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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE39ED it is the complementary color #21C612. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE39ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE39ED shade: #E339E8, #F44BFB, #FF5DFF, #FF6FFF and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE39ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE39ED shade: #DE39ED, #CD27DA, #BC15C7, #AB03B4 and #9A00A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE39ED shade: #DD3BEC, #EC3BCB, #EC3B9B, #EC3B6B and #EC3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE39ED shade: #DD3BEC, #AE3BEC, #7E3BEC, #4E3BEC and #3B3BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE39ED shade matches the following richer shades: #DD3BEC and #EC29FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE39ED shade: #DD3BEC, #CF4CDB, #C15DCA, #B26EB8 and #A480A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE39ED shade: #7F3BEC, #AE3BEC, #DD3BEC, #EC3BCC and #EC3B9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE39ED shade: #B412C3, #D715E8, #DD3BEC, #E460F0 and #EA86F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE39ED shade: #DE39ED, #EC4F3B and #3BEC96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE39ED shade: #DE39ED, #ECDD3B and #3BECDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE39ED shade: #DE39ED, #EC4F3B, #49EC3B and #3BD8EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE39ED shade: #DE39ED, #EC853B, #49EC3B and #3BA2EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 76 / 0 / 7

HEX #DE39ED

RGB 222 57 237

HSL 295, 0.83%, 0.58%

LAB 56.65, 81.87, -56.99

 

Complementary color

CMYK 83 / 0 / 91 / 22

HEX #21C612

RGB 33 198 18

HSL 115, 0.83%, 0.42%

LAB 70, -68.77, 66.9

 

CMYK 2 / 75 / 0 / 9

HEX #E339E8

RGB 227 57 232

HSL 298.29, 0.79%, 0.57%

LAB 57.16, 82.03, -53.33

 

CMYK 3 / 70 / 0 / 2

HEX #F44BFB

RGB 244 75 251

HSL 297.61, 0.96%, 0.64%

LAB 62.7, 83, -54.93

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 6 / 76 / 0 / 7

HEX #DE39ED

RGB 222 57 237

HSL 295, 0.83%, 0.58%

LAB 56.65, 81.87, -56.99

 

CMYK 6 / 82 / 0 / 15

HEX #CD27DA

RGB 205 39 218

HSL 295.64, 0.71%, 0.5%

LAB 51.26, 80.23, -55.04

 

CMYK 6 / 89 / 0 / 22

HEX #BC15C7

RGB 188 21 199

HSL 296.29, 0.81%, 0.43%

LAB 46.11, 77.62, -52.52

 

CMYK 5 / 98 / 0 / 29

HEX #AB03B4

RGB 171 3 180

HSL 296.95, 0.97%, 0.36%

LAB 41.25, 73.89, -49.36

 

CMYK 4 / 100 / 0 / 37

HEX #9A00A1

RGB 154 0 161

HSL 297.39, 1%, 0.32%

LAB 36.82, 68.51, -45.27

 

CMYK 6 / 75 / 0 / 7

HEX #DD3BEC

RGB 221 59 236

HSL 294.92, 0.82%, 0.58%

LAB 56.64, 80.94, -56.46

 

CMYK 0 / 75 / 14 / 7

HEX #EC3BCB

RGB 236 59 203

HSL 311.19, 0.82%, 0.58%

LAB 57.34, 79.09, -36.52

 

CMYK 0 / 75 / 34 / 7

HEX #EC3B9B

RGB 236 59 155

HSL 327.46, 0.82%, 0.58%

LAB 55.41, 73.26, -11.63

 

CMYK 0 / 75 / 55 / 7

HEX #EC3B6B

RGB 236 59 107

HSL 343.73, 0.82%, 0.58%

LAB 54.05, 69, 14.98

 

CMYK 0 / 75 / 75 / 7

HEX #EC3B3B

RGB 236 59 59

HSL 0, 0.82%, 0.58%

LAB 53.25, 66.41, 42.05

 

CMYK 6 / 75 / 0 / 7

HEX #DD3BEC

RGB 221 59 236

HSL 294.92, 0.82%, 0.58%

LAB 56.64, 80.94, -56.46

 

CMYK 26 / 75 / 0 / 7

HEX #AE3BEC

RGB 174 59 236

HSL 278.98, 0.82%, 0.58%

LAB 49.72, 72.23, -67.96

 

CMYK 47 / 75 / 0 / 7

HEX #7E3BEC

RGB 126 59 236

HSL 262.71, 0.82%, 0.58%

LAB 43.68, 64.42, -78.06

 

CMYK 67 / 75 / 0 / 7

HEX #4E3BEC

RGB 78 59 236

HSL 246.44, 0.82%, 0.58%

LAB 39.25, 58.49, -85.51

 

CMYK 75 / 75 / 0 / 7

HEX #3B3BEC

RGB 59 59 236

HSL 240, 0.82%, 0.58%

LAB 38.05, 56.85, -87.54

 

CMYK 6 / 75 / 0 / 7

HEX #DD3BEC

RGB 221 59 236

HSL 294.92, 0.82%, 0.58%

LAB 56.64, 80.94, -56.46

 

CMYK 7 / 84 / 0 / 0

HEX #EC29FE

RGB 236 41 254

HSL 294.93, 0.99%, 0.58%

LAB 58.58, 90.79, -63.25

 

CMYK 6 / 75 / 0 / 7

HEX #DD3BEC

RGB 221 59 236

HSL 294.92, 0.82%, 0.58%

LAB 56.64, 80.94, -56.46

 

CMYK 5 / 65 / 0 / 14

HEX #CF4CDB

RGB 207 76 219

HSL 294.97, 0.67%, 0.58%

LAB 55.63, 69.34, -48.61

 

CMYK 4 / 54 / 0 / 21

HEX #C15DCA

RGB 193 93 202

HSL 295.05, 0.51%, 0.58%

LAB 55.51, 55.41, -39.27

 

CMYK 3 / 40 / 0 / 28

HEX #B26EB8

RGB 178 110 184

HSL 295.14, 0.34%, 0.58%

LAB 56.17, 38.89, -28.08

 

CMYK 2 / 23 / 0 / 35

HEX #A480A7

RGB 164 128 167

HSL 295.38, 0.18%, 0.58%

LAB 58.15, 20.83, -15.42

 

CMYK 46 / 75 / 0 / 7

HEX #7F3BEC

RGB 127 59 236

HSL 263.05, 0.82%, 0.58%

LAB 43.79, 64.57, -77.87

 

CMYK 26 / 75 / 0 / 7

HEX #AE3BEC

RGB 174 59 236

HSL 278.98, 0.82%, 0.58%

LAB 49.72, 72.23, -67.96

 

CMYK 6 / 75 / 0 / 7

HEX #DD3BEC

RGB 221 59 236

HSL 294.92, 0.82%, 0.58%

LAB 56.64, 80.94, -56.46

 

CMYK 0 / 75 / 14 / 7

HEX #EC3BCC

RGB 236 59 204

HSL 310.85, 0.82%, 0.58%

LAB 57.39, 79.22, -37.01

 

CMYK 0 / 75 / 34 / 7

HEX #EC3B9C

RGB 236 59 156

HSL 327.12, 0.82%, 0.58%

LAB 55.44, 73.37, -12.16

 

CMYK 8 / 91 / 0 / 24

HEX #B412C3

RGB 180 18 195

HSL 294.92, 0.83%, 0.42%

LAB 44.34, 76.08, -53.11

 

CMYK 7 / 91 / 0 / 9

HEX #D715E8

RGB 215 21 232

HSL 295.17, 0.83%, 0.5%

LAB 52.74, 87.12, -60.51

 

CMYK 6 / 75 / 0 / 7

HEX #DD3BEC

RGB 221 59 236

HSL 294.92, 0.82%, 0.58%

LAB 56.64, 80.94, -56.46

 

CMYK 5 / 60 / 0 / 6

HEX #E460F0

RGB 228 96 240

HSL 295, 0.83%, 0.66%

LAB 62.63, 69.75, -49.09

 

CMYK 4 / 45 / 0 / 5

HEX #EA86F3

RGB 234 134 243

HSL 295.05, 0.82%, 0.74%

LAB 70.19, 54.15, -38.84

 

CMYK 6 / 76 / 0 / 7

HEX #DE39ED

RGB 222 57 237

HSL 295, 0.83%, 0.58%

LAB 56.65, 81.87, -56.99

 

CMYK 0 / 67 / 75 / 7

HEX #EC4F3B

RGB 236 79 59

HSL 6.78, 0.82%, 0.58%

LAB 55.83, 59.32, 44.85

 

CMYK 75 / 0 / 36 / 7

HEX #3BEC96

RGB 59 236 150

HSL 150.85, 0.82%, 0.58%

LAB 83.51, -62.83, 29.44

 

CMYK 6 / 76 / 0 / 7

HEX #DE39ED

RGB 222 57 237

HSL 295, 0.83%, 0.58%

LAB 56.65, 81.87, -56.99

 

CMYK 0 / 6 / 75 / 7

HEX #ECDD3B

RGB 236 221 59

HSL 54.92, 0.82%, 0.58%

LAB 86.93, -11.81, 75.58

 

CMYK 75 / 0 / 6 / 7

HEX #3BECDD

RGB 59 236 221

HSL 174.92, 0.82%, 0.58%

LAB 85.07, -46.37, -5.32

 

CMYK 6 / 76 / 0 / 7

HEX #DE39ED

RGB 222 57 237

HSL 295, 0.83%, 0.58%

LAB 56.65, 81.87, -56.99

 

CMYK 0 / 67 / 75 / 7

HEX #EC4F3B

RGB 236 79 59

HSL 6.78, 0.82%, 0.58%

LAB 55.83, 59.32, 44.85

 

CMYK 69 / 0 / 75 / 7

HEX #49EC3B

RGB 73 236 59

HSL 115.25, 0.82%, 0.58%

LAB 82.77, -72.41, 68.66

 

CMYK 75 / 8 / 0 / 7

HEX #3BD8EC

RGB 59 216 236

HSL 186.78, 0.82%, 0.58%

LAB 79.67, -33.05, -21.35

 

CMYK 6 / 76 / 0 / 7

HEX #DE39ED

RGB 222 57 237

HSL 295, 0.83%, 0.58%

LAB 56.65, 81.87, -56.99

 

CMYK 0 / 44 / 75 / 7

HEX #EC853B

RGB 236 133 59

HSL 25.08, 0.82%, 0.58%

LAB 65.69, 34, 55.13

 

CMYK 69 / 0 / 75 / 7

HEX #49EC3B

RGB 73 236 59

HSL 115.25, 0.82%, 0.58%

LAB 82.77, -72.41, 68.66

 

CMYK 75 / 31 / 0 / 7

HEX #3BA2EC

RGB 59 162 236

HSL 205.08, 0.82%, 0.58%

LAB 64.02, -5, -45.55

 

Description

Color code: HEX #DE39ED | qconv.com Color code: HEX #DE39ED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 57 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 57 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 76 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 76% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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