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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDEDD3 it is the complementary color #22122C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDEDD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDEDD3 shade: #E2EDCE, #F3FFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDEDD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDEDD3 shade: #DDEDD3, #CCDBC0, #BBC9AD, #AAB79A and #99A587

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDEDD3 shade: #DDEDD3, #E4EDD3, #EBEDD3, #EDE8D3 and #EDE1D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDEDD3 shade: #DDEDD3, #D6EDD3, #D3EDD7, #D3EDDE and #D3EDE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDEDD3 shade matches the following richer shades: #DDEDD3, #DCF2CE, #DBF7C9 and #DAFCC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDEDD3 shade: #DDEDD3, #DEE8D8, #DFE3DD, #E0DEE2 and #E2D9E7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDEDD3 shade: #EBEDD3, #E4EDD3, #DDEDD3, #D6EDD3 and #D3EDD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDEDD3 shade: #B0D598, #C6E1B6, #DDEDD3 and #F4F9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDEDD3 shade: #DDEDD3, #D3EDE8 and #EDD3E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDEDD3 shade: #DDEDD3, #D3DDED and #EDD3DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDEDD3 shade: #DDEDD3, #D3EDE8, #E2D3ED and #EDD3D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDEDD3 shade: #DDEDD3, #D3EAED, #E2D3ED and #EDD6D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

Complementary color

CMYK 23 / 59 / 0 / 83

HEX #22122C

RGB 34 18 44

HSL 276.92, 0.42%, 0.12%

LAB 8.61, 14.44, -14.4

 

CMYK 5 / 0 / 13 / 7

HEX #E2EDCE

RGB 226 237 206

HSL 81.29, 0.46%, 0.87%

LAB 92.22, -9, 13.78

 

CMYK 5 / 0 / 12 / 0

HEX #F3FFE1

RGB 243 255 225

HSL 84, 1%, 0.94%

LAB 98.44, -9.07, 12.99

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 7 / 0 / 12 / 14

HEX #CCDBC0

RGB 204 219 192

HSL 93.33, 0.27%, 0.81%

LAB 85.66, -9.87, 11.57

 

CMYK 7 / 0 / 14 / 21

HEX #BBC9AD

RGB 187 201 173

HSL 90, 0.21%, 0.73%

LAB 79.25, -9.83, 12.38

 

CMYK 7 / 0 / 16 / 28

HEX #AAB79A

RGB 170 183 154

HSL 86.9, 0.17%, 0.66%

LAB 72.72, -9.8, 13.24

 

CMYK 7 / 0 / 18 / 35

HEX #99A587

RGB 153 165 135

HSL 84, 0.14%, 0.59%

LAB 66.08, -9.76, 14.15

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 4 / 0 / 11 / 7

HEX #E4EDD3

RGB 228 237 211

HSL 80.77, 0.42%, 0.88%

LAB 92.47, -7.5, 11.57

 

CMYK 1 / 0 / 11 / 7

HEX #EBEDD3

RGB 235 237 211

HSL 64.62, 0.42%, 0.88%

LAB 92.99, -5.07, 12.37

 

CMYK 0 / 2 / 11 / 7

HEX #EDE8D3

RGB 237 232 211

HSL 48.46, 0.42%, 0.88%

LAB 91.87, -1.83, 10.81

 

CMYK 0 / 5 / 11 / 7

HEX #EDE1D3

RGB 237 225 211

HSL 32.31, 0.42%, 0.88%

LAB 90.12, 1.76, 8.3

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 10 / 0 / 11 / 7

HEX #D6EDD3

RGB 214 237 211

HSL 113.08, 0.42%, 0.88%

LAB 91.49, -12.28, 10.04

 

CMYK 11 / 0 / 9 / 7

HEX #D3EDD7

RGB 211 237 215

HSL 129.23, 0.42%, 0.88%

LAB 91.38, -12.58, 7.77

 

CMYK 11 / 0 / 6 / 7

HEX #D3EDDE

RGB 211 237 222

HSL 145.38, 0.42%, 0.88%

LAB 91.55, -11.31, 4.37

 

CMYK 11 / 0 / 3 / 7

HEX #D3EDE5

RGB 211 237 229

HSL 161.54, 0.42%, 0.88%

LAB 91.72, -10.01, 0.97

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 9 / 0 / 15 / 5

HEX #DCF2CE

RGB 220 242 206

HSL 96.67, 0.58%, 0.88%

LAB 93.09, -13.57, 14.96

 

CMYK 11 / 0 / 19 / 3

HEX #DBF7C9

RGB 219 247 201

HSL 96.52, 0.74%, 0.88%

LAB 94.23, -17.18, 19.12

 

CMYK 13 / 0 / 22 / 1

HEX #DAFCC4

RGB 218 252 196

HSL 96.43, 0.9%, 0.88%

LAB 95.38, -20.74, 23.26

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 4 / 0 / 7 / 9

HEX #DEE8D8

RGB 222 232 216

HSL 97.5, 0.26%, 0.88%

LAB 90.87, -6.18, 6.62

 

CMYK 2 / 0 / 3 / 11

HEX #DFE3DD

RGB 223 227 221

HSL 100, 0.1%, 0.88%

LAB 89.79, -2.41, 2.45

 

CMYK 1 / 2 / 0 / 11

HEX #E0DEE2

RGB 224 222 226

HSL 270, 0.06%, 0.88%

LAB 88.72, 1.4, -1.72

 

CMYK 2 / 6 / 0 / 9

HEX #E2D9E7

RGB 226 217 231

HSL 278.57, 0.23%, 0.88%

LAB 87.76, 5.59, -5.76

 

CMYK 1 / 0 / 11 / 7

HEX #EBEDD3

RGB 235 237 211

HSL 64.62, 0.42%, 0.88%

LAB 92.99, -5.07, 12.37

 

CMYK 4 / 0 / 11 / 7

HEX #E4EDD3

RGB 228 237 211

HSL 80.77, 0.42%, 0.88%

LAB 92.47, -7.5, 11.57

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 10 / 0 / 11 / 7

HEX #D6EDD3

RGB 214 237 211

HSL 113.08, 0.42%, 0.88%

LAB 91.49, -12.28, 10.04

 

CMYK 11 / 0 / 10 / 7

HEX #D3EDD6

RGB 211 237 214

HSL 126.92, 0.42%, 0.88%

LAB 91.36, -12.75, 8.26

 

CMYK 17 / 0 / 29 / 16

HEX #B0D598

RGB 176 213 152

HSL 96.39, 0.42%, 0.72%

LAB 81.34, -23.15, 26.26

 

CMYK 12 / 0 / 19 / 12

HEX #C6E1B6

RGB 198 225 182

HSL 97.67, 0.42%, 0.8%

LAB 86.62, -16.63, 18.11

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 2 / 0 / 4 / 2

HEX #F4F9F0

RGB 244 249 240

HSL 93.33, 0.43%, 0.96%

LAB 97.34, -3.22, 3.73

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 11 / 0 / 2 / 7

HEX #D3EDE8

RGB 211 237 232

HSL 168.46, 0.42%, 0.88%

LAB 91.79, -9.44, -0.48

 

CMYK 0 / 11 / 2 / 7

HEX #EDD3E8

RGB 237 211 232

HSL 311.54, 0.42%, 0.88%

LAB 87.2, 12.61, -7.01

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 11 / 7 / 0 / 7

HEX #D3DDED

RGB 211 221 237

HSL 216.92, 0.42%, 0.88%

LAB 87.81, -0.26, -8.97

 

CMYK 0 / 11 / 7 / 7

HEX #EDD3DD

RGB 237 211 221

HSL 336.92, 0.42%, 0.88%

LAB 86.91, 10.69, -1.63

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 11 / 0 / 2 / 7

HEX #D3EDE8

RGB 211 237 232

HSL 168.46, 0.42%, 0.88%

LAB 91.79, -9.44, -0.48

 

CMYK 5 / 11 / 0 / 7

HEX #E2D3ED

RGB 226 211 237

HSL 274.62, 0.42%, 0.88%

LAB 86.44, 9.86, -10.89

 

CMYK 0 / 11 / 9 / 7

HEX #EDD3D8

RGB 237 211 216

HSL 348.46, 0.42%, 0.88%

LAB 86.78, 9.85, 0.83

 

CMYK 7 / 0 / 11 / 7

HEX #DDEDD3

RGB 221 237 211

HSL 96.92, 0.42%, 0.88%

LAB 91.97, -9.9, 10.79

 

CMYK 11 / 1 / 0 / 7

HEX #D3EAED

RGB 211 234 237

HSL 186.92, 0.42%, 0.88%

LAB 91.15, -6.95, -4.04

 

CMYK 5 / 11 / 0 / 7

HEX #E2D3ED

RGB 226 211 237

HSL 274.62, 0.42%, 0.88%

LAB 86.44, 9.86, -10.89

 

CMYK 0 / 10 / 11 / 7

HEX #EDD6D3

RGB 237 214 211

HSL 6.92, 0.42%, 0.88%

LAB 87.39, 7.46, 4.36

 

Description

Color code: HEX #DDEDD3 | qconv.com Color code: HEX #DDEDD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 237 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 237 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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