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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDF42A it is the complementary color #220BD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDF42A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDF42A shade: #E2F425, #F3FF38, #FFFF4B, #FFFF5E and #FFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDF42A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDF42A shade: #DDF42A, #CCE217, #BBD004, #AABE00 and #99AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDF42A shade: #DCF329, #F3D429, #F39D29, #F36729 and #F33029

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDF42A shade: #DCF329, #A6F329, #6FF329, #39F329 and #29F350

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDF42A shade matches the following richer shades: #DCF329

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDF42A shade: #DCF329, #CEE13B, #C0CF4E, #B2BD60 and #A4AB72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDF42A shade: #F39C29, #F3D229, #DFF329, #A9F329 and #73F329

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDF42A shade: #ACC00A, #CFE80C, #DCF329, #E3F551 and #E9F778

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDF42A shade: #DDF42A, #29F366 and #B729F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDF42A shade: #DDF42A, #29DFF3 and #F329DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDF42A shade: #DDF42A, #29F366, #3E29F3 and #F329B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDF42A shade: #DDF42A, #29F3A2, #3E29F3 and #F3297A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 83 / 4

HEX #DDF42A

RGB 221 244 42

HSL 66.83, 0.9%, 0.56%

LAB 91.79, -29.63, 84

 

Complementary color

CMYK 84 / 95 / 0 / 16

HEX #220BD5

RGB 34 11 213

HSL 246.83, 0.9%, 0.44%

LAB 27.8, 67.42, -91.42

 

CMYK 7 / 0 / 85 / 4

HEX #E2F425

RGB 226 244 37

HSL 65.22, 0.9%, 0.55%

LAB 92.13, -27.74, 85.47

 

CMYK 5 / 0 / 78 / 0

HEX #F3FF38

RGB 243 255 56

HSL 63.62, 1%, 0.61%

LAB 96.35, -25.47, 85.16

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 9 / 0 / 83 / 4

HEX #DDF42A

RGB 221 244 42

HSL 66.83, 0.9%, 0.56%

LAB 91.79, -29.63, 84

 

CMYK 10 / 0 / 90 / 11

HEX #CCE217

RGB 204 226 23

HSL 66.5, 0.82%, 0.49%

LAB 85.65, -28.55, 81.98

 

CMYK 10 / 0 / 98 / 18

HEX #BBD004

RGB 187 208 4

HSL 66.18, 0.96%, 0.42%

LAB 79.43, -27.31, 78.75

 

CMYK 11 / 0 / 100 / 25

HEX #AABE00

RGB 170 190 0

HSL 66.32, 1%, 0.37%

LAB 73.14, -25.86, 73.89

 

CMYK 11 / 0 / 100 / 33

HEX #99AC00

RGB 153 172 0

HSL 66.63, 1%, 0.34%

LAB 66.73, -24.35, 68.56

 

CMYK 9 / 0 / 83 / 5

HEX #DCF329

RGB 220 243 41

HSL 66.83, 0.89%, 0.56%

LAB 91.45, -29.59, 83.9

 

CMYK 0 / 13 / 83 / 5

HEX #F3D429

RGB 243 212 41

HSL 50.79, 0.89%, 0.56%

LAB 85.15, -4.93, 79.35

 

CMYK 0 / 35 / 83 / 5

HEX #F39D29

RGB 243 157 41

HSL 34.46, 0.89%, 0.56%

LAB 71.78, 23.71, 68.08

 

CMYK 0 / 58 / 83 / 5

HEX #F36729

RGB 243 103 41

HSL 18.42, 0.89%, 0.56%

LAB 60.71, 50.85, 58.53

 

CMYK 0 / 80 / 83 / 5

HEX #F33029

RGB 243 48 41

HSL 2.08, 0.89%, 0.56%

LAB 53.31, 70.95, 51.97

 

CMYK 9 / 0 / 83 / 5

HEX #DCF329

RGB 220 243 41

HSL 66.83, 0.89%, 0.56%

LAB 91.45, -29.59, 83.9

 

CMYK 32 / 0 / 83 / 5

HEX #A6F329

RGB 166 243 41

HSL 82.87, 0.89%, 0.56%

LAB 88.15, -50.24, 79.77

 

CMYK 54 / 0 / 83 / 5

HEX #6FF329

RGB 111 243 41

HSL 99.21, 0.89%, 0.56%

LAB 85.83, -67.34, 76.83

 

CMYK 77 / 0 / 83 / 5

HEX #39F329

RGB 57 243 41

HSL 115.25, 0.89%, 0.56%

LAB 84.55, -77.99, 75.21

 

CMYK 83 / 0 / 67 / 5

HEX #29F350

RGB 41 243 80

HSL 131.58, 0.89%, 0.56%

LAB 84.56, -77.09, 62.91

 

CMYK 9 / 0 / 83 / 5

HEX #DCF329

RGB 220 243 41

HSL 66.83, 0.89%, 0.56%

LAB 91.45, -29.59, 83.9

 

CMYK 9 / 0 / 83 / 5

HEX #DCF329

RGB 220 243 41

HSL 66.83, 0.89%, 0.56%

LAB 91.45, -29.59, 83.9

 

CMYK 8 / 0 / 74 / 12

HEX #CEE13B

RGB 206 225 59

HSL 66.87, 0.73%, 0.56%

LAB 85.65, -26.16, 73.54

 

CMYK 7 / 0 / 62 / 19

HEX #C0CF4E

RGB 192 207 78

HSL 66.98, 0.57%, 0.56%

LAB 79.83, -22.14, 60.36

 

CMYK 6 / 0 / 49 / 26

HEX #B2BD60

RGB 178 189 96

HSL 67.1, 0.41%, 0.56%

LAB 74, -17.44, 45.32

 

CMYK 4 / 0 / 33 / 33

HEX #A4AB72

RGB 164 171 114

HSL 67.37, 0.25%, 0.56%

LAB 68.19, -11.8, 28.58

 

CMYK 0 / 36 / 83 / 5

HEX #F39C29

RGB 243 156 41

HSL 34.16, 0.89%, 0.56%

LAB 71.55, 24.23, 67.88

 

CMYK 0 / 14 / 83 / 5

HEX #F3D229

RGB 243 210 41

HSL 50.2, 0.89%, 0.56%

LAB 84.64, -3.91, 78.93

 

CMYK 8 / 0 / 83 / 5

HEX #DFF329

RGB 223 243 41

HSL 65.94, 0.89%, 0.56%

LAB 91.66, -28.38, 84.16

 

CMYK 30 / 0 / 83 / 5

HEX #A9F329

RGB 169 243 41

HSL 81.98, 0.89%, 0.56%

LAB 88.3, -49.17, 79.96

 

CMYK 53 / 0 / 83 / 5

HEX #73F329

RGB 115 243 41

HSL 98.02, 0.89%, 0.56%

LAB 85.96, -66.29, 77

 

CMYK 10 / 0 / 95 / 25

HEX #ACC00A

RGB 172 192 10

HSL 66.59, 0.9%, 0.4%

LAB 73.86, -25.86, 73.44

 

CMYK 11 / 0 / 95 / 9

HEX #CFE80C

RGB 207 232 12

HSL 66.82, 0.9%, 0.48%

LAB 87.49, -30.28, 84.79

 

CMYK 9 / 0 / 83 / 5

HEX #DCF329

RGB 220 243 41

HSL 66.83, 0.89%, 0.56%

LAB 91.45, -29.59, 83.9

 

CMYK 7 / 0 / 67 / 4

HEX #E3F551

RGB 227 245 81

HSL 66.59, 0.89%, 0.64%

LAB 92.68, -26.08, 73.33

 

CMYK 6 / 0 / 51 / 3

HEX #E9F778

RGB 233 247 120

HSL 66.61, 0.89%, 0.72%

LAB 93.97, -21.93, 58.73

 

CMYK 9 / 0 / 83 / 4

HEX #DDF42A

RGB 221 244 42

HSL 66.83, 0.9%, 0.56%

LAB 91.79, -29.63, 84

 

CMYK 83 / 0 / 58 / 5

HEX #29F366

RGB 41 243 102

HSL 138.12, 0.89%, 0.56%

LAB 84.76, -74.68, 54

 

CMYK 25 / 83 / 0 / 5

HEX #B729F3

RGB 183 41 243

HSL 282.18, 0.89%, 0.56%

LAB 49.65, 80.47, -71.95

 

CMYK 9 / 0 / 83 / 4

HEX #DDF42A

RGB 221 244 42

HSL 66.83, 0.9%, 0.56%

LAB 91.79, -29.63, 84

 

CMYK 83 / 8 / 0 / 5

HEX #29DFF3

RGB 41 223 243

HSL 185.94, 0.89%, 0.56%

LAB 81.68, -35.8, -22.04

 

CMYK 0 / 83 / 8 / 5

HEX #F329DF

RGB 243 41 223

HSL 305.94, 0.89%, 0.56%

LAB 58.01, 87.5, -46.75

 

CMYK 9 / 0 / 83 / 4

HEX #DDF42A

RGB 221 244 42

HSL 66.83, 0.9%, 0.56%

LAB 91.79, -29.63, 84

 

CMYK 83 / 0 / 58 / 5

HEX #29F366

RGB 41 243 102

HSL 138.12, 0.89%, 0.56%

LAB 84.76, -74.68, 54

 

CMYK 74 / 83 / 0 / 5

HEX #3E29F3

RGB 62 41 243

HSL 246.24, 0.89%, 0.56%

LAB 36.14, 67.39, -94.65

 

CMYK 0 / 83 / 25 / 5

HEX #F329B7

RGB 243 41 183

HSL 317.82, 0.89%, 0.56%

LAB 56.15, 82.44, -26.76

 

CMYK 9 / 0 / 83 / 4

HEX #DDF42A

RGB 221 244 42

HSL 66.83, 0.9%, 0.56%

LAB 91.79, -29.63, 84

 

CMYK 83 / 0 / 33 / 5

HEX #29F3A2

RGB 41 243 162

HSL 155.94, 0.89%, 0.56%

LAB 85.6, -64.83, 26.11

 

CMYK 74 / 83 / 0 / 5

HEX #3E29F3

RGB 62 41 243

HSL 246.24, 0.89%, 0.56%

LAB 36.14, 67.39, -94.65

 

CMYK 0 / 83 / 50 / 5

HEX #F3297A

RGB 243 41 122

HSL 335.94, 0.89%, 0.56%

LAB 54.08, 76.56, 6.2

 

Description

Color code: HEX #DDF42A | qconv.com Color code: HEX #DDF42A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 244 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 244 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 83 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 83% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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