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Color name
HEX #DDC07C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDC07C it is the complementary color #223F83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDC07C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDC07C shade: #E2C077, #F3D28A, #FFE49D, #FFF6B0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDC07C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDC07C shade: #DDC07C, #CCAE69, #BB9C56, #AA8A43 and #997830

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDC07C shade: #DDC07D, #DDA67D, #DD8C7D and #DD7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDC07C shade: #DDC07D, #DDDA7D, #C6DD7D, #ACDD7D and #92DD7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDC07C shade matches the following richer shades: #DDC07D, #EAC670 and #F7CB62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDC07C shade: #DDC07D, #D0BB8A, #C3B697, #B5B0A4 and #A8ABB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDC07C shade: #DD8D7D, #DDA67D, #DDC07D, #DDDA7D and #C7DD7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDC07C shade: #CCA13B, #D5B15C, #DDC07D, #E6D09E and #EEE0BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDC07C shade: #DDC07C, #86DD7D and #9A7DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDC07C shade: #DDC07C, #7DDDC0 and #C07DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDC07C shade: #DDC07C, #86DD7D, #7D9ADD and #D37DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDC07C shade: #DDC07C, #7DDD90, #7D9ADD and #DD7DCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 44 / 13

HEX #DDC07C

RGB 221 192 124

HSL 42.06, 0.59%, 0.68%

LAB 78.77, 1.26, 38

 

Complementary color

CMYK 74 / 52 / 0 / 49

HEX #223F83

RGB 34 63 131

HSL 222.06, 0.59%, 0.32%

LAB 28.2, 14.29, -41.49

 

CMYK 0 / 15 / 47 / 11

HEX #E2C077

RGB 226 192 119

HSL 40.93, 0.65%, 0.68%

LAB 79.16, 2.79, 41.13

 

CMYK 0 / 14 / 43 / 5

HEX #F3D28A

RGB 243 210 138

HSL 41.14, 0.81%, 0.75%

LAB 85.5, 2.12, 39.88

 

CMYK 0 / 11 / 38 / 0

HEX #FFE49D

RGB 255 228 157

HSL 43.47, 1%, 0.81%

LAB 91.32, -0.39, 38.04

 

CMYK 0 / 4 / 31 / 0

HEX #FFF6B0

RGB 255 246 176

HSL 53.16, 1%, 0.85%

LAB 96.12, -7.24, 34.83

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 13 / 44 / 13

HEX #DDC07C

RGB 221 192 124

HSL 42.06, 0.59%, 0.68%

LAB 78.77, 1.26, 38

 

CMYK 0 / 15 / 49 / 20

HEX #CCAE69

RGB 204 174 105

HSL 41.82, 0.49%, 0.61%

LAB 72.31, 1.94, 39.27

 

CMYK 0 / 17 / 54 / 27

HEX #BB9C56

RGB 187 156 86

HSL 41.58, 0.43%, 0.54%

LAB 65.76, 2.74, 40.58

 

CMYK 0 / 19 / 61 / 33

HEX #AA8A43

RGB 170 138 67

HSL 41.36, 0.43%, 0.46%

LAB 59.09, 3.7, 41.9

 

CMYK 0 / 22 / 69 / 40

HEX #997830

RGB 153 120 48

HSL 41.14, 0.52%, 0.39%

LAB 52.31, 4.87, 43.12

 

CMYK 0 / 13 / 43 / 13

HEX #DDC07D

RGB 221 192 125

HSL 41.88, 0.59%, 0.68%

LAB 78.78, 1.36, 37.5

 

CMYK 0 / 25 / 43 / 13

HEX #DDA67D

RGB 221 166 125

HSL 25.63, 0.59%, 0.68%

LAB 72.31, 15.17, 29.09

 

CMYK 0 / 37 / 43 / 13

HEX #DD8C7D

RGB 221 140 125

HSL 9.38, 0.59%, 0.68%

LAB 66.22, 29.14, 20.92

 

CMYK 0 / 43 / 43 / 13

HEX #DD7D7D

RGB 221 125 125

HSL 0, 0.59%, 0.68%

LAB 62.94, 37.07, 16.43

 

CMYK 0 / 13 / 43 / 13

HEX #DDC07D

RGB 221 192 125

HSL 41.88, 0.59%, 0.68%

LAB 78.78, 1.36, 37.5

 

CMYK 0 / 1 / 43 / 13

HEX #DDDA7D

RGB 221 218 125

HSL 58.13, 0.59%, 0.68%

LAB 85.5, -11.97, 45.96

 

CMYK 10 / 0 / 43 / 13

HEX #C6DD7D

RGB 198 221 125

HSL 74.38, 0.59%, 0.68%

LAB 84.59, -22.42, 44.45

 

CMYK 22 / 0 / 43 / 13

HEX #ACDD7D

RGB 172 221 125

HSL 90.63, 0.59%, 0.68%

LAB 82.89, -32.09, 41.96

 

CMYK 34 / 0 / 43 / 13

HEX #92DD7D

RGB 146 221 125

HSL 106.88, 0.59%, 0.68%

LAB 81.46, -41.03, 39.85

 

CMYK 0 / 13 / 43 / 13

HEX #DDC07D

RGB 221 192 125

HSL 41.88, 0.59%, 0.68%

LAB 78.78, 1.36, 37.5

 

CMYK 0 / 15 / 52 / 8

HEX #EAC670

RGB 234 198 112

HSL 42.3, 0.74%, 0.68%

LAB 81.32, 2.29, 47.45

 

CMYK 0 / 18 / 60 / 3

HEX #F7CB62

RGB 247 203 98

HSL 42.28, 0.9%, 0.68%

LAB 83.64, 3.98, 57.11

 

CMYK 0 / 13 / 43 / 13

HEX #DDC07D

RGB 221 192 125

HSL 41.88, 0.59%, 0.68%

LAB 78.78, 1.36, 37.5

 

CMYK 0 / 10 / 34 / 18

HEX #D0BB8A

RGB 208 187 138

HSL 42, 0.43%, 0.68%

LAB 76.55, 0.28, 27.57

 

CMYK 0 / 7 / 23 / 24

HEX #C3B697

RGB 195 182 151

HSL 42.27, 0.27%, 0.68%

LAB 74.38, -0.38, 17.47

 

CMYK 0 / 3 / 9 / 29

HEX #B5B0A4

RGB 181 176 164

HSL 42.35, 0.1%, 0.68%

LAB 71.93, -0.35, 6.77

 

CMYK 6 / 4 / 0 / 30

HEX #A8ABB2

RGB 168 171 178

HSL 222, 0.06%, 0.68%

LAB 69.94, 0.31, -3.96

 

CMYK 0 / 36 / 43 / 13

HEX #DD8D7D

RGB 221 141 125

HSL 10, 0.59%, 0.68%

LAB 66.45, 28.6, 21.23

 

CMYK 0 / 25 / 43 / 13

HEX #DDA67D

RGB 221 166 125

HSL 25.63, 0.59%, 0.68%

LAB 72.31, 15.17, 29.09

 

CMYK 0 / 13 / 43 / 13

HEX #DDC07D

RGB 221 192 125

HSL 41.88, 0.59%, 0.68%

LAB 78.78, 1.36, 37.5

 

CMYK 0 / 1 / 43 / 13

HEX #DDDA7D

RGB 221 218 125

HSL 58.13, 0.59%, 0.68%

LAB 85.5, -11.97, 45.96

 

CMYK 10 / 0 / 43 / 13

HEX #C7DD7D

RGB 199 221 125

HSL 73.75, 0.59%, 0.68%

LAB 84.66, -22.03, 44.55

 

CMYK 0 / 21 / 71 / 20

HEX #CCA13B

RGB 204 161 59

HSL 42.21, 0.59%, 0.52%

LAB 68.49, 5.56, 56.75

 

CMYK 0 / 17 / 57 / 16

HEX #D5B15C

RGB 213 177 92

HSL 42.15, 0.59%, 0.6%

LAB 73.78, 2.99, 47.74

 

CMYK 0 / 13 / 43 / 13

HEX #DDC07D

RGB 221 192 125

HSL 41.88, 0.59%, 0.68%

LAB 78.78, 1.36, 37.5

 

CMYK 0 / 10 / 31 / 10

HEX #E6D09E

RGB 230 208 158

HSL 41.67, 0.59%, 0.76%

LAB 84.18, 0.35, 27.66

 

CMYK 0 / 6 / 20 / 7

HEX #EEE0BE

RGB 238 224 190

HSL 42.5, 0.59%, 0.84%

LAB 89.49, -0.58, 18.39

 

CMYK 0 / 13 / 44 / 13

HEX #DDC07C

RGB 221 192 124

HSL 42.06, 0.59%, 0.68%

LAB 78.77, 1.26, 38

 

CMYK 39 / 0 / 43 / 13

HEX #86DD7D

RGB 134 221 125

HSL 114.38, 0.59%, 0.68%

LAB 80.88, -44.83, 39

 

CMYK 30 / 43 / 0 / 13

HEX #9A7DDD

RGB 154 125 221

HSL 258.13, 0.59%, 0.68%

LAB 58.75, 31.73, -45.2

 

CMYK 0 / 13 / 44 / 13

HEX #DDC07C

RGB 221 192 124

HSL 42.06, 0.59%, 0.68%

LAB 78.77, 1.26, 38

 

CMYK 43 / 0 / 13 / 13

HEX #7DDDC0

RGB 125 221 192

HSL 161.88, 0.59%, 0.68%

LAB 81.77, -35.15, 5.41

 

CMYK 13 / 43 / 0 / 13

HEX #C07DDD

RGB 192 125 221

HSL 281.88, 0.59%, 0.68%

LAB 62.59, 42.47, -38.9

 

CMYK 0 / 13 / 44 / 13

HEX #DDC07C

RGB 221 192 124

HSL 42.06, 0.59%, 0.68%

LAB 78.77, 1.26, 38

 

CMYK 39 / 0 / 43 / 13

HEX #86DD7D

RGB 134 221 125

HSL 114.38, 0.59%, 0.68%

LAB 80.88, -44.83, 39

 

CMYK 43 / 30 / 0 / 13

HEX #7D9ADD

RGB 125 154 221

HSL 221.88, 0.59%, 0.68%

LAB 63.91, 7.21, -37.25

 

CMYK 5 / 43 / 0 / 13

HEX #D37DDD

RGB 211 125 221

HSL 293.75, 0.59%, 0.68%

LAB 64.75, 48.01, -35.36

 

CMYK 0 / 13 / 44 / 13

HEX #DDC07C

RGB 221 192 124

HSL 42.06, 0.59%, 0.68%

LAB 78.77, 1.26, 38

 

CMYK 43 / 0 / 35 / 13

HEX #7DDD90

RGB 125 221 144

HSL 131.88, 0.59%, 0.68%

LAB 80.79, -44.54, 29.19

 

CMYK 43 / 30 / 0 / 13

HEX #7D9ADD

RGB 125 154 221

HSL 221.88, 0.59%, 0.68%

LAB 63.91, 7.21, -37.25

 

CMYK 0 / 43 / 9 / 13

HEX #DD7DCA

RGB 221 125 202

HSL 311.88, 0.59%, 0.68%

LAB 65.2, 47.64, -23.94

 

Description

Color code: HEX #DDC07C | qconv.com Color code: HEX #DDC07C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 192 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 192 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 44 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 44% 13% C M Y K

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Provide designers and agencies with accurate color values.

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