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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD85F it is the complementary color #2227A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD85F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD85F shade: #E2D85A, #F3EA6D, #FFFC80, #FFFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD85F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD85F shade: #DDD85F, #CCC64C, #BBB439, #AAA226 and #999013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD85F shade: #DDD85F, #DDB65F, #DD945F, #DD725F and #DD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD85F shade: #DDD85F, #C0DD5F, #9EDD5F, #7CDD5F and #5FDD64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD85F shade matches the following richer shades: #DDD85F, #ECE64F and #FCF43F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD85F shade: #DDD85F, #CDC96E, #BDBB7E, #AEAC8E and #9E9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD85F shade: #DD935F, #DDB55F, #DDD65F, #C1DD5F and #A0DD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD85F shade: #C0BA28, #D5CF3D, #DDD85F, #E4E081 and #EBE8A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD85F shade: #DDD85F, #5FDD72 and #A45FDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD85F shade: #DDD85F, #5FDDD6 and #D65FDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD85F shade: #DDD85F, #5FDD72, #5F65DD and #DD5FCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD85F shade: #DDD85F, #5FDD97, #5F65DD and #DD5FA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

Complementary color

CMYK 79 / 76 / 0 / 37

HEX #2227A0

RGB 34 39 160

HSL 237.62, 0.65%, 0.38%

LAB 24.73, 41.07, -65.04

 

CMYK 0 / 4 / 60 / 11

HEX #E2D85A

RGB 226 216 90

HSL 55.59, 0.7%, 0.62%

LAB 85.01, -11.84, 61.66

 

CMYK 0 / 4 / 55 / 5

HEX #F3EA6D

RGB 243 234 109

HSL 55.97, 0.85%, 0.69%

LAB 91.24, -12.54, 60.69

 

CMYK 0 / 1 / 50 / 0

HEX #FFFC80

RGB 255 252 128

HSL 58.58, 1%, 0.75%

LAB 97, -15.09, 59.07

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

CMYK 0 / 3 / 63 / 20

HEX #CCC64C

RGB 204 198 76

HSL 57.19, 0.56%, 0.55%

LAB 78.31, -12.83, 59.86

 

CMYK 0 / 4 / 70 / 27

HEX #BBB439

RGB 187 180 57

HSL 56.77, 0.53%, 0.48%

LAB 71.89, -11.96, 60.45

 

CMYK 0 / 5 / 78 / 33

HEX #AAA226

RGB 170 162 38

HSL 56.36, 0.63%, 0.41%

LAB 65.38, -10.91, 60.47

 

CMYK 0 / 6 / 88 / 40

HEX #999013

RGB 153 144 19

HSL 55.97, 0.78%, 0.34%

LAB 58.76, -9.63, 59.45

 

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

CMYK 0 / 18 / 57 / 13

HEX #DDB65F

RGB 221 182 95

HSL 41.43, 0.65%, 0.62%

LAB 75.86, 3.92, 48.92

 

CMYK 0 / 33 / 57 / 13

HEX #DD945F

RGB 221 148 95

HSL 25.24, 0.65%, 0.62%

LAB 67.56, 22.09, 38.96

 

CMYK 0 / 48 / 57 / 13

HEX #DD725F

RGB 221 114 95

HSL 9.05, 0.65%, 0.62%

LAB 60.1, 40.01, 29.59

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

CMYK 13 / 0 / 57 / 13

HEX #C0DD5F

RGB 192 221 95

HSL 73.81, 0.65%, 0.62%

LAB 83.83, -27.6, 57.47

 

CMYK 29 / 0 / 57 / 13

HEX #9EDD5F

RGB 158 221 95

HSL 90, 0.65%, 0.62%

LAB 81.73, -40.36, 54.52

 

CMYK 44 / 0 / 57 / 13

HEX #7CDD5F

RGB 124 221 95

HSL 106.19, 0.65%, 0.62%

LAB 80.08, -51.59, 52.19

 

CMYK 57 / 0 / 55 / 13

HEX #5FDD64

RGB 95 221 100

HSL 122.38, 0.65%, 0.62%

LAB 79.08, -58.84, 48.46

 

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

CMYK 0 / 3 / 67 / 7

HEX #ECE64F

RGB 236 230 79

HSL 57.71, 0.81%, 0.62%

LAB 89.39, -15.33, 70.97

 

CMYK 0 / 3 / 75 / 1

HEX #FCF43F

RGB 252 244 63

HSL 57.46, 0.97%, 0.62%

LAB 94.21, -16.32, 81.51

 

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

CMYK 0 / 2 / 46 / 20

HEX #CDC96E

RGB 205 201 110

HSL 57.47, 0.49%, 0.62%

LAB 79.54, -11.24, 45.69

 

CMYK 0 / 1 / 33 / 26

HEX #BDBB7E

RGB 189 187 126

HSL 58.1, 0.32%, 0.62%

LAB 74.74, -8.71, 31.21

 

CMYK 0 / 1 / 18 / 32

HEX #AEAC8E

RGB 174 172 142

HSL 56.25, 0.16%, 0.62%

LAB 69.79, -4.42, 15.72

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 0 / 33 / 57 / 13

HEX #DD935F

RGB 221 147 95

HSL 24.76, 0.65%, 0.62%

LAB 67.33, 22.63, 38.68

 

CMYK 0 / 18 / 57 / 13

HEX #DDB55F

RGB 221 181 95

HSL 40.95, 0.65%, 0.62%

LAB 75.6, 4.45, 48.62

 

CMYK 0 / 3 / 57 / 13

HEX #DDD65F

RGB 221 214 95

HSL 56.67, 0.65%, 0.62%

LAB 84.12, -12.55, 58.38

 

CMYK 13 / 0 / 57 / 13

HEX #C1DD5F

RGB 193 221 95

HSL 73.33, 0.65%, 0.62%

LAB 83.9, -27.21, 57.57

 

CMYK 28 / 0 / 57 / 13

HEX #A0DD5F

RGB 160 221 95

HSL 89.05, 0.65%, 0.62%

LAB 81.85, -39.65, 54.68

 

CMYK 0 / 3 / 79 / 25

HEX #C0BA28

RGB 192 186 40

HSL 57.63, 0.66%, 0.45%

LAB 73.85, -13.61, 68.17

 

CMYK 0 / 3 / 71 / 16

HEX #D5CF3D

RGB 213 207 61

HSL 57.63, 0.64%, 0.54%

LAB 81.35, -14.39, 68.97

 

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

CMYK 0 / 2 / 43 / 11

HEX #E4E081

RGB 228 224 129

HSL 57.58, 0.65%, 0.7%

LAB 87.67, -11.82, 46.83

 

CMYK 0 / 1 / 31 / 8

HEX #EBE8A3

RGB 235 232 163

HSL 57.5, 0.64%, 0.78%

LAB 90.79, -9.35, 34.01

 

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

CMYK 57 / 0 / 48 / 13

HEX #5FDD72

RGB 95 221 114

HSL 129.05, 0.65%, 0.62%

LAB 79.25, -56.97, 42.03

 

CMYK 26 / 57 / 0 / 13

HEX #A45FDD

RGB 164 95 221

HSL 272.86, 0.65%, 0.62%

LAB 53.27, 50.88, -53.84

 

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

CMYK 57 / 0 / 3 / 13

HEX #5FDDD6

RGB 95 221 214

HSL 176.67, 0.65%, 0.62%

LAB 81.29, -36.38, -7.1

 

CMYK 3 / 57 / 0 / 13

HEX #D65FDD

RGB 214 95 221

HSL 296.67, 0.65%, 0.62%

LAB 59.62, 63.4, -43.37

 

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

CMYK 57 / 0 / 48 / 13

HEX #5FDD72

RGB 95 221 114

HSL 129.05, 0.65%, 0.62%

LAB 79.25, -56.97, 42.03

 

CMYK 57 / 54 / 0 / 13

HEX #5F65DD

RGB 95 101 221

HSL 237.14, 0.65%, 0.62%

LAB 48.21, 32.19, -62.31

 

CMYK 0 / 57 / 9 / 13

HEX #DD5FCA

RGB 221 95 202

HSL 309.05, 0.65%, 0.62%

LAB 59.73, 62.05, -32.4

 

CMYK 0 / 2 / 57 / 13

HEX #DDD85F

RGB 221 216 95

HSL 57.62, 0.65%, 0.62%

LAB 84.64, -13.55, 58.97

 

CMYK 57 / 0 / 32 / 13

HEX #5FDD97

RGB 95 221 151

HSL 146.67, 0.65%, 0.62%

LAB 79.83, -50.75, 24.1

 

CMYK 57 / 54 / 0 / 13

HEX #5F65DD

RGB 95 101 221

HSL 237.14, 0.65%, 0.62%

LAB 48.21, 32.19, -62.31

 

CMYK 0 / 57 / 26 / 13

HEX #DD5FA4

RGB 221 95 164

HSL 327.14, 0.65%, 0.62%

LAB 58.26, 56.5, -12.83

 

Description

Color code: HEX #DDD85F | qconv.com Color code: HEX #DDD85F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 216 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 216 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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