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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDDE6C it is the complementary color #222193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDDE6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDDE6C shade: #E2DE67, #F3F07A, #FFFF8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDDE6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDDE6C shade: #DDDE6C, #CCCC59, #BBBA46, #AAA833 and #999620

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDDE6C shade: #DCDD6D, #DDC06D, #DDA26D, #DD836D and #DD6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDDE6C shade: #DCDD6D, #BEDD6D, #A0DD6D, #82DD6D and #6DDD77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDDE6C shade matches the following richer shades: #DCDD6D, #EBEC5F and #F9FA50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDDE6C shade: #DCDD6D, #CECF7B, #C0C18A, #B2B298 and #A4A4A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDDE6C shade: #DDA26D, #DDBF6D, #DDDD6D, #BFDD6D and #A2DD6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDDE6C shade: #C9CA2E, #D5D64B, #DCDD6D, #E4E58F and #ECEDB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDDE6C shade: #DDDE6C, #6DDD84 and #B06DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDDE6C shade: #DDDE6C, #6DDDDD and #DD6DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDDE6C shade: #DDDE6C, #6DDD84, #6D6DDD and #DD6DC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDDE6C shade: #DDDE6C, #6DDDA5, #6D6DDD and #DD6DA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 51 / 13

HEX #DDDE6C

RGB 221 222 108

HSL 60.53, 0.63%, 0.65%

LAB 86.35, -15.51, 55.06

 

Complementary color

CMYK 77 / 78 / 0 / 42

HEX #222193

RGB 34 33 147

HSL 240.53, 0.63%, 0.35%

LAB 22.07, 40.07, -61.46

 

CMYK 0 / 2 / 54 / 11

HEX #E2DE67

RGB 226 222 103

HSL 58.05, 0.68%, 0.65%

LAB 86.7, -13.9, 57.84

 

CMYK 0 / 1 / 50 / 5

HEX #F3F07A

RGB 243 240 122

HSL 58.51, 0.83%, 0.72%

LAB 92.92, -14.45, 56.76

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 51 / 13

HEX #DDDE6C

RGB 221 222 108

HSL 60.53, 0.63%, 0.65%

LAB 86.35, -15.51, 55.06

 

CMYK 0 / 0 / 56 / 20

HEX #CCCC59

RGB 204 204 89

HSL 60, 0.53%, 0.57%

LAB 80.04, -14.95, 56.1

 

CMYK 0 / 1 / 63 / 27

HEX #BBBA46

RGB 187 186 70

HSL 59.49, 0.46%, 0.5%

LAB 73.63, -14.27, 56.98

 

CMYK 0 / 1 / 70 / 33

HEX #AAA833

RGB 170 168 51

HSL 58.99, 0.54%, 0.43%

LAB 67.12, -13.44, 57.53

 

CMYK 0 / 2 / 79 / 40

HEX #999620

RGB 153 150 32

HSL 58.51, 0.65%, 0.36%

LAB 60.51, -12.41, 57.43

 

CMYK 0 / 0 / 51 / 13

HEX #DCDD6D

RGB 220 221 109

HSL 60.54, 0.62%, 0.65%

LAB 86.02, -15.33, 54.2

 

CMYK 0 / 13 / 51 / 13

HEX #DDC06D

RGB 221 192 109

HSL 44.46, 0.62%, 0.65%

LAB 78.56, -0.17, 45.3

 

CMYK 0 / 27 / 51 / 13

HEX #DDA26D

RGB 221 162 109

HSL 28.39, 0.62%, 0.65%

LAB 71.09, 15.75, 36.01

 

CMYK 0 / 41 / 51 / 13

HEX #DD836D

RGB 221 131 109

HSL 11.79, 0.62%, 0.65%

LAB 63.92, 32.35, 26.76

 

CMYK 0 / 51 / 51 / 13

HEX #DD6D6D

RGB 221 109 109

HSL 0, 0.62%, 0.65%

LAB 59.36, 43.69, 20.66

 

CMYK 0 / 0 / 51 / 13

HEX #DCDD6D

RGB 220 221 109

HSL 60.54, 0.62%, 0.65%

LAB 86.02, -15.33, 54.2

 

CMYK 14 / 0 / 51 / 13

HEX #BEDD6D

RGB 190 221 109

HSL 76.61, 0.62%, 0.65%

LAB 83.84, -27.13, 51.08

 

CMYK 28 / 0 / 51 / 13

HEX #A0DD6D

RGB 160 221 109

HSL 92.68, 0.62%, 0.65%

LAB 82, -38.22, 48.43

 

CMYK 41 / 0 / 51 / 13

HEX #82DD6D

RGB 130 221 109

HSL 108.75, 0.62%, 0.65%

LAB 80.5, -48.16, 46.26

 

CMYK 51 / 0 / 46 / 13

HEX #6DDD77

RGB 109 221 119

HSL 125.36, 0.62%, 0.65%

LAB 79.78, -52.8, 40.35

 

CMYK 0 / 0 / 51 / 13

HEX #DCDD6D

RGB 220 221 109

HSL 60.54, 0.62%, 0.65%

LAB 86.02, -15.33, 54.2

 

CMYK 0 / 0 / 60 / 7

HEX #EBEC5F

RGB 235 236 95

HSL 60.43, 0.79%, 0.65%

LAB 91, -17.72, 66.27

 

CMYK 0 / 0 / 68 / 2

HEX #F9FA50

RGB 249 250 80

HSL 60.35, 0.94%, 0.65%

LAB 95.62, -19.69, 77.17

 

CMYK 0 / 0 / 51 / 13

HEX #DCDD6D

RGB 220 221 109

HSL 60.54, 0.62%, 0.65%

LAB 86.02, -15.33, 54.2

 

CMYK 0 / 0 / 41 / 19

HEX #CECF7B

RGB 206 207 123

HSL 60.71, 0.47%, 0.65%

LAB 81.39, -12.58, 41.56

 

CMYK 1 / 0 / 28 / 24

HEX #C0C18A

RGB 192 193 138

HSL 61.09, 0.31%, 0.65%

LAB 76.79, -9.11, 27.66

 

CMYK 0 / 0 / 15 / 30

HEX #B2B298

RGB 178 178 152

HSL 60, 0.14%, 0.65%

LAB 71.94, -4.53, 13.31

 

CMYK 2 / 2 / 0 / 35

HEX #A4A4A7

RGB 164 164 167

HSL 240, 0.02%, 0.65%

LAB 67.45, 0.58, -1.56

 

CMYK 0 / 27 / 51 / 13

HEX #DDA26D

RGB 221 162 109

HSL 28.39, 0.62%, 0.65%

LAB 71.09, 15.75, 36.01

 

CMYK 0 / 14 / 51 / 13

HEX #DDBF6D

RGB 221 191 109

HSL 43.93, 0.62%, 0.65%

LAB 78.31, 0.35, 44.99

 

CMYK 0 / 0 / 51 / 13

HEX #DDDD6D

RGB 221 221 109

HSL 60, 0.62%, 0.65%

LAB 86.1, -14.93, 54.31

 

CMYK 14 / 0 / 51 / 13

HEX #BFDD6D

RGB 191 221 109

HSL 76.07, 0.62%, 0.65%

LAB 83.91, -26.74, 51.18

 

CMYK 27 / 0 / 51 / 13

HEX #A2DD6D

RGB 162 221 109

HSL 91.61, 0.62%, 0.65%

LAB 82.11, -37.51, 48.59

 

CMYK 0 / 0 / 77 / 21

HEX #C9CA2E

RGB 201 202 46

HSL 60.38, 0.63%, 0.49%

LAB 78.96, -17.59, 71.24

 

CMYK 0 / 0 / 65 / 16

HEX #D5D64B

RGB 213 214 75

HSL 60.43, 0.63%, 0.57%

LAB 83.31, -17.14, 65.71

 

CMYK 0 / 0 / 51 / 13

HEX #DCDD6D

RGB 220 221 109

HSL 60.54, 0.62%, 0.65%

LAB 86.02, -15.33, 54.2

 

CMYK 0 / 0 / 38 / 10

HEX #E4E58F

RGB 228 229 143

HSL 60.7, 0.62%, 0.73%

LAB 89.17, -12.85, 41.82

 

CMYK 0 / 0 / 26 / 7

HEX #ECEDB0

RGB 236 237 176

HSL 60.98, 0.63%, 0.81%

LAB 92.37, -9.82, 29.54

 

CMYK 0 / 0 / 51 / 13

HEX #DDDE6C

RGB 221 222 108

HSL 60.53, 0.63%, 0.65%

LAB 86.35, -15.51, 55.06

 

CMYK 51 / 0 / 40 / 13

HEX #6DDD84

RGB 109 221 132

HSL 132.32, 0.62%, 0.65%

LAB 79.97, -50.81, 34.11

 

CMYK 20 / 51 / 0 / 13

HEX #B06DDD

RGB 176 109 221

HSL 275.89, 0.62%, 0.65%

LAB 57.45, 46.58, -47.11

 

CMYK 0 / 0 / 51 / 13

HEX #DDDE6C

RGB 221 222 108

HSL 60.53, 0.63%, 0.65%

LAB 86.35, -15.51, 55.06

 

CMYK 51 / 0 / 0 / 13

HEX #6DDDDD

RGB 109 221 221

HSL 180, 0.62%, 0.65%

LAB 81.94, -31.83, -9.82

 

CMYK 0 / 51 / 0 / 13

HEX #DD6DDD

RGB 221 109 221

HSL 300, 0.62%, 0.65%

LAB 62.95, 58.79, -38.07

 

CMYK 0 / 0 / 51 / 13

HEX #DDDE6C

RGB 221 222 108

HSL 60.53, 0.63%, 0.65%

LAB 86.35, -15.51, 55.06

 

CMYK 51 / 0 / 40 / 13

HEX #6DDD84

RGB 109 221 132

HSL 132.32, 0.62%, 0.65%

LAB 79.97, -50.81, 34.11

 

CMYK 51 / 51 / 0 / 13

HEX #6D6DDD

RGB 109 109 221

HSL 240, 0.62%, 0.65%

LAB 51.16, 30.12, -57.51

 

CMYK 0 / 51 / 10 / 13

HEX #DD6DC7

RGB 221 109 199

HSL 311.79, 0.62%, 0.65%

LAB 62.03, 55.09, -27.13

 

CMYK 0 / 0 / 51 / 13

HEX #DDDE6C

RGB 221 222 108

HSL 60.53, 0.63%, 0.65%

LAB 86.35, -15.51, 55.06

 

CMYK 51 / 0 / 25 / 13

HEX #6DDDA5

RGB 109 221 165

HSL 150, 0.62%, 0.65%

LAB 80.56, -44.81, 17.87

 

CMYK 51 / 51 / 0 / 13

HEX #6D6DDD

RGB 109 109 221

HSL 240, 0.62%, 0.65%

LAB 51.16, 30.12, -57.51

 

CMYK 0 / 51 / 25 / 13

HEX #DD6DA5

RGB 221 109 165

HSL 330, 0.62%, 0.65%

LAB 60.8, 50.02, -9.59

 

Description

Color code: HEX #DDDE6C | qconv.com Color code: HEX #DDDE6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 222 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 222 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 51% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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