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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE81FD it is the complementary color #217E02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE81FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE81FD shade: #E381F8, #F493FF, #FFA5FF, #FFB7FF and #FFC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE81FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE81FD shade: #DE81FD, #CD6FEA, #BC5DD7, #AB4BC4 and #9A39B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE81FD shade: #DE81FD, #FD81FA, #FD81D9, #FD81B7 and #FD8196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE81FD shade: #DE81FD, #BC81FD, #9B81FD and #8181FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE81FD shade matches the following richer shades: #DE81FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE81FD shade: #DE81FD, #D98BF2, #D396E8, #CEA0DE and #C9AAD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE81FD shade: #9C81FD, #BD81FD, #DE81FD, #FD81FB and #FD81DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE81FD shade: #C830FB, #D358FC, #DE81FD, #E8AAFD and #F3D2FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE81FD shade: #DE81FD, #FD8187 and #81FDAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE81FD shade: #DE81FD, #FDDE81 and #81FDDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE81FD shade: #DE81FD, #FD8187, #A0FD81 and #81FDF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE81FD shade: #DE81FD, #FDA081, #A0FD81 and #81DEFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

Complementary color

CMYK 74 / 0 / 98 / 51

HEX #217E02

RGB 33 126 2

HSL 105, 0.97%, 0.25%

LAB 45.97, -47.11, 49.45

 

CMYK 8 / 48 / 0 / 3

HEX #E381F8

RGB 227 129 248

HSL 289.41, 0.89%, 0.74%

LAB 68.61, 55.63, -44.09

 

CMYK 4 / 42 / 0 / 0

HEX #F493FF

RGB 244 147 255

HSL 293.89, 1%, 0.79%

LAB 74.39, 52.67, -38.73

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 12 / 53 / 0 / 8

HEX #CD6FEA

RGB 205 111 234

HSL 285.85, 0.75%, 0.68%

LAB 61.9, 55.96, -47.11

 

CMYK 13 / 57 / 0 / 16

HEX #BC5DD7

RGB 188 93 215

HSL 286.72, 0.6%, 0.6%

LAB 55.51, 56.59, -46.71

 

CMYK 13 / 62 / 0 / 23

HEX #AB4BC4

RGB 171 75 196

HSL 287.6, 0.51%, 0.53%

LAB 49.1, 57.06, -46.16

 

CMYK 13 / 68 / 0 / 31

HEX #9A39B1

RGB 154 57 177

HSL 288.5, 0.51%, 0.46%

LAB 42.72, 57.23, -45.38

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 0 / 49 / 1 / 1

HEX #FD81FA

RGB 253 129 250

HSL 301.45, 0.97%, 0.75%

LAB 71.88, 63.09, -39.84

 

CMYK 0 / 49 / 14 / 1

HEX #FD81D9

RGB 253 129 217

HSL 317.42, 0.97%, 0.75%

LAB 70.59, 57.78, -23.7

 

CMYK 0 / 49 / 28 / 1

HEX #FD81B7

RGB 253 129 183

HSL 333.87, 0.97%, 0.75%

LAB 69.47, 53, -6.44

 

CMYK 0 / 49 / 41 / 1

HEX #FD8196

RGB 253 129 150

HSL 349.84, 0.97%, 0.75%

LAB 68.6, 49.13, 10.83

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 26 / 49 / 0 / 1

HEX #BC81FD

RGB 188 129 253

HSL 268.55, 0.97%, 0.75%

LAB 64.55, 46.27, -53.53

 

CMYK 39 / 49 / 0 / 1

HEX #9B81FD

RGB 155 129 253

HSL 252.58, 0.97%, 0.75%

LAB 61.45, 38.03, -58.66

 

CMYK 49 / 49 / 0 / 1

HEX #8181FD

RGB 129 129 253

HSL 240, 0.97%, 0.75%

LAB 59.4, 32.14, -62.05

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 10 / 43 / 0 / 5

HEX #D98BF2

RGB 217 139 242

HSL 285.44, 0.8%, 0.75%

LAB 69.2, 46.54, -39.97

 

CMYK 9 / 35 / 0 / 9

HEX #D396E8

RGB 211 150 232

HSL 284.63, 0.64%, 0.75%

LAB 70.52, 36.9, -32.49

 

CMYK 7 / 28 / 0 / 13

HEX #CEA0DE

RGB 206 160 222

HSL 284.52, 0.48%, 0.75%

LAB 71.92, 27.9, -24.9

 

CMYK 5 / 19 / 0 / 17

HEX #C9AAD3

RGB 201 170 211

HSL 285.37, 0.32%, 0.75%

LAB 73.46, 18.61, -16.57

 

CMYK 38 / 49 / 0 / 1

HEX #9C81FD

RGB 156 129 253

HSL 253.06, 0.97%, 0.75%

LAB 61.53, 38.27, -58.51

 

CMYK 25 / 49 / 0 / 1

HEX #BD81FD

RGB 189 129 253

HSL 269.03, 0.97%, 0.75%

LAB 64.65, 46.53, -53.36

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 0 / 49 / 1 / 1

HEX #FD81FB

RGB 253 129 251

HSL 300.97, 0.97%, 0.75%

LAB 71.93, 63.26, -40.32

 

CMYK 0 / 49 / 14 / 1

HEX #FD81DA

RGB 253 129 218

HSL 316.94, 0.97%, 0.75%

LAB 70.63, 57.93, -24.2

 

CMYK 20 / 81 / 0 / 2

HEX #C830FB

RGB 200 48 251

HSL 284.93, 0.96%, 0.59%

LAB 53.34, 82.83, -70.32

 

CMYK 16 / 65 / 0 / 1

HEX #D358FC

RGB 211 88 252

HSL 285, 0.96%, 0.67%

LAB 59.76, 71.42, -60.46

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 8 / 33 / 0 / 1

HEX #E8AAFD

RGB 232 170 253

HSL 284.82, 0.95%, 0.83%

LAB 77.87, 36.75, -32.37

 

CMYK 4 / 17 / 0 / 0

HEX #F3D2FE

RGB 243 210 254

HSL 285, 0.96%, 0.91%

LAB 88.11, 19.14, -17.21

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 0 / 49 / 47 / 1

HEX #FD8187

RGB 253 129 135

HSL 357.1, 0.97%, 0.75%

LAB 68.26, 47.64, 18.8

 

CMYK 49 / 0 / 32 / 1

HEX #81FDAC

RGB 129 253 172

HSL 140.81, 0.97%, 0.75%

LAB 90.73, -52.1, 28.35

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 0 / 12 / 49 / 1

HEX #FDDE81

RGB 253 222 129

HSL 45, 0.97%, 0.75%

LAB 89.26, -0.89, 49.25

 

CMYK 49 / 0 / 12 / 1

HEX #81FDDE

RGB 129 253 222

HSL 165, 0.97%, 0.75%

LAB 91.77, -41.99, 4.17

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 0 / 49 / 47 / 1

HEX #FD8187

RGB 253 129 135

HSL 357.1, 0.97%, 0.75%

LAB 68.26, 47.64, 18.8

 

CMYK 37 / 0 / 49 / 1

HEX #A0FD81

RGB 160 253 129

HSL 105, 0.97%, 0.75%

LAB 91.37, -49.77, 50.44

 

CMYK 49 / 0 / 3 / 1

HEX #81FDF6

RGB 129 253 246

HSL 176.61, 0.97%, 0.75%

LAB 92.39, -36.33, -7.36

 

CMYK 12 / 49 / 0 / 1

HEX #DE81FD

RGB 222 129 253

HSL 285, 0.97%, 0.75%

LAB 68.26, 55.25, -47.43

 

CMYK 0 / 37 / 49 / 1

HEX #FDA081

RGB 253 160 129

HSL 15, 0.97%, 0.75%

LAB 74.58, 31.33, 30.59

 

CMYK 37 / 0 / 49 / 1

HEX #A0FD81

RGB 160 253 129

HSL 105, 0.97%, 0.75%

LAB 91.37, -49.77, 50.44

 

CMYK 49 / 12 / 0 / 1

HEX #81DEFD

RGB 129 222 253

HSL 195, 0.97%, 0.75%

LAB 83.97, -19.6, -23.65

 

Description

Color code: HEX #DE81FD | qconv.com Color code: HEX #DE81FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 129 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 129 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 49 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 49% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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