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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE919C it is the complementary color #216E63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE919C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE919C shade: #E39197, #F4A3AA, #FFB5BD, #FFC7D0 and #FFD9E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE919C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE919C shade: #DE919C, #CD7F89, #BC6D76, #AB5B63 and #9A4950

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE919C shade: #DE919C and #DE9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE919C shade: #DE919C, #DE91B0, #DE91C5, #DE91DA and #CD91DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE919C shade matches the following richer shades: #DE919C, #E98593 and #F5798B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE919C shade: #DE919C, #D29CA4, #C7A8AC, #BBB3B4 and #AFBFBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE919C shade: #DE91C5, #DE91B1, #DE919C, #DE9A91 and #DEAE91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE919C shade: #CB5162, #D4717F, #DE919C, #E7B0B8 and #F1D0D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE919C shade: #DE919C, #DADE91 and #91BBDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE919C shade: #DE919C, #9CDE91 and #919CDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE919C shade: #DE919C, #DADE91, #91DED2 and #9491DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE919C shade: #DE919C, #C3DE91, #91DED2 and #AC91DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

Complementary color

CMYK 70 / 0 / 10 / 57

HEX #216E63

RGB 33 110 99

HSL 171.43, 0.54%, 0.28%

LAB 41.81, -25.97, -0.67

 

CMYK 0 / 36 / 33 / 11

HEX #E39197

RGB 227 145 151

HSL 355.61, 0.59%, 0.73%

LAB 68.62, 31.75, 9.84

 

CMYK 0 / 33 / 30 / 4

HEX #F4A3AA

RGB 244 163 170

HSL 354.81, 0.79%, 0.8%

LAB 75.03, 30.89, 8.73

 

CMYK 0 / 29 / 26 / 0

HEX #FFB5BD

RGB 255 181 189

HSL 353.51, 1%, 0.85%

LAB 80.73, 27.94, 6.72

 

CMYK 0 / 22 / 18 / 0

HEX #FFC7D0

RGB 255 199 208

HSL 350.36, 1%, 0.89%

LAB 85.33, 21.22, 3.18

 

CMYK 0 / 15 / 11 / 0

HEX #FFD9E3

RGB 255 217 227

HSL 344.21, 1%, 0.93%

LAB 90.06, 14.77, 0.01

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 0 / 38 / 33 / 20

HEX #CD7F89

RGB 205 127 137

HSL 352.31, 0.44%, 0.65%

LAB 61.62, 31.42, 7.43

 

CMYK 0 / 42 / 37 / 26

HEX #BC6D76

RGB 188 109 118

HSL 353.16, 0.37%, 0.58%

LAB 55.01, 32.38, 8.71

 

CMYK 0 / 47 / 42 / 33

HEX #AB5B63

RGB 171 91 99

HSL 354, 0.32%, 0.51%

LAB 48.31, 33.41, 10.2

 

CMYK 0 / 53 / 48 / 40

HEX #9A4950

RGB 154 73 80

HSL 354.81, 0.36%, 0.45%

LAB 41.55, 34.5, 11.97

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 0 / 35 / 35 / 13

HEX #DE9191

RGB 222 145 145

HSL 0, 0.54%, 0.72%

LAB 67.89, 29.14, 12.09

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 0 / 35 / 21 / 13

HEX #DE91B0

RGB 222 145 176

HSL 335.84, 0.54%, 0.72%

LAB 68.69, 33.37, -4.11

 

CMYK 0 / 35 / 11 / 13

HEX #DE91C5

RGB 222 145 197

HSL 319.48, 0.54%, 0.72%

LAB 69.34, 36.68, -14.86

 

CMYK 0 / 35 / 2 / 13

HEX #DE91DA

RGB 222 145 218

HSL 303.12, 0.54%, 0.72%

LAB 70.07, 40.32, -25.39

 

CMYK 8 / 35 / 0 / 13

HEX #CD91DE

RGB 205 145 222

HSL 286.75, 0.54%, 0.72%

LAB 68.39, 35.76, -30.33

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 0 / 43 / 37 / 9

HEX #E98593

RGB 233 133 147

HSL 351.6, 0.69%, 0.72%

LAB 66.68, 39.75, 9.43

 

CMYK 0 / 51 / 43 / 4

HEX #F5798B

RGB 245 121 139

HSL 351.29, 0.86%, 0.72%

LAB 65.71, 49.14, 12.82

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 0 / 26 / 22 / 18

HEX #D29CA4

RGB 210 156 164

HSL 351.11, 0.38%, 0.72%

LAB 69.58, 21.29, 3.73

 

CMYK 0 / 16 / 14 / 22

HEX #C7A8AC

RGB 199 168 172

HSL 352.26, 0.22%, 0.72%

LAB 71.64, 11.94, 2.15

 

CMYK 0 / 4 / 4 / 27

HEX #BBB3B4

RGB 187 179 180

HSL 352.5, 0.06%, 0.72%

LAB 73.61, 3.02, 0.5

 

CMYK 8 / 0 / 1 / 25

HEX #AFBFBD

RGB 175 191 189

HSL 172.5, 0.11%, 0.72%

LAB 76.1, -5.86, -0.88

 

CMYK 0 / 35 / 11 / 13

HEX #DE91C5

RGB 222 145 197

HSL 319.48, 0.54%, 0.72%

LAB 69.34, 36.68, -14.86

 

CMYK 0 / 35 / 20 / 13

HEX #DE91B1

RGB 222 145 177

HSL 335.06, 0.54%, 0.72%

LAB 68.72, 33.52, -4.63

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 0 / 31 / 35 / 13

HEX #DE9A91

RGB 222 154 145

HSL 7.01, 0.54%, 0.72%

LAB 69.95, 24.31, 14.98

 

CMYK 0 / 22 / 35 / 13

HEX #DEAE91

RGB 222 174 145

HSL 22.6, 0.54%, 0.72%

LAB 74.73, 13.56, 21.59

 

CMYK 0 / 60 / 52 / 20

HEX #CB5162

RGB 203 81 98

HSL 351.64, 0.54%, 0.56%

LAB 51.22, 49.82, 15.58

 

CMYK 0 / 47 / 40 / 17

HEX #D4717F

RGB 212 113 127

HSL 351.52, 0.54%, 0.64%

LAB 59.29, 40.2, 9.99

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 0 / 24 / 20 / 9

HEX #E7B0B8

RGB 231 176 184

HSL 351.27, 0.53%, 0.8%

LAB 76.98, 21.19, 3.7

 

CMYK 0 / 14 / 12 / 5

HEX #F1D0D5

RGB 241 208 213

HSL 350.91, 0.54%, 0.88%

LAB 86.31, 12.33, 1.79

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 2 / 0 / 35 / 13

HEX #DADE91

RGB 218 222 145

HSL 63.12, 0.54%, 0.72%

LAB 86.6, -12.97, 37.36

 

CMYK 35 / 16 / 0 / 13

HEX #91BBDE

RGB 145 187 222

HSL 207.27, 0.54%, 0.72%

LAB 74.08, -5.55, -22.02

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 30 / 0 / 35 / 13

HEX #9CDE91

RGB 156 222 145

HSL 111.43, 0.54%, 0.72%

LAB 82.57, -35.34, 31.32

 

CMYK 35 / 30 / 0 / 13

HEX #919CDE

RGB 145 156 222

HSL 231.43, 0.54%, 0.72%

LAB 65.8, 11.66, -34.75

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 2 / 0 / 35 / 13

HEX #DADE91

RGB 218 222 145

HSL 63.12, 0.54%, 0.72%

LAB 86.6, -12.97, 37.36

 

CMYK 35 / 0 / 5 / 13

HEX #91DED2

RGB 145 222 210

HSL 170.65, 0.54%, 0.72%

LAB 83.4, -26.35, -1.66

 

CMYK 33 / 35 / 0 / 13

HEX #9491DE

RGB 148 145 222

HSL 242.34, 0.54%, 0.72%

LAB 63.19, 18.8, -38.8

 

CMYK 0 / 35 / 30 / 13

HEX #DE919C

RGB 222 145 156

HSL 351.43, 0.54%, 0.72%

LAB 68.15, 30.54, 6.31

 

CMYK 12 / 0 / 35 / 13

HEX #C3DE91

RGB 195 222 145

HSL 81.04, 0.54%, 0.72%

LAB 84.94, -21.64, 34.88

 

CMYK 35 / 0 / 5 / 13

HEX #91DED2

RGB 145 222 210

HSL 170.65, 0.54%, 0.72%

LAB 83.4, -26.35, -1.66

 

CMYK 23 / 35 / 0 / 13

HEX #AC91DE

RGB 172 145 222

HSL 261.04, 0.54%, 0.72%

LAB 65.2, 25.72, -35.53

 

Description

Color code: HEX #DE919C | qconv.com Color code: HEX #DE919C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 145 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 145 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 30 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 30% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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