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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDFF93 it is the complementary color #22006C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDFF93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDFF93 shade: #E2FF8E, #F3FFA1, #FFFFB4, #FFFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDFF93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDFF93 shade: #DDFF93, #CCED80, #BBDB6D, #AAC95A and #99B747

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDFF93 shade: #DDFF93, #FAFF93, #FFE693, #FFCA93 and #FFAD93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDFF93 shade: #DDFF93, #C0FF93, #A3FF93, #93FFA1 and #93FFBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDFF93 shade matches the following richer shades: #DDFF93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDFF93 shade: #DDFF93, #DAF69C, #D6EDA5, #D3E5AD and #D0DCB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDFF93 shade: #FFE693, #FBFF93, #DEFF93, #C2FF93 and #A5FF93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDFF93 shade: #C3FF41, #D0FF6A, #DDFF93, #EAFFBD and #F7FFE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDFF93 shade: #DDFF93, #93FFC9 and #F493FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDFF93 shade: #DDFF93, #93DEFF and #FF93DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDFF93 shade: #DDFF93, #93FFC9, #B493FF and #FF93C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDFF93 shade: #DDFF93, #93FFE9, #B493FF and #FF93A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

Complementary color

CMYK 69 / 100 / 0 / 58

HEX #22006C

RGB 34 0 108

HSL 258.89, 1%, 0.21%

LAB 12.11, 43.05, -53.16

 

CMYK 11 / 0 / 44 / 0

HEX #E2FF8E

RGB 226 255 142

HSL 75.4, 1%, 0.78%

LAB 95.85, -26.3, 50.69

 

CMYK 5 / 0 / 37 / 0

HEX #F3FFA1

RGB 243 255 161

HSL 67.66, 1%, 0.82%

LAB 97.29, -17.89, 43.61

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 14 / 0 / 46 / 7

HEX #CCED80

RGB 204 237 128

HSL 78.17, 0.75%, 0.72%

LAB 89.38, -27.49, 49.02

 

CMYK 15 / 0 / 50 / 14

HEX #BBDB6D

RGB 187 219 109

HSL 77.45, 0.6%, 0.64%

LAB 83.09, -27.33, 50.13

 

CMYK 15 / 0 / 55 / 21

HEX #AAC95A

RGB 170 201 90

HSL 76.76, 0.51%, 0.57%

LAB 76.71, -27.1, 51.2

 

CMYK 16 / 0 / 61 / 28

HEX #99B747

RGB 153 183 71

HSL 76.07, 0.44%, 0.5%

LAB 70.24, -26.79, 52.15

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 2 / 0 / 42 / 0

HEX #FAFF93

RGB 250 255 147

HSL 62.78, 1%, 0.79%

LAB 97.61, -16.74, 50.88

 

CMYK 0 / 10 / 42 / 0

HEX #FFE693

RGB 255 230 147

HSL 46.11, 1%, 0.79%

LAB 91.67, -2.45, 43.48

 

CMYK 0 / 21 / 42 / 0

HEX #FFCA93

RGB 255 202 147

HSL 30.56, 1%, 0.79%

LAB 84.8, 11.91, 34.6

 

CMYK 0 / 32 / 42 / 0

HEX #FFAD93

RGB 255 173 147

HSL 14.44, 1%, 0.79%

LAB 78.02, 27.07, 25.57

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 25 / 0 / 42 / 0

HEX #C0FF93

RGB 192 255 147

HSL 95, 1%, 0.79%

LAB 93.81, -37.92, 45.29

 

CMYK 36 / 0 / 42 / 0

HEX #A3FF93

RGB 163 255 147

HSL 111.11, 1%, 0.79%

LAB 92.32, -47.38, 43.08

 

CMYK 42 / 0 / 37 / 0

HEX #93FFA1

RGB 147 255 161

HSL 127.78, 1%, 0.79%

LAB 91.82, -50.04, 35.43

 

CMYK 42 / 0 / 25 / 0

HEX #93FFBE

RGB 147 255 190

HSL 143.89, 1%, 0.79%

LAB 92.33, -45.07, 21.51

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 11 / 0 / 37 / 4

HEX #DAF69C

RGB 218 246 156

HSL 78.67, 0.83%, 0.79%

LAB 93.11, -23.39, 40.33

 

CMYK 10 / 0 / 30 / 7

HEX #D6EDA5

RGB 214 237 165

HSL 79.17, 0.67%, 0.79%

LAB 90.59, -19.35, 32.46

 

CMYK 8 / 0 / 24 / 10

HEX #D3E5AD

RGB 211 229 173

HSL 79.29, 0.52%, 0.79%

LAB 88.4, -15.39, 25.38

 

CMYK 5 / 0 / 17 / 14

HEX #D0DCB6

RGB 208 220 182

HSL 78.95, 0.35%, 0.79%

LAB 85.99, -10.59, 17.33

 

CMYK 0 / 10 / 42 / 0

HEX #FFE693

RGB 255 230 147

HSL 46.11, 1%, 0.79%

LAB 91.67, -2.45, 43.48

 

CMYK 2 / 0 / 42 / 0

HEX #FBFF93

RGB 251 255 147

HSL 62.22, 1%, 0.79%

LAB 97.69, -16.36, 50.99

 

CMYK 13 / 0 / 42 / 0

HEX #DEFF93

RGB 222 255 147

HSL 78.33, 1%, 0.79%

LAB 95.65, -27.24, 48

 

CMYK 24 / 0 / 42 / 0

HEX #C2FF93

RGB 194 255 147

HSL 93.89, 1%, 0.79%

LAB 93.92, -37.23, 45.46

 

CMYK 35 / 0 / 42 / 0

HEX #A5FF93

RGB 165 255 147

HSL 110, 1%, 0.79%

LAB 92.41, -46.76, 43.22

 

CMYK 24 / 0 / 75 / 0

HEX #C3FF41

RGB 195 255 65

HSL 78.95, 1%, 0.63%

LAB 93.23, -43.79, 78.57

 

CMYK 18 / 0 / 58 / 0

HEX #D0FF6A

RGB 208 255 106

HSL 78.93, 1%, 0.71%

LAB 94.3, -36.33, 64.78

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 8 / 0 / 26 / 0

HEX #EAFFBD

RGB 234 255 189

HSL 79.09, 1%, 0.87%

LAB 97.1, -17.64, 29.34

 

CMYK 3 / 0 / 10 / 0

HEX #F7FFE6

RGB 247 255 230

HSL 79.2, 1%, 0.95%

LAB 98.83, -6.9, 11.04

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 42 / 0 / 21 / 0

HEX #93FFC9

RGB 147 255 201

HSL 150, 1%, 0.79%

LAB 92.55, -42.97, 16.2

 

CMYK 4 / 42 / 0 / 0

HEX #F493FF

RGB 244 147 255

HSL 293.89, 1%, 0.79%

LAB 74.39, 52.67, -38.73

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 42 / 13 / 0 / 0

HEX #93DEFF

RGB 147 222 255

HSL 198.33, 1%, 0.79%

LAB 84.83, -14.92, -23.33

 

CMYK 0 / 42 / 13 / 0

HEX #FF93DE

RGB 255 147 222

HSL 318.33, 1%, 0.79%

LAB 74.45, 50.34, -20.56

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 42 / 0 / 21 / 0

HEX #93FFC9

RGB 147 255 201

HSL 150, 1%, 0.79%

LAB 92.55, -42.97, 16.2

 

CMYK 29 / 42 / 0 / 0

HEX #B493FF

RGB 180 147 255

HSL 258.33, 1%, 0.79%

LAB 67.87, 34.75, -49.43

 

CMYK 0 / 42 / 21 / 0

HEX #FF93C9

RGB 255 147 201

HSL 330, 1%, 0.79%

LAB 73.77, 47.2, -10.03

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 42 / 0 / 9 / 0

HEX #93FFE9

RGB 147 255 233

HSL 167.78, 1%, 0.79%

LAB 93.28, -36.24, 0.76

 

CMYK 29 / 42 / 0 / 0

HEX #B493FF

RGB 180 147 255

HSL 258.33, 1%, 0.79%

LAB 67.87, 34.75, -49.43

 

CMYK 0 / 42 / 34 / 0

HEX #FF93A9

RGB 255 147 169

HSL 347.78, 1%, 0.79%

LAB 72.89, 42.99, 6.38

 

Description

Color code: HEX #DDFF93 | qconv.com Color code: HEX #DDFF93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 255 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 255 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 42% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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