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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD04A it is the complementary color #222FB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD04A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD04A shade: #E2D045, #F3E258, #FFF46B, #FFFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD04A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD04A shade: #DDD04A, #CCBE37, #BBAC24, #AA9A11 and #998800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD04A shade: #DCCF4B, #DCA84B, #DC814B, #DC5A4B and #DC4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD04A shade: #DCCF4B, #C2DC4B, #9BDC4B, #73DC4B and #4CDC4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD04A shade matches the following richer shades: #DCCF4B and #EEDE39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD04A shade: #DCCF4B, #CBC15C, #BAB36D, #A8A57F and #979690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD04A shade: #DC804B, #DCA74B, #DCCE4B, #C4DC4B and #9DDC4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD04A shade: #B3A622, #D5C628, #DCCF4B, #E3D86D and #E9E290

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD04A shade: #DDD04A, #4BDC59 and #934BDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD04A shade: #DDD04A, #4BDCCE and #CE4BDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD04A shade: #DDD04A, #4BDC59, #4B59DC and #DC4BCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD04A shade: #DDD04A, #4BDC85, #4B59DC and #DC4BA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 67 / 13

HEX #DDD04A

RGB 221 208 74

HSL 54.69, 0.68%, 0.58%

LAB 82.37, -10.88, 65.34

 

Complementary color

CMYK 81 / 74 / 0 / 29

HEX #222FB5

RGB 34 47 181

HSL 234.69, 0.68%, 0.42%

LAB 28.67, 43.64, -71.18

 

CMYK 0 / 8 / 69 / 11

HEX #E2D045

RGB 226 208 69

HSL 53.12, 0.73%, 0.58%

LAB 82.76, -9.04, 67.81

 

CMYK 0 / 7 / 64 / 5

HEX #F3E258

RGB 243 226 88

HSL 53.42, 0.87%, 0.65%

LAB 88.99, -9.98, 67.2

 

CMYK 0 / 4 / 58 / 0

HEX #FFF46B

RGB 255 244 107

HSL 55.54, 1%, 0.71%

LAB 94.75, -12.78, 65.78

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 6 / 67 / 13

HEX #DDD04A

RGB 221 208 74

HSL 54.69, 0.68%, 0.58%

LAB 82.37, -10.88, 65.34

 

CMYK 0 / 7 / 73 / 20

HEX #CCBE37

RGB 204 190 55

HSL 54.36, 0.59%, 0.51%

LAB 76.03, -9.89, 65.71

 

CMYK 0 / 8 / 81 / 27

HEX #BBAC24

RGB 187 172 36

HSL 54.04, 0.68%, 0.44%

LAB 69.61, -8.71, 65.42

 

CMYK 0 / 9 / 90 / 33

HEX #AA9A11

RGB 170 154 17

HSL 53.73, 0.82%, 0.37%

LAB 63.09, -7.3, 63.99

 

CMYK 0 / 11 / 100 / 40

HEX #998800

RGB 153 136 0

HSL 53.33, 1%, 0.3%

LAB 56.47, -5.64, 61.05

 

CMYK 0 / 6 / 66 / 14

HEX #DCCF4B

RGB 220 207 75

HSL 54.62, 0.67%, 0.58%

LAB 82.03, -10.74, 64.57

 

CMYK 0 / 24 / 66 / 14

HEX #DCA84B

RGB 220 168 75

HSL 38.48, 0.67%, 0.58%

LAB 72.05, 9.57, 53.99

 

CMYK 0 / 41 / 66 / 14

HEX #DC814B

RGB 220 129 75

HSL 22.34, 0.67%, 0.58%

LAB 62.86, 30.45, 43.72

 

CMYK 0 / 59 / 66 / 14

HEX #DC5A4B

RGB 220 90 75

HSL 6.21, 0.67%, 0.58%

LAB 55.11, 49.96, 34.56

 

CMYK 0 / 66 / 66 / 14

HEX #DC4B4B

RGB 220 75 75

HSL 0, 0.67%, 0.58%

LAB 52.68, 56.45, 31.59

 

CMYK 0 / 6 / 66 / 14

HEX #DCCF4B

RGB 220 207 75

HSL 54.62, 0.67%, 0.58%

LAB 82.03, -10.74, 64.57

 

CMYK 12 / 0 / 66 / 14

HEX #C2DC4B

RGB 194 220 75

HSL 70.76, 0.67%, 0.58%

LAB 83.53, -27.78, 65.49

 

CMYK 30 / 0 / 66 / 14

HEX #9BDC4B

RGB 155 220 75

HSL 86.9, 0.67%, 0.58%

LAB 81.11, -42.68, 62.21

 

CMYK 48 / 0 / 66 / 14

HEX #73DC4B

RGB 115 220 75

HSL 103.45, 0.67%, 0.58%

LAB 79.24, -55.8, 59.66

 

CMYK 65 / 0 / 66 / 14

HEX #4CDC4B

RGB 76 220 75

HSL 119.59, 0.67%, 0.58%

LAB 78.01, -65.38, 57.98

 

CMYK 0 / 6 / 66 / 14

HEX #DCCF4B

RGB 220 207 75

HSL 54.62, 0.67%, 0.58%

LAB 82.03, -10.74, 64.57

 

CMYK 0 / 7 / 76 / 7

HEX #EEDE39

RGB 238 222 57

HSL 54.7, 0.84%, 0.58%

LAB 87.35, -11.55, 76.65

 

CMYK 0 / 6 / 66 / 14

HEX #DCCF4B

RGB 220 207 75

HSL 54.62, 0.67%, 0.58%

LAB 82.03, -10.74, 64.57

 

CMYK 0 / 5 / 55 / 20

HEX #CBC15C

RGB 203 193 92

HSL 54.59, 0.52%, 0.58%

LAB 77.05, -9.55, 51.31

 

CMYK 0 / 4 / 41 / 27

HEX #BAB36D

RGB 186 179 109

HSL 54.55, 0.36%, 0.58%

LAB 72.08, -7.71, 36.58

 

CMYK 0 / 2 / 24 / 34

HEX #A8A57F

RGB 168 165 127

HSL 55.61, 0.19%, 0.58%

LAB 67.1, -5.24, 20.14

 

CMYK 0 / 1 / 5 / 41

HEX #979690

RGB 151 150 144

HSL 51.43, 0.03%, 0.58%

LAB 62, -0.76, 3.28

 

CMYK 0 / 42 / 66 / 14

HEX #DC804B

RGB 220 128 75

HSL 21.93, 0.67%, 0.58%

LAB 62.64, 30.98, 43.47

 

CMYK 0 / 24 / 66 / 14

HEX #DCA74B

RGB 220 167 75

HSL 38.07, 0.67%, 0.58%

LAB 71.8, 10.11, 53.72

 

CMYK 0 / 6 / 66 / 14

HEX #DCCE4B

RGB 220 206 75

HSL 54.21, 0.67%, 0.58%

LAB 81.77, -10.23, 64.3

 

CMYK 11 / 0 / 66 / 14

HEX #C4DC4B

RGB 196 220 75

HSL 69.93, 0.67%, 0.58%

LAB 83.67, -26.98, 65.68

 

CMYK 29 / 0 / 66 / 14

HEX #9DDC4B

RGB 157 220 75

HSL 86.07, 0.67%, 0.58%

LAB 81.22, -41.96, 62.36

 

CMYK 0 / 7 / 81 / 30

HEX #B3A622

RGB 179 166 34

HSL 54.62, 0.68%, 0.42%

LAB 67.26, -9.17, 63.67

 

CMYK 0 / 7 / 81 / 16

HEX #D5C628

RGB 213 198 40

HSL 54.8, 0.68%, 0.5%

LAB 78.86, -10.66, 73.22

 

CMYK 0 / 6 / 66 / 14

HEX #DCCF4B

RGB 220 207 75

HSL 54.62, 0.67%, 0.58%

LAB 82.03, -10.74, 64.57

 

CMYK 0 / 5 / 52 / 11

HEX #E3D86D

RGB 227 216 109

HSL 54.41, 0.68%, 0.66%

LAB 85.27, -10.02, 53.46

 

CMYK 0 / 3 / 38 / 9

HEX #E9E290

RGB 233 226 144

HSL 55.28, 0.67%, 0.74%

LAB 88.79, -9.31, 40.93

 

CMYK 0 / 6 / 67 / 13

HEX #DDD04A

RGB 221 208 74

HSL 54.69, 0.68%, 0.58%

LAB 82.37, -10.88, 65.34

 

CMYK 66 / 0 / 60 / 14

HEX #4BDC59

RGB 75 220 89

HSL 125.79, 0.67%, 0.58%

LAB 78.11, -64.1, 52.17

 

CMYK 33 / 66 / 0 / 14

HEX #934BDC

RGB 147 75 220

HSL 269.79, 0.67%, 0.58%

LAB 47.5, 56.87, -62.66

 

CMYK 0 / 6 / 67 / 13

HEX #DDD04A

RGB 221 208 74

HSL 54.69, 0.68%, 0.58%

LAB 82.37, -10.88, 65.34

 

CMYK 66 / 0 / 6 / 14

HEX #4BDCCE

RGB 75 220 206

HSL 174.21, 0.67%, 0.58%

LAB 80.26, -41.35, -4.43

 

CMYK 6 / 66 / 0 / 14

HEX #CE4BDC

RGB 206 75 220

HSL 294.21, 0.67%, 0.58%

LAB 55.4, 69.68, -49.55

 

CMYK 0 / 6 / 67 / 13

HEX #DDD04A

RGB 221 208 74

HSL 54.69, 0.68%, 0.58%

LAB 82.37, -10.88, 65.34

 

CMYK 66 / 0 / 60 / 14

HEX #4BDC59

RGB 75 220 89

HSL 125.79, 0.67%, 0.58%

LAB 78.11, -64.1, 52.17

 

CMYK 66 / 60 / 0 / 14

HEX #4B59DC

RGB 75 89 220

HSL 234.21, 0.67%, 0.58%

LAB 43.96, 35.92, -68.71

 

CMYK 0 / 66 / 6 / 14

HEX #DC4BCE

RGB 220 75 206

HSL 305.79, 0.67%, 0.58%

LAB 56.79, 70.62, -39.28

 

CMYK 0 / 6 / 67 / 13

HEX #DDD04A

RGB 221 208 74

HSL 54.69, 0.68%, 0.58%

LAB 82.37, -10.88, 65.34

 

CMYK 66 / 0 / 40 / 14

HEX #4BDC85

RGB 75 220 133

HSL 144, 0.67%, 0.58%

LAB 78.68, -57.65, 31.73

 

CMYK 66 / 60 / 0 / 14

HEX #4B59DC

RGB 75 89 220

HSL 234.21, 0.67%, 0.58%

LAB 43.96, 35.92, -68.71

 

CMYK 0 / 66 / 26 / 14

HEX #DC4BA2

RGB 220 75 162

HSL 324, 0.67%, 0.58%

LAB 54.92, 64.41, -16.73

 

Description

Color code: HEX #DDD04A | qconv.com Color code: HEX #DDD04A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 208 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 208 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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