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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE589D it is the complementary color #21A762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE589D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE589D shade: #E35898, #F46AAB, #FF7CBE, #FF8ED1 and #FFA0E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE589D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE589D shade: #DE589D, #CD468A, #BC3477, #AB2264 and #9A1051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE589D shade: #DE589D, #DE5879 and #DE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE589D shade: #DE589D, #DE58C1, #D658DE, #B358DE and #8F58DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE589D shade matches the following richer shades: #DE589D, #EE489E and #FE389E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE589D shade: #DE589D, #CE699D, #BD799C, #AD899C and #9D999B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE589D shade: #D758DE, #DE58C1, #DE589D, #DE587A and #DE5B58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE589D shade: #BE2574, #D73689, #DE589D, #E47BB1 and #EB9DC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE589D shade: #DE589D, #DEB358 and #58D3DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE589D shade: #DE589D, #9DDE58 and #589DDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE589D shade: #DE589D, #DEB358, #58DE99 and #5883DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE589D shade: #DE589D, #DEDB58, #58DE99 and #585BDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

Complementary color

CMYK 80 / 0 / 41 / 35

HEX #21A762

RGB 33 167 98

HSL 149.1, 0.67%, 0.39%

LAB 60.64, -50.59, 26.07

 

CMYK 0 / 61 / 33 / 11

HEX #E35898

RGB 227 88 152

HSL 332.37, 0.71%, 0.62%

LAB 57.63, 59.9, -6.69

 

CMYK 0 / 57 / 30 / 4

HEX #F46AAB

RGB 244 106 171

HSL 331.74, 0.86%, 0.69%

LAB 63.74, 59.42, -8.31

 

CMYK 0 / 51 / 25 / 0

HEX #FF7CBE

RGB 255 124 190

HSL 329.77, 1%, 0.74%

LAB 69.03, 56.94, -10.99

 

CMYK 0 / 44 / 18 / 0

HEX #FF8ED1

RGB 255 142 209

HSL 324.42, 1%, 0.78%

LAB 73.03, 50.86, -15.55

 

CMYK 0 / 37 / 11 / 0

HEX #FFA0E4

RGB 255 160 228

HSL 317.05, 1%, 0.81%

LAB 77.28, 44.7, -19.53

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 0 / 66 / 33 / 20

HEX #CD468A

RGB 205 70 138

HSL 329.78, 0.57%, 0.54%

LAB 50.91, 59.25, -8.82

 

CMYK 0 / 72 / 37 / 26

HEX #BC3477

RGB 188 52 119

HSL 330.44, 0.57%, 0.47%

LAB 44.91, 59.07, -6.57

 

CMYK 0 / 80 / 42 / 33

HEX #AB2264

RGB 171 34 100

HSL 331.09, 0.67%, 0.4%

LAB 39.11, 58.2, -3.69

 

CMYK 0 / 90 / 47 / 40

HEX #9A1051

RGB 154 16 81

HSL 331.74, 0.81%, 0.33%

LAB 33.64, 56.23, 0.08

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 0 / 60 / 45 / 13

HEX #DE5879

RGB 222 88 121

HSL 345.22, 0.67%, 0.61%

LAB 55.98, 55.05, 9.01

 

CMYK 0 / 60 / 60 / 13

HEX #DE5858

RGB 222 88 88

HSL 0, 0.67%, 0.61%

LAB 55.29, 52.37, 27.43

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 0 / 60 / 13 / 13

HEX #DE58C1

RGB 222 88 193

HSL 312.99, 0.67%, 0.61%

LAB 58.38, 63.96, -29.35

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 19 / 60 / 0 / 13

HEX #B358DE

RGB 179 88 222

HSL 280.75, 0.67%, 0.61%

LAB 53.85, 58.19, -53.37

 

CMYK 36 / 60 / 0 / 13

HEX #8F58DE

RGB 143 88 222

HSL 264.63, 0.67%, 0.61%

LAB 49.61, 49.91, -60.41

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 0 / 70 / 34 / 7

HEX #EE489E

RGB 238 72 158

HSL 328.92, 0.83%, 0.61%

LAB 57.35, 69.9, -10.44

 

CMYK 0 / 78 / 38 / 0

HEX #FE389E

RGB 254 56 158

HSL 329.09, 0.99%, 0.61%

LAB 58.38, 78.81, -8.6

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 0 / 49 / 24 / 19

HEX #CE699D

RGB 206 105 157

HSL 329.11, 0.51%, 0.61%

LAB 57.71, 46.01, -9.81

 

CMYK 0 / 36 / 17 / 26

HEX #BD799C

RGB 189 121 156

HSL 329.12, 0.34%, 0.61%

LAB 58.88, 31.58, -7.73

 

CMYK 0 / 21 / 10 / 32

HEX #AD899C

RGB 173 137 156

HSL 328.33, 0.18%, 0.61%

LAB 60.94, 16.86, -4.86

 

CMYK 0 / 3 / 1 / 38

HEX #9D999B

RGB 157 153 155

HSL 330, 0.02%, 0.61%

LAB 63.6, 1.84, -0.54

 

CMYK 3 / 60 / 0 / 13

HEX #D758DE

RGB 215 88 222

HSL 296.87, 0.67%, 0.61%

LAB 58.7, 66.86, -45.38

 

CMYK 0 / 60 / 13 / 13

HEX #DE58C1

RGB 222 88 193

HSL 312.99, 0.67%, 0.61%

LAB 58.38, 63.96, -29.35

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 0 / 60 / 45 / 13

HEX #DE587A

RGB 222 88 122

HSL 344.78, 0.67%, 0.61%

LAB 56, 55.15, 8.46

 

CMYK 0 / 59 / 60 / 13

HEX #DE5B58

RGB 222 91 88

HSL 1.34, 0.67%, 0.61%

LAB 55.8, 51.01, 28.09

 

CMYK 0 / 81 / 39 / 25

HEX #BE2574

RGB 190 37 116

HSL 329.02, 0.67%, 0.45%

LAB 43.55, 63.87, -6.71

 

CMYK 0 / 75 / 36 / 16

HEX #D73689

RGB 215 54 137

HSL 329.07, 0.67%, 0.53%

LAB 50.56, 67.55, -8.57

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 0 / 46 / 22 / 11

HEX #E47BB1

RGB 228 123 177

HSL 329.14, 0.66%, 0.69%

LAB 64.83, 47.02, -10.32

 

CMYK 0 / 33 / 16 / 8

HEX #EB9DC5

RGB 235 157 197

HSL 329.23, 0.66%, 0.77%

LAB 73.42, 34.72, -8.6

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 0 / 19 / 60 / 13

HEX #DEB358

RGB 222 179 88

HSL 40.75, 0.67%, 0.61%

LAB 75.12, 5.42, 51.44

 

CMYK 60 / 5 / 0 / 13

HEX #58D3DE

RGB 88 211 222

HSL 184.93, 0.67%, 0.61%

LAB 78.43, -30.74, -15.68

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 29 / 0 / 60 / 13

HEX #9DDE58

RGB 157 222 88

HSL 89.1, 0.67%, 0.61%

LAB 81.9, -41.79, 57.76

 

CMYK 60 / 29 / 0 / 13

HEX #589DDE

RGB 88 157 222

HSL 209.1, 0.67%, 0.61%

LAB 62.9, -2.44, -39.53

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 0 / 19 / 60 / 13

HEX #DEB358

RGB 222 179 88

HSL 40.75, 0.67%, 0.61%

LAB 75.12, 5.42, 51.44

 

CMYK 60 / 0 / 31 / 13

HEX #58DE99

RGB 88 222 153

HSL 149.1, 0.67%, 0.61%

LAB 79.96, -52.22, 23.21

 

CMYK 60 / 41 / 0 / 13

HEX #5883DE

RGB 88 131 222

HSL 220.75, 0.67%, 0.61%

LAB 55.67, 12.84, -50.94

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 0 / 1 / 60 / 13

HEX #DEDB58

RGB 222 219 88

HSL 58.66, 0.67%, 0.61%

LAB 85.45, -15.11, 62.9

 

CMYK 60 / 0 / 31 / 13

HEX #58DE99

RGB 88 222 153

HSL 149.1, 0.67%, 0.61%

LAB 79.96, -52.22, 23.21

 

CMYK 60 / 59 / 0 / 13

HEX #585BDE

RGB 88 91 222

HSL 238.66, 0.67%, 0.61%

LAB 45.4, 37.37, -67.46

 

Description

Color code: HEX #DE589D | qconv.com Color code: HEX #DE589D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 88 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 88 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 29 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 29% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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