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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDEF9C it is the complementary color #221063. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDEF9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDEF9C shade: #E2EF97, #F3FFAA, #FFFFBD, #FFFFD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDEF9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDEF9C shade: #DDEF9C, #CCDD89, #BBCB76, #AAB963 and #99A750

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDEF9C shade: #DCEE9A, #EEEA9A, #EED39A, #EEBC9A and #EEA59A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDEF9C shade: #DCEE9A, #C5EE9A, #AEEE9A, #9AEE9C and #9AEEB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDEF9C shade matches the following richer shades: #DCEE9A and #E1F890

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDEF9C shade: #DCEE9A, #D6E5A3, #D1DBAD, #CCD2B6 and #C6C8C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDEF9C shade: #EED39A, #EEEA9A, #DCEE9A, #C5EE9A and #AFEE9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDEF9C shade: #C3E353, #D0E876, #DCEE9A, #E8F4BD and #F4FAE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDEF9C shade: #DDEF9C, #9AEEBD and #DF9AEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDEF9C shade: #DDEF9C, #9ADCEE and #EE9ADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDEF9C shade: #DDEF9C, #9AEEBD, #AC9AEE and #EE9ACB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDEF9C shade: #DDEF9C, #9AEED6, #AC9AEE and #EE9AB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 35 / 6

HEX #DDEF9C

RGB 221 239 156

HSL 73.01, 0.72%, 0.77%

LAB 91.46, -18.91, 38.22

 

Complementary color

CMYK 66 / 84 / 0 / 61

HEX #221063

RGB 34 16 99

HSL 253.01, 0.72%, 0.23%

LAB 13.3, 33.41, -45.24

 

CMYK 5 / 0 / 37 / 6

HEX #E2EF97

RGB 226 239 151

HSL 68.86, 0.73%, 0.76%

LAB 91.75, -17.63, 41.14

 

CMYK 5 / 0 / 33 / 0

HEX #F3FFAA

RGB 243 255 170

HSL 68.47, 1%, 0.83%

LAB 97.42, -16.84, 39.37

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 8 / 0 / 35 / 6

HEX #DDEF9C

RGB 221 239 156

HSL 73.01, 0.72%, 0.77%

LAB 91.46, -18.91, 38.22

 

CMYK 8 / 0 / 38 / 13

HEX #CCDD89

RGB 204 221 137

HSL 72.14, 0.55%, 0.7%

LAB 85.18, -18.77, 39.34

 

CMYK 8 / 0 / 42 / 20

HEX #BBCB76

RGB 187 203 118

HSL 71.29, 0.45%, 0.63%

LAB 78.8, -18.58, 40.5

 

CMYK 8 / 0 / 46 / 27

HEX #AAB963

RGB 170 185 99

HSL 70.47, 0.38%, 0.56%

LAB 72.33, -18.35, 41.67

 

CMYK 8 / 0 / 52 / 35

HEX #99A750

RGB 153 167 80

HSL 69.66, 0.35%, 0.48%

LAB 65.74, -18.04, 42.84

 

CMYK 8 / 0 / 35 / 7

HEX #DCEE9A

RGB 220 238 154

HSL 72.86, 0.71%, 0.77%

LAB 91.1, -19.04, 38.73

 

CMYK 0 / 2 / 35 / 7

HEX #EEEA9A

RGB 238 234 154

HSL 57.14, 0.71%, 0.77%

LAB 91.4, -10.27, 39.38

 

CMYK 0 / 11 / 35 / 7

HEX #EED39A

RGB 238 211 154

HSL 40.71, 0.71%, 0.77%

LAB 85.55, 1.39, 31.7

 

CMYK 0 / 21 / 35 / 7

HEX #EEBC9A

RGB 238 188 154

HSL 24.29, 0.71%, 0.77%

LAB 79.88, 13.41, 24.06

 

CMYK 0 / 31 / 35 / 7

HEX #EEA59A

RGB 238 165 154

HSL 7.86, 0.71%, 0.77%

LAB 74.46, 25.61, 16.59

 

CMYK 8 / 0 / 35 / 7

HEX #DCEE9A

RGB 220 238 154

HSL 72.86, 0.71%, 0.77%

LAB 91.1, -19.04, 38.73

 

CMYK 17 / 0 / 35 / 7

HEX #C5EE9A

RGB 197 238 154

HSL 89.29, 0.71%, 0.77%

LAB 89.56, -27.43, 36.43

 

CMYK 27 / 0 / 35 / 7

HEX #AEEE9A

RGB 174 238 154

HSL 105.71, 0.71%, 0.77%

LAB 88.2, -35.37, 34.39

 

CMYK 35 / 0 / 34 / 7

HEX #9AEE9C

RGB 154 238 156

HSL 121.43, 0.71%, 0.77%

LAB 87.2, -41.47, 31.87

 

CMYK 35 / 0 / 25 / 7

HEX #9AEEB3

RGB 154 238 179

HSL 137.86, 0.71%, 0.77%

LAB 87.62, -37.59, 20.67

 

CMYK 8 / 0 / 35 / 7

HEX #DCEE9A

RGB 220 238 154

HSL 72.86, 0.71%, 0.77%

LAB 91.1, -19.04, 38.73

 

CMYK 9 / 0 / 42 / 3

HEX #E1F890

RGB 225 248 144

HSL 73.27, 0.88%, 0.77%

LAB 93.95, -23.14, 47.35

 

CMYK 8 / 0 / 35 / 7

HEX #DCEE9A

RGB 220 238 154

HSL 72.86, 0.71%, 0.77%

LAB 91.1, -19.04, 38.73

 

CMYK 7 / 0 / 29 / 10

HEX #D6E5A3

RGB 214 229 163

HSL 73.64, 0.56%, 0.77%

LAB 88.44, -15.69, 30.6

 

CMYK 5 / 0 / 21 / 14

HEX #D1DBAD

RGB 209 219 173

HSL 73.04, 0.39%, 0.77%

LAB 85.62, -11.1, 21.54

 

CMYK 3 / 0 / 13 / 18

HEX #CCD2B6

RGB 204 210 182

HSL 72.86, 0.24%, 0.77%

LAB 83.08, -6.91, 13.19

 

CMYK 1 / 0 / 4 / 22

HEX #C6C8C0

RGB 198 200 192

HSL 75, 0.07%, 0.77%

LAB 80.25, -2.13, 3.75

 

CMYK 0 / 11 / 35 / 7

HEX #EED39A

RGB 238 211 154

HSL 40.71, 0.71%, 0.77%

LAB 85.55, 1.39, 31.7

 

CMYK 0 / 2 / 35 / 7

HEX #EEEA9A

RGB 238 234 154

HSL 57.14, 0.71%, 0.77%

LAB 91.4, -10.27, 39.38

 

CMYK 8 / 0 / 35 / 7

HEX #DCEE9A

RGB 220 238 154

HSL 72.86, 0.71%, 0.77%

LAB 91.1, -19.04, 38.73

 

CMYK 17 / 0 / 35 / 7

HEX #C5EE9A

RGB 197 238 154

HSL 89.29, 0.71%, 0.77%

LAB 89.56, -27.43, 36.43

 

CMYK 26 / 0 / 35 / 7

HEX #AFEE9A

RGB 175 238 154

HSL 105, 0.71%, 0.77%

LAB 88.25, -35.04, 34.47

 

CMYK 14 / 0 / 63 / 11

HEX #C3E353

RGB 195 227 83

HSL 73.33, 0.72%, 0.61%

LAB 85.59, -30.16, 64.51

 

CMYK 10 / 0 / 49 / 9

HEX #D0E876

RGB 208 232 118

HSL 72.63, 0.71%, 0.69%

LAB 88.18, -24.6, 52.35

 

CMYK 8 / 0 / 35 / 7

HEX #DCEE9A

RGB 220 238 154

HSL 72.86, 0.71%, 0.77%

LAB 91.1, -19.04, 38.73

 

CMYK 5 / 0 / 23 / 4

HEX #E8F4BD

RGB 232 244 189

HSL 73.09, 0.71%, 0.85%

LAB 94.11, -12.96, 25.23

 

CMYK 2 / 0 / 10 / 2

HEX #F4FAE1

RGB 244 250 225

HSL 74.4, 0.71%, 0.93%

LAB 97.24, -6.24, 11.3

 

CMYK 8 / 0 / 35 / 6

HEX #DDEF9C

RGB 221 239 156

HSL 73.01, 0.72%, 0.77%

LAB 91.46, -18.91, 38.22

 

CMYK 35 / 0 / 21 / 7

HEX #9AEEBD

RGB 154 238 189

HSL 145, 0.71%, 0.77%

LAB 87.82, -35.74, 15.78

 

CMYK 6 / 35 / 0 / 7

HEX #DF9AEE

RGB 223 154 238

HSL 289.29, 0.71%, 0.77%

LAB 72.87, 39.6, -32.03

 

CMYK 8 / 0 / 35 / 6

HEX #DDEF9C

RGB 221 239 156

HSL 73.01, 0.72%, 0.77%

LAB 91.46, -18.91, 38.22

 

CMYK 35 / 8 / 0 / 7

HEX #9ADCEE

RGB 154 220 238

HSL 192.86, 0.71%, 0.77%

LAB 84.09, -16.39, -15.43

 

CMYK 0 / 35 / 8 / 7

HEX #EE9ADC

RGB 238 154 220

HSL 312.86, 0.71%, 0.77%

LAB 73.84, 41.04, -20.57

 

CMYK 8 / 0 / 35 / 6

HEX #DDEF9C

RGB 221 239 156

HSL 73.01, 0.72%, 0.77%

LAB 91.46, -18.91, 38.22

 

CMYK 35 / 0 / 21 / 7

HEX #9AEEBD

RGB 154 238 189

HSL 145, 0.71%, 0.77%

LAB 87.82, -35.74, 15.78

 

CMYK 28 / 35 / 0 / 7

HEX #AC9AEE

RGB 172 154 238

HSL 252.86, 0.71%, 0.77%

LAB 68.06, 24.46, -39.88

 

CMYK 0 / 35 / 15 / 7

HEX #EE9ACB

RGB 238 154 203

HSL 325, 0.71%, 0.77%

LAB 73.29, 38.26, -12.07

 

CMYK 8 / 0 / 35 / 6

HEX #DDEF9C

RGB 221 239 156

HSL 73.01, 0.72%, 0.77%

LAB 91.46, -18.91, 38.22

 

CMYK 35 / 0 / 10 / 7

HEX #9AEED6

RGB 154 238 214

HSL 162.86, 0.71%, 0.77%

LAB 88.39, -30.68, 3.56

 

CMYK 28 / 35 / 0 / 7

HEX #AC9AEE

RGB 172 154 238

HSL 252.86, 0.71%, 0.77%

LAB 68.06, 24.46, -39.88

 

CMYK 0 / 35 / 25 / 7

HEX #EE9AB2

RGB 238 154 178

HSL 342.86, 0.71%, 0.77%

LAB 72.56, 34.54, 0.67

 

Description

Color code: HEX #DDEF9C | qconv.com Color code: HEX #DDEF9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 239 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 239 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 35 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 35% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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