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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDDA97 it is the complementary color #222568. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDDA97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDDA97 shade: #E2DA92, #F3ECA5, #FFFEB8, #FFFFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDDA97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDDA97 shade: #DDDA97, #CCC884, #BBB671, #AAA45E and #99924B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDDA97 shade: #DDDA97, #DDC797, #DDB497, #DDA197 and #DD9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDDA97 shade: #DDDA97, #CDDD97, #BADD97, #A7DD97 and #97DD99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDDA97 shade matches the following richer shades: #DDDA97, #E8E48B, #F3EE80 and #FEF875

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDDA97 shade: #DDDA97, #D2D0A2, #C6C5AD, #BBBBB8 and #B0B1C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDDA97 shade: #DDB497, #DDC797, #DDD997, #CEDD97 and #BBDD97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDDA97 shade: #C9C458, #D3CF77, #DDDA97, #E7E5B6 and #F1F0D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDDA97 shade: #DDDA97, #97DDA1 and #BD97DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDDA97 shade: #DDDA97, #97DDD9 and #D997DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDDA97 shade: #DDDA97, #97DDA1, #979ADD and #DD97D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDDA97 shade: #DDDA97, #97DDB6, #979ADD and #DD97BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

Complementary color

CMYK 67 / 64 / 0 / 59

HEX #222568

RGB 34 37 104

HSL 237.43, 0.51%, 0.27%

LAB 18.64, 21.96, -39.78

 

CMYK 0 / 4 / 35 / 11

HEX #E2DA92

RGB 226 218 146

HSL 54, 0.58%, 0.73%

LAB 86.2, -7.76, 36.46

 

CMYK 0 / 3 / 32 / 5

HEX #F3ECA5

RGB 243 236 165

HSL 54.62, 0.76%, 0.8%

LAB 92.47, -8.09, 35.34

 

CMYK 0 / 0 / 28 / 0

HEX #FFFEB8

RGB 255 254 184

HSL 59.15, 1%, 0.86%

LAB 98.27, -10.21, 33.69

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 0 / 2 / 35 / 20

HEX #CCC884

RGB 204 200 132

HSL 56.67, 0.41%, 0.66%

LAB 79.51, -8.79, 34.55

 

CMYK 0 / 3 / 40 / 27

HEX #BBB671

RGB 187 182 113

HSL 55.95, 0.35%, 0.59%

LAB 73.03, -8.43, 35.73

 

CMYK 0 / 4 / 45 / 33

HEX #AAA45E

RGB 170 164 94

HSL 55.26, 0.31%, 0.52%

LAB 66.45, -8, 36.96

 

CMYK 0 / 5 / 51 / 40

HEX #99924B

RGB 153 146 75

HSL 54.62, 0.34%, 0.45%

LAB 59.74, -7.46, 38.21

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 0 / 10 / 32 / 13

HEX #DDC797

RGB 221 199 151

HSL 41.14, 0.51%, 0.73%

LAB 80.99, 0.68, 26.89

 

CMYK 0 / 19 / 32 / 13

HEX #DDB497

RGB 221 180 151

HSL 24.86, 0.51%, 0.73%

LAB 76.22, 10.71, 20.39

 

CMYK 0 / 27 / 32 / 13

HEX #DDA197

RGB 221 161 151

HSL 8.57, 0.51%, 0.73%

LAB 71.62, 20.91, 13.99

 

CMYK 0 / 32 / 32 / 13

HEX #DD9797

RGB 221 151 151

HSL 0, 0.51%, 0.73%

LAB 69.28, 26.3, 10.69

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 7 / 0 / 32 / 13

HEX #CDDD97

RGB 205 221 151

HSL 73.71, 0.51%, 0.73%

LAB 85.47, -16.65, 32.65

 

CMYK 16 / 0 / 32 / 13

HEX #BADD97

RGB 186 221 151

HSL 90, 0.51%, 0.73%

LAB 84.17, -23.62, 30.69

 

CMYK 24 / 0 / 32 / 13

HEX #A7DD97

RGB 167 221 151

HSL 106.29, 0.51%, 0.73%

LAB 83, -30.28, 28.92

 

CMYK 32 / 0 / 31 / 13

HEX #97DD99

RGB 151 221 153

HSL 121.71, 0.51%, 0.73%

LAB 82.16, -35.23, 26.61

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 0 / 2 / 40 / 9

HEX #E8E48B

RGB 232 228 139

HSL 57.42, 0.67%, 0.73%

LAB 89.16, -11.23, 43.86

 

CMYK 0 / 2 / 47 / 5

HEX #F3EE80

RGB 243 238 128

HSL 57.39, 0.83%, 0.73%

LAB 92.47, -12.95, 53.44

 

CMYK 0 / 2 / 54 / 0

HEX #FEF875

RGB 254 248 117

HSL 57.37, 0.99%, 0.73%

LAB 95.78, -14.41, 62.58

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 0 / 1 / 23 / 18

HEX #D2D0A2

RGB 210 208 162

HSL 57.5, 0.35%, 0.73%

LAB 82.61, -6.72, 23.16

 

CMYK 0 / 1 / 13 / 22

HEX #C6C5AD

RGB 198 197 173

HSL 57.6, 0.18%, 0.73%

LAB 79.02, -3.79, 12.17

 

CMYK 0 / 0 / 2 / 27

HEX #BBBBB8

RGB 187 187 184

HSL 60, 0.02%, 0.73%

LAB 75.8, -0.55, 1.51

 

CMYK 10 / 9 / 0 / 24

HEX #B0B1C3

RGB 176 177 195

HSL 236.84, 0.14%, 0.73%

LAB 72.64, 3.19, -9.26

 

CMYK 0 / 19 / 32 / 13

HEX #DDB497

RGB 221 180 151

HSL 24.86, 0.51%, 0.73%

LAB 76.22, 10.71, 20.39

 

CMYK 0 / 10 / 32 / 13

HEX #DDC797

RGB 221 199 151

HSL 41.14, 0.51%, 0.73%

LAB 80.99, 0.68, 26.89

 

CMYK 0 / 2 / 32 / 13

HEX #DDD997

RGB 221 217 151

HSL 56.57, 0.51%, 0.73%

LAB 85.62, -8.59, 33.07

 

CMYK 7 / 0 / 32 / 13

HEX #CEDD97

RGB 206 221 151

HSL 72.86, 0.51%, 0.73%

LAB 85.54, -16.28, 32.76

 

CMYK 15 / 0 / 32 / 13

HEX #BBDD97

RGB 187 221 151

HSL 89.14, 0.51%, 0.73%

LAB 84.23, -23.26, 30.79

 

CMYK 0 / 2 / 56 / 21

HEX #C9C458

RGB 201 196 88

HSL 57.35, 0.51%, 0.57%

LAB 77.64, -12.23, 53.79

 

CMYK 0 / 2 / 44 / 17

HEX #D3CF77

RGB 211 207 119

HSL 57.39, 0.51%, 0.65%

LAB 81.73, -11, 44.06

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 0 / 1 / 21 / 9

HEX #E7E5B6

RGB 231 229 182

HSL 57.55, 0.51%, 0.81%

LAB 90.05, -6.82, 23.23

 

CMYK 0 / 0 / 12 / 5

HEX #F1F0D5

RGB 241 240 213

HSL 57.86, 0.5%, 0.89%

LAB 94.24, -4.17, 13.18

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 32 / 0 / 27 / 13

HEX #97DDA1

RGB 151 221 161

HSL 128.57, 0.51%, 0.73%

LAB 82.31, -33.89, 22.65

 

CMYK 14 / 32 / 0 / 13

HEX #BD97DD

RGB 189 151 221

HSL 272.57, 0.51%, 0.73%

LAB 68.15, 27.29, -30.28

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 32 / 0 / 2 / 13

HEX #97DDD9

RGB 151 221 217

HSL 176.57, 0.51%, 0.73%

LAB 83.6, -22.63, -5.04

 

CMYK 2 / 32 / 0 / 13

HEX #D997DD

RGB 217 151 221

HSL 296.57, 0.51%, 0.73%

LAB 70.94, 36.09, -25.74

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 32 / 0 / 27 / 13

HEX #97DDA1

RGB 151 221 161

HSL 128.57, 0.51%, 0.73%

LAB 82.31, -33.89, 22.65

 

CMYK 32 / 30 / 0 / 13

HEX #979ADD

RGB 151 154 221

HSL 237.43, 0.51%, 0.73%

LAB 65.68, 14.23, -34.36

 

CMYK 0 / 32 / 5 / 13

HEX #DD97D2

RGB 221 151 210

HSL 309.43, 0.51%, 0.73%

LAB 70.98, 35.38, -19.59

 

CMYK 0 / 1 / 32 / 13

HEX #DDDA97

RGB 221 218 151

HSL 57.43, 0.51%, 0.73%

LAB 85.88, -9.09, 33.42

 

CMYK 32 / 0 / 18 / 13

HEX #97DDB6

RGB 151 221 182

HSL 146.57, 0.51%, 0.73%

LAB 82.74, -30.03, 12.24

 

CMYK 32 / 30 / 0 / 13

HEX #979ADD

RGB 151 154 221

HSL 237.43, 0.51%, 0.73%

LAB 65.68, 14.23, -34.36

 

CMYK 0 / 32 / 14 / 13

HEX #DD97BD

RGB 221 151 189

HSL 327.43, 0.51%, 0.73%

LAB 70.3, 31.83, -8.98

 

Description

Color code: HEX #DDDA97 | qconv.com Color code: HEX #DDDA97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 218 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 218 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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