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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDDDC4 it is the complementary color #22223B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDDDC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDDDC4 shade: #E2DDBF, #F3EFD2, #FFFFE5 and #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDDDC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDDDC4 shade: #DDDDC4, #CCCBB1, #BBB99E, #AAA78B and #999578

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDDDC4 shade: #DDDDC4, #DDD6C4, #DDD0C4, #DDC9C4 and #DDC4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDDDC4 shade: #DDDDC4, #D6DDC4, #D0DDC4, #C9DDC4 and #C4DDC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDDDC4 shade matches the following richer shades: #DDDDC4, #E4E4BD, #ECECB5, #F3F3AE and #FBFBA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDDDC4 shade: #DDDDC4, #D6D6CC, #CECED3, #C7C7DA and #BFBFE2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDDDC4 shade: #DDD0C4, #DDD6C4, #DDDDC4, #D6DDC4 and #D0DDC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDDDC4 shade: #BFBF90, #CECEAA, #DDDDC4, #ECECDE and #FBFBF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDDDC4 shade: #DDDDC4, #C4DDC9 and #D3C4DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDDDC4 shade: #DDDDC4, #C4DDDD and #DDC4DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDDDC4 shade: #DDDDC4, #C4DDC9, #C4C4DD and #DDC4D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDDDC4 shade: #DDDDC4, #C4DDD1, #C4C4DD and #DDC4D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

Complementary color

CMYK 42 / 42 / 0 / 77

HEX #22223B

RGB 34 34 59

HSL 240, 0.27%, 0.18%

LAB 14.4, 7.49, -16.11

 

CMYK 0 / 2 / 15 / 11

HEX #E2DDBF

RGB 226 221 191

HSL 51.43, 0.38%, 0.82%

LAB 87.8, -3.24, 15.35

 

CMYK 0 / 2 / 14 / 5

HEX #F3EFD2

RGB 243 239 210

HSL 52.73, 0.58%, 0.89%

LAB 94.07, -3.43, 14.51

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 0 / 0 / 13 / 20

HEX #CCCBB1

RGB 204 203 177

HSL 57.78, 0.21%, 0.75%

LAB 81.14, -4.09, 13.11

 

CMYK 0 / 1 / 16 / 27

HEX #BBB99E

RGB 187 185 158

HSL 55.86, 0.18%, 0.68%

LAB 74.66, -3.92, 13.97

 

CMYK 0 / 2 / 18 / 33

HEX #AAA78B

RGB 170 167 139

HSL 54.19, 0.15%, 0.61%

LAB 68.06, -3.73, 14.89

 

CMYK 0 / 3 / 22 / 40

HEX #999578

RGB 153 149 120

HSL 52.73, 0.14%, 0.54%

LAB 61.33, -3.52, 15.88

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 0 / 3 / 11 / 13

HEX #DDD6C4

RGB 221 214 196

HSL 43.2, 0.27%, 0.82%

LAB 85.73, -0.64, 9.74

 

CMYK 0 / 6 / 11 / 13

HEX #DDD0C4

RGB 221 208 196

HSL 28.8, 0.27%, 0.82%

LAB 84.21, 2.48, 7.56

 

CMYK 0 / 9 / 11 / 13

HEX #DDC9C4

RGB 221 201 196

HSL 12, 0.27%, 0.82%

LAB 82.45, 6.16, 5.02

 

CMYK 0 / 11 / 11 / 13

HEX #DDC4C4

RGB 221 196 196

HSL 0, 0.27%, 0.82%

LAB 81.2, 8.8, 3.22

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 3 / 0 / 11 / 13

HEX #D6DDC4

RGB 214 221 196

HSL 76.8, 0.27%, 0.82%

LAB 86.99, -6.72, 11.46

 

CMYK 6 / 0 / 11 / 13

HEX #D0DDC4

RGB 208 221 196

HSL 91.2, 0.27%, 0.82%

LAB 86.56, -8.82, 10.78

 

CMYK 9 / 0 / 11 / 13

HEX #C9DDC4

RGB 201 221 196

HSL 108, 0.27%, 0.82%

LAB 86.06, -11.23, 10.01

 

CMYK 11 / 0 / 10 / 13

HEX #C4DDC6

RGB 196 221 198

HSL 124.8, 0.27%, 0.82%

LAB 85.77, -12.58, 8.49

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 0 / 0 / 17 / 11

HEX #E4E4BD

RGB 228 228 189

HSL 60, 0.42%, 0.82%

LAB 89.7, -6.39, 19.08

 

CMYK 0 / 0 / 23 / 7

HEX #ECECB5

RGB 236 236 181

HSL 60, 0.59%, 0.82%

LAB 92.2, -8.65, 26.76

 

CMYK 0 / 0 / 28 / 5

HEX #F3F3AE

RGB 243 243 174

HSL 60, 0.74%, 0.82%

LAB 94.4, -10.47, 33.38

 

CMYK 0 / 0 / 33 / 2

HEX #FBFBA7

RGB 251 251 167

HSL 60, 0.91%, 0.82%

LAB 96.94, -12.27, 40.33

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 0 / 0 / 5 / 16

HEX #D6D6CC

RGB 214 214 204

HSL 60, 0.11%, 0.82%

LAB 85.38, -1.76, 4.92

 

CMYK 2 / 2 / 0 / 17

HEX #CECED3

RGB 206 206 211

HSL 240, 0.05%, 0.82%

LAB 82.9, 0.93, -2.48

 

CMYK 9 / 9 / 0 / 15

HEX #C7C7DA

RGB 199 199 218

HSL 240, 0.2%, 0.82%

LAB 80.77, 3.64, -9.44

 

CMYK 15 / 15 / 0 / 11

HEX #BFBFE2

RGB 191 191 226

HSL 240, 0.38%, 0.82%

LAB 78.36, 6.98, -17.4

 

CMYK 0 / 6 / 11 / 13

HEX #DDD0C4

RGB 221 208 196

HSL 28.8, 0.27%, 0.82%

LAB 84.21, 2.48, 7.56

 

CMYK 0 / 3 / 11 / 13

HEX #DDD6C4

RGB 221 214 196

HSL 43.2, 0.27%, 0.82%

LAB 85.73, -0.64, 9.74

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 3 / 0 / 11 / 13

HEX #D6DDC4

RGB 214 221 196

HSL 76.8, 0.27%, 0.82%

LAB 86.99, -6.72, 11.46

 

CMYK 6 / 0 / 11 / 13

HEX #D0DDC4

RGB 208 221 196

HSL 91.2, 0.27%, 0.82%

LAB 86.56, -8.82, 10.78

 

CMYK 0 / 0 / 25 / 25

HEX #BFBF90

RGB 191 191 144

HSL 60, 0.27%, 0.66%

LAB 76.28, -7.65, 23.79

 

CMYK 0 / 0 / 17 / 19

HEX #CECEAA

RGB 206 206 170

HSL 60, 0.27%, 0.74%

LAB 81.93, -6, 17.95

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 0 / 0 / 6 / 7

HEX #ECECDE

RGB 236 236 222

HSL 60, 0.27%, 0.9%

LAB 93.06, -2.41, 6.77

 

CMYK 0 / 0 / 1 / 2

HEX #FBFBF9

RGB 251 251 249

HSL 60, 0.2%, 0.98%

LAB 98.57, -0.34, 0.95

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 11 / 0 / 9 / 13

HEX #C4DDC9

RGB 196 221 201

HSL 132, 0.27%, 0.82%

LAB 85.84, -12.04, 7.01

 

CMYK 5 / 11 / 0 / 13

HEX #D3C4DD

RGB 211 196 221

HSL 276, 0.27%, 0.82%

LAB 81.04, 9.8, -10.53

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 11 / 0 / 0 / 13

HEX #C4DDDD

RGB 196 221 221

HSL 180, 0.27%, 0.82%

LAB 86.34, -8.25, -2.82

 

CMYK 0 / 11 / 0 / 13

HEX #DDC4DD

RGB 221 196 221

HSL 300, 0.27%, 0.82%

LAB 81.88, 13.16, -9.2

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 11 / 0 / 9 / 13

HEX #C4DDC9

RGB 196 221 201

HSL 132, 0.27%, 0.82%

LAB 85.84, -12.04, 7.01

 

CMYK 11 / 11 / 0 / 13

HEX #C4C4DD

RGB 196 196 221

HSL 240, 0.27%, 0.82%

LAB 79.86, 4.86, -12.42

 

CMYK 0 / 11 / 2 / 13

HEX #DDC4D8

RGB 221 196 216

HSL 312, 0.27%, 0.82%

LAB 81.73, 12.25, -6.73

 

CMYK 0 / 0 / 11 / 13

HEX #DDDDC4

RGB 221 221 196

HSL 60, 0.27%, 0.82%

LAB 87.52, -4.25, 12.28

 

CMYK 11 / 0 / 5 / 13

HEX #C4DDD1

RGB 196 221 209

HSL 151.2, 0.27%, 0.82%

LAB 86.03, -10.57, 3.07

 

CMYK 11 / 11 / 0 / 13

HEX #C4C4DD

RGB 196 196 221

HSL 240, 0.27%, 0.82%

LAB 79.86, 4.86, -12.42

 

CMYK 0 / 11 / 5 / 13

HEX #DDC4D1

RGB 221 196 209

HSL 328.8, 0.27%, 0.82%

LAB 81.54, 11.01, -3.26

 

Description

Color code: HEX #DDDDC4 | qconv.com Color code: HEX #DDDDC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 221 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 221 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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