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Color name
HEX #DDCC68

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDCC68 it is the complementary color #223397. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDCC68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDCC68 shade: #E2CC63, #F3DE76, #FFF089, #FFFF9C and #FFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDCC68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDCC68 shade: #DDCC68, #CCBA55, #BBA842, #AA962F and #99841C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDCC68 shade: #DDCC69, #DDAD69, #DD8D69, #DD6E69 and #DD6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDCC68 shade: #DDCC69, #CEDD69, #AFDD69, #90DD69 and #71DD69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDCC68 shade matches the following richer shades: #DDCC69, #EBD65A and #FAE14B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDCC68 shade: #DDCC69, #CEC178, #BFB787, #B0AC95 and #A1A2A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDCC68 shade: #DD8D69, #DDAC69, #DDCB69, #CFDD69 and #B0DD69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDCC68 shade: #C6B02D, #D5C047, #DDCC69, #E4D78A and #ECE3AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDCC68 shade: #DDCC68, #69DD6F and #9D69DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDCC68 shade: #DDCC68, #69DDCB and #CB69DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDCC68 shade: #DDCC68, #69DD6F, #697ADD and #DD69D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDCC68 shade: #DDCC68, #69DD91, #697ADD and #DD69B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 53 / 13

HEX #DDCC68

RGB 221 204 104

HSL 51.28, 0.63%, 0.64%

LAB 81.6, -6.79, 51.36

 

Complementary color

CMYK 77 / 66 / 0 / 41

HEX #223397

RGB 34 51 151

HSL 231.28, 0.63%, 0.36%

LAB 26.57, 30.3, -56.52

 

CMYK 0 / 10 / 56 / 11

HEX #E2CC63

RGB 226 204 99

HSL 49.61, 0.69%, 0.64%

LAB 81.98, -5.13, 54.25

 

CMYK 0 / 9 / 51 / 5

HEX #F3DE76

RGB 243 222 118

HSL 49.92, 0.84%, 0.71%

LAB 88.26, -5.84, 53.1

 

CMYK 0 / 6 / 46 / 0

HEX #FFF089

RGB 255 240 137

HSL 52.37, 1%, 0.77%

LAB 94.05, -8.41, 51.32

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 8 / 53 / 13

HEX #DDCC68

RGB 221 204 104

HSL 51.28, 0.63%, 0.64%

LAB 81.6, -6.79, 51.36

 

CMYK 0 / 9 / 58 / 20

HEX #CCBA55

RGB 204 186 85

HSL 50.92, 0.54%, 0.57%

LAB 75.21, -6.06, 52.49

 

CMYK 0 / 10 / 65 / 27

HEX #BBA842

RGB 187 168 66

HSL 50.58, 0.48%, 0.5%

LAB 68.72, -5.18, 53.48

 

CMYK 0 / 12 / 72 / 33

HEX #AA962F

RGB 170 150 47

HSL 50.24, 0.57%, 0.43%

LAB 62.14, -4.12, 54.17

 

CMYK 0 / 14 / 82 / 40

HEX #99841C

RGB 153 132 28

HSL 49.92, 0.69%, 0.35%

LAB 55.44, -2.82, 54.18

 

CMYK 0 / 8 / 52 / 13

HEX #DDCC69

RGB 221 204 105

HSL 51.21, 0.63%, 0.64%

LAB 81.61, -6.71, 50.89

 

CMYK 0 / 22 / 52 / 13

HEX #DDAD69

RGB 221 173 105

HSL 35.17, 0.63%, 0.64%

LAB 73.73, 9.51, 41.38

 

CMYK 0 / 36 / 52 / 13

HEX #DD8D69

RGB 221 141 105

HSL 18.62, 0.63%, 0.64%

LAB 66.09, 26.67, 31.78

 

CMYK 0 / 50 / 52 / 13

HEX #DD6E69

RGB 221 110 105

HSL 2.59, 0.63%, 0.64%

LAB 59.47, 42.84, 23.11

 

CMYK 0 / 52 / 52 / 13

HEX #DD6969

RGB 221 105 105

HSL 0, 0.63%, 0.64%

LAB 58.5, 45.32, 21.81

 

CMYK 0 / 8 / 52 / 13

HEX #DDCC69

RGB 221 204 105

HSL 51.21, 0.63%, 0.64%

LAB 81.61, -6.71, 50.89

 

CMYK 7 / 0 / 52 / 13

HEX #CEDD69

RGB 206 221 105

HSL 67.76, 0.63%, 0.64%

LAB 84.92, -21.25, 54.48

 

CMYK 21 / 0 / 52 / 13

HEX #AFDD69

RGB 175 221 105

HSL 83.79, 0.63%, 0.64%

LAB 82.83, -33.19, 51.51

 

CMYK 35 / 0 / 52 / 13

HEX #90DD69

RGB 144 221 105

HSL 99.83, 0.63%, 0.64%

LAB 81.11, -44.15, 49.03

 

CMYK 49 / 0 / 52 / 13

HEX #71DD69

RGB 113 221 105

HSL 115.86, 0.63%, 0.64%

LAB 79.75, -53.61, 47.09

 

CMYK 0 / 8 / 52 / 13

HEX #DDCC69

RGB 221 204 105

HSL 51.21, 0.63%, 0.64%

LAB 81.61, -6.71, 50.89

 

CMYK 0 / 9 / 62 / 8

HEX #EBD65A

RGB 235 214 90

HSL 51.31, 0.78%, 0.64%

LAB 85.25, -7.13, 62.15

 

CMYK 0 / 10 / 70 / 2

HEX #FAE14B

RGB 250 225 75

HSL 51.43, 0.95%, 0.64%

LAB 89.24, -7.28, 72.7

 

CMYK 0 / 8 / 52 / 13

HEX #DDCC69

RGB 221 204 105

HSL 51.21, 0.63%, 0.64%

LAB 81.61, -6.71, 50.89

 

CMYK 0 / 6 / 42 / 19

HEX #CEC178

RGB 206 193 120

HSL 50.93, 0.47%, 0.64%

LAB 77.65, -5.73, 38.35

 

CMYK 0 / 4 / 29 / 25

HEX #BFB787

RGB 191 183 135

HSL 51.43, 0.3%, 0.64%

LAB 73.99, -4.68, 25.48

 

CMYK 0 / 2 / 15 / 31

HEX #B0AC95

RGB 176 172 149

HSL 51.11, 0.15%, 0.64%

LAB 70.11, -2.55, 12.35

 

CMYK 2 / 1 / 0 / 36

HEX #A1A2A4

RGB 161 162 164

HSL 220, 0.02%, 0.64%

LAB 66.59, 0.03, -1.17

 

CMYK 0 / 36 / 52 / 13

HEX #DD8D69

RGB 221 141 105

HSL 18.62, 0.63%, 0.64%

LAB 66.09, 26.67, 31.78

 

CMYK 0 / 22 / 52 / 13

HEX #DDAC69

RGB 221 172 105

HSL 34.66, 0.63%, 0.64%

LAB 73.48, 10.04, 41.08

 

CMYK 0 / 8 / 52 / 13

HEX #DDCB69

RGB 221 203 105

HSL 50.69, 0.63%, 0.64%

LAB 81.35, -6.2, 50.59

 

CMYK 6 / 0 / 52 / 13

HEX #CFDD69

RGB 207 221 105

HSL 67.24, 0.63%, 0.64%

LAB 85, -20.86, 54.59

 

CMYK 20 / 0 / 52 / 13

HEX #B0DD69

RGB 176 221 105

HSL 83.28, 0.63%, 0.64%

LAB 82.89, -32.82, 51.6

 

CMYK 0 / 11 / 77 / 22

HEX #C6B02D

RGB 198 176 45

HSL 51.37, 0.63%, 0.48%

LAB 71.72, -5.65, 64.91

 

CMYK 0 / 10 / 67 / 16

HEX #D5C047

RGB 213 192 71

HSL 51.13, 0.63%, 0.56%

LAB 77.46, -6.26, 61.27

 

CMYK 0 / 8 / 52 / 13

HEX #DDCC69

RGB 221 204 105

HSL 51.21, 0.63%, 0.64%

LAB 81.61, -6.71, 50.89

 

CMYK 0 / 6 / 39 / 11

HEX #E4D78A

RGB 228 215 138

HSL 51.33, 0.63%, 0.72%

LAB 85.47, -6.35, 39.59

 

CMYK 0 / 4 / 27 / 7

HEX #ECE3AC

RGB 236 227 172

HSL 51.56, 0.63%, 0.8%

LAB 89.74, -5.32, 28.03

 

CMYK 0 / 8 / 53 / 13

HEX #DDCC68

RGB 221 204 104

HSL 51.28, 0.63%, 0.64%

LAB 81.6, -6.79, 51.36

 

CMYK 52 / 0 / 50 / 13

HEX #69DD6F

RGB 105 221 111

HSL 123.1, 0.63%, 0.64%

LAB 79.54, -54.95, 43.9

 

CMYK 29 / 52 / 0 / 13

HEX #9D69DD

RGB 157 105 221

HSL 266.9, 0.63%, 0.64%

LAB 54.54, 43.79, -51.85

 

CMYK 0 / 8 / 53 / 13

HEX #DDCC68

RGB 221 204 104

HSL 51.28, 0.63%, 0.64%

LAB 81.6, -6.79, 51.36

 

CMYK 52 / 0 / 8 / 13

HEX #69DDCB

RGB 105 221 203

HSL 170.69, 0.63%, 0.64%

LAB 81.31, -37.2, -1.2

 

CMYK 8 / 52 / 0 / 13

HEX #CB69DD

RGB 203 105 221

HSL 290.69, 0.63%, 0.64%

LAB 59.91, 55.85, -43.02

 

CMYK 0 / 8 / 53 / 13

HEX #DDCC68

RGB 221 204 104

HSL 51.28, 0.63%, 0.64%

LAB 81.6, -6.79, 51.36

 

CMYK 52 / 0 / 50 / 13

HEX #69DD6F

RGB 105 221 111

HSL 123.1, 0.63%, 0.64%

LAB 79.54, -54.95, 43.9

 

CMYK 52 / 45 / 0 / 13

HEX #697ADD

RGB 105 122 221

HSL 231.21, 0.63%, 0.64%

LAB 54.18, 21.4, -52.69

 

CMYK 0 / 52 / 3 / 13

HEX #DD69D7

RGB 221 105 215

HSL 303.1, 0.63%, 0.64%

LAB 61.98, 59.64, -36.23

 

CMYK 0 / 8 / 53 / 13

HEX #DDCC68

RGB 221 204 104

HSL 51.28, 0.63%, 0.64%

LAB 81.6, -6.79, 51.36

 

CMYK 52 / 0 / 34 / 13

HEX #69DD91

RGB 105 221 145

HSL 140.69, 0.63%, 0.64%

LAB 80.04, -49.59, 27.55

 

CMYK 52 / 45 / 0 / 13

HEX #697ADD

RGB 105 122 221

HSL 231.21, 0.63%, 0.64%

LAB 54.18, 21.4, -52.69

 

CMYK 0 / 52 / 19 / 13

HEX #DD69B4

RGB 221 105 180

HSL 321.21, 0.63%, 0.64%

LAB 60.58, 54.08, -18.54

 

Description

Color code: HEX #DDCC68 | qconv.com Color code: HEX #DDCC68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 204 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 204 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 53% 13% C M Y K

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Provide designers and agencies with accurate color values.

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