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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD24F it is the complementary color #222DB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD24F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD24F shade: #E2D24A, #F3E45D, #FFF670, #FFFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD24F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD24F shade: #DDD24F, #CCC03C, #BBAE29, #AA9C16 and #998A03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD24F shade: #DDD24F, #DDAC4F, #DD854F, #DD5F4F and #DD4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD24F shade: #DDD24F, #C2DD4F, #9BDD4F, #75DD4F and #4FDD4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD24F shade matches the following richer shades: #DDD24F and #EEE03E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD24F shade: #DDD24F, #CCC460, #BBB571, #AAA782 and #999993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD24F shade: #DD854F, #DDAB4F, #DDD14F, #C3DD4F and #9DDD4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD24F shade: #B7AB22, #D6C92C, #DDD24F, #E4DB72 and #EAE494

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD24F shade: #DDD24F, #4FDD5F and #984FDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD24F shade: #DDD24F, #4FDDD1 and #D14FDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD24F shade: #DDD24F, #4FDD5F, #4F5BDD and #DD4FCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD24F shade: #DDD24F, #4FDD8A, #4F5BDD and #DD4FA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

Complementary color

CMYK 81 / 74 / 0 / 31

HEX #222DB0

RGB 34 45 176

HSL 235.35, 0.68%, 0.41%

LAB 27.71, 43.09, -69.77

 

CMYK 0 / 7 / 67 / 11

HEX #E2D24A

RGB 226 210 74

HSL 53.68, 0.72%, 0.59%

LAB 83.31, -9.79, 66.45

 

CMYK 0 / 6 / 62 / 5

HEX #F3E45D

RGB 243 228 93

HSL 54, 0.86%, 0.66%

LAB 89.55, -10.67, 65.73

 

CMYK 0 / 4 / 56 / 0

HEX #FFF670

RGB 255 246 112

HSL 56.22, 1%, 0.72%

LAB 95.3, -13.41, 64.24

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

CMYK 0 / 6 / 71 / 20

HEX #CCC03C

RGB 204 192 60

HSL 55, 0.59%, 0.52%

LAB 76.6, -10.68, 64.45

 

CMYK 0 / 7 / 78 / 27

HEX #BBAE29

RGB 187 174 41

HSL 54.66, 0.64%, 0.45%

LAB 70.17, -9.58, 64.42

 

CMYK 0 / 8 / 87 / 33

HEX #AA9C16

RGB 170 156 22

HSL 54.32, 0.77%, 0.38%

LAB 63.66, -8.25, 63.4

 

CMYK 0 / 10 / 98 / 40

HEX #998A03

RGB 153 138 3

HSL 54, 0.96%, 0.31%

LAB 57.03, -6.68, 60.96

 

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

CMYK 0 / 22 / 64 / 13

HEX #DDAC4F

RGB 221 172 79

HSL 39.3, 0.68%, 0.59%

LAB 73.18, 8.11, 53.43

 

CMYK 0 / 40 / 64 / 13

HEX #DD854F

RGB 221 133 79

HSL 22.82, 0.68%, 0.59%

LAB 63.93, 28.98, 42.93

 

CMYK 0 / 57 / 64 / 13

HEX #DD5F4F

RGB 221 95 79

HSL 6.76, 0.68%, 0.59%

LAB 56.21, 48.23, 33.69

 

CMYK 0 / 64 / 64 / 13

HEX #DD4F4F

RGB 221 79 79

HSL 0, 0.68%, 0.59%

LAB 53.52, 55.36, 30.36

 

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

CMYK 12 / 0 / 64 / 13

HEX #C2DD4F

RGB 194 221 79

HSL 71.41, 0.68%, 0.59%

LAB 83.83, -28, 64.24

 

CMYK 30 / 0 / 64 / 13

HEX #9BDD4F

RGB 155 221 79

HSL 87.89, 0.68%, 0.59%

LAB 81.43, -42.81, 60.96

 

CMYK 47 / 0 / 64 / 13

HEX #75DD4F

RGB 117 221 79

HSL 103.94, 0.68%, 0.59%

LAB 79.65, -55.25, 58.51

 

CMYK 64 / 0 / 64 / 13

HEX #4FDD4F

RGB 79 221 79

HSL 120, 0.68%, 0.59%

LAB 78.43, -64.73, 56.82

 

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

CMYK 0 / 6 / 74 / 7

HEX #EEE03E

RGB 238 224 62

HSL 55.23, 0.84%, 0.59%

LAB 87.89, -12.35, 75.57

 

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

CMYK 0 / 4 / 53 / 20

HEX #CCC460

RGB 204 196 96

HSL 55.56, 0.51%, 0.59%

LAB 77.97, -10.35, 50.52

 

CMYK 0 / 3 / 40 / 27

HEX #BBB571

RGB 187 181 113

HSL 55.14, 0.35%, 0.59%

LAB 72.76, -7.91, 35.39

 

CMYK 0 / 2 / 24 / 33

HEX #AAA782

RGB 170 167 130

HSL 55.5, 0.19%, 0.59%

LAB 67.87, -5.1, 19.58

 

CMYK 0 / 0 / 4 / 40

HEX #999993

RGB 153 153 147

HSL 60, 0.03%, 0.59%

LAB 63.06, -1.13, 3.14

 

CMYK 0 / 40 / 64 / 13

HEX #DD854F

RGB 221 133 79

HSL 22.82, 0.68%, 0.59%

LAB 63.93, 28.98, 42.93

 

CMYK 0 / 23 / 64 / 13

HEX #DDAB4F

RGB 221 171 79

HSL 38.87, 0.68%, 0.59%

LAB 72.93, 8.64, 53.16

 

CMYK 0 / 5 / 64 / 13

HEX #DDD14F

RGB 221 209 79

HSL 54.93, 0.68%, 0.59%

LAB 82.67, -11.09, 63.64

 

CMYK 12 / 0 / 64 / 13

HEX #C3DD4F

RGB 195 221 79

HSL 70.99, 0.68%, 0.59%

LAB 83.9, -27.6, 64.33

 

CMYK 29 / 0 / 64 / 13

HEX #9DDD4F

RGB 157 221 79

HSL 87.04, 0.68%, 0.59%

LAB 81.54, -42.09, 61.11

 

CMYK 0 / 7 / 81 / 28

HEX #B7AB22

RGB 183 171 34

HSL 55.17, 0.69%, 0.43%

LAB 68.97, -10.01, 65.3

 

CMYK 0 / 6 / 79 / 16

HEX #D6C92C

RGB 214 201 44

HSL 55.41, 0.67%, 0.51%

LAB 79.76, -11.63, 72.94

 

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

CMYK 0 / 4 / 50 / 11

HEX #E4DB72

RGB 228 219 114

HSL 55.26, 0.68%, 0.67%

LAB 86.19, -10.7, 52.22

 

CMYK 0 / 3 / 37 / 8

HEX #EAE494

RGB 234 228 148

HSL 55.81, 0.67%, 0.75%

LAB 89.45, -9.48, 39.79

 

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

CMYK 64 / 0 / 57 / 13

HEX #4FDD5F

RGB 79 221 95

HSL 126.76, 0.68%, 0.59%

LAB 78.58, -62.95, 50.05

 

CMYK 31 / 64 / 0 / 13

HEX #984FDD

RGB 152 79 221

HSL 270.85, 0.68%, 0.59%

LAB 48.87, 56.21, -60.99

 

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

CMYK 64 / 0 / 5 / 13

HEX #4FDDD1

RGB 79 221 209

HSL 174.93, 0.68%, 0.59%

LAB 80.73, -40.4, -5.33

 

CMYK 5 / 64 / 0 / 13

HEX #D14FDD

RGB 209 79 221

HSL 294.93, 0.68%, 0.59%

LAB 56.45, 68.96, -48.42

 

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

CMYK 64 / 0 / 57 / 13

HEX #4FDD5F

RGB 79 221 95

HSL 126.76, 0.68%, 0.59%

LAB 78.58, -62.95, 50.05

 

CMYK 64 / 59 / 0 / 13

HEX #4F5BDD

RGB 79 91 221

HSL 234.93, 0.68%, 0.59%

LAB 44.75, 35.62, -67.97

 

CMYK 0 / 64 / 8 / 13

HEX #DD4FCC

RGB 221 79 204

HSL 307.18, 0.68%, 0.59%

LAB 57.39, 69.03, -37.18

 

CMYK 0 / 5 / 64 / 13

HEX #DDD24F

RGB 221 210 79

HSL 55.35, 0.68%, 0.59%

LAB 82.93, -11.6, 63.92

 

CMYK 64 / 0 / 38 / 13

HEX #4FDD8A

RGB 79 221 138

HSL 144.93, 0.68%, 0.59%

LAB 79.16, -56.4, 29.83

 

CMYK 64 / 59 / 0 / 13

HEX #4F5BDD

RGB 79 91 221

HSL 234.93, 0.68%, 0.59%

LAB 44.75, 35.62, -67.97

 

CMYK 0 / 64 / 27 / 13

HEX #DD4FA2

RGB 221 79 162

HSL 324.93, 0.68%, 0.59%

LAB 55.66, 63.11, -15.6

 

Description

Color code: HEX #DDD24F | qconv.com Color code: HEX #DDD24F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 210 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 210 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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