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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE58B0 it is the complementary color #21A74F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE58B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE58B0 shade: #E358AB, #F46ABE, #FF7CD1, #FF8EE4 and #FFA0F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE58B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE58B0 shade: #DE58B0, #CD469D, #BC348A, #AB2277 and #9A1064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE58B0 shade: #DE58B0, #DE588C, #DE5868 and #DE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE58B0 shade: #DE58B0, #DE58D4, #C458DE, #A058DE and #7C58DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE58B0 shade matches the following richer shades: #DE58B0, #EE48B5 and #FE38BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE58B0 shade: #DE58B0, #CE69AB, #BD79A6, #AD89A1 and #9D999C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE58B0 shade: #C358DE, #DE58D5, #DE58B1, #DE588E and #DE586A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE58B0 shade: #BE258A, #D736A0, #DE58B0, #E47BC0 and #EB9DD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE58B0 shade: #DE58B0, #DE9F58 and #58DED5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE58B0 shade: #DE58B0, #B1DE58 and #58B1DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE58B0 shade: #DE58B0, #DE9F58, #58DE85 and #5897DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE58B0 shade: #DE58B0, #DEC758, #58DE85 and #586FDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

Complementary color

CMYK 80 / 0 / 53 / 35

HEX #21A74F

RGB 33 167 79

HSL 140.6, 0.67%, 0.39%

LAB 60.36, -53.89, 35.59

 

CMYK 0 / 61 / 25 / 11

HEX #E358AB

RGB 227 88 171

HSL 324.17, 0.71%, 0.62%

LAB 58.27, 62.25, -16.78

 

CMYK 0 / 57 / 22 / 4

HEX #F46ABE

RGB 244 106 190

HSL 323.48, 0.86%, 0.69%

LAB 64.37, 61.88, -18.17

 

CMYK 0 / 51 / 18 / 0

HEX #FF7CD1

RGB 255 124 209

HSL 321.07, 1%, 0.74%

LAB 69.67, 59.56, -20.64

 

CMYK 0 / 44 / 11 / 0

HEX #FF8EE4

RGB 255 142 228

HSL 314.34, 1%, 0.78%

LAB 73.68, 53.78, -25.02

 

CMYK 0 / 37 / 3 / 0

HEX #FFA0F7

RGB 255 160 247

HSL 305.05, 1%, 0.81%

LAB 77.94, 47.89, -28.82

 

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

CMYK 0 / 66 / 23 / 20

HEX #CD469D

RGB 205 70 157

HSL 321.33, 0.57%, 0.54%

LAB 51.6, 61.63, -19.07

 

CMYK 0 / 72 / 27 / 26

HEX #BC348A

RGB 188 52 138

HSL 322.06, 0.57%, 0.47%

LAB 45.61, 61.31, -17.11

 

CMYK 0 / 80 / 30 / 33

HEX #AB2277

RGB 171 34 119

HSL 322.77, 0.67%, 0.4%

LAB 39.81, 60.27, -14.58

 

CMYK 0 / 90 / 35 / 40

HEX #9A1064

RGB 154 16 100

HSL 323.48, 0.81%, 0.33%

LAB 34.32, 58.11, -11.22

 

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

CMYK 0 / 60 / 37 / 13

HEX #DE588C

RGB 222 88 140

HSL 336.72, 0.67%, 0.61%

LAB 56.49, 57.01, -1.44

 

CMYK 0 / 60 / 53 / 13

HEX #DE5868

RGB 222 88 104

HSL 352.84, 0.67%, 0.61%

LAB 55.59, 53.55, 18.49

 

CMYK 0 / 60 / 60 / 13

HEX #DE5858

RGB 222 88 88

HSL 0, 0.67%, 0.61%

LAB 55.29, 52.37, 27.43

 

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

CMYK 0 / 60 / 5 / 13

HEX #DE58D4

RGB 222 88 212

HSL 304.48, 0.67%, 0.61%

LAB 59.22, 66.92, -38.85

 

CMYK 12 / 60 / 0 / 13

HEX #C458DE

RGB 196 88 222

HSL 288.36, 0.67%, 0.61%

LAB 56.08, 62.26, -49.7

 

CMYK 28 / 60 / 0 / 13

HEX #A058DE

RGB 160 88 222

HSL 272.24, 0.67%, 0.61%

LAB 51.53, 53.74, -57.23

 

CMYK 44 / 60 / 0 / 13

HEX #7C58DE

RGB 124 88 222

HSL 256.12, 0.67%, 0.61%

LAB 47.67, 45.85, -63.64

 

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

CMYK 0 / 70 / 24 / 7

HEX #EE48B5

RGB 238 72 181

HSL 320.6, 0.83%, 0.61%

LAB 58.18, 72.6, -22.55

 

CMYK 0 / 78 / 27 / 0

HEX #FE38BA

RGB 254 56 186

HSL 320.61, 0.99%, 0.61%

LAB 59.38, 81.77, -23.35

 

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

CMYK 0 / 49 / 17 / 19

HEX #CE69AB

RGB 206 105 171

HSL 320.79, 0.51%, 0.61%

LAB 58.19, 48.08, -17.19

 

CMYK 0 / 36 / 12 / 26

HEX #BD79A6

RGB 189 121 166

HSL 320.29, 0.34%, 0.61%

LAB 59.2, 33.23, -12.99

 

CMYK 0 / 21 / 7 / 32

HEX #AD89A1

RGB 173 137 161

HSL 320, 0.18%, 0.61%

LAB 61.09, 17.76, -7.48

 

CMYK 0 / 3 / 1 / 38

HEX #9D999C

RGB 157 153 156

HSL 315, 0.02%, 0.61%

LAB 63.63, 2.03, -1.06

 

CMYK 12 / 60 / 0 / 13

HEX #C358DE

RGB 195 88 222

HSL 287.91, 0.67%, 0.61%

LAB 55.94, 62.02, -49.92

 

CMYK 0 / 60 / 4 / 13

HEX #DE58D5

RGB 222 88 213

HSL 304.03, 0.67%, 0.61%

LAB 59.26, 67.08, -39.34

 

CMYK 0 / 60 / 20 / 13

HEX #DE58B1

RGB 222 88 177

HSL 320.15, 0.67%, 0.61%

LAB 57.74, 61.65, -21.14

 

CMYK 0 / 60 / 36 / 13

HEX #DE588E

RGB 222 88 142

HSL 335.82, 0.67%, 0.61%

LAB 56.55, 57.23, -2.53

 

CMYK 0 / 60 / 52 / 13

HEX #DE586A

RGB 222 88 106

HSL 351.94, 0.67%, 0.61%

LAB 55.63, 53.72, 17.37

 

CMYK 0 / 81 / 27 / 25

HEX #BE258A

RGB 190 37 138

HSL 320.39, 0.67%, 0.45%

LAB 44.38, 66.3, -18.96

 

CMYK 0 / 75 / 26 / 16

HEX #D736A0

RGB 215 54 160

HSL 320.5, 0.67%, 0.53%

LAB 51.41, 70.16, -21

 

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

CMYK 0 / 46 / 16 / 11

HEX #E47BC0

RGB 228 123 192

HSL 320.57, 0.66%, 0.69%

LAB 65.33, 49.24, -18.05

 

CMYK 0 / 33 / 11 / 8

HEX #EB9DD1

RGB 235 157 209

HSL 320, 0.66%, 0.77%

LAB 73.79, 36.64, -14.64

 

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

CMYK 0 / 28 / 60 / 13

HEX #DE9F58

RGB 222 159 88

HSL 31.79, 0.67%, 0.61%

LAB 70.2, 16.08, 45.74

 

CMYK 60 / 0 / 4 / 13

HEX #58DED5

RGB 88 222 213

HSL 175.97, 0.67%, 0.61%

LAB 81.36, -38.34, -6.5

 

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

CMYK 20 / 0 / 60 / 13

HEX #B1DE58

RGB 177 222 88

HSL 80.15, 0.67%, 0.61%

LAB 83.07, -34.42, 59.38

 

CMYK 60 / 20 / 0 / 13

HEX #58B1DE

RGB 88 177 222

HSL 200.15, 0.67%, 0.61%

LAB 68.6, -13.48, -30.66

 

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

CMYK 0 / 28 / 60 / 13

HEX #DE9F58

RGB 222 159 88

HSL 31.79, 0.67%, 0.61%

LAB 70.2, 16.08, 45.74

 

CMYK 60 / 0 / 40 / 13

HEX #58DE85

RGB 88 222 133

HSL 140.15, 0.67%, 0.61%

LAB 79.62, -55.9, 33.02

 

CMYK 60 / 32 / 0 / 13

HEX #5897DE

RGB 88 151 222

HSL 211.79, 0.67%, 0.61%

LAB 61.2, 1, -42.18

 

CMYK 0 / 60 / 21 / 13

HEX #DE58B0

RGB 222 88 176

HSL 320.6, 0.67%, 0.61%

LAB 57.7, 61.51, -20.62

 

CMYK 0 / 10 / 60 / 13

HEX #DEC758

RGB 222 199 88

HSL 49.7, 0.67%, 0.61%

LAB 80.23, -5.02, 57.18

 

CMYK 60 / 0 / 40 / 13

HEX #58DE85

RGB 88 222 133

HSL 140.15, 0.67%, 0.61%

LAB 79.62, -55.9, 33.02

 

CMYK 60 / 50 / 0 / 13

HEX #586FDE

RGB 88 111 222

HSL 229.7, 0.67%, 0.61%

LAB 50.36, 25.08, -59.44

 

Description

Color code: HEX #DE58B0 | qconv.com Color code: HEX #DE58B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 88 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 88 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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