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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE85F4 it is the complementary color #217A0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE85F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE85F4 shade: #E385EF, #F497FF, #FFA9FF, #FFBBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE85F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE85F4 shade: #DE85F4, #CD73E1, #BC61CE, #AB4FBB and #9A3DA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE85F4 shade: #DD85F3, #F385EB, #F385CE, #F385B0 and #F38592

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE85F4 shade: #DD85F3, #C085F3, #A285F3 and #8585F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE85F4 shade matches the following richer shades: #DD85F3 and #E47AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE85F4 shade: #DD85F3, #D790E9, #D09BDE, #CAA5D3 and #C4B0C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE85F4 shade: #A385F3, #C085F3, #DD85F3, #F385EC and #F385CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE85F4 shade: #C93AEC, #D35FF0, #DD85F3, #E8ABF7 and #F2D1FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE85F4 shade: #DE85F4, #F38585 and #85F3B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE85F4 shade: #DE85F4, #F3DD85 and #85F3DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE85F4 shade: #DE85F4, #F38585, #9BF385 and #85F3F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE85F4 shade: #DE85F4, #F3A685, #9BF385 and #85D2F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 45 / 0 / 4

HEX #DE85F4

RGB 222 133 244

HSL 288.11, 0.83%, 0.74%

LAB 68.63, 51.46, -41.91

 

Complementary color

CMYK 73 / 0 / 91 / 52

HEX #217A0B

RGB 33 122 11

HSL 108.11, 0.83%, 0.26%

LAB 44.61, -45.41, 46.42

 

CMYK 5 / 44 / 0 / 6

HEX #E385EF

RGB 227 133 239

HSL 293.21, 0.77%, 0.73%

LAB 69, 51.92, -38.56

 

CMYK 4 / 41 / 0 / 0

HEX #F497FF

RGB 244 151 255

HSL 293.65, 1%, 0.8%

LAB 75.19, 50.64, -37.49

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 9 / 45 / 0 / 4

HEX #DE85F4

RGB 222 133 244

HSL 288.11, 0.83%, 0.74%

LAB 68.63, 51.46, -41.91

 

CMYK 9 / 49 / 0 / 12

HEX #CD73E1

RGB 205 115 225

HSL 289.09, 0.65%, 0.67%

LAB 62.23, 52.19, -41.58

 

CMYK 9 / 53 / 0 / 19

HEX #BC61CE

RGB 188 97 206

HSL 290.09, 0.53%, 0.59%

LAB 55.78, 52.87, -41.17

 

CMYK 9 / 58 / 0 / 27

HEX #AB4FBB

RGB 171 79 187

HSL 291.11, 0.44%, 0.52%

LAB 49.3, 53.44, -40.63

 

CMYK 8 / 64 / 0 / 34

HEX #9A3DA8

RGB 154 61 168

HSL 292.15, 0.47%, 0.45%

LAB 42.82, 53.77, -39.9

 

CMYK 9 / 45 / 0 / 5

HEX #DD85F3

RGB 221 133 243

HSL 288, 0.82%, 0.74%

LAB 68.47, 50.98, -41.62

 

CMYK 0 / 45 / 3 / 5

HEX #F385EB

RGB 243 133 235

HSL 304.36, 0.82%, 0.74%

LAB 70.75, 55.81, -33.49

 

CMYK 0 / 45 / 15 / 5

HEX #F385CE

RGB 243 133 206

HSL 320.18, 0.82%, 0.74%

LAB 69.67, 51.11, -19.11

 

CMYK 0 / 45 / 28 / 5

HEX #F385B0

RGB 243 133 176

HSL 336.55, 0.82%, 0.74%

LAB 68.73, 46.83, -3.77

 

CMYK 0 / 45 / 40 / 5

HEX #F38592

RGB 243 133 146

HSL 352.91, 0.82%, 0.74%

LAB 67.95, 43.21, 11.98

 

CMYK 9 / 45 / 0 / 5

HEX #DD85F3

RGB 221 133 243

HSL 288, 0.82%, 0.74%

LAB 68.47, 50.98, -41.62

 

CMYK 21 / 45 / 0 / 5

HEX #C085F3

RGB 192 133 243

HSL 272.18, 0.82%, 0.74%

LAB 65.32, 42.91, -46.79

 

CMYK 33 / 45 / 0 / 5

HEX #A285F3

RGB 162 133 243

HSL 255.82, 0.82%, 0.74%

LAB 62.45, 34.89, -51.53

 

CMYK 45 / 45 / 0 / 5

HEX #8585F3

RGB 133 133 243

HSL 240, 0.82%, 0.74%

LAB 60.1, 27.75, -55.4

 

CMYK 9 / 45 / 0 / 5

HEX #DD85F3

RGB 221 133 243

HSL 288, 0.82%, 0.74%

LAB 68.47, 50.98, -41.62

 

CMYK 10 / 52 / 0 / 0

HEX #E47AFE

RGB 228 122 254

HSL 288.18, 0.99%, 0.74%

LAB 67.7, 60.48, -48.8

 

CMYK 9 / 45 / 0 / 5

HEX #DD85F3

RGB 221 133 243

HSL 288, 0.82%, 0.74%

LAB 68.47, 50.98, -41.62

 

CMYK 8 / 38 / 0 / 9

HEX #D790E9

RGB 215 144 233

HSL 287.87, 0.67%, 0.74%

LAB 69.67, 41.53, -34.33

 

CMYK 6 / 30 / 0 / 13

HEX #D09BDE

RGB 208 155 222

HSL 287.46, 0.5%, 0.74%

LAB 70.96, 31.26, -26.35

 

CMYK 4 / 22 / 0 / 17

HEX #CAA5D3

RGB 202 165 211

HSL 288.26, 0.34%, 0.74%

LAB 72.34, 21.68, -18.25

 

CMYK 2 / 12 / 0 / 22

HEX #C4B0C8

RGB 196 176 200

HSL 290, 0.18%, 0.74%

LAB 74.16, 11.51, -9.55

 

CMYK 33 / 45 / 0 / 5

HEX #A385F3

RGB 163 133 243

HSL 256.36, 0.82%, 0.74%

LAB 62.54, 35.15, -51.38

 

CMYK 21 / 45 / 0 / 5

HEX #C085F3

RGB 192 133 243

HSL 272.18, 0.82%, 0.74%

LAB 65.32, 42.91, -46.79

 

CMYK 9 / 45 / 0 / 5

HEX #DD85F3

RGB 221 133 243

HSL 288, 0.82%, 0.74%

LAB 68.47, 50.98, -41.62

 

CMYK 0 / 45 / 3 / 5

HEX #F385EC

RGB 243 133 236

HSL 303.82, 0.82%, 0.74%

LAB 70.79, 55.98, -33.97

 

CMYK 0 / 45 / 15 / 5

HEX #F385CF

RGB 243 133 207

HSL 319.64, 0.82%, 0.74%

LAB 69.71, 51.26, -19.62

 

CMYK 15 / 75 / 0 / 7

HEX #C93AEC

RGB 201 58 236

HSL 288.2, 0.82%, 0.58%

LAB 53.49, 77.46, -61.67

 

CMYK 12 / 60 / 0 / 6

HEX #D35FF0

RGB 211 95 240

HSL 288, 0.83%, 0.66%

LAB 60.18, 66.13, -53.13

 

CMYK 9 / 45 / 0 / 5

HEX #DD85F3

RGB 221 133 243

HSL 288, 0.82%, 0.74%

LAB 68.47, 50.98, -41.62

 

CMYK 6 / 31 / 0 / 3

HEX #E8ABF7

RGB 232 171 247

HSL 288.16, 0.83%, 0.82%

LAB 77.87, 35.05, -29.14

 

CMYK 3 / 16 / 0 / 2

HEX #F2D1FA

RGB 242 209 250

HSL 288.29, 0.8%, 0.9%

LAB 87.67, 18.6, -15.78

 

CMYK 9 / 45 / 0 / 4

HEX #DE85F4

RGB 222 133 244

HSL 288.11, 0.83%, 0.74%

LAB 68.63, 51.46, -41.91

 

CMYK 0 / 45 / 45 / 5

HEX #F38585

RGB 243 133 133

HSL 0, 0.82%, 0.74%

LAB 67.67, 41.87, 18.88

 

CMYK 45 / 0 / 27 / 5

HEX #85F3B1

RGB 133 243 177

HSL 144, 0.82%, 0.74%

LAB 88.09, -45.98, 22.22

 

CMYK 9 / 45 / 0 / 4

HEX #DE85F4

RGB 222 133 244

HSL 288.11, 0.83%, 0.74%

LAB 68.63, 51.46, -41.91

 

CMYK 0 / 9 / 45 / 5

HEX #F3DD85

RGB 243 221 133

HSL 48, 0.82%, 0.74%

LAB 88.19, -3.99, 45.78

 

CMYK 45 / 0 / 9 / 5

HEX #85F3DD

RGB 133 243 221

HSL 168, 0.82%, 0.74%

LAB 89.07, -36.79, 0.78

 

CMYK 9 / 45 / 0 / 4

HEX #DE85F4

RGB 222 133 244

HSL 288.11, 0.83%, 0.74%

LAB 68.63, 51.46, -41.91

 

CMYK 0 / 45 / 45 / 5

HEX #F38585

RGB 243 133 133

HSL 0, 0.82%, 0.74%

LAB 67.67, 41.87, 18.88

 

CMYK 36 / 0 / 45 / 5

HEX #9BF385

RGB 155 243 133

HSL 108, 0.82%, 0.74%

LAB 88.33, -46.63, 44.72

 

CMYK 45 / 0 / 0 / 5

HEX #85F3F3

RGB 133 243 243

HSL 180, 0.82%, 0.74%

LAB 89.65, -31.55, -9.83

 

CMYK 9 / 45 / 0 / 4

HEX #DE85F4

RGB 222 133 244

HSL 288.11, 0.83%, 0.74%

LAB 68.63, 51.46, -41.91

 

CMYK 0 / 32 / 45 / 5

HEX #F3A685

RGB 243 166 133

HSL 18, 0.82%, 0.74%

LAB 74.84, 24.69, 28.58

 

CMYK 36 / 0 / 45 / 5

HEX #9BF385

RGB 155 243 133

HSL 108, 0.82%, 0.74%

LAB 88.33, -46.63, 44.72

 

CMYK 45 / 14 / 0 / 5

HEX #85D2F3

RGB 133 210 243

HSL 198, 0.82%, 0.74%

LAB 80.49, -15.26, -23.62

 

Description

Color code: HEX #DE85F4 | qconv.com Color code: HEX #DE85F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 133 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 133 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 45 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 45% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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