.5, 0.83%, 0.72%

LAB 86.8, -2.37, 48.94

 

CMYK 0 / 8 / 44 / 0

HEX #FFEA8E

RGB 255 234 142

HSL 48.85, 1%, 0.78%

LAB 92.6, -4.95, 47.12

 

CMYK 0 / 1 / 37 / 0

HEX #FFFCA1

RGB 255 252 161

HSL 58.09, 1%, 0.82%

LAB 97.41, -11.92, 43.95

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 10 / 51 / 13

HEX #DDC66D

RGB 221 198 109

HSL 47.68, 0.62%, 0.65%

LAB 80.1, -3.28, 47.17

 

CMYK 0 / 12 / 56 / 20

HEX #CCB45A

RGB 204 180 90

HSL 47.37, 0.53%, 0.58%

LAB 73.69, -2.54, 48.39

 

CMYK 0 / 13 / 62 / 27

HEX #BBA247

RGB 187 162 71

HSL 47.07, 0.46%, 0.51%

LAB 67.17, -1.66, 49.54

 

CMYK 0 / 15 / 69 / 33

HEX #AA9034

RGB 170 144 52

HSL 46.78, 0.53%, 0.44%

LAB 60.55, -0.59, 50.5

 

CMYK 0 / 18 / 78 / 40

HEX #997E21

RGB 153 126 33

HSL 46.5, 0.65%, 0.36%

LAB 53.82, 0.72, 50.99

 

CMYK 0 / 10 / 50 / 13

HEX #DDC66E

RGB 221 198 110

HSL 47.57, 0.62%, 0.65%

LAB 80.12, -3.19, 46.7

 

CMYK 0 / 24 / 50 / 13

HEX #DDA86E

RGB 221 168 110

HSL 31.35, 0.62%, 0.65%

LAB 72.56, 12.62, 37.36

 

CMYK 0 / 38 / 50 / 13

HEX #DD8A6E

RGB 221 138 110

HSL 15.14, 0.62%, 0.65%

LAB 65.49, 28.72, 28.27

 

CMYK 0 / 50 / 50 / 13

HEX #DD6E6E

RGB 221 110 110

HSL 0, 0.62%, 0.65%

LAB 59.57, 43.28, 20.38

 

CMYK 0 / 10 / 50 / 13

HEX #DDC66E

RGB 221 198 110

HSL 47.57, 0.62%, 0.65%

LAB 80.12, -3.19, 46.7

 

CMYK 4 / 0 / 50 / 13

HEX #D5DD6E

RGB 213 221 110

HSL 64.32, 0.62%, 0.65%

LAB 85.5, -18.04, 52.98

 

CMYK 17 / 0 / 50 / 13

HEX #B8DD6E

RGB 184 221 110

HSL 80, 0.62%, 0.65%

LAB 83.46, -29.32, 50.06

 

CMYK 30 / 0 / 50 / 13

HEX #9ADD6E

RGB 154 221 110

HSL 96.22, 0.62%, 0.65%

LAB 81.68, -40.2, 47.49

 

CMYK 44 / 0 / 50 / 13

HEX #7CDD6E

RGB 124 221 110

HSL 112.43, 0.62%, 0.65%

LAB 80.25, -49.84, 45.42

 

CMYK 0 / 10 / 50 / 13

HEX #DDC66E

RGB 221 198 110

HSL 47.57, 0.62%, 0.65%

LAB 80.12, -3.19, 46.7

 

CMYK 0 / 12 / 60 / 8

HEX #EBCE5F

RGB 235 206 95

HSL 47.57, 0.78%, 0.65%

LAB 83.25, -2.73, 57.74

 

CMYK 0 / 14 / 67 / 2

HEX #F9D751

RGB 249 215 81

HSL 47.86, 0.93%, 0.65%

LAB 86.67, -2.36, 67.76

 

CMYK 0 / 10 / 50 / 13

HEX #DDC66E

RGB 221 198 110

HSL 47.57, 0.62%, 0.65%

LAB 80.12, -3.19, 46.7

 

CMYK 0 / 8 / 40 / 19

HEX #CEBD7C

RGB 206 189 124

HSL 47.56, 0.46%, 0.65%

LAB 76.66, -3.21, 35.03

 

CMYK 0 / 6 / 28 / 25

HEX #C0B58B

RGB 192 181 139

HSL 47.55, 0.3%, 0.65%

LAB 73.62, -2.7, 22.86

 

CMYK 0 / 3 / 14 / 31

HEX #B1AC99

RGB 177 172 153

HSL 47.5, 0.13%, 0.65%

LAB 70.28, -1.53, 10.41

 

CMYK 3 / 2 / 0 / 34

HEX #A3A4A8

RGB 163 164 168

HSL 228, 0.03%, 0.65%

LAB 67.4, 0.42, -2.2

 

CMYK 0 / 38 / 50 / 13

HEX #DD8A6E

RGB 221 138 110

HSL 15.14, 0.62%, 0.65%

LAB 65.49, 28.72, 28.27

 

CMYK 0 / 24 / 50 / 13

HEX #DDA76E

RGB 221 167 110

HSL 30.81, 0.62%, 0.65%

LAB 72.32, 13.16, 37.05

 

CMYK 0 / 11 / 50 / 13

HEX #DDC56E

RGB 221 197 110

HSL 47.03, 0.62%, 0.65%

LAB 79.86, -2.68, 46.38

 

CMYK 3 / 0 / 50 / 13

HEX #D7DD6E

RGB 215 221 110

HSL 63.24, 0.62%, 0.65%

LAB 85.65, -17.24, 53.19

 

CMYK 16 / 0 / 50 / 13

HEX #BADD6E

RGB 186 221 110

HSL 78.92, 0.62%, 0.65%

LAB 83.59, -28.56, 50.24

 

CMYK 0 / 16 / 77 / 21

HEX #C9A92F

RGB 201 169 47

HSL 47.53, 0.62%, 0.49%

LAB 70.17, -0.57, 62.9

 

CMYK 0 / 13 / 64 / 16

HEX #D5B94C

RGB 213 185 76

HSL 47.74, 0.62%, 0.57%

LAB 75.68, -2.33, 57.27

 

CMYK 0 / 10 / 50 / 13

HEX #DDC66E

RGB 221 198 110

HSL 47.57, 0.62%, 0.65%

LAB 80.12, -3.19, 46.7

 

CMYK 0 / 7 / 37 / 11

HEX #E4D38F

RGB 228 211 143

HSL 48, 0.61%, 0.73%

LAB 84.52, -3.76, 35.82

 

CMYK 0 / 5 / 25 / 7

HEX #ECE0B1

RGB 236 224 177

HSL 47.8, 0.61%, 0.81%

LAB 89.07, -3.13, 24.54

 

CMYK 0 / 10 / 51 / 13

HEX #DDC66D

RGB 221 198 109

HSL 47.68, 0.62%, 0.65%

LAB 80.1, -3.28, 47.17

 

CMYK 49 / 0 / 50 / 13

HEX #70DD6E

RGB 112 221 110

HSL 118.92, 0.62%, 0.65%

LAB 79.77, -53.24, 44.73

 

CMYK 31 / 50 / 0 / 13

HEX #986EDD

RGB 152 110 221

HSL 262.7, 0.62%, 0.65%

LAB 55.12, 39.73, -50.96

 

CMYK 0 / 10 / 51 / 13

HEX #DDC66D

RGB 221 198 109

HSL 47.68, 0.62%, 0.65%

LAB 80.1, -3.28, 47.17

 

CMYK 50 / 0 / 11 / 13

HEX #6EDDC5

RGB 110 221 197

HSL 167.03, 0.62%, 0.65%

LAB 81.32, -37.56, 2.04

 

CMYK 11 / 50 / 0 / 13

HEX #C56EDD

RGB 197 110 221

HSL 287.03, 0.62%, 0.65%

LAB 60.11, 51.74, -42.75

 

CMYK 0 / 10 / 51 / 13

HEX #DDC66D

RGB 221 198 109

HSL 47.68, 0.62%, 0.65%

LAB 80.1, -3.28, 47.17

 

CMYK 49 / 0 / 50 / 13

HEX #70DD6E

RGB 112 221 110

HSL 118.92, 0.62%, 0.65%

LAB 79.77, -53.24, 44.73

 

CMYK 50 / 39 / 0 / 13

HEX #6E86DD

RGB 110 134 221

HSL 227.03, 0.62%, 0.65%

LAB 57.64, 15.3, -47.17

 

CMYK 1 / 50 / 0 / 13

HEX #DB6EDD

RGB 219 110 221

HSL 298.92, 0.62%, 0.65%

LAB 62.87, 57.77, -38.22

 

CMYK 0 / 10 / 51 / 13

HEX #DDC66D

RGB 221 198 109

HSL 47.68, 0.62%, 0.65%

LAB 80.1, -3.28, 47.17

 

CMYK 50 / 0 / 36 / 13

HEX #6EDD8D

RGB 110 221 141

HSL 136.76, 0.62%, 0.65%

LAB 80.15, -49.05, 29.78

 

CMYK 50 / 39 / 0 / 13

HEX #6E86DD

RGB 110 134 221

HSL 227.03, 0.62%, 0.65%

LAB 57.64, 15.3, -47.17

 

CMYK 0 / 50 / 14 / 13

HEX #DD6EBD

RGB 221 110 189

HSL 317.3, 0.62%, 0.65%

LAB 61.82, 53.03, -21.77

 

Description

Color code: HEX #DDC66D | qconv.com Color code: HEX #DDC66D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 198 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 198 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 51% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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