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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDEB64 it is the complementary color #22149B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDEB64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDEB64 shade: #E2EB5F, #F3FD72, #FFFF85, #FFFF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDEB64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDEB64 shade: #DDEB64, #CCD951, #BBC73E, #AAB52B and #99A318

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDEB64 shade: #DDEB65, #EBD465, #EBB065, #EB8C65 and #EB6865

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDEB64 shade: #DDEB65, #B9EB65, #95EB65, #71EB65 and #65EB7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDEB64 shade matches the following richer shades: #DDEB65 and #E8F957

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDEB64 shade: #DDEB65, #D2DD73, #C6CF81, #BBC08F and #B0B29D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDEB64 shade: #EBB165, #EBD465, #DDEB65, #BAEB65 and #96EB65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDEB64 shade: #CCE01D, #D5E641, #DDEB65, #E5EF8A and #EDF4AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDEB64 shade: #DDEB64, #65EB8D and #C365EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDEB64 shade: #DDEB64, #65DDEB and #EB65DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDEB64 shade: #DDEB64, #65EB8D, #7265EB and #EB65C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDEB64 shade: #DDEB64, #65EBB5, #7265EB and #EB659A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 57 / 8

HEX #DDEB64

RGB 221 235 100

HSL 66.22, 0.77%, 0.66%

LAB 89.72, -22.48, 62.47

 

Complementary color

CMYK 78 / 87 / 0 / 39

HEX #22149B

RGB 34 20 155

HSL 246.22, 0.77%, 0.34%

LAB 20.85, 48.98, -68.41

 

CMYK 4 / 0 / 60 / 8

HEX #E2EB5F

RGB 226 235 95

HSL 63.86, 0.78%, 0.65%

LAB 90.05, -20.84, 65.05

 

CMYK 4 / 0 / 55 / 1

HEX #F3FD72

RGB 243 253 114

HSL 64.32, 0.97%, 0.72%

LAB 96.21, -21.38, 64.15

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB64

RGB 221 235 100

HSL 66.22, 0.77%, 0.66%

LAB 89.72, -22.48, 62.47

 

CMYK 6 / 0 / 63 / 15

HEX #CCD951

RGB 204 217 81

HSL 65.74, 0.64%, 0.58%

LAB 83.47, -21.93, 63.27

 

CMYK 6 / 0 / 69 / 22

HEX #BBC73E

RGB 187 199 62

HSL 65.26, 0.55%, 0.51%

LAB 77.14, -21.26, 63.78

 

CMYK 6 / 0 / 76 / 29

HEX #AAB52B

RGB 170 181 43

HSL 64.78, 0.62%, 0.44%

LAB 70.71, -20.43, 63.76

 

CMYK 6 / 0 / 85 / 36

HEX #99A318

RGB 153 163 24

HSL 64.32, 0.74%, 0.37%

LAB 64.19, -19.41, 62.79

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB65

RGB 221 235 101

HSL 66.27, 0.77%, 0.66%

LAB 89.73, -22.4, 62.05

 

CMYK 0 / 10 / 57 / 8

HEX #EBD465

RGB 235 212 101

HSL 49.7, 0.77%, 0.66%

LAB 84.84, -5.36, 56.82

 

CMYK 0 / 25 / 57 / 8

HEX #EBB065

RGB 235 176 101

HSL 33.58, 0.77%, 0.66%

LAB 75.86, 13.36, 46.32

 

CMYK 0 / 40 / 57 / 8

HEX #EB8C65

RGB 235 140 101

HSL 17.46, 0.77%, 0.66%

LAB 67.54, 32.42, 36.14

 

CMYK 0 / 56 / 57 / 8

HEX #EB6865

RGB 235 104 101

HSL 1.34, 0.77%, 0.66%

LAB 60.34, 50.45, 26.92

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB65

RGB 221 235 101

HSL 66.27, 0.77%, 0.66%

LAB 89.73, -22.4, 62.05

 

CMYK 21 / 0 / 57 / 8

HEX #B9EB65

RGB 185 235 101

HSL 82.39, 0.77%, 0.66%

LAB 87.32, -36.26, 58.68

 

CMYK 37 / 0 / 57 / 8

HEX #95EB65

RGB 149 235 101

HSL 98.51, 0.77%, 0.66%

LAB 85.38, -48.85, 55.93

 

CMYK 52 / 0 / 57 / 8

HEX #71EB65

RGB 113 235 101

HSL 114.63, 0.77%, 0.66%

LAB 83.9, -59.46, 53.83

 

CMYK 57 / 0 / 47 / 8

HEX #65EB7D

RGB 101 235 125

HSL 130.75, 0.77%, 0.66%

LAB 83.79, -59.3, 42.42

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB65

RGB 221 235 101

HSL 66.27, 0.77%, 0.66%

LAB 89.73, -22.4, 62.05

 

CMYK 7 / 0 / 65 / 2

HEX #E8F957

RGB 232 249 87

HSL 66.3, 0.93%, 0.66%

LAB 94.14, -25.64, 72.7

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB65

RGB 221 235 101

HSL 66.27, 0.77%, 0.66%

LAB 89.73, -22.4, 62.05

 

CMYK 5 / 0 / 48 / 13

HEX #D2DD73

RGB 210 221 115

HSL 66.23, 0.61%, 0.66%

LAB 85.33, -18.77, 50.37

 

CMYK 4 / 0 / 38 / 19

HEX #C6CF81

RGB 198 207 129

HSL 66.92, 0.45%, 0.66%

LAB 80.86, -15.04, 37.74

 

CMYK 3 / 0 / 26 / 25

HEX #BBC08F

RGB 187 192 143

HSL 66.12, 0.28%, 0.66%

LAB 76.22, -9.83, 24.18

 

CMYK 1 / 0 / 12 / 30

HEX #B0B29D

RGB 176 178 157

HSL 65.71, 0.12%, 0.66%

LAB 71.9, -4.45, 10.5

 

CMYK 0 / 25 / 57 / 8

HEX #EBB165

RGB 235 177 101

HSL 34.03, 0.77%, 0.66%

LAB 76.1, 12.84, 46.61

 

CMYK 0 / 10 / 57 / 8

HEX #EBD465

RGB 235 212 101

HSL 49.7, 0.77%, 0.66%

LAB 84.84, -5.36, 56.82

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB65

RGB 221 235 101

HSL 66.27, 0.77%, 0.66%

LAB 89.73, -22.4, 62.05

 

CMYK 21 / 0 / 57 / 8

HEX #BAEB65

RGB 186 235 101

HSL 81.94, 0.77%, 0.66%

LAB 87.39, -35.89, 58.76

 

CMYK 36 / 0 / 57 / 8

HEX #96EB65

RGB 150 235 101

HSL 98.06, 0.77%, 0.66%

LAB 85.42, -48.53, 56

 

CMYK 9 / 0 / 87 / 12

HEX #CCE01D

RGB 204 224 29

HSL 66.15, 0.77%, 0.5%

LAB 85.12, -27.49, 80.58

 

CMYK 7 / 0 / 72 / 10

HEX #D5E641

RGB 213 230 65

HSL 66.18, 0.77%, 0.58%

LAB 87.54, -25.43, 73.56

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB65

RGB 221 235 101

HSL 66.27, 0.77%, 0.66%

LAB 89.73, -22.4, 62.05

 

CMYK 4 / 0 / 42 / 6

HEX #E5EF8A

RGB 229 239 138

HSL 65.94, 0.76%, 0.74%

LAB 91.79, -17.92, 47.6

 

CMYK 3 / 0 / 29 / 4

HEX #EDF4AE

RGB 237 244 174

HSL 66, 0.76%, 0.82%

LAB 94.21, -13.18, 33.04

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB64

RGB 221 235 100

HSL 66.22, 0.77%, 0.66%

LAB 89.72, -22.48, 62.47

 

CMYK 57 / 0 / 40 / 8

HEX #65EB8D

RGB 101 235 141

HSL 137.91, 0.77%, 0.66%

LAB 84.02, -56.8, 34.83

 

CMYK 17 / 57 / 0 / 8

HEX #C365EB

RGB 195 101 235

HSL 282.09, 0.77%, 0.66%

LAB 58.89, 58.51, -52.52

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB64

RGB 221 235 100

HSL 66.22, 0.77%, 0.66%

LAB 89.72, -22.48, 62.47

 

CMYK 57 / 6 / 0 / 8

HEX #65DDEB

RGB 101 221 235

HSL 186.27, 0.77%, 0.66%

LAB 82.1, -29.65, -17.05

 

CMYK 0 / 57 / 6 / 8

HEX #EB65DD

RGB 235 101 221

HSL 306.27, 0.77%, 0.66%

LAB 63.5, 66.18, -37.08

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB64

RGB 221 235 100

HSL 66.22, 0.77%, 0.66%

LAB 89.72, -22.48, 62.47

 

CMYK 57 / 0 / 40 / 8

HEX #65EB8D

RGB 101 235 141

HSL 137.91, 0.77%, 0.66%

LAB 84.02, -56.8, 34.83

 

CMYK 51 / 57 / 0 / 8

HEX #7265EB

RGB 114 101 235

HSL 245.82, 0.77%, 0.66%

LAB 50.55, 40.15, -66.36

 

CMYK 0 / 57 / 17 / 8

HEX #EB65C3

RGB 235 101 195

HSL 317.91, 0.77%, 0.66%

LAB 62.43, 62.21, -24.08

 

CMYK 6 / 0 / 57 / 8

HEX #DDEB64

RGB 221 235 100

HSL 66.22, 0.77%, 0.66%

LAB 89.72, -22.48, 62.47

 

CMYK 57 / 0 / 23 / 8

HEX #65EBB5

RGB 101 235 181

HSL 155.82, 0.77%, 0.66%

LAB 84.75, -49.2, 15.33

 

CMYK 51 / 57 / 0 / 8

HEX #7265EB

RGB 114 101 235

HSL 245.82, 0.77%, 0.66%

LAB 50.55, 40.15, -66.36

 

CMYK 0 / 57 / 34 / 8

HEX #EB659A

RGB 235 101 154

HSL 336.27, 0.77%, 0.66%

LAB 61.05, 56.86, -2.67

 

Description

Color code: HEX #DDEB64 | qconv.com Color code: HEX #DDEB64 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 235 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 235 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 57 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 57% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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