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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEA5CA it is the complementary color #215A35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEA5CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEA5CA shade: #E3A5C5, #F4B7D8, #FFC9EB, #FFDBFE and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEA5CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEA5CA shade: #DEA5CA, #CD93B7, #BC81A4, #AB6F91 and #9A5D7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEA5CA shade: #DDA5CA, #DDA5BB, #DDA5AB and #DDA5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEA5CA shade: #DDA5CA, #DDA5D9, #D3A5DD, #C4A5DD and #B4A5DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEA5CA shade matches the following richer shades: #DDA5CA, #E79BCD, #F191D0 and #FB87D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEA5CA shade: #DDA5CA, #D4AFC7, #CAB9C4, #C0C3C1 and #B6CDBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEA5CA shade: #D3A5DD, #DDA5D9, #DDA5CA, #DDA5BB and #DDA5AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEA5CA shade: #C769A6, #D287B8, #DDA5CA, #E9C3DB and #F4E1ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEA5CA shade: #DEA5CA, #DDC4A5 and #A5DDDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEA5CA shade: #DEA5CA, #CADDA5 and #A5CADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEA5CA shade: #DEA5CA, #DDC4A5, #A5DDB9 and #A5BEDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEA5CA shade: #DEA5CA, #DDD5A5, #A5DDB9 and #A5AEDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 9 / 13

HEX #DEA5CA

RGB 222 165 202

HSL 321.05, 0.46%, 0.76%

LAB 74, 26.8, -10.63

 

Complementary color

CMYK 63 / 0 / 41 / 65

HEX #215A35

RGB 33 90 53

HSL 141.05, 0.46%, 0.24%

LAB 33.76, -28.06, 15.97

 

CMYK 0 / 27 / 13 / 11

HEX #E3A5C5

RGB 227 165 197

HSL 329.03, 0.53%, 0.77%

LAB 74.36, 27.69, -7.29

 

CMYK 0 / 25 / 11 / 4

HEX #F4B7D8

RGB 244 183 216

HSL 327.54, 0.73%, 0.84%

LAB 80.77, 27.07, -7.93

 

CMYK 0 / 21 / 8 / 0

HEX #FFC9EB

RGB 255 201 235

HSL 322.22, 1%, 0.89%

LAB 86.52, 24.46, -9.44

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFE

RGB 255 219 254

HSL 301.67, 1%, 0.93%

LAB 91.27, 18.33, -12.38

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 26 / 9 / 13

HEX #DEA5CA

RGB 222 165 202

HSL 321.05, 0.46%, 0.76%

LAB 74, 26.8, -10.63

 

CMYK 0 / 28 / 11 / 20

HEX #CD93B7

RGB 205 147 183

HSL 322.76, 0.37%, 0.69%

LAB 67.48, 27.44, -10.03

 

CMYK 0 / 31 / 13 / 26

HEX #BC81A4

RGB 188 129 164

HSL 324.41, 0.31%, 0.62%

LAB 60.85, 28.14, -9.39

 

CMYK 0 / 35 / 15 / 33

HEX #AB6F91

RGB 171 111 145

HSL 326, 0.26%, 0.55%

LAB 54.1, 28.89, -8.69

 

CMYK 0 / 40 / 18 / 40

HEX #9A5D7E

RGB 154 93 126

HSL 327.54, 0.25%, 0.48%

LAB 47.24, 29.71, -7.89

 

CMYK 0 / 25 / 9 / 13

HEX #DDA5CA

RGB 221 165 202

HSL 320.36, 0.45%, 0.76%

LAB 73.9, 26.45, -10.79

 

CMYK 0 / 25 / 15 / 13

HEX #DDA5BB

RGB 221 165 187

HSL 336.43, 0.45%, 0.76%

LAB 73.46, 23.97, -3.2

 

CMYK 0 / 25 / 23 / 13

HEX #DDA5AB

RGB 221 165 171

HSL 353.57, 0.45%, 0.76%

LAB 73.04, 21.52, 4.99

 

CMYK 0 / 25 / 25 / 13

HEX #DDA5A5

RGB 221 165 165

HSL 0, 0.45%, 0.76%

LAB 72.89, 20.65, 8.08

 

CMYK 0 / 25 / 9 / 13

HEX #DDA5CA

RGB 221 165 202

HSL 320.36, 0.45%, 0.76%

LAB 73.9, 26.45, -10.79

 

CMYK 0 / 25 / 2 / 13

HEX #DDA5D9

RGB 221 165 217

HSL 304.29, 0.45%, 0.76%

LAB 74.38, 29.11, -18.29

 

CMYK 5 / 25 / 0 / 13

HEX #D3A5DD

RGB 211 165 221

HSL 289.29, 0.45%, 0.76%

LAB 73.53, 26.58, -21.85

 

CMYK 11 / 25 / 0 / 13

HEX #C4A5DD

RGB 196 165 221

HSL 273.21, 0.45%, 0.76%

LAB 72.14, 21.75, -24.1

 

CMYK 19 / 25 / 0 / 13

HEX #B4A5DD

RGB 180 165 221

HSL 256.07, 0.45%, 0.76%

LAB 70.76, 16.69, -26.33

 

CMYK 0 / 25 / 9 / 13

HEX #DDA5CA

RGB 221 165 202

HSL 320.36, 0.45%, 0.76%

LAB 73.9, 26.45, -10.79

 

CMYK 0 / 33 / 11 / 9

HEX #E79BCD

RGB 231 155 205

HSL 320.53, 0.61%, 0.76%

LAB 72.79, 35.71, -14

 

CMYK 0 / 40 / 14 / 5

HEX #F191D0

RGB 241 145 208

HSL 320.63, 0.77%, 0.76%

LAB 71.9, 44.71, -16.88

 

CMYK 0 / 46 / 16 / 2

HEX #FB87D3

RGB 251 135 211

HSL 320.69, 0.94%, 0.76%

LAB 71.24, 53.36, -19.41

 

CMYK 0 / 25 / 9 / 13

HEX #DDA5CA

RGB 221 165 202

HSL 320.36, 0.45%, 0.76%

LAB 73.9, 26.45, -10.79

 

CMYK 0 / 17 / 6 / 17

HEX #D4AFC7

RGB 212 175 199

HSL 321.08, 0.3%, 0.76%

LAB 75.31, 17.4, -7.13

 

CMYK 0 / 8 / 3 / 21

HEX #CAB9C4

RGB 202 185 196

HSL 321.18, 0.14%, 0.76%

LAB 76.82, 7.97, -3.37

 

CMYK 2 / 0 / 1 / 24

HEX #C0C3C1

RGB 192 195 193

HSL 140, 0.02%, 0.76%

LAB 78.51, -1.4, 0.63

 

CMYK 11 / 0 / 7 / 20

HEX #B6CDBE

RGB 182 205 190

HSL 140.87, 0.19%, 0.76%

LAB 80.36, -10.61, 4.84

 

CMYK 5 / 25 / 0 / 13

HEX #D3A5DD

RGB 211 165 221

HSL 289.29, 0.45%, 0.76%

LAB 73.53, 26.58, -21.85

 

CMYK 0 / 25 / 2 / 13

HEX #DDA5D9

RGB 221 165 217

HSL 304.29, 0.45%, 0.76%

LAB 74.38, 29.11, -18.29

 

CMYK 0 / 25 / 9 / 13

HEX #DDA5CA

RGB 221 165 202

HSL 320.36, 0.45%, 0.76%

LAB 73.9, 26.45, -10.79

 

CMYK 0 / 25 / 15 / 13

HEX #DDA5BB

RGB 221 165 187

HSL 336.43, 0.45%, 0.76%

LAB 73.46, 23.97, -3.2

 

CMYK 0 / 25 / 22 / 13

HEX #DDA5AC

RGB 221 165 172

HSL 352.5, 0.45%, 0.76%

LAB 73.06, 21.66, 4.48

 

CMYK 0 / 47 / 17 / 22

HEX #C769A6

RGB 199 105 166

HSL 321.06, 0.46%, 0.6%

LAB 57.07, 45.07, -16.08

 

CMYK 0 / 36 / 12 / 18

HEX #D287B8

RGB 210 135 184

HSL 320.8, 0.45%, 0.68%

LAB 65.35, 35.83, -13.72

 

CMYK 0 / 25 / 9 / 13

HEX #DDA5CA

RGB 221 165 202

HSL 320.36, 0.45%, 0.76%

LAB 73.9, 26.45, -10.79

 

CMYK 0 / 16 / 6 / 9

HEX #E9C3DB

RGB 233 195 219

HSL 322.11, 0.46%, 0.84%

LAB 82.63, 17.42, -6.9

 

CMYK 0 / 8 / 3 / 4

HEX #F4E1ED

RGB 244 225 237

HSL 322.11, 0.46%, 0.92%

LAB 91.32, 8.54, -3.5

 

CMYK 0 / 26 / 9 / 13

HEX #DEA5CA

RGB 222 165 202

HSL 321.05, 0.46%, 0.76%

LAB 74, 26.8, -10.63

 

CMYK 0 / 11 / 25 / 13

HEX #DDC4A5

RGB 221 196 165

HSL 33.21, 0.45%, 0.76%

LAB 80.5, 4.1, 18.81

 

CMYK 25 / 0 / 1 / 13

HEX #A5DDDB

RGB 165 221 219

HSL 177.86, 0.45%, 0.76%

LAB 84.39, -18.21, -4.84

 

CMYK 0 / 26 / 9 / 13

HEX #DEA5CA

RGB 222 165 202

HSL 321.05, 0.46%, 0.76%

LAB 74, 26.8, -10.63

 

CMYK 9 / 0 / 25 / 13

HEX #CADDA5

RGB 202 221 165

HSL 80.36, 0.45%, 0.76%

LAB 85.5, -15.83, 25.45

 

CMYK 25 / 9 / 0 / 13

HEX #A5CADD

RGB 165 202 221

HSL 200.36, 0.45%, 0.76%

LAB 79.31, -8.01, -13.47

 

CMYK 0 / 26 / 9 / 13

HEX #DEA5CA

RGB 222 165 202

HSL 321.05, 0.46%, 0.76%

LAB 74, 26.8, -10.63

 

CMYK 0 / 11 / 25 / 13

HEX #DDC4A5

RGB 221 196 165

HSL 33.21, 0.45%, 0.76%

LAB 80.5, 4.1, 18.81

 

CMYK 25 / 0 / 16 / 13

HEX #A5DDB9

RGB 165 221 185

HSL 141.43, 0.45%, 0.76%

LAB 83.56, -25.14, 11.92

 

CMYK 25 / 14 / 0 / 13

HEX #A5BEDD

RGB 165 190 221

HSL 213.21, 0.45%, 0.76%

LAB 76.1, -1.64, -18.3

 

CMYK 0 / 26 / 9 / 13

HEX #DEA5CA

RGB 222 165 202

HSL 321.05, 0.46%, 0.76%

LAB 74, 26.8, -10.63

 

CMYK 0 / 4 / 25 / 13

HEX #DDD5A5

RGB 221 213 165

HSL 51.43, 0.45%, 0.76%

LAB 84.83, -4.74, 24.77

 

CMYK 25 / 0 / 16 / 13

HEX #A5DDB9

RGB 165 221 185

HSL 141.43, 0.45%, 0.76%

LAB 83.56, -25.14, 11.92

 

CMYK 25 / 21 / 0 / 13

HEX #A5AEDD

RGB 165 174 221

HSL 230.36, 0.45%, 0.76%

LAB 71.89, 7.1, -24.7

 

Description

Color code: HEX #DEA5CA | qconv.com Color code: HEX #DEA5CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 165 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 165 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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