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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE825E it is the complementary color #217DA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE825E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE825E shade: #E38259, #F4946C, #FFA67F, #FFB892 and #FFCAA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE825E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE825E shade: #DE825E, #CD704B, #BC5E38, #AB4C25 and #9A3A12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE825E shade: #DE825E, #DE5F5E and #DE5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE825E shade: #DE825E, #DEA45E, #DEC75E, #D2DE5E and #B0DE5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE825E shade matches the following richer shades: #DE825E, #ED7B4E and #FD743E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE825E shade: #DE825E, #CE886D, #BE8F7D, #AF968D and #9F9D9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE825E shade: #DE5E80, #DE5E5E, #DE805E, #DEA25E and #DEC45E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE825E shade: #C15327, #D7673B, #DE825E, #E59C80 and #ECB7A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE825E shade: #DE825E, #A2DE5E and #5E6FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE825E shade: #DE825E, #5EDE80 and #805EDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE825E shade: #DE825E, #A2DE5E, #5EBBDE and #995EDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE825E shade: #DE825E, #7BDE5E, #5EBBDE and #C05EDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

Complementary color

CMYK 80 / 22 / 0 / 37

HEX #217DA1

RGB 33 125 161

HSL 196.88, 0.66%, 0.38%

LAB 48.96, -13.5, -26.74

 

CMYK 0 / 43 / 61 / 11

HEX #E38259

RGB 227 130 89

HSL 17.83, 0.71%, 0.62%

LAB 64.18, 33.63, 38.16

 

CMYK 0 / 39 / 56 / 4

HEX #F4946C

RGB 244 148 108

HSL 17.65, 0.86%, 0.69%

LAB 70.52, 32.31, 36.38

 

CMYK 0 / 35 / 50 / 0

HEX #FFA67F

RGB 255 166 127

HSL 18.28, 1%, 0.75%

LAB 76.11, 28.79, 33.71

 

CMYK 0 / 28 / 43 / 0

HEX #FFB892

RGB 255 184 146

HSL 20.92, 1%, 0.79%

LAB 80.52, 21.2, 29.46

 

CMYK 0 / 21 / 35 / 0

HEX #FFCAA5

RGB 255 202 165

HSL 24.67, 1%, 0.82%

LAB 85.11, 13.9, 25.64

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 0 / 45 / 63 / 20

HEX #CD704B

RGB 205 112 75

HSL 17.08, 0.57%, 0.55%

LAB 57.15, 33.41, 36.5

 

CMYK 0 / 50 / 70 / 26

HEX #BC5E38

RGB 188 94 56

HSL 17.27, 0.54%, 0.48%

LAB 50.67, 34.94, 38.57

 

CMYK 0 / 56 / 78 / 33

HEX #AB4C25

RGB 171 76 37

HSL 17.46, 0.64%, 0.41%

LAB 44.18, 36.59, 40.74

 

CMYK 0 / 62 / 88 / 40

HEX #9A3A12

RGB 154 58 18

HSL 17.65, 0.79%, 0.34%

LAB 37.73, 38.28, 42.63

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 0 / 57 / 58 / 13

HEX #DE5F5E

RGB 222 95 94

HSL 0.47, 0.66%, 0.62%

LAB 56.61, 49.59, 25.67

 

CMYK 0 / 58 / 58 / 13

HEX #DE5E5E

RGB 222 94 94

HSL 0, 0.66%, 0.62%

LAB 56.43, 50.06, 25.44

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 0 / 26 / 58 / 13

HEX #DEA45E

RGB 222 164 94

HSL 32.81, 0.66%, 0.62%

LAB 71.48, 13.84, 44.25

 

CMYK 0 / 10 / 58 / 13

HEX #DEC75E

RGB 222 199 94

HSL 49.22, 0.66%, 0.62%

LAB 80.28, -4.59, 54.53

 

CMYK 5 / 0 / 58 / 13

HEX #D2DE5E

RGB 210 222 94

HSL 65.63, 0.66%, 0.62%

LAB 85.38, -21.03, 59.99

 

CMYK 21 / 0 / 58 / 13

HEX #B0DE5E

RGB 176 222 94

HSL 81.56, 0.66%, 0.62%

LAB 83.06, -34.3, 56.76

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 0 / 48 / 67 / 7

HEX #ED7B4E

RGB 237 123 78

HSL 16.98, 0.82%, 0.62%

LAB 63.93, 40.43, 44.01

 

CMYK 0 / 54 / 75 / 1

HEX #FD743E

RGB 253 116 62

HSL 16.96, 0.98%, 0.62%

LAB 64.74, 49.11, 53.54

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 0 / 34 / 47 / 19

HEX #CE886D

RGB 206 136 109

HSL 16.7, 0.5%, 0.62%

LAB 63.21, 23.74, 25.47

 

CMYK 0 / 25 / 34 / 25

HEX #BE8F7D

RGB 190 143 125

HSL 16.62, 0.33%, 0.62%

LAB 63.4, 15.3, 16.49

 

CMYK 0 / 14 / 19 / 31

HEX #AF968D

RGB 175 150 141

HSL 15.88, 0.18%, 0.62%

LAB 64.04, 7.82, 8.18

 

CMYK 0 / 1 / 2 / 38

HEX #9F9D9C

RGB 159 157 156

HSL 20, 0.02%, 0.62%

LAB 64.87, 0.54, 0.77

 

CMYK 0 / 58 / 42 / 13

HEX #DE5E80

RGB 222 94 128

HSL 344.06, 0.66%, 0.62%

LAB 57.17, 53.04, 6.59

 

CMYK 0 / 58 / 58 / 13

HEX #DE5E5E

RGB 222 94 94

HSL 0, 0.66%, 0.62%

LAB 56.43, 50.06, 25.44

 

CMYK 0 / 42 / 58 / 13

HEX #DE805E

RGB 222 128 94

HSL 15.94, 0.66%, 0.62%

LAB 63.16, 33.07, 34.06

 

CMYK 0 / 27 / 58 / 13

HEX #DEA25E

RGB 222 162 94

HSL 31.88, 0.66%, 0.62%

LAB 70.99, 14.91, 43.67

 

CMYK 0 / 12 / 58 / 13

HEX #DEC45E

RGB 222 196 94

HSL 47.81, 0.66%, 0.62%

LAB 79.51, -3.04, 53.64

 

CMYK 0 / 57 / 80 / 24

HEX #C15327

RGB 193 83 39

HSL 17.14, 0.66%, 0.45%

LAB 49.09, 41.7, 45.81

 

CMYK 0 / 52 / 73 / 16

HEX #D7673B

RGB 215 103 59

HSL 16.92, 0.66%, 0.54%

LAB 56.55, 41.05, 44.64

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 0 / 32 / 44 / 10

HEX #E59C80

RGB 229 156 128

HSL 16.63, 0.66%, 0.7%

LAB 70.87, 24.02, 25.7

 

CMYK 0 / 22 / 31 / 7

HEX #ECB7A2

RGB 236 183 162

HSL 17.03, 0.66%, 0.78%

LAB 78.64, 16.28, 18.04

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 27 / 0 / 58 / 13

HEX #A2DE5E

RGB 162 222 94

HSL 88.13, 0.66%, 0.62%

LAB 82.23, -39.46, 55.6

 

CMYK 58 / 50 / 0 / 13

HEX #5E6FDE

RGB 94 111 222

HSL 232.03, 0.66%, 0.62%

LAB 50.71, 26.2, -58.85

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 58 / 0 / 42 / 13

HEX #5EDE80

RGB 94 222 128

HSL 135.94, 0.66%, 0.62%

LAB 79.72, -55.44, 35.7

 

CMYK 42 / 58 / 0 / 13

HEX #805EDE

RGB 128 94 222

HSL 255.94, 0.66%, 0.62%

LAB 49.34, 43.33, -60.93

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 27 / 0 / 58 / 13

HEX #A2DE5E

RGB 162 222 94

HSL 88.13, 0.66%, 0.62%

LAB 82.23, -39.46, 55.6

 

CMYK 58 / 16 / 0 / 13

HEX #5EBBDE

RGB 94 187 222

HSL 196.41, 0.66%, 0.62%

LAB 71.69, -17.64, -25.89

 

CMYK 31 / 58 / 0 / 13

HEX #995EDE

RGB 153 94 222

HSL 267.66, 0.66%, 0.62%

LAB 51.9, 49, -56.68

 

CMYK 0 / 41 / 58 / 13

HEX #DE825E

RGB 222 130 94

HSL 16.88, 0.66%, 0.62%

LAB 63.59, 32.02, 34.61

 

CMYK 45 / 0 / 58 / 13

HEX #7BDE5E

RGB 123 222 94

HSL 106.41, 0.66%, 0.62%

LAB 80.33, -52.4, 52.91

 

CMYK 58 / 16 / 0 / 13

HEX #5EBBDE

RGB 94 187 222

HSL 196.41, 0.66%, 0.62%

LAB 71.69, -17.64, -25.89

 

CMYK 14 / 58 / 0 / 13

HEX #C05EDE

RGB 192 94 222

HSL 285.94, 0.66%, 0.62%

LAB 56.57, 58.5, -48.94

 

Description

Color code: HEX #DE825E | qconv.com Color code: HEX #DE825E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 130 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 130 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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