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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD488 it is the complementary color #222B77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD488 shade: #E2D483, #F3E696, #FFF8A9, #FFFFBC and #FFFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD488 shade: #DDD488, #CCC275, #BBB062, #AA9E4F and #998C3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD488 shade: #DDD487, #DDBD87, #DDA687, #DD8E87 and #DD8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD488 shade: #DDD487, #CFDD87, #B8DD87, #A1DD87 and #89DD87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD488 shade matches the following richer shades: #DDD487, #E9DE7B and #F6E76E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD488 shade: #DDD487, #D0CA94, #C4C0A0, #B8B6AC and #ABADB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD488 shade: #DDA587, #DDBC87, #DDD387, #D0DD87 and #B9DD87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD488 shade: #CBBD47, #D4C867, #DDD487, #E6DFA7 and #EFEBC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD488 shade: #DDD488, #87DD8E and #B187DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD488 shade: #DDD488, #87DDD3 and #D387DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD488 shade: #DDD488, #87DD8E, #8791DD and #DD87D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD488 shade: #DDD488, #87DDA8, #8791DD and #DD87BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 38 / 13

HEX #DDD488

RGB 221 212 136

HSL 53.65, 0.56%, 0.7%

LAB 84.09, -7.79, 38.71

 

Complementary color

CMYK 71 / 64 / 0 / 53

HEX #222B77

RGB 34 43 119

HSL 233.65, 0.56%, 0.3%

LAB 21.58, 23.52, -44.68

 

CMYK 0 / 6 / 42 / 11

HEX #E2D483

RGB 226 212 131

HSL 51.16, 0.62%, 0.7%

LAB 84.43, -6.35, 41.74

 

CMYK 0 / 5 / 38 / 5

HEX #F3E696

RGB 243 230 150

HSL 51.61, 0.79%, 0.77%

LAB 90.71, -6.79, 40.57

 

CMYK 0 / 3 / 34 / 0

HEX #FFF8A9

RGB 255 248 169

HSL 55.12, 1%, 0.83%

LAB 96.52, -9.06, 38.84

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 0 / 4 / 38 / 13

HEX #DDD488

RGB 221 212 136

HSL 53.65, 0.56%, 0.7%

LAB 84.09, -7.79, 38.71

 

CMYK 0 / 5 / 43 / 20

HEX #CCC275

RGB 204 194 117

HSL 53.1, 0.46%, 0.63%

LAB 77.7, -7.36, 39.9

 

CMYK 0 / 6 / 48 / 27

HEX #BBB062

RGB 187 176 98

HSL 52.58, 0.4%, 0.56%

LAB 71.21, -6.85, 41.12

 

CMYK 0 / 7 / 54 / 33

HEX #AA9E4F

RGB 170 158 79

HSL 52.09, 0.37%, 0.49%

LAB 64.62, -6.23, 42.35

 

CMYK 0 / 8 / 61 / 40

HEX #998C3C

RGB 153 140 60

HSL 51.61, 0.44%, 0.42%

LAB 57.9, -5.47, 43.52

 

CMYK 0 / 4 / 39 / 13

HEX #DDD487

RGB 221 212 135

HSL 53.72, 0.56%, 0.7%

LAB 84.07, -7.9, 39.19

 

CMYK 0 / 14 / 39 / 13

HEX #DDBD87

RGB 221 189 135

HSL 37.67, 0.56%, 0.7%

LAB 78.18, 4.01, 31.53

 

CMYK 0 / 25 / 39 / 13

HEX #DDA687

RGB 221 166 135

HSL 21.63, 0.56%, 0.7%

LAB 72.49, 16.27, 23.94

 

CMYK 0 / 36 / 39 / 13

HEX #DD8E87

RGB 221 142 135

HSL 4.88, 0.56%, 0.7%

LAB 66.88, 29.17, 16.24

 

CMYK 0 / 39 / 39 / 13

HEX #DD8787

RGB 221 135 135

HSL 0, 0.56%, 0.7%

LAB 65.32, 32.9, 14.07

 

CMYK 0 / 4 / 39 / 13

HEX #DDD487

RGB 221 212 135

HSL 53.72, 0.56%, 0.7%

LAB 84.07, -7.9, 39.19

 

CMYK 6 / 0 / 39 / 13

HEX #CFDD87

RGB 207 221 135

HSL 69.77, 0.56%, 0.7%

LAB 85.37, -17.85, 40.63

 

CMYK 17 / 0 / 39 / 13

HEX #B8DD87

RGB 184 221 135

HSL 85.81, 0.56%, 0.7%

LAB 83.78, -26.49, 38.28

 

CMYK 27 / 0 / 39 / 13

HEX #A1DD87

RGB 161 221 135

HSL 101.86, 0.56%, 0.7%

LAB 82.4, -34.65, 36.22

 

CMYK 38 / 0 / 39 / 13

HEX #89DD87

RGB 137 221 135

HSL 118.6, 0.56%, 0.7%

LAB 81.17, -42.45, 34.38

 

CMYK 0 / 4 / 39 / 13

HEX #DDD487

RGB 221 212 135

HSL 53.72, 0.56%, 0.7%

LAB 84.07, -7.9, 39.19

 

CMYK 0 / 5 / 47 / 9

HEX #E9DE7B

RGB 233 222 123

HSL 54, 0.71%, 0.7%

LAB 87.48, -9.41, 49.58

 

CMYK 0 / 6 / 55 / 4

HEX #F6E76E

RGB 246 231 110

HSL 53.38, 0.88%, 0.7%

LAB 90.72, -9.77, 59.72

 

CMYK 0 / 4 / 39 / 13

HEX #DDD487

RGB 221 212 135

HSL 53.72, 0.56%, 0.7%

LAB 84.07, -7.9, 39.19

 

CMYK 0 / 3 / 29 / 18

HEX #D0CA94

RGB 208 202 148

HSL 54, 0.39%, 0.7%

LAB 80.62, -6.28, 27.77

 

CMYK 0 / 2 / 18 / 23

HEX #C4C0A0

RGB 196 192 160

HSL 53.33, 0.23%, 0.7%

LAB 77.26, -3.94, 16.66

 

CMYK 0 / 1 / 7 / 28

HEX #B8B6AC

RGB 184 182 172

HSL 50, 0.08%, 0.7%

LAB 73.95, -1.09, 5.33

 

CMYK 8 / 6 / 0 / 27

HEX #ABADB9

RGB 171 173 185

HSL 231.43, 0.09%, 0.7%

LAB 70.9, 1.65, -6.38

 

CMYK 0 / 25 / 39 / 13

HEX #DDA587

RGB 221 165 135

HSL 20.93, 0.56%, 0.7%

LAB 72.25, 16.81, 23.61

 

CMYK 0 / 15 / 39 / 13

HEX #DDBC87

RGB 221 188 135

HSL 36.98, 0.56%, 0.7%

LAB 77.93, 4.54, 31.2

 

CMYK 0 / 5 / 39 / 13

HEX #DDD387

RGB 221 211 135

HSL 53.02, 0.56%, 0.7%

LAB 83.81, -7.39, 38.86

 

CMYK 6 / 0 / 39 / 13

HEX #D0DD87

RGB 208 221 135

HSL 69.07, 0.56%, 0.7%

LAB 85.44, -17.47, 40.74

 

CMYK 16 / 0 / 39 / 13

HEX #B9DD87

RGB 185 221 135

HSL 85.12, 0.56%, 0.7%

LAB 83.85, -26.12, 38.38

 

CMYK 0 / 7 / 65 / 20

HEX #CBBD47

RGB 203 189 71

HSL 53.64, 0.56%, 0.54%

LAB 75.79, -8.96, 59.26

 

CMYK 0 / 6 / 51 / 17

HEX #D4C867

RGB 212 200 103

HSL 53.39, 0.56%, 0.62%

LAB 79.78, -8.52, 49.49

 

CMYK 0 / 4 / 39 / 13

HEX #DDD487

RGB 221 212 135

HSL 53.72, 0.56%, 0.7%

LAB 84.07, -7.9, 39.19

 

CMYK 0 / 3 / 27 / 10

HEX #E6DFA7

RGB 230 223 167

HSL 53.33, 0.56%, 0.78%

LAB 88.16, -6.19, 28.37

 

CMYK 0 / 2 / 16 / 6

HEX #EFEBC8

RGB 239 235 200

HSL 53.85, 0.55%, 0.86%

LAB 92.55, -4.34, 17.49

 

CMYK 0 / 4 / 38 / 13

HEX #DDD488

RGB 221 212 136

HSL 53.65, 0.56%, 0.7%

LAB 84.09, -7.79, 38.71

 

CMYK 39 / 0 / 36 / 13

HEX #87DD8E

RGB 135 221 142

HSL 124.88, 0.56%, 0.7%

LAB 81.19, -41.96, 30.83

 

CMYK 20 / 39 / 0 / 13

HEX #B187DD

RGB 177 135 221

HSL 269.3, 0.56%, 0.7%

LAB 63.26, 32.59, -37.97

 

CMYK 0 / 4 / 38 / 13

HEX #DDD488

RGB 221 212 136

HSL 53.65, 0.56%, 0.7%

LAB 84.09, -7.79, 38.71

 

CMYK 39 / 0 / 5 / 13

HEX #87DDD3

RGB 135 221 211

HSL 173.02, 0.56%, 0.7%

LAB 82.68, -28.28, -3.29

 

CMYK 5 / 39 / 0 / 13

HEX #D387DD

RGB 211 135 221

HSL 293.02, 0.56%, 0.7%

LAB 66.82, 42.77, -32.15

 

CMYK 0 / 4 / 38 / 13

HEX #DDD488

RGB 221 212 136

HSL 53.65, 0.56%, 0.7%

LAB 84.09, -7.79, 38.71

 

CMYK 39 / 0 / 36 / 13

HEX #87DD8E

RGB 135 221 142

HSL 124.88, 0.56%, 0.7%

LAB 81.19, -41.96, 30.83

 

CMYK 39 / 34 / 0 / 13

HEX #8791DD

RGB 135 145 221

HSL 233.02, 0.56%, 0.7%

LAB 62.19, 15, -39.89

 

CMYK 0 / 39 / 3 / 13

HEX #DD87D6

RGB 221 135 214

HSL 304.88, 0.56%, 0.7%

LAB 67.69, 44.55, -26.83

 

CMYK 0 / 4 / 38 / 13

HEX #DDD488

RGB 221 212 136

HSL 53.65, 0.56%, 0.7%

LAB 84.09, -7.79, 38.71

 

CMYK 39 / 0 / 24 / 13

HEX #87DDA8

RGB 135 221 168

HSL 143.02, 0.56%, 0.7%

LAB 81.67, -37.4, 17.99

 

CMYK 39 / 34 / 0 / 13

HEX #8791DD

RGB 135 145 221

HSL 233.02, 0.56%, 0.7%

LAB 62.19, 15, -39.89

 

CMYK 0 / 39 / 15 / 13

HEX #DD87BC

RGB 221 135 188

HSL 323.02, 0.56%, 0.7%

LAB 66.77, 40.18, -13.7

 

Description

Color code: HEX #DDD488 | qconv.com Color code: HEX #DDD488 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 212 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 212 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 38 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 38% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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