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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDED85 it is the complementary color #22127A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDED85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDED85 shade: #E2ED80, #F3FF93, #FFFFA6, #FFFFB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDED85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDED85 shade: #DDED85, #CCDB72, #BBC95F, #AAB74C and #99A539

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDED85 shade: #DDED87, #EDE187, #EDC587, #EDAA87 and #ED8E87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDED85 shade: #DDED87, #C1ED87, #A6ED87, #8AED87 and #87ED9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDED85 shade matches the following richer shades: #DDED87 and #E5F87C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDED85 shade: #DDED87, #D5E192, #CDD69D, #C6CBA8 and #BEC0B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDED85 shade: #EDC687, #EDE187, #DDED87, #C2ED87 and #A7ED87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDED85 shade: #C9E23F, #D3E763, #DDED87, #E7F2AB and #F1F7CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDED85 shade: #DDED85, #87EDAA and #D387ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDED85 shade: #DDED85, #87DDED and #ED87DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDED85 shade: #DDED85, #87EDAA, #9687ED and #ED87C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDED85 shade: #DDED85, #87EDC9, #9687ED and #ED87AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 44 / 7

HEX #DDED85

RGB 221 237 133

HSL 69.23, 0.74%, 0.73%

LAB 90.61, -20.52, 48.42

 

Complementary color

CMYK 72 / 85 / 0 / 52

HEX #22127A

RGB 34 18 122

HSL 249.23, 0.74%, 0.27%

LAB 16.39, 39.75, -55.12

 

CMYK 5 / 0 / 46 / 7

HEX #E2ED80

RGB 226 237 128

HSL 66.06, 0.75%, 0.72%

LAB 90.91, -19.1, 51.25

 

CMYK 5 / 0 / 42 / 0

HEX #F3FF93

RGB 243 255 147

HSL 66.67, 1%, 0.79%

LAB 97.1, -19.4, 50.13

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 7 / 0 / 44 / 7

HEX #DDED85

RGB 221 237 133

HSL 69.23, 0.74%, 0.73%

LAB 90.61, -20.52, 48.42

 

CMYK 7 / 0 / 48 / 14

HEX #CCDB72

RGB 204 219 114

HSL 68.57, 0.59%, 0.65%

LAB 84.34, -20.24, 49.55

 

CMYK 7 / 0 / 53 / 21

HEX #BBC95F

RGB 187 201 95

HSL 67.92, 0.5%, 0.58%

LAB 77.97, -19.89, 50.66

 

CMYK 7 / 0 / 58 / 28

HEX #AAB74C

RGB 170 183 76

HSL 67.29, 0.43%, 0.51%

LAB 71.51, -19.45, 51.67

 

CMYK 7 / 0 / 65 / 35

HEX #99A539

RGB 153 165 57

HSL 66.67, 0.49%, 0.44%

LAB 64.95, -18.88, 52.48

 

CMYK 7 / 0 / 43 / 7

HEX #DDED87

RGB 221 237 135

HSL 69.41, 0.74%, 0.73%

LAB 90.64, -20.32, 47.49

 

CMYK 0 / 5 / 43 / 7

HEX #EDE187

RGB 237 225 135

HSL 52.94, 0.74%, 0.73%

LAB 88.74, -8.18, 45.37

 

CMYK 0 / 17 / 43 / 7

HEX #EDC587

RGB 237 197 135

HSL 36.47, 0.74%, 0.73%

LAB 81.67, 6.18, 36.37

 

CMYK 0 / 28 / 43 / 7

HEX #EDAA87

RGB 237 170 135

HSL 20.59, 0.74%, 0.73%

LAB 75.14, 20.43, 27.79

 

CMYK 0 / 40 / 43 / 7

HEX #ED8E87

RGB 237 142 135

HSL 4.12, 0.74%, 0.73%

LAB 68.82, 35.22, 19.23

 

CMYK 7 / 0 / 43 / 7

HEX #DDED87

RGB 221 237 135

HSL 69.41, 0.74%, 0.73%

LAB 90.64, -20.32, 47.49

 

CMYK 19 / 0 / 43 / 7

HEX #C1ED87

RGB 193 237 135

HSL 85.88, 0.74%, 0.73%

LAB 88.76, -30.77, 44.73

 

CMYK 30 / 0 / 43 / 7

HEX #A6ED87

RGB 166 237 135

HSL 101.76, 0.74%, 0.73%

LAB 87.2, -40.19, 42.44

 

CMYK 42 / 0 / 43 / 7

HEX #8AED87

RGB 138 237 135

HSL 118.24, 0.74%, 0.73%

LAB 85.87, -48.98, 40.46

 

CMYK 43 / 0 / 33 / 7

HEX #87ED9E

RGB 135 237 158

HSL 133.53, 0.74%, 0.73%

LAB 86.1, -46.26, 29.23

 

CMYK 7 / 0 / 43 / 7

HEX #DDED87

RGB 221 237 135

HSL 69.41, 0.74%, 0.73%

LAB 90.64, -20.32, 47.49

 

CMYK 8 / 0 / 50 / 3

HEX #E5F87C

RGB 229 248 124

HSL 69.19, 0.9%, 0.73%

LAB 93.99, -23.6, 56.86

 

CMYK 7 / 0 / 43 / 7

HEX #DDED87

RGB 221 237 135

HSL 69.41, 0.74%, 0.73%

LAB 90.64, -20.32, 47.49

 

CMYK 5 / 0 / 35 / 12

HEX #D5E192

RGB 213 225 146

HSL 69.11, 0.57%, 0.73%

LAB 87.03, -16.25, 37.35

 

CMYK 4 / 0 / 27 / 16

HEX #CDD69D

RGB 205 214 157

HSL 69.47, 0.41%, 0.73%

LAB 83.71, -12.34, 27.2

 

CMYK 2 / 0 / 17 / 20

HEX #C6CBA8

RGB 198 203 168

HSL 68.57, 0.25%, 0.73%

LAB 80.49, -7.7, 16.91

 

CMYK 1 / 0 / 7 / 25

HEX #BEC0B3

RGB 190 192 179

HSL 69.23, 0.09%, 0.73%

LAB 77.22, -3.03, 6.3

 

CMYK 0 / 16 / 43 / 7

HEX #EDC687

RGB 237 198 135

HSL 37.06, 0.74%, 0.73%

LAB 81.92, 5.66, 36.69

 

CMYK 0 / 5 / 43 / 7

HEX #EDE187

RGB 237 225 135

HSL 52.94, 0.74%, 0.73%

LAB 88.74, -8.18, 45.37

 

CMYK 7 / 0 / 43 / 7

HEX #DDED87

RGB 221 237 135

HSL 69.41, 0.74%, 0.73%

LAB 90.64, -20.32, 47.49

 

CMYK 18 / 0 / 43 / 7

HEX #C2ED87

RGB 194 237 135

HSL 85.29, 0.74%, 0.73%

LAB 88.82, -30.4, 44.82

 

CMYK 30 / 0 / 43 / 7

HEX #A7ED87

RGB 167 237 135

HSL 101.18, 0.74%, 0.73%

LAB 87.26, -39.86, 42.52

 

CMYK 11 / 0 / 72 / 11

HEX #C9E23F

RGB 201 226 63

HSL 69.2, 0.74%, 0.57%

LAB 85.59, -28.47, 72.05

 

CMYK 9 / 0 / 57 / 9

HEX #D3E763

RGB 211 231 99

HSL 69.09, 0.73%, 0.65%

LAB 87.92, -24.59, 60.68

 

CMYK 7 / 0 / 43 / 7

HEX #DDED87

RGB 221 237 135

HSL 69.41, 0.74%, 0.73%

LAB 90.64, -20.32, 47.49

 

CMYK 5 / 0 / 29 / 5

HEX #E7F2AB

RGB 231 242 171

HSL 69.3, 0.73%, 0.81%

LAB 93.2, -14.79, 33.13

 

CMYK 2 / 0 / 17 / 3

HEX #F1F7CE

RGB 241 247 206

HSL 68.78, 0.72%, 0.89%

LAB 95.86, -8.76, 19.07

 

CMYK 7 / 0 / 44 / 7

HEX #DDED85

RGB 221 237 133

HSL 69.23, 0.74%, 0.73%

LAB 90.61, -20.52, 48.42

 

CMYK 43 / 0 / 28 / 7

HEX #87EDAA

RGB 135 237 170

HSL 140.59, 0.74%, 0.73%

LAB 86.32, -44.15, 23.38

 

CMYK 11 / 43 / 0 / 7

HEX #D387ED

RGB 211 135 237

HSL 284.71, 0.74%, 0.73%

LAB 67.49, 45.91, -39.94

 

CMYK 7 / 0 / 44 / 7

HEX #DDED85

RGB 221 237 133

HSL 69.23, 0.74%, 0.73%

LAB 90.61, -20.52, 48.42

 

CMYK 43 / 7 / 0 / 7

HEX #87DDED

RGB 135 221 237

HSL 189.41, 0.74%, 0.73%

LAB 83.43, -21.93, -15.97

 

CMYK 0 / 43 / 7 / 7

HEX #ED87DD

RGB 237 135 221

HSL 309.41, 0.74%, 0.73%

LAB 69.86, 50.66, -27.21

 

CMYK 7 / 0 / 44 / 7

HEX #DDED85

RGB 221 237 133

HSL 69.23, 0.74%, 0.73%

LAB 90.61, -20.52, 48.42

 

CMYK 43 / 0 / 28 / 7

HEX #87EDAA

RGB 135 237 170

HSL 140.59, 0.74%, 0.73%

LAB 86.32, -44.15, 23.38

 

CMYK 37 / 43 / 0 / 7

HEX #9687ED

RGB 150 135 237

HSL 248.82, 0.74%, 0.73%

LAB 61.59, 29.08, -49.63

 

CMYK 0 / 43 / 15 / 7

HEX #ED87C9

RGB 237 135 201

HSL 321.18, 0.74%, 0.73%

LAB 69.15, 47.44, -17.2

 

CMYK 7 / 0 / 44 / 7

HEX #DDED85

RGB 221 237 133

HSL 69.23, 0.74%, 0.73%

LAB 90.61, -20.52, 48.42

 

CMYK 43 / 0 / 15 / 7

HEX #87EDC9

RGB 135 237 201

HSL 158.82, 0.74%, 0.73%

LAB 86.97, -38, 8.2

 

CMYK 37 / 43 / 0 / 7

HEX #9687ED

RGB 150 135 237

HSL 248.82, 0.74%, 0.73%

LAB 61.59, 29.08, -49.63

 

CMYK 0 / 43 / 28 / 7

HEX #ED87AA

RGB 237 135 170

HSL 339.41, 0.74%, 0.73%

LAB 68.19, 42.99, -1.27

 

Description

Color code: HEX #DDED85 | qconv.com Color code: HEX #DDED85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 237 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 237 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 44% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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