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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDED9B it is the complementary color #221264. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDED9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDED9B shade: #E2ED96, #F3FFA9, #FFFFBC, #FFFFCF and #FFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDED9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDED9B shade: #DDED9B, #CCDB88, #BBC975, #AAB762 and #99A54F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDED9B shade: #DDEC9B, #ECE69B, #ECD09B, #ECBB9B and #ECA59B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDED9B shade: #DDEC9B, #C7EC9B, #B1EC9B, #9BEC9C and #9BECB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDED9B shade matches the following richer shades: #DDEC9B and #E2F692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDED9B shade: #DDEC9B, #D7E3A5, #D1D9AE, #CBD0B8 and #C5C6C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDED9B shade: #ECD09B, #ECE69B, #DDEC9B, #C8EC9B and #B2EC9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDED9B shade: #C5E056, #D1E679, #DDEC9B, #E8F3BE and #F4F9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDED9B shade: #DDED9B, #9BECBA and #DB9BEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDED9B shade: #DDED9B, #9BDDEC and #EC9BDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDED9B shade: #DDED9B, #9BECBA, #AA9BEC and #EC9BCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDED9B shade: #DDED9B, #9BECD3, #AA9BEC and #EC9BB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

Complementary color

CMYK 66 / 82 / 0 / 61

HEX #221264

RGB 34 18 100

HSL 251.71, 0.69%, 0.23%

LAB 13.78, 32.67, -45.11

 

CMYK 5 / 0 / 37 / 7

HEX #E2ED96

RGB 226 237 150

HSL 67.59, 0.71%, 0.76%

LAB 91.21, -16.77, 40.94

 

CMYK 5 / 0 / 34 / 0

HEX #F3FFA9

RGB 243 255 169

HSL 68.37, 1%, 0.83%

LAB 97.41, -16.96, 39.84

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

CMYK 7 / 0 / 38 / 14

HEX #CCDB88

RGB 204 219 136

HSL 70.84, 0.54%, 0.7%

LAB 84.63, -17.9, 39.14

 

CMYK 7 / 0 / 42 / 21

HEX #BBC975

RGB 187 201 117

HSL 70, 0.44%, 0.62%

LAB 78.24, -17.7, 40.3

 

CMYK 7 / 0 / 46 / 28

HEX #AAB762

RGB 170 183 98

HSL 69.18, 0.37%, 0.55%

LAB 71.75, -17.44, 41.48

 

CMYK 7 / 0 / 52 / 35

HEX #99A54F

RGB 153 165 79

HSL 68.37, 0.35%, 0.48%

LAB 65.16, -17.11, 42.64

 

CMYK 6 / 0 / 34 / 7

HEX #DDEC9B

RGB 221 236 155

HSL 71.11, 0.68%, 0.77%

LAB 90.66, -17.57, 37.67

 

CMYK 0 / 3 / 34 / 7

HEX #ECE69B

RGB 236 230 155

HSL 55.56, 0.68%, 0.77%

LAB 90.23, -8.92, 37.32

 

CMYK 0 / 12 / 34 / 7

HEX #ECD09B

RGB 236 208 155

HSL 39.26, 0.68%, 0.77%

LAB 84.64, 2.29, 29.94

 

CMYK 0 / 21 / 34 / 7

HEX #ECBB9B

RGB 236 187 155

HSL 23.7, 0.68%, 0.77%

LAB 79.47, 13.29, 22.93

 

CMYK 0 / 30 / 34 / 7

HEX #ECA59B

RGB 236 165 155

HSL 7.41, 0.68%, 0.77%

LAB 74.26, 24.97, 15.73

 

CMYK 6 / 0 / 34 / 7

HEX #DDEC9B

RGB 221 236 155

HSL 71.11, 0.68%, 0.77%

LAB 90.66, -17.57, 37.67

 

CMYK 16 / 0 / 34 / 7

HEX #C7EC9B

RGB 199 236 155

HSL 87.41, 0.68%, 0.77%

LAB 89.16, -25.63, 35.42

 

CMYK 25 / 0 / 34 / 7

HEX #B1EC9B

RGB 177 236 155

HSL 103.7, 0.68%, 0.77%

LAB 87.83, -33.3, 33.42

 

CMYK 34 / 0 / 34 / 7

HEX #9BEC9C

RGB 155 236 156

HSL 120.74, 0.68%, 0.77%

LAB 86.68, -40.28, 31.18

 

CMYK 34 / 0 / 25 / 7

HEX #9BECB2

RGB 155 236 178

HSL 137.04, 0.68%, 0.77%

LAB 87.08, -36.57, 20.45

 

CMYK 6 / 0 / 34 / 7

HEX #DDEC9B

RGB 221 236 155

HSL 71.11, 0.68%, 0.77%

LAB 90.66, -17.57, 37.67

 

CMYK 8 / 0 / 41 / 4

HEX #E2F692

RGB 226 246 146

HSL 72, 0.85%, 0.77%

LAB 93.52, -21.59, 45.85

 

CMYK 6 / 0 / 34 / 7

HEX #DDEC9B

RGB 221 236 155

HSL 71.11, 0.68%, 0.77%

LAB 90.66, -17.57, 37.67

 

CMYK 5 / 0 / 27 / 11

HEX #D7E3A5

RGB 215 227 165

HSL 71.61, 0.53%, 0.77%

LAB 88.02, -14.06, 29.02

 

CMYK 4 / 0 / 20 / 15

HEX #D1D9AE

RGB 209 217 174

HSL 71.16, 0.36%, 0.77%

LAB 85.12, -9.94, 20.31

 

CMYK 2 / 0 / 12 / 18

HEX #CBD0B8

RGB 203 208 184

HSL 72.5, 0.2%, 0.77%

LAB 82.52, -5.91, 11.33

 

CMYK 1 / 0 / 3 / 22

HEX #C5C6C1

RGB 197 198 193

HSL 72, 0.04%, 0.77%

LAB 79.68, -1.25, 2.37

 

CMYK 0 / 12 / 34 / 7

HEX #ECD09B

RGB 236 208 155

HSL 39.26, 0.68%, 0.77%

LAB 84.64, 2.29, 29.94

 

CMYK 0 / 3 / 34 / 7

HEX #ECE69B

RGB 236 230 155

HSL 55.56, 0.68%, 0.77%

LAB 90.23, -8.92, 37.32

 

CMYK 6 / 0 / 34 / 7

HEX #DDEC9B

RGB 221 236 155

HSL 71.11, 0.68%, 0.77%

LAB 90.66, -17.57, 37.67

 

CMYK 15 / 0 / 34 / 7

HEX #C8EC9B

RGB 200 236 155

HSL 86.67, 0.68%, 0.77%

LAB 89.22, -25.27, 35.52

 

CMYK 25 / 0 / 34 / 7

HEX #B2EC9B

RGB 178 236 155

HSL 102.96, 0.68%, 0.77%

LAB 87.88, -32.96, 33.51

 

CMYK 12 / 0 / 62 / 12

HEX #C5E056

RGB 197 224 86

HSL 71.74, 0.69%, 0.61%

LAB 84.92, -27.75, 62.62

 

CMYK 9 / 0 / 47 / 10

HEX #D1E679

RGB 209 230 121

HSL 71.56, 0.69%, 0.69%

LAB 87.74, -22.96, 50.43

 

CMYK 6 / 0 / 34 / 7

HEX #DDEC9B

RGB 221 236 155

HSL 71.11, 0.68%, 0.77%

LAB 90.66, -17.57, 37.67

 

CMYK 5 / 0 / 22 / 5

HEX #E8F3BE

RGB 232 243 190

HSL 72.45, 0.69%, 0.85%

LAB 93.87, -12.32, 24.39

 

CMYK 2 / 0 / 10 / 2

HEX #F4F9E1

RGB 244 249 225

HSL 72.5, 0.67%, 0.93%

LAB 96.99, -5.74, 10.94

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

CMYK 34 / 0 / 21 / 7

HEX #9BECBA

RGB 155 236 186

HSL 142.96, 0.68%, 0.77%

LAB 87.24, -35.09, 16.53

 

CMYK 7 / 34 / 0 / 7

HEX #DB9BEC

RGB 219 155 236

HSL 287.41, 0.68%, 0.77%

LAB 72.6, 37.46, -31.4

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

CMYK 34 / 6 / 0 / 7

HEX #9BDDEC

RGB 155 221 236

HSL 191.11, 0.68%, 0.77%

LAB 84.35, -17.11, -13.97

 

CMYK 0 / 34 / 6 / 7

HEX #EC9BDD

RGB 236 155 221

HSL 311.11, 0.68%, 0.77%

LAB 73.87, 40.04, -21.1

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

CMYK 34 / 0 / 21 / 7

HEX #9BECBA

RGB 155 236 186

HSL 142.96, 0.68%, 0.77%

LAB 87.24, -35.09, 16.53

 

CMYK 28 / 34 / 0 / 7

HEX #AA9BEC

RGB 170 155 236

HSL 251.11, 0.68%, 0.77%

LAB 68.05, 22.84, -38.81

 

CMYK 0 / 34 / 13 / 7

HEX #EC9BCD

RGB 236 155 205

HSL 322.96, 0.68%, 0.77%

LAB 73.34, 37.38, -13.11

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

CMYK 34 / 0 / 11 / 7

HEX #9BECD3

RGB 155 236 211

HSL 161.48, 0.68%, 0.77%

LAB 87.81, -30.1, 4.29

 

CMYK 28 / 34 / 0 / 7

HEX #AA9BEC

RGB 170 155 236

HSL 251.11, 0.68%, 0.77%

LAB 68.05, 22.84, -38.81

 

CMYK 0 / 34 / 23 / 7

HEX #EC9BB5

RGB 236 155 181

HSL 340.74, 0.68%, 0.77%

LAB 72.64, 33.73, -0.91

 

Description

Color code: HEX #DDED9B | qconv.com Color code: HEX #DDED9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 237 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 237 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 35 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 35% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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