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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE6285 it is the complementary color #219D7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE6285. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE6285 shade: #E36280, #F47493, #FF86A6, #FF98B9 and #FFAACC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE6285. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE6285 shade: #DE6285, #CD5072, #BC3E5F, #AB2C4C and #9A1A39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE6285 shade: #DD6385, #DD6364 and #DD6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE6285 shade: #DD6385, #DD63A7, #DD63C8, #D263DD and #B163DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE6285 shade matches the following richer shades: #DD6385, #ED547F and #FC4478

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE6285 shade: #DD6385, #CE728C, #BF8193, #B09199 and #A0A0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE6285 shade: #DD63C7, #DD63A6, #DD6386, #DD6365 and #DD8163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE6285 shade: #C42955, #D6416B, #DD6385, #E585A0 and #ECA7BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE6285 shade: #DE6285, #DDD363 and #63B7DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE6285 shade: #DE6285, #86DD63 and #6386DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE6285 shade: #DE6285, #DDD363, #63DDBB and #636DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE6285 shade: #DE6285, #C3DD63, #63DDBB and #7D63DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 40 / 13

HEX #DE6285

RGB 222 98 133

HSL 343.06, 0.65%, 0.63%

LAB 58, 51.72, 4.85

 

Complementary color

CMYK 79 / 0 / 22 / 38

HEX #219D7A

RGB 33 157 122

HSL 163.06, 0.65%, 0.37%

LAB 57.89, -41.27, 9.07

 

CMYK 0 / 57 / 44 / 11

HEX #E36280

RGB 227 98 128

HSL 346.05, 0.7%, 0.64%

LAB 58.63, 52.85, 8.77

 

CMYK 0 / 52 / 40 / 4

HEX #F47493

RGB 244 116 147

HSL 345.47, 0.85%, 0.71%

LAB 64.83, 52.03, 7

 

CMYK 0 / 47 / 35 / 0

HEX #FF86A6

RGB 255 134 166

HSL 344.13, 1%, 0.76%

LAB 70.22, 49.14, 4.21

 

CMYK 0 / 40 / 27 / 0

HEX #FF98B9

RGB 255 152 185

HSL 340.78, 1%, 0.8%

LAB 74.33, 42.47, -0.38

 

CMYK 0 / 33 / 20 / 0

HEX #FFAACC

RGB 255 170 204

HSL 336, 1%, 0.83%

LAB 78.68, 35.82, -4.4

 

CMYK 0 / 56 / 40 / 13

HEX #DE6285

RGB 222 98 133

HSL 343.06, 0.65%, 0.63%

LAB 58, 51.72, 4.85

 

CMYK 0 / 61 / 44 / 20

HEX #CD5072

RGB 205 80 114

HSL 343.68, 0.56%, 0.56%

LAB 51.76, 52.41, 6.8

 

CMYK 0 / 67 / 49 / 26

HEX #BC3E5F

RGB 188 62 95

HSL 344.29, 0.5%, 0.49%

LAB 45.58, 52.88, 9.18

 

CMYK 0 / 74 / 56 / 33

HEX #AB2C4C

RGB 171 44 76

HSL 344.88, 0.59%, 0.42%

LAB 39.55, 52.92, 12.16

 

CMYK 0 / 83 / 63 / 40

HEX #9A1A39

RGB 154 26 57

HSL 345.47, 0.71%, 0.35%

LAB 33.78, 52.18, 16

 

CMYK 0 / 55 / 40 / 13

HEX #DD6385

RGB 221 99 133

HSL 343.28, 0.64%, 0.63%

LAB 58.03, 50.92, 4.88

 

CMYK 0 / 55 / 55 / 13

HEX #DD6364

RGB 221 99 100

HSL 359.51, 0.64%, 0.63%

LAB 57.29, 47.81, 23.07

 

CMYK 0 / 55 / 55 / 13

HEX #DD6363

RGB 221 99 99

HSL 0, 0.64%, 0.63%

LAB 57.27, 47.74, 23.62

 

CMYK 0 / 55 / 40 / 13

HEX #DD6385

RGB 221 99 133

HSL 343.28, 0.64%, 0.63%

LAB 58.03, 50.92, 4.88

 

CMYK 0 / 55 / 24 / 13

HEX #DD63A7

RGB 221 99 167

HSL 326.56, 0.64%, 0.63%

LAB 59.05, 55.07, -13.37

 

CMYK 0 / 55 / 10 / 13

HEX #DD63C8

RGB 221 99 200

HSL 310.33, 0.64%, 0.63%

LAB 60.31, 59.94, -30.36

 

CMYK 5 / 55 / 0 / 13

HEX #D263DD

RGB 210 99 221

HSL 294.59, 0.64%, 0.63%

LAB 59.75, 60.55, -43.2

 

CMYK 20 / 55 / 0 / 13

HEX #B163DD

RGB 177 99 221

HSL 278.36, 0.64%, 0.63%

LAB 55.57, 52.06, -50.08

 

CMYK 0 / 55 / 40 / 13

HEX #DD6385

RGB 221 99 133

HSL 343.28, 0.64%, 0.63%

LAB 58.03, 50.92, 4.88

 

CMYK 0 / 65 / 46 / 7

HEX #ED547F

RGB 237 84 127

HSL 343.14, 0.81%, 0.63%

LAB 57.92, 61.99, 8.57

 

CMYK 0 / 73 / 52 / 1

HEX #FC4478

RGB 252 68 120

HSL 343.04, 0.97%, 0.63%

LAB 58.21, 71.55, 13.47

 

CMYK 0 / 55 / 40 / 13

HEX #DD6385

RGB 221 99 133

HSL 343.28, 0.64%, 0.63%

LAB 58.03, 50.92, 4.88

 

CMYK 0 / 45 / 32 / 19

HEX #CE728C

RGB 206 114 140

HSL 343.04, 0.48%, 0.63%

LAB 59.02, 39.08, 1.98

 

CMYK 0 / 32 / 23 / 25

HEX #BF8193

RGB 191 129 147

HSL 342.58, 0.33%, 0.63%

LAB 60.68, 26.51, 0.13

 

CMYK 0 / 18 / 13 / 31

HEX #B09199

RGB 176 145 153

HSL 344.52, 0.16%, 0.63%

LAB 63.16, 12.96, 0.15

 

CMYK 0 / 0 / 0 / 37

HEX #A0A0A0

RGB 160 160 160

HSL 0, 0%, 0.63%

LAB 65.87, 0, -0.01

 

CMYK 0 / 55 / 10 / 13

HEX #DD63C7

RGB 221 99 199

HSL 310.82, 0.64%, 0.63%

LAB 60.27, 59.78, -29.85

 

CMYK 0 / 55 / 25 / 13

HEX #DD63A6

RGB 221 99 166

HSL 327.05, 0.64%, 0.63%

LAB 59.02, 54.93, -12.85

 

CMYK 0 / 55 / 39 / 13

HEX #DD6386

RGB 221 99 134

HSL 342.79, 0.64%, 0.63%

LAB 58.05, 51.02, 4.33

 

CMYK 0 / 55 / 54 / 13

HEX #DD6365

RGB 221 99 101

HSL 359.02, 0.64%, 0.63%

LAB 57.3, 47.89, 22.52

 

CMYK 0 / 42 / 55 / 13

HEX #DD8163

RGB 221 129 99

HSL 14.75, 0.64%, 0.63%

LAB 63.32, 32.55, 31.5

 

CMYK 0 / 79 / 57 / 23

HEX #C42955

RGB 196 41 85

HSL 342.97, 0.65%, 0.46%

LAB 44.2, 61.72, 13.67

 

CMYK 0 / 70 / 50 / 16

HEX #D6416B

RGB 214 65 107

HSL 343.09, 0.65%, 0.55%

LAB 50.85, 60.69, 9.93

 

CMYK 0 / 55 / 40 / 13

HEX #DD6385

RGB 221 99 133

HSL 343.28, 0.64%, 0.63%

LAB 58.03, 50.92, 4.88

 

CMYK 0 / 42 / 30 / 10

HEX #E585A0

RGB 229 133 160

HSL 343.13, 0.65%, 0.71%

LAB 66.5, 39.92, 1.77

 

CMYK 0 / 29 / 21 / 7

HEX #ECA7BA

RGB 236 167 186

HSL 343.48, 0.64%, 0.79%

LAB 75.46, 28.09, 0.47

 

CMYK 0 / 56 / 40 / 13

HEX #DE6285

RGB 222 98 133

HSL 343.06, 0.65%, 0.63%

LAB 58, 51.72, 4.85

 

CMYK 0 / 5 / 55 / 13

HEX #DDD363

RGB 221 211 99

HSL 55.08, 0.64%, 0.63%

LAB 83.37, -10.74, 55.74

 

CMYK 55 / 17 / 0 / 13

HEX #63B7DD

RGB 99 183 221

HSL 198.69, 0.64%, 0.63%

LAB 70.69, -14.84, -26.86

 

CMYK 0 / 56 / 40 / 13

HEX #DE6285

RGB 222 98 133

HSL 343.06, 0.65%, 0.63%

LAB 58, 51.72, 4.85

 

CMYK 39 / 0 / 55 / 13

HEX #86DD63

RGB 134 221 99

HSL 102.79, 0.64%, 0.63%

LAB 80.56, -48.07, 51.05

 

CMYK 55 / 39 / 0 / 13

HEX #6386DD

RGB 99 134 221

HSL 222.79, 0.64%, 0.63%

LAB 57, 12.89, -48.23

 

CMYK 0 / 56 / 40 / 13

HEX #DE6285

RGB 222 98 133

HSL 343.06, 0.65%, 0.63%

LAB 58, 51.72, 4.85

 

CMYK 0 / 5 / 55 / 13

HEX #DDD363

RGB 221 211 99

HSL 55.08, 0.64%, 0.63%

LAB 83.37, -10.74, 55.74

 

CMYK 55 / 0 / 15 / 13

HEX #63DDBB

RGB 99 221 187

HSL 163.28, 0.64%, 0.63%

LAB 80.71, -42.26, 6.42

 

CMYK 55 / 51 / 0 / 13

HEX #636DDD

RGB 99 109 221

HSL 235.08, 0.64%, 0.63%

LAB 50.46, 28.07, -58.67

 

CMYK 0 / 56 / 40 / 13

HEX #DE6285

RGB 222 98 133

HSL 343.06, 0.65%, 0.63%

LAB 58, 51.72, 4.85

 

CMYK 12 / 0 / 55 / 13

HEX #C3DD63

RGB 195 221 99

HSL 72.79, 0.64%, 0.63%

LAB 84.08, -26.1, 56.03

 

CMYK 55 / 0 / 15 / 13

HEX #63DDBB

RGB 99 221 187

HSL 163.28, 0.64%, 0.63%

LAB 80.71, -42.26, 6.42

 

CMYK 43 / 55 / 0 / 13

HEX #7D63DD

RGB 125 99 221

HSL 252.79, 0.64%, 0.63%

LAB 50.1, 39.53, -59.14

 

Description

Color code: HEX #DE6285 | qconv.com Color code: HEX #DE6285 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 98 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 98 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 40% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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