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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE96B3 it is the complementary color #21694C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE96B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE96B3 shade: #E396AE, #F4A8C1, #FFBAD4, #FFCCE7 and #FFDEFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE96B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE96B3 shade: #DE96B3, #CD84A0, #BC728D, #AB607A and #9A4E67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE96B3 shade: #DD96B3, #DD969F and #DD9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE96B3 shade: #DD96B3, #DD96C6, #DD96D9, #CE96DD and #BB96DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE96B3 shade matches the following richer shades: #DD96B3, #E98BB1 and #F480AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE96B3 shade: #DD96B3, #D2A1B5, #C7ACB7, #BCB7B9 and #B1C2BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE96B3 shade: #DD96DA, #DD96C7, #DD96B4, #DD96A1 and #DD9E96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE96B3 shade: #CA5785, #D4769C, #DD96B3, #E7B5C9 and #F1D5E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE96B3 shade: #DE96B3, #DDCE96 and #96D0DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE96B3 shade: #DE96B3, #B4DD96 and #96B4DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE96B3 shade: #DE96B3, #DDCE96, #96DDC0 and #96A5DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE96B3 shade: #DE96B3, #D7DD96, #96DDC0 and #9C96DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 19 / 13

HEX #DE96B3

RGB 222 150 179

HSL 335.83, 0.52%, 0.73%

LAB 69.89, 31.15, -4.01

 

Complementary color

CMYK 69 / 0 / 28 / 59

HEX #21694C

RGB 33 105 76

HSL 155.83, 0.52%, 0.27%

LAB 39.49, -29.78, 9.92

 

CMYK 0 / 34 / 23 / 11

HEX #E396AE

RGB 227 150 174

HSL 341.3, 0.58%, 0.74%

LAB 70.32, 32.18, -0.54

 

CMYK 0 / 31 / 21 / 4

HEX #F4A8C1

RGB 244 168 193

HSL 340.26, 0.78%, 0.81%

LAB 76.73, 31.43, -1.4

 

CMYK 0 / 27 / 17 / 0

HEX #FFBAD4

RGB 255 186 212

HSL 337.39, 1%, 0.86%

LAB 82.45, 28.65, -3.17

 

CMYK 0 / 20 / 9 / 0

HEX #FFCCE7

RGB 255 204 231

HSL 328.24, 1%, 0.9%

LAB 87.1, 22.22, -6.45

 

CMYK 0 / 13 / 2 / 0

HEX #FFDEFA

RGB 255 222 250

HSL 309.09, 1%, 0.94%

LAB 91.87, 16.06, -9.4

 

CMYK 0 / 32 / 19 / 13

HEX #DE96B3

RGB 222 150 179

HSL 335.83, 0.52%, 0.73%

LAB 69.89, 31.15, -4.01

 

CMYK 0 / 36 / 22 / 20

HEX #CD84A0

RGB 205 132 160

HSL 336.99, 0.42%, 0.66%

LAB 63.36, 31.92, -3.17

 

CMYK 0 / 39 / 25 / 26

HEX #BC728D

RGB 188 114 141

HSL 338.11, 0.36%, 0.59%

LAB 56.73, 32.75, -2.23

 

CMYK 0 / 44 / 29 / 33

HEX #AB607A

RGB 171 96 122

HSL 339.2, 0.31%, 0.52%

LAB 50.01, 33.63, -1.15

 

CMYK 0 / 49 / 33 / 40

HEX #9A4E67

RGB 154 78 103

HSL 340.26, 0.33%, 0.45%

LAB 43.21, 34.55, 0.13

 

CMYK 0 / 32 / 19 / 13

HEX #DD96B3

RGB 221 150 179

HSL 335.49, 0.51%, 0.73%

LAB 69.78, 30.79, -4.19

 

CMYK 0 / 32 / 28 / 13

HEX #DD969F

RGB 221 150 159

HSL 352.39, 0.51%, 0.73%

LAB 69.25, 27.9, 6.18

 

CMYK 0 / 32 / 32 / 13

HEX #DD9696

RGB 221 150 150

HSL 0, 0.51%, 0.73%

LAB 69.03, 26.71, 10.89

 

CMYK 0 / 32 / 19 / 13

HEX #DD96B3

RGB 221 150 179

HSL 335.49, 0.51%, 0.73%

LAB 69.78, 30.79, -4.19

 

CMYK 0 / 32 / 10 / 13

HEX #DD96C6

RGB 221 150 198

HSL 319.44, 0.51%, 0.73%

LAB 70.36, 33.85, -13.89

 

CMYK 0 / 32 / 2 / 13

HEX #DD96D9

RGB 221 150 217

HSL 303.38, 0.51%, 0.73%

LAB 71, 37.17, -23.41

 

CMYK 7 / 32 / 0 / 13

HEX #CE96DD

RGB 206 150 221

HSL 287.32, 0.51%, 0.73%

LAB 69.58, 33.16, -27.94

 

CMYK 15 / 32 / 0 / 13

HEX #BB96DD

RGB 187 150 221

HSL 271.27, 0.51%, 0.73%

LAB 67.72, 27.23, -30.95

 

CMYK 0 / 32 / 19 / 13

HEX #DD96B3

RGB 221 150 179

HSL 335.49, 0.51%, 0.73%

LAB 69.78, 30.79, -4.19

 

CMYK 0 / 40 / 24 / 9

HEX #E98BB1

RGB 233 139 177

HSL 335.74, 0.68%, 0.73%

LAB 68.72, 40.5, -4.47

 

CMYK 0 / 48 / 29 / 4

HEX #F480AE

RGB 244 128 174

HSL 336.21, 0.84%, 0.73%

LAB 67.82, 49.39, -3.96

 

CMYK 0 / 32 / 19 / 13

HEX #DD96B3

RGB 221 150 179

HSL 335.49, 0.51%, 0.73%

LAB 69.78, 30.79, -4.19

 

CMYK 0 / 23 / 14 / 18

HEX #D2A1B5

RGB 210 161 181

HSL 335.51, 0.35%, 0.73%

LAB 71.23, 21.24, -3.29

 

CMYK 0 / 14 / 8 / 22

HEX #C7ACB7

RGB 199 172 183

HSL 335.56, 0.19%, 0.73%

LAB 72.94, 11.63, -2.01

 

CMYK 0 / 3 / 2 / 26

HEX #BCB7B9

RGB 188 183 185

HSL 336, 0.04%, 0.73%

LAB 74.86, 2.13, -0.4

 

CMYK 9 / 0 / 4 / 24

HEX #B1C2BB

RGB 177 194 187

HSL 155.29, 0.12%, 0.73%

LAB 76.99, -7.15, 1.52

 

CMYK 0 / 32 / 1 / 13

HEX #DD96DA

RGB 221 150 218

HSL 302.54, 0.51%, 0.73%

LAB 71.04, 37.35, -23.91

 

CMYK 0 / 32 / 10 / 13

HEX #DD96C7

RGB 221 150 199

HSL 318.59, 0.51%, 0.73%

LAB 70.39, 34.01, -14.39

 

CMYK 0 / 32 / 19 / 13

HEX #DD96B4

RGB 221 150 180

HSL 334.65, 0.51%, 0.73%

LAB 69.81, 30.95, -4.7

 

CMYK 0 / 32 / 27 / 13

HEX #DD96A1

RGB 221 150 161

HSL 350.7, 0.51%, 0.73%

LAB 69.3, 28.17, 5.14

 

CMYK 0 / 29 / 32 / 13

HEX #DD9E96

RGB 221 158 150

HSL 6.76, 0.51%, 0.73%

LAB 70.89, 22.4, 13.51

 

CMYK 0 / 57 / 34 / 21

HEX #CA5785

RGB 202 87 133

HSL 336, 0.52%, 0.57%

LAB 53.02, 50.32, -2.76

 

CMYK 0 / 44 / 26 / 17

HEX #D4769C

RGB 212 118 156

HSL 335.74, 0.52%, 0.65%

LAB 61.09, 41.24, -4.12

 

CMYK 0 / 32 / 19 / 13

HEX #DD96B3

RGB 221 150 179

HSL 335.49, 0.51%, 0.73%

LAB 69.78, 30.79, -4.19

 

CMYK 0 / 22 / 13 / 9

HEX #E7B5C9

RGB 231 181 201

HSL 336, 0.51%, 0.81%

LAB 78.61, 21.17, -3.15

 

CMYK 0 / 12 / 7 / 5

HEX #F1D5E0

RGB 241 213 224

HSL 336.43, 0.5%, 0.89%

LAB 87.81, 11.53, -1.85

 

CMYK 0 / 32 / 19 / 13

HEX #DE96B3

RGB 222 150 179

HSL 335.83, 0.52%, 0.73%

LAB 69.89, 31.15, -4.01

 

CMYK 0 / 7 / 32 / 13

HEX #DDCE96

RGB 221 206 150

HSL 47.32, 0.51%, 0.73%

LAB 82.76, -3.08, 29.79

 

CMYK 32 / 6 / 0 / 13

HEX #96D0DD

RGB 150 208 221

HSL 190.99, 0.51%, 0.73%

LAB 80.08, -15.44, -12.41

 

CMYK 0 / 32 / 19 / 13

HEX #DE96B3

RGB 222 150 179

HSL 335.83, 0.52%, 0.73%

LAB 69.89, 31.15, -4.01

 

CMYK 19 / 0 / 32 / 13

HEX #B4DD96

RGB 180 221 150

HSL 94.65, 0.51%, 0.73%

LAB 83.77, -25.91, 30.6

 

CMYK 32 / 19 / 0 / 13

HEX #96B4DD

RGB 150 180 221

HSL 214.65, 0.51%, 0.73%

LAB 72.46, -0.61, -23.92

 

CMYK 0 / 32 / 19 / 13

HEX #DE96B3

RGB 222 150 179

HSL 335.83, 0.52%, 0.73%

LAB 69.89, 31.15, -4.01

 

CMYK 0 / 7 / 32 / 13

HEX #DDCE96

RGB 221 206 150

HSL 47.32, 0.51%, 0.73%

LAB 82.76, -3.08, 29.79

 

CMYK 32 / 0 / 13 / 13

HEX #96DDC0

RGB 150 221 192

HSL 155.49, 0.51%, 0.73%

LAB 82.91, -28.33, 7.21

 

CMYK 32 / 25 / 0 / 13

HEX #96A5DD

RGB 150 165 221

HSL 227.32, 0.51%, 0.73%

LAB 68.47, 7.71, -30.04

 

CMYK 0 / 32 / 19 / 13

HEX #DE96B3

RGB 222 150 179

HSL 335.83, 0.52%, 0.73%

LAB 69.89, 31.15, -4.01

 

CMYK 3 / 0 / 32 / 13

HEX #D7DD96

RGB 215 221 150

HSL 65.07, 0.51%, 0.73%

LAB 86.19, -13.01, 34.25

 

CMYK 32 / 0 / 13 / 13

HEX #96DDC0

RGB 150 221 192

HSL 155.49, 0.51%, 0.73%

LAB 82.91, -28.33, 7.21

 

CMYK 29 / 32 / 0 / 13

HEX #9C96DD

RGB 156 150 221

HSL 245.07, 0.51%, 0.73%

LAB 65.04, 17.94, -35.32

 

Description

Color code: HEX #DE96B3 | qconv.com Color code: HEX #DE96B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 150 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 150 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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