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Color name
HEX #DE8C34

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE8C34 it is the complementary color #2173CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE8C34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE8C34 shade: #E38C2F, #F49E42, #FFB055, #FFC268 and #FFD47B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE8C34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE8C34 shade: #DE8C34, #CD7A21, #BC680E, #AB5600 and #9A4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE8C34 shade: #DE8C35, #DE5F35 and #DE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE8C34 shade: #DE8C35, #DEBA35, #D4DE35, #A6DE35 and #79DE35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE8C34 shade matches the following richer shades: #DE8C35 and #F18D22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE8C34 shade: #DE8C35, #CB8C48, #B88B5B, #A58A6E and #928A81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE8C34 shade: #DE3538, #DE5F35, #DE8C35, #DEB935 and #D5DE35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE8C34 shade: #A5621B, #C97820, #DE8C35, #E3A058 and #E9B47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE8C34 shade: #DE8C34, #65DE35 and #4835DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE8C34 shade: #DE8C34, #35DE8C and #8C35DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE8C34 shade: #DE8C34, #65DE35, #3586DE and #AE35DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE8C34 shade: #DE8C34, #35DE38, #3586DE and #DE35DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 77 / 13

HEX #DE8C34

RGB 222 140 52

HSL 31.06, 0.72%, 0.54%

LAB 65.38, 24.28, 57.25

 

Complementary color

CMYK 84 / 43 / 0 / 20

HEX #2173CB

RGB 33 115 203

HSL 211.06, 0.72%, 0.46%

LAB 48.13, 8.23, -52.33

 

CMYK 0 / 38 / 79 / 11

HEX #E38C2F

RGB 227 140 47

HSL 31, 0.76%, 0.54%

LAB 65.98, 26.19, 60.05

 

CMYK 0 / 35 / 73 / 4

HEX #F49E42

RGB 244 158 66

HSL 31.01, 0.89%, 0.61%

LAB 72.28, 24.49, 59.06

 

CMYK 0 / 31 / 67 / 0

HEX #FFB055

RGB 255 176 85

HSL 32.12, 1%, 0.67%

LAB 77.86, 20.53, 56.86

 

CMYK 0 / 24 / 59 / 0

HEX #FFC268

RGB 255 194 104

HSL 35.76, 1%, 0.7%

LAB 82.29, 12.34, 52.98

 

CMYK 0 / 17 / 52 / 0

HEX #FFD47B

RGB 255 212 123

HSL 40.45, 1%, 0.74%

LAB 86.89, 4.5, 49.3

 

CMYK 0 / 37 / 77 / 13

HEX #DE8C34

RGB 222 140 52

HSL 31.06, 0.72%, 0.54%

LAB 65.38, 24.28, 57.25

 

CMYK 0 / 40 / 84 / 20

HEX #CD7A21

RGB 205 122 33

HSL 31.05, 0.72%, 0.47%

LAB 58.98, 26.12, 57.93

 

CMYK 0 / 45 / 93 / 26

HEX #BC680E

RGB 188 104 14

HSL 31.03, 0.86%, 0.4%

LAB 52.54, 28.2, 57.5

 

CMYK 0 / 50 / 100 / 33

HEX #AB5600

RGB 171 86 0

HSL 30.18, 1%, 0.34%

LAB 46.06, 30.5, 55.17

 

CMYK 0 / 56 / 100 / 40

HEX #9A4400

RGB 154 68 0

HSL 26.49, 1%, 0.3%

LAB 39.59, 32.94, 49.98

 

CMYK 0 / 37 / 76 / 13

HEX #DE8C35

RGB 222 140 53

HSL 30.89, 0.72%, 0.54%

LAB 65.39, 24.32, 56.84

 

CMYK 0 / 57 / 76 / 13

HEX #DE5F35

RGB 222 95 53

HSL 14.91, 0.72%, 0.54%

LAB 56.06, 47.3, 47.47

 

CMYK 0 / 76 / 76 / 13

HEX #DE3535

RGB 222 53 53

HSL 0, 0.72%, 0.54%

LAB 49.9, 63.94, 40.97

 

CMYK 0 / 37 / 76 / 13

HEX #DE8C35

RGB 222 140 53

HSL 30.89, 0.72%, 0.54%

LAB 65.39, 24.32, 56.84

 

CMYK 0 / 16 / 76 / 13

HEX #DEBA35

RGB 222 186 53

HSL 47.22, 0.72%, 0.54%

LAB 76.62, -0.16, 67.55

 

CMYK 5 / 0 / 76 / 13

HEX #D4DE35

RGB 212 222 53

HSL 63.55, 0.72%, 0.54%

LAB 85.25, -22.52, 75.18

 

CMYK 25 / 0 / 76 / 13

HEX #A6DE35

RGB 166 222 53

HSL 79.88, 0.72%, 0.54%

LAB 82.17, -40.82, 71.21

 

CMYK 45 / 0 / 76 / 13

HEX #79DE35

RGB 121 222 53

HSL 95.86, 0.72%, 0.54%

LAB 79.93, -56.33, 68.3

 

CMYK 0 / 37 / 76 / 13

HEX #DE8C35

RGB 222 140 53

HSL 30.89, 0.72%, 0.54%

LAB 65.39, 24.32, 56.84

 

CMYK 0 / 41 / 86 / 5

HEX #F18D22

RGB 241 141 34

HSL 31.01, 0.88%, 0.54%

LAB 67.92, 31.09, 66.96

 

CMYK 0 / 37 / 76 / 13

HEX #DE8C35

RGB 222 140 53

HSL 30.89, 0.72%, 0.54%

LAB 65.39, 24.32, 56.84

 

CMYK 0 / 31 / 65 / 20

HEX #CB8C48

RGB 203 140 72

HSL 31.15, 0.56%, 0.54%

LAB 63.28, 17.27, 45.15

 

CMYK 0 / 24 / 51 / 28

HEX #B88B5B

RGB 184 139 91

HSL 30.97, 0.4%, 0.54%

LAB 61.14, 11.25, 32.19

 

CMYK 0 / 16 / 33 / 35

HEX #A58A6E

RGB 165 138 110

HSL 30.55, 0.23%, 0.54%

LAB 59.25, 6.01, 18.82

 

CMYK 0 / 5 / 12 / 43

HEX #928A81

RGB 146 138 129

HSL 31.76, 0.07%, 0.54%

LAB 57.92, 1.35, 5.88

 

CMYK 0 / 76 / 75 / 13

HEX #DE3538

RGB 222 53 56

HSL 358.93, 0.72%, 0.54%

LAB 49.93, 64.05, 39.33

 

CMYK 0 / 57 / 76 / 13

HEX #DE5F35

RGB 222 95 53

HSL 14.91, 0.72%, 0.54%

LAB 56.06, 47.3, 47.47

 

CMYK 0 / 37 / 76 / 13

HEX #DE8C35

RGB 222 140 53

HSL 30.89, 0.72%, 0.54%

LAB 65.39, 24.32, 56.84

 

CMYK 0 / 17 / 76 / 13

HEX #DEB935

RGB 222 185 53

HSL 46.86, 0.72%, 0.54%

LAB 76.37, 0.36, 67.31

 

CMYK 4 / 0 / 76 / 13

HEX #D5DE35

RGB 213 222 53

HSL 63.2, 0.72%, 0.54%

LAB 85.32, -22.11, 75.28

 

CMYK 0 / 41 / 84 / 35

HEX #A5621B

RGB 165 98 27

HSL 30.87, 0.72%, 0.38%

LAB 48.02, 21.84, 48.51

 

CMYK 0 / 40 / 84 / 21

HEX #C97820

RGB 201 120 32

HSL 31.24, 0.73%, 0.46%

LAB 57.99, 25.47, 57.22

 

CMYK 0 / 37 / 76 / 13

HEX #DE8C35

RGB 222 140 53

HSL 30.89, 0.72%, 0.54%

LAB 65.39, 24.32, 56.84

 

CMYK 0 / 30 / 61 / 11

HEX #E3A058

RGB 227 160 88

HSL 31.08, 0.71%, 0.62%

LAB 70.99, 17.63, 46.81

 

CMYK 0 / 23 / 47 / 9

HEX #E9B47C

RGB 233 180 124

HSL 30.83, 0.71%, 0.7%

LAB 76.93, 12.42, 35.88

 

CMYK 0 / 37 / 77 / 13

HEX #DE8C34

RGB 222 140 52

HSL 31.06, 0.72%, 0.54%

LAB 65.38, 24.28, 57.25

 

CMYK 55 / 0 / 76 / 13

HEX #65DE35

RGB 101 222 53

HSL 102.96, 0.72%, 0.54%

LAB 79.19, -62.01, 67.34

 

CMYK 68 / 76 / 0 / 13

HEX #4835DE

RGB 72 53 222

HSL 246.75, 0.72%, 0.54%

LAB 36.36, 56.73, -82.32

 

CMYK 0 / 37 / 77 / 13

HEX #DE8C34

RGB 222 140 52

HSL 31.06, 0.72%, 0.54%

LAB 65.38, 24.28, 57.25

 

CMYK 76 / 0 / 37 / 13

HEX #35DE8C

RGB 53 222 140

HSL 150.89, 0.72%, 0.54%

LAB 78.98, -60.39, 28.47

 

CMYK 37 / 76 / 0 / 13

HEX #8C35DE

RGB 140 53 222

HSL 270.89, 0.72%, 0.54%

LAB 43.35, 65.69, -70.58

 

CMYK 0 / 37 / 77 / 13

HEX #DE8C34

RGB 222 140 52

HSL 31.06, 0.72%, 0.54%

LAB 65.38, 24.28, 57.25

 

CMYK 55 / 0 / 76 / 13

HEX #65DE35

RGB 101 222 53

HSL 102.96, 0.72%, 0.54%

LAB 79.19, -62.01, 67.34

 

CMYK 76 / 40 / 0 / 13

HEX #3586DE

RGB 53 134 222

HSL 211.24, 0.72%, 0.54%

LAB 55.16, 5.67, -51.83

 

CMYK 22 / 76 / 0 / 13

HEX #AE35DE

RGB 174 53 222

HSL 282.96, 0.72%, 0.54%

LAB 48.03, 71.53, -62.77

 

CMYK 0 / 37 / 77 / 13

HEX #DE8C34

RGB 222 140 52

HSL 31.06, 0.72%, 0.54%

LAB 65.38, 24.28, 57.25

 

CMYK 76 / 0 / 75 / 13

HEX #35DE38

RGB 53 222 56

HSL 121.07, 0.72%, 0.54%

LAB 78.04, -71.47, 64.85

 

CMYK 76 / 40 / 0 / 13

HEX #3586DE

RGB 53 134 222

HSL 211.24, 0.72%, 0.54%

LAB 55.16, 5.67, -51.83

 

CMYK 0 / 76 / 1 / 13

HEX #DE35DB

RGB 222 53 219

HSL 301.07, 0.72%, 0.54%

LAB 55.27, 80.14, -49.05

 

Description

Color code: HEX #DE8C34 | qconv.com Color code: HEX #DE8C34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 140 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 140 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 77% 13% C M Y K

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