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Color name
HEX #DDD1F4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD1F4 it is the complementary color #222E0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD1F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD1F4 shade: #E2D1EF, #F3E3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD1F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD1F4 shade: #DDD1F4, #CCBFE1, #BBADCE, #AA9BBB and #9989A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD1F4 shade: #DDD1F4, #E6D1F4, #F0D1F4, #F4D1EE and #F4D1E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD1F4 shade: #DDD1F4, #D4D1F4 and #D1D1F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD1F4 shade matches the following richer shades: #DDD1F4, #DCCDF8 and #DAC8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD1F4 shade: #DDD1F4, #DED6EF, #E0DAEA, #E1DFE6 and #E3E3E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD1F4 shade: #D1D8F4, #D4D1F4, #DDD1F4, #E6D1F4 and #EFD1F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD1F4 shade: #AC8FE3, #C4B0EC, #DDD1F4 and #F6F3FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD1F4 shade: #DDD1F4, #F4D1E1 and #D4F4D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD1F4 shade: #DDD1F4, #F4DDD1 and #D1F4DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD1F4 shade: #DDD1F4, #F4D1E1, #E8F4D1 and #D1F4E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD1F4 shade: #DDD1F4, #F4D1D7, #E8F4D1 and #D1F4EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

Complementary color

CMYK 26 / 0 / 76 / 82

HEX #222E0B

RGB 34 46 11

HSL 80.57, 0.61%, 0.11%

LAB 17.08, -11.88, 19.79

 

CMYK 5 / 13 / 0 / 6

HEX #E2D1EF

RGB 226 209 239

HSL 274, 0.48%, 0.88%

LAB 86.01, 11.3, -12.59

 

CMYK 5 / 11 / 0 / 0

HEX #F3E3FF

RGB 243 227 255

HSL 274.29, 1%, 0.95%

LAB 92.23, 10.42, -11.58

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 9 / 15 / 0 / 12

HEX #CCBFE1

RGB 204 191 225

HSL 262.94, 0.36%, 0.82%

LAB 79.35, 10.97, -15.28

 

CMYK 9 / 16 / 0 / 19

HEX #BBADCE

RGB 187 173 206

HSL 265.45, 0.25%, 0.74%

LAB 72.83, 11.31, -14.9

 

CMYK 9 / 17 / 0 / 27

HEX #AA9BBB

RGB 170 155 187

HSL 268.13, 0.19%, 0.67%

LAB 66.2, 11.67, -14.53

 

CMYK 9 / 18 / 0 / 34

HEX #9989A8

RGB 153 137 168

HSL 270.97, 0.15%, 0.6%

LAB 59.43, 12.08, -14.16

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 6 / 14 / 0 / 4

HEX #E6D1F4

RGB 230 209 244

HSL 276, 0.61%, 0.89%

LAB 86.48, 13.56, -14.49

 

CMYK 2 / 14 / 0 / 4

HEX #F0D1F4

RGB 240 209 244

HSL 293.14, 0.61%, 0.89%

LAB 87.32, 16.83, -13.16

 

CMYK 0 / 14 / 2 / 4

HEX #F4D1EE

RGB 244 209 238

HSL 310.29, 0.61%, 0.89%

LAB 87.49, 17.08, -9.69

 

CMYK 0 / 14 / 6 / 4

HEX #F4D1E5

RGB 244 209 229

HSL 325.71, 0.61%, 0.89%

LAB 87.24, 15.51, -5.3

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 13 / 14 / 0 / 4

HEX #D4D1F4

RGB 212 209 244

HSL 245.14, 0.61%, 0.89%

LAB 85.06, 7.78, -16.77

 

CMYK 14 / 14 / 0 / 4

HEX #D1D1F4

RGB 209 209 244

HSL 240, 0.61%, 0.89%

LAB 84.84, 6.83, -17.13

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 11 / 17 / 0 / 3

HEX #DCCDF8

RGB 220 205 248

HSL 260.93, 0.75%, 0.89%

LAB 84.82, 13.25, -19.19

 

CMYK 14 / 21 / 0 / 1

HEX #DAC8FD

RGB 218 200 253

HSL 260.38, 0.93%, 0.89%

LAB 83.6, 16.32, -23.71

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 7 / 10 / 0 / 6

HEX #DED6EF

RGB 222 214 239

HSL 259.2, 0.44%, 0.89%

LAB 86.93, 7.35, -11.25

 

CMYK 4 / 7 / 0 / 8

HEX #E0DAEA

RGB 224 218 234

HSL 262.5, 0.28%, 0.89%

LAB 87.94, 4.96, -7.1

 

CMYK 2 / 3 / 0 / 10

HEX #E1DFE6

RGB 225 223 230

HSL 257.14, 0.12%, 0.89%

LAB 89.16, 1.95, -3.18

 

CMYK 0 / 0 / 1 / 11

HEX #E3E3E1

RGB 227 227 225

HSL 60, 0.03%, 0.89%

LAB 90.19, -0.35, 0.96

 

CMYK 14 / 11 / 0 / 4

HEX #D1D8F4

RGB 209 216 244

HSL 228, 0.61%, 0.89%

LAB 86.6, 3.13, -14.48

 

CMYK 13 / 14 / 0 / 4

HEX #D4D1F4

RGB 212 209 244

HSL 245.14, 0.61%, 0.89%

LAB 85.06, 7.78, -16.77

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 6 / 14 / 0 / 4

HEX #E6D1F4

RGB 230 209 244

HSL 276, 0.61%, 0.89%

LAB 86.48, 13.56, -14.49

 

CMYK 2 / 14 / 0 / 4

HEX #EFD1F4

RGB 239 209 244

HSL 291.43, 0.61%, 0.89%

LAB 87.23, 16.5, -13.29

 

CMYK 24 / 37 / 0 / 11

HEX #AC8FE3

RGB 172 143 227

HSL 260.71, 0.6%, 0.73%

LAB 64.93, 28.02, -38.71

 

CMYK 17 / 25 / 0 / 7

HEX #C4B0EC

RGB 196 176 236

HSL 260, 0.61%, 0.81%

LAB 75.35, 18.89, -27.35

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 2 / 4 / 0 / 1

HEX #F6F3FC

RGB 246 243 252

HSL 260, 0.6%, 0.97%

LAB 96.3, 2.6, -3.97

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 0 / 14 / 8 / 4

HEX #F4D1E1

RGB 244 209 225

HSL 332.57, 0.61%, 0.89%

LAB 87.13, 14.83, -3.35

 

CMYK 13 / 0 / 14 / 4

HEX #D4F4D1

RGB 212 244 209

HSL 114.86, 0.61%, 0.89%

LAB 93.15, -16.76, 13.41

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 0 / 9 / 14 / 4

HEX #F4DDD1

RGB 244 221 209

HSL 20.57, 0.61%, 0.89%

LAB 89.65, 5.98, 8.75

 

CMYK 14 / 0 / 9 / 4

HEX #D1F4DD

RGB 209 244 221

HSL 140.57, 0.61%, 0.89%

LAB 93.22, -15.64, 7.29

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 0 / 14 / 8 / 4

HEX #F4D1E1

RGB 244 209 225

HSL 332.57, 0.61%, 0.89%

LAB 87.13, 14.83, -3.35

 

CMYK 5 / 0 / 14 / 4

HEX #E8F4D1

RGB 232 244 209

HSL 80.57, 0.61%, 0.89%

LAB 94.51, -9.94, 15.53

 

CMYK 14 / 0 / 7 / 4

HEX #D1F4E4

RGB 209 244 228

HSL 152.57, 0.61%, 0.89%

LAB 93.39, -14.35, 3.9

 

CMYK 9 / 14 / 0 / 4

HEX #DDD1F4

RGB 221 209 244

HSL 260.57, 0.61%, 0.89%

LAB 85.76, 10.65, -15.65

 

CMYK 0 / 14 / 12 / 4

HEX #F4D1D7

RGB 244 209 215

HSL 349.71, 0.61%, 0.89%

LAB 86.87, 13.18, 1.57

 

CMYK 5 / 0 / 14 / 4

HEX #E8F4D1

RGB 232 244 209

HSL 80.57, 0.61%, 0.89%

LAB 94.51, -9.94, 15.53

 

CMYK 14 / 0 / 2 / 4

HEX #D1F4EE

RGB 209 244 238

HSL 169.71, 0.61%, 0.89%

LAB 93.64, -12.44, -0.92

 

Description

Color code: HEX #DDD1F4 | qconv.com Color code: HEX #DDD1F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 209 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 209 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 14 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 14% 0% 4% C M Y K

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Provide designers and agencies with accurate color values.

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