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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE911F it is the complementary color #216EE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE911F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE911F shade: #E3911A, #F4A32D, #FFB540, #FFC753 and #FFD966

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE911F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE911F shade: #DE911F, #CD7F0C, #BC6D00, #AB5B00 and #9A4900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE911F shade: #DF921F, #DF5E1F, #DF2A1F and #DF1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE911F shade: #DF921F, #DFC51F, #C5DF1F, #91DF1F and #5DDF1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE911F shade matches the following richer shades: #DF921F and #F3960B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE911F shade: #DF921F, #CA8E34, #B58A49, #A1865D and #8C8272

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE911F shade: #DF291F, #DF5C1F, #DF8F1F, #DFC21F and #C8DF1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE911F shade: #966215, #BB7A1A, #DF921F, #E4A343 and #E9B568

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE911F shade: #DE911F, #49DF1F and #421FDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE911F shade: #DE911F, #1FDF8F and #8F1FDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE911F shade: #DE911F, #49DF1F, #1F6FDF and #B51FDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE911F shade: #DE911F, #1FDF2F, #1F6FDF and #DF1FCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 86 / 13

HEX #DE911F

RGB 222 145 31

HSL 35.81, 0.75%, 0.5%

LAB 66.43, 20.95, 65.64

 

Complementary color

CMYK 85 / 51 / 0 / 12

HEX #216EE0

RGB 33 110 224

HSL 215.81, 0.75%, 0.5%

LAB 48.08, 19.48, -64.35

 

CMYK 0 / 36 / 89 / 11

HEX #E3911A

RGB 227 145 26

HSL 35.52, 0.79%, 0.5%

LAB 67.02, 22.97, 67.71

 

CMYK 0 / 33 / 82 / 4

HEX #F4A32D

RGB 244 163 45

HSL 35.58, 0.9%, 0.57%

LAB 73.3, 21.08, 68.13

 

CMYK 0 / 29 / 75 / 0

HEX #FFB540

RGB 255 181 64

HSL 36.75, 1%, 0.63%

LAB 78.86, 16.91, 66.83

 

CMYK 0 / 22 / 67 / 0

HEX #FFC753

RGB 255 199 83

HSL 40.47, 1%, 0.66%

LAB 83.3, 8.45, 63.6

 

CMYK 0 / 15 / 60 / 0

HEX #FFD966

RGB 255 217 102

HSL 45.1, 1%, 0.7%

LAB 87.89, 0.36, 60.31

 

CMYK 0 / 35 / 86 / 13

HEX #DE911F

RGB 222 145 31

HSL 35.81, 0.75%, 0.5%

LAB 66.43, 20.95, 65.64

 

CMYK 0 / 38 / 94 / 20

HEX #CD7F0C

RGB 205 127 12

HSL 35.75, 0.89%, 0.43%

LAB 60.05, 23, 64.33

 

CMYK 0 / 42 / 100 / 26

HEX #BC6D00

RGB 188 109 0

HSL 34.79, 1%, 0.37%

LAB 53.63, 25.3, 61.07

 

CMYK 0 / 47 / 100 / 33

HEX #AB5B00

RGB 171 91 0

HSL 31.93, 1%, 0.34%

LAB 47.16, 27.8, 55.83

 

CMYK 0 / 53 / 100 / 40

HEX #9A4900

RGB 154 73 0

HSL 28.44, 1%, 0.3%

LAB 40.63, 30.3, 50.59

 

CMYK 0 / 35 / 86 / 13

HEX #DF921F

RGB 223 146 31

HSL 35.94, 0.76%, 0.5%

LAB 66.78, 20.84, 65.98

 

CMYK 0 / 58 / 86 / 13

HEX #DF5E1F

RGB 223 94 31

HSL 19.69, 0.76%, 0.5%

LAB 55.88, 47.47, 57.11

 

CMYK 0 / 81 / 86 / 13

HEX #DF2A1F

RGB 223 42 31

HSL 3.44, 0.76%, 0.5%

LAB 48.81, 66.67, 51.32

 

CMYK 0 / 86 / 86 / 13

HEX #DF1F1F

RGB 223 31 31

HSL 0, 0.76%, 0.5%

LAB 47.96, 69.09, 50.63

 

CMYK 0 / 35 / 86 / 13

HEX #DF921F

RGB 223 146 31

HSL 35.94, 0.76%, 0.5%

LAB 66.78, 20.84, 65.98

 

CMYK 0 / 12 / 86 / 13

HEX #DFC51F

RGB 223 197 31

HSL 51.88, 0.76%, 0.5%

LAB 79.45, -6.08, 76.24

 

CMYK 12 / 0 / 86 / 13

HEX #C5DF1F

RGB 197 223 31

HSL 68.13, 0.76%, 0.5%

LAB 84.35, -29.84, 79.38

 

CMYK 35 / 0 / 86 / 13

HEX #91DF1F

RGB 145 223 31

HSL 84.38, 0.76%, 0.5%

LAB 81.23, -49.76, 75.51

 

CMYK 58 / 0 / 86 / 13

HEX #5DDF1F

RGB 93 223 31

HSL 100.63, 0.76%, 0.5%

LAB 79.16, -65.44, 72.91

 

CMYK 0 / 35 / 86 / 13

HEX #DF921F

RGB 223 146 31

HSL 35.94, 0.76%, 0.5%

LAB 66.78, 20.84, 65.98

 

CMYK 0 / 38 / 95 / 5

HEX #F3960B

RGB 243 150 11

HSL 35.95, 0.91%, 0.5%

LAB 70.1, 26.86, 73.7

 

CMYK 0 / 35 / 86 / 13

HEX #DF921F

RGB 223 146 31

HSL 35.94, 0.76%, 0.5%

LAB 66.78, 20.84, 65.98

 

CMYK 0 / 30 / 74 / 21

HEX #CA8E34

RGB 202 142 52

HSL 36, 0.59%, 0.5%

LAB 63.47, 14.65, 54.56

 

CMYK 0 / 24 / 60 / 29

HEX #B58A49

RGB 181 138 73

HSL 36.11, 0.43%, 0.5%

LAB 60.32, 8.97, 40.6

 

CMYK 0 / 17 / 42 / 37

HEX #A1865D

RGB 161 134 93

HSL 36.18, 0.27%, 0.5%

LAB 57.48, 4.48, 25.9

 

CMYK 0 / 7 / 19 / 45

HEX #8C8272

RGB 140 130 114

HSL 36.92, 0.1%, 0.5%

LAB 54.82, 0.97, 10.03

 

CMYK 0 / 82 / 86 / 13

HEX #DF291F

RGB 223 41 31

HSL 3.13, 0.76%, 0.5%

LAB 48.73, 66.92, 51.25

 

CMYK 0 / 59 / 86 / 13

HEX #DF5C1F

RGB 223 92 31

HSL 19.06, 0.76%, 0.5%

LAB 55.52, 48.4, 56.82

 

CMYK 0 / 36 / 86 / 13

HEX #DF8F1F

RGB 223 143 31

HSL 35, 0.76%, 0.5%

LAB 66.08, 22.44, 65.41

 

CMYK 0 / 13 / 86 / 13

HEX #DFC21F

RGB 223 194 31

HSL 50.94, 0.76%, 0.5%

LAB 78.68, -4.54, 75.61

 

CMYK 10 / 0 / 86 / 13

HEX #C8DF1F

RGB 200 223 31

HSL 67.19, 0.76%, 0.5%

LAB 84.56, -28.61, 79.64

 

CMYK 0 / 35 / 86 / 41

HEX #966215

RGB 150 98 21

HSL 35.81, 0.75%, 0.34%

LAB 46.01, 14.89, 48.18

 

CMYK 0 / 35 / 86 / 27

HEX #BB7A1A

RGB 187 122 26

HSL 35.78, 0.76%, 0.42%

LAB 56.64, 18.14, 57.35

 

CMYK 0 / 35 / 86 / 13

HEX #DF921F

RGB 223 146 31

HSL 35.94, 0.76%, 0.5%

LAB 66.78, 20.84, 65.98

 

CMYK 0 / 29 / 71 / 11

HEX #E4A343

RGB 228 163 67

HSL 35.78, 0.75%, 0.58%

LAB 71.62, 15.2, 57.36

 

CMYK 0 / 22 / 55 / 9

HEX #E9B568

RGB 233 181 104

HSL 35.81, 0.75%, 0.66%

LAB 76.9, 10.13, 46.04

 

CMYK 0 / 35 / 86 / 13

HEX #DE911F

RGB 222 145 31

HSL 35.81, 0.75%, 0.5%

LAB 66.43, 20.95, 65.64

 

CMYK 67 / 0 / 86 / 13

HEX #49DF1F

RGB 73 223 31

HSL 106.88, 0.76%, 0.5%

LAB 78.63, -69.81, 72.24

 

CMYK 70 / 86 / 0 / 13

HEX #421FDF

RGB 66 31 223

HSL 250.94, 0.76%, 0.5%

LAB 32.84, 65.86, -88.73

 

CMYK 0 / 35 / 86 / 13

HEX #DE911F

RGB 222 145 31

HSL 35.81, 0.75%, 0.5%

LAB 66.43, 20.95, 65.64

 

CMYK 86 / 0 / 36 / 13

HEX #1FDF8F

RGB 31 223 143

HSL 155, 0.76%, 0.5%

LAB 79.07, -62.27, 27

 

CMYK 36 / 86 / 0 / 13

HEX #8F1FDF

RGB 143 31 223

HSL 275, 0.76%, 0.5%

LAB 41.45, 73.32, -74.24

 

CMYK 0 / 35 / 86 / 13

HEX #DE911F

RGB 222 145 31

HSL 35.81, 0.75%, 0.5%

LAB 66.43, 20.95, 65.64

 

CMYK 67 / 0 / 86 / 13

HEX #49DF1F

RGB 73 223 31

HSL 106.88, 0.76%, 0.5%

LAB 78.63, -69.81, 72.24

 

CMYK 86 / 50 / 0 / 13

HEX #1F6FDF

RGB 31 111 223

HSL 215, 0.76%, 0.5%

LAB 48.24, 18.33, -63.52

 

CMYK 19 / 86 / 0 / 13

HEX #B51FDF

RGB 181 31 223

HSL 286.88, 0.76%, 0.5%

LAB 47.15, 78.76, -64.72

 

CMYK 0 / 35 / 86 / 13

HEX #DE911F

RGB 222 145 31

HSL 35.81, 0.75%, 0.5%

LAB 66.43, 20.95, 65.64

 

CMYK 86 / 0 / 79 / 13

HEX #1FDF2F

RGB 31 223 47

HSL 125, 0.76%, 0.5%

LAB 78.04, -74.76, 67.52

 

CMYK 86 / 50 / 0 / 13

HEX #1F6FDF

RGB 31 111 223

HSL 215, 0.76%, 0.5%

LAB 48.24, 18.33, -63.52

 

CMYK 0 / 86 / 7 / 13

HEX #DF1FCF

RGB 223 31 207

HSL 305, 0.76%, 0.5%

LAB 53.14, 83.38, -45.58

 

Description

Color code: HEX #DE911F | qconv.com Color code: HEX #DE911F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 145 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 145 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 86% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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