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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE6916 it is the complementary color #2196E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE6916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE6916 shade: #E36911, #F47B24, #FF8D37, #FF9F4A and #FFB15D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE6916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE6916 shade: #DE6916, #CD5703, #BC4500, #AB3300 and #9A2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE6916 shade: #DE6916, #DE3316 and #DE1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE6916 shade: #DE6916, #DE9F16, #DED516, #B1DE16 and #7BDE16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE6916 shade matches the following richer shades: #DE6916 and #F26502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE6916 shade: #DE6916, #CA6C29, #B7703D, #A37351 and #8F7665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE6916 shade: #DE1630, #DE3016, #DE6616, #DE9B16 and #DED116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE6916 shade: #93450E, #B95712, #DE6916, #EA7F33 and #EE9658

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE6916 shade: #DE6916, #66DE16 and #1616DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE6916 shade: #DE6916, #16DE66 and #6616DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE6916 shade: #DE6916, #66DE16, #168EDE and #8E16DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE6916 shade: #DE6916, #2ADE16, #168EDE and #CA16DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

Complementary color

CMYK 86 / 36 / 0 / 9

HEX #2196E9

RGB 33 150 233

HSL 204.9, 0.82%, 0.52%

LAB 59.91, -1.6, -50.43

 

CMYK 0 / 54 / 93 / 11

HEX #E36911

RGB 227 105 17

HSL 25.14, 0.86%, 0.48%

LAB 58.48, 43.47, 63.65

 

CMYK 0 / 50 / 85 / 4

HEX #F47B24

RGB 244 123 36

HSL 25.1, 0.9%, 0.55%

LAB 64.58, 41.51, 63.76

 

CMYK 0 / 45 / 78 / 0

HEX #FF8D37

RGB 255 141 55

HSL 25.8, 1%, 0.61%

LAB 69.88, 37.31, 61.82

 

CMYK 0 / 38 / 71 / 0

HEX #FF9F4A

RGB 255 159 74

HSL 28.18, 1%, 0.65%

LAB 73.9, 28.83, 57.61

 

CMYK 0 / 31 / 64 / 0

HEX #FFB15D

RGB 255 177 93

HSL 31.11, 1%, 0.68%

LAB 78.17, 20.48, 53.46

 

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

CMYK 0 / 58 / 99 / 20

HEX #CD5703

RGB 205 87 3

HSL 24.95, 0.97%, 0.41%

LAB 51.61, 43.62, 60.49

 

CMYK 0 / 63 / 100 / 26

HEX #BC4500

RGB 188 69 0

HSL 22.02, 1%, 0.37%

LAB 45.56, 45.62, 56.35

 

CMYK 0 / 70 / 100 / 33

HEX #AB3300

RGB 171 51 0

HSL 17.89, 1%, 0.34%

LAB 39.62, 47.26, 51.64

 

CMYK 0 / 79 / 100 / 40

HEX #9A2100

RGB 154 33 0

HSL 12.86, 1%, 0.3%

LAB 33.89, 48.18, 46.93

 

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

CMYK 0 / 77 / 90 / 13

HEX #DE3316

RGB 222 51 22

HSL 8.7, 0.82%, 0.48%

LAB 49.44, 63.77, 55.48

 

CMYK 0 / 90 / 90 / 13

HEX #DE1616

RGB 222 22 22

HSL 0, 0.82%, 0.48%

LAB 47.19, 70.17, 53.91

 

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

CMYK 0 / 28 / 90 / 13

HEX #DE9F16

RGB 222 159 22

HSL 41.1, 0.82%, 0.48%

LAB 69.74, 13.27, 70.45

 

CMYK 0 / 4 / 90 / 13

HEX #DED516

RGB 222 213 22

HSL 57.3, 0.82%, 0.48%

LAB 83.53, -14.75, 81.07

 

CMYK 20 / 0 / 90 / 13

HEX #B1DE16

RGB 177 222 22

HSL 73.5, 0.82%, 0.48%

LAB 82.73, -37.59, 79.03

 

CMYK 45 / 0 / 90 / 13

HEX #7BDE16

RGB 123 222 22

HSL 89.7, 0.82%, 0.48%

LAB 79.9, -56.94, 75.56

 

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

CMYK 0 / 58 / 99 / 5

HEX #F26502

RGB 242 101 2

HSL 24.75, 0.98%, 0.48%

LAB 60.06, 50.82, 68.64

 

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

CMYK 0 / 47 / 80 / 21

HEX #CA6C29

RGB 202 108 41

HSL 24.97, 0.66%, 0.48%

LAB 55.52, 32.59, 51.53

 

CMYK 0 / 39 / 67 / 28

HEX #B7703D

RGB 183 112 61

HSL 25.08, 0.5%, 0.48%

LAB 54.02, 23.45, 39.54

 

CMYK 0 / 29 / 50 / 36

HEX #A37351

RGB 163 115 81

HSL 24.88, 0.34%, 0.48%

LAB 52.56, 14.81, 26.28

 

CMYK 0 / 17 / 29 / 44

HEX #8F7665

RGB 143 118 101

HSL 24.29, 0.17%, 0.48%

LAB 51.54, 7.05, 13.01

 

CMYK 0 / 90 / 78 / 13

HEX #DE1630

RGB 222 22 48

HSL 352.2, 0.82%, 0.48%

LAB 47.39, 70.75, 41.1

 

CMYK 0 / 78 / 90 / 13

HEX #DE3016

RGB 222 48 22

HSL 7.8, 0.82%, 0.48%

LAB 49.13, 64.63, 55.27

 

CMYK 0 / 54 / 90 / 13

HEX #DE6616

RGB 222 102 22

HSL 24, 0.82%, 0.48%

LAB 57.16, 43.09, 61.04

 

CMYK 0 / 30 / 90 / 13

HEX #DE9B16

RGB 222 155 22

HSL 39.9, 0.82%, 0.48%

LAB 68.77, 15.41, 69.72

 

CMYK 0 / 6 / 90 / 13

HEX #DED116

RGB 222 209 22

HSL 56.1, 0.82%, 0.48%

LAB 82.48, -12.76, 80.25

 

CMYK 0 / 53 / 90 / 42

HEX #93450E

RGB 147 69 14

HSL 24.81, 0.83%, 0.32%

LAB 38.71, 29.74, 44.44

 

CMYK 0 / 53 / 90 / 27

HEX #B95712

RGB 185 87 18

HSL 24.79, 0.82%, 0.4%

LAB 48.48, 36, 53.23

 

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

CMYK 0 / 46 / 78 / 8

HEX #EA7F33

RGB 234 127 51

HSL 24.92, 0.81%, 0.56%

LAB 64.09, 35.99, 56.97

 

CMYK 0 / 37 / 63 / 7

HEX #EE9658

RGB 238 150 88

HSL 24.8, 0.82%, 0.64%

LAB 69.96, 27.45, 45.93

 

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

CMYK 54 / 0 / 90 / 13

HEX #66DE16

RGB 102 222 22

HSL 96, 0.82%, 0.48%

LAB 79.11, -63.06, 74.58

 

CMYK 90 / 90 / 0 / 13

HEX #1616DE

RGB 22 22 222

HSL 240, 0.82%, 0.48%

LAB 29.46, 66.87, -93.86

 

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

CMYK 90 / 0 / 54 / 13

HEX #16DE66

RGB 22 222 102

HSL 144, 0.82%, 0.48%

LAB 78.09, -69.55, 46.04

 

CMYK 54 / 90 / 0 / 13

HEX #6616DE

RGB 102 22 222

HSL 264, 0.82%, 0.48%

LAB 35.35, 70.78, -83.91

 

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

CMYK 54 / 0 / 90 / 13

HEX #66DE16

RGB 102 222 22

HSL 96, 0.82%, 0.48%

LAB 79.11, -63.06, 74.58

 

CMYK 90 / 36 / 0 / 13

HEX #168EDE

RGB 22 142 222

HSL 204, 0.82%, 0.48%

LAB 56.87, -1.67, -49.14

 

CMYK 36 / 90 / 0 / 13

HEX #8E16DE

RGB 142 22 222

HSL 276, 0.82%, 0.48%

LAB 40.57, 74.92, -75.12

 

CMYK 0 / 53 / 90 / 13

HEX #DE6916

RGB 222 105 22

HSL 24.9, 0.82%, 0.48%

LAB 57.74, 41.62, 61.46

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE16

RGB 42 222 22

HSL 114, 0.82%, 0.48%

LAB 77.75, -74.53, 72.89

 

CMYK 90 / 36 / 0 / 13

HEX #168EDE

RGB 22 142 222

HSL 204, 0.82%, 0.48%

LAB 56.87, -1.67, -49.14

 

CMYK 9 / 90 / 0 / 13

HEX #CA16DE

RGB 202 22 222

HSL 294, 0.82%, 0.48%

LAB 49.98, 83.38, -59.4

 

Description

Color code: HEX #DE6916 | qconv.com Color code: HEX #DE6916 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 105 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 105 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 90 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 90% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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