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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEAD95 it is the complementary color #21526A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEAD95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEAD95 shade: #E3AD90, #F4BFA3, #FFD1B6, #FFE3C9 and #FFF5DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEAD95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEAD95 shade: #DEAD95, #CD9B82, #BC896F, #AB775C and #9A6549

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEAD95 shade: #DEAD95, #DE9995 and #DE9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEAD95 shade: #DEAD95, #DEC195, #DED595, #D4DE95 and #C0DE95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEAD95 shade matches the following richer shades: #DEAD95, #E9A98A and #F4A67F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEAD95 shade: #DEAD95, #D3B1A0, #C8B5AB, #BDB9B7 and #B2BCC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEAD95 shade: #DE95A5, #DE9995, #DEAC95, #DEC095 and #DED395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEAD95 shade: #CB7C56, #D49576, #DEAD95, #E8C6B5 and #F2DED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEAD95 shade: #DEAD95, #B8DE95 and #959BDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEAD95 shade: #DEAD95, #95DEAC and #AC95DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEAD95 shade: #DEAD95, #B8DE95, #95C7DE and #BB95DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEAD95 shade: #DEAD95, #A3DE95, #95C7DE and #D195DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

Complementary color

CMYK 69 / 23 / 0 / 58

HEX #21526A

RGB 33 82 106

HSL 199.73, 0.53%, 0.27%

LAB 32.7, -8.13, -18.72

 

CMYK 0 / 24 / 37 / 11

HEX #E3AD90

RGB 227 173 144

HSL 20.96, 0.6%, 0.73%

LAB 74.97, 15.92, 22.54

 

CMYK 0 / 22 / 33 / 4

HEX #F4BFA3

RGB 244 191 163

HSL 20.74, 0.79%, 0.8%

LAB 81.37, 15.22, 21.4

 

CMYK 0 / 18 / 29 / 0

HEX #FFD1B6

RGB 255 209 182

HSL 22.19, 1%, 0.86%

LAB 87.11, 12.36, 19.48

 

CMYK 0 / 11 / 21 / 0

HEX #FFE3C9

RGB 255 227 201

HSL 28.89, 1%, 0.89%

LAB 91.87, 5.65, 16.21

 

CMYK 0 / 4 / 14 / 0

HEX #FFF5DC

RGB 255 245 220

HSL 42.86, 1%, 0.93%

LAB 96.71, -0.7, 13.23

 

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

CMYK 0 / 24 / 37 / 20

HEX #CD9B82

RGB 205 155 130

HSL 20, 0.43%, 0.66%

LAB 68.05, 15.3, 20.35

 

CMYK 0 / 27 / 41 / 26

HEX #BC896F

RGB 188 137 111

HSL 20.26, 0.36%, 0.59%

LAB 61.42, 16.12, 21.6

 

CMYK 0 / 30 / 46 / 33

HEX #AB775C

RGB 171 119 92

HSL 20.51, 0.32%, 0.52%

LAB 54.68, 17.06, 22.99

 

CMYK 0 / 34 / 53 / 40

HEX #9A6549

RGB 154 101 73

HSL 20.74, 0.36%, 0.45%

LAB 47.83, 18.17, 24.54

 

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

CMYK 0 / 31 / 33 / 13

HEX #DE9995

RGB 222 153 149

HSL 3.29, 0.53%, 0.73%

LAB 69.81, 25.34, 12.57

 

CMYK 0 / 33 / 33 / 13

HEX #DE9595

RGB 222 149 149

HSL 0, 0.53%, 0.73%

LAB 68.89, 27.49, 11.27

 

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

CMYK 0 / 13 / 33 / 13

HEX #DEC195

RGB 222 193 149

HSL 36.16, 0.53%, 0.73%

LAB 79.52, 3.96, 25.97

 

CMYK 0 / 4 / 33 / 13

HEX #DED595

RGB 222 213 149

HSL 52.6, 0.53%, 0.73%

LAB 84.63, -6.41, 32.81

 

CMYK 5 / 0 / 33 / 13

HEX #D4DE95

RGB 212 222 149

HSL 68.22, 0.53%, 0.73%

LAB 86.21, -14.77, 34.74

 

CMYK 14 / 0 / 33 / 13

HEX #C0DE95

RGB 192 222 149

HSL 84.66, 0.53%, 0.73%

LAB 84.8, -22.21, 32.63

 

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

CMYK 0 / 27 / 41 / 9

HEX #E9A98A

RGB 233 169 138

HSL 19.58, 0.68%, 0.73%

LAB 74.53, 19.71, 25.28

 

CMYK 0 / 32 / 48 / 4

HEX #F4A67F

RGB 244 166 127

HSL 20, 0.84%, 0.73%

LAB 74.85, 24.5, 31.82

 

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

CMYK 0 / 16 / 24 / 17

HEX #D3B1A0

RGB 211 177 160

HSL 20, 0.37%, 0.73%

LAB 74.72, 9.7, 13.28

 

CMYK 0 / 10 / 15 / 22

HEX #C8B5AB

RGB 200 181 171

HSL 20.69, 0.21%, 0.73%

LAB 74.99, 5.11, 7.55

 

CMYK 0 / 2 / 3 / 26

HEX #BDB9B7

RGB 189 185 183

HSL 20, 0.04%, 0.73%

LAB 75.41, 1.04, 1.5

 

CMYK 8 / 3 / 0 / 24

HEX #B2BCC2

RGB 178 188 194

HSL 202.5, 0.12%, 0.73%

LAB 75.65, -2.27, -4.22

 

CMYK 0 / 33 / 26 / 13

HEX #DE95A5

RGB 222 149 165

HSL 346.85, 0.53%, 0.73%

LAB 69.28, 29.63, 2.91

 

CMYK 0 / 31 / 33 / 13

HEX #DE9995

RGB 222 153 149

HSL 3.29, 0.53%, 0.73%

LAB 69.81, 25.34, 12.57

 

CMYK 0 / 23 / 33 / 13

HEX #DEAC95

RGB 222 172 149

HSL 18.9, 0.53%, 0.73%

LAB 74.32, 15.12, 18.86

 

CMYK 0 / 14 / 33 / 13

HEX #DEC095

RGB 222 192 149

HSL 35.34, 0.53%, 0.73%

LAB 79.27, 4.48, 25.63

 

CMYK 0 / 5 / 33 / 13

HEX #DED395

RGB 222 211 149

HSL 50.96, 0.53%, 0.73%

LAB 84.12, -5.39, 32.12

 

CMYK 0 / 39 / 58 / 20

HEX #CB7C56

RGB 203 124 86

HSL 19.49, 0.53%, 0.57%

LAB 59.69, 26.98, 33.56

 

CMYK 0 / 30 / 44 / 17

HEX #D49576

RGB 212 149 118

HSL 19.79, 0.52%, 0.65%

LAB 67.13, 20, 25.83

 

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

CMYK 0 / 15 / 22 / 9

HEX #E8C6B5

RGB 232 198 181

HSL 20, 0.53%, 0.81%

LAB 82.31, 9.43, 12.97

 

CMYK 0 / 8 / 12 / 5

HEX #F2DED4

RGB 242 222 212

HSL 20, 0.54%, 0.89%

LAB 89.8, 5.23, 7.37

 

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

CMYK 17 / 0 / 33 / 13

HEX #B8DE95

RGB 184 222 149

HSL 91.23, 0.53%, 0.73%

LAB 84.28, -25.1, 31.84

 

CMYK 33 / 30 / 0 / 13

HEX #959BDE

RGB 149 155 222

HSL 235.07, 0.53%, 0.73%

LAB 65.83, 13.35, -34.69

 

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

CMYK 33 / 0 / 23 / 13

HEX #95DEAC

RGB 149 222 172

HSL 138.9, 0.53%, 0.73%

LAB 82.71, -33, 17.44

 

CMYK 23 / 33 / 0 / 13

HEX #AC95DE

RGB 172 149 222

HSL 258.9, 0.53%, 0.73%

LAB 66.17, 23.46, -34.02

 

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

CMYK 17 / 0 / 33 / 13

HEX #B8DE95

RGB 184 222 149

HSL 91.23, 0.53%, 0.73%

LAB 84.28, -25.1, 31.84

 

CMYK 33 / 10 / 0 / 13

HEX #95C7DE

RGB 149 199 222

HSL 198.9, 0.53%, 0.73%

LAB 77.59, -10.81, -16.69

 

CMYK 16 / 33 / 0 / 13

HEX #BB95DE

RGB 187 149 222

HSL 271.23, 0.53%, 0.73%

LAB 67.53, 28, -31.81

 

CMYK 0 / 22 / 33 / 13

HEX #DEAD95

RGB 222 173 149

HSL 19.73, 0.53%, 0.73%

LAB 74.56, 14.59, 19.2

 

CMYK 27 / 0 / 33 / 13

HEX #A3DE95

RGB 163 222 149

HSL 108.49, 0.53%, 0.73%

LAB 83.02, -32.4, 29.94

 

CMYK 33 / 10 / 0 / 13

HEX #95C7DE

RGB 149 199 222

HSL 198.9, 0.53%, 0.73%

LAB 77.59, -10.81, -16.69

 

CMYK 6 / 33 / 0 / 13

HEX #D195DE

RGB 209 149 222

HSL 289.32, 0.53%, 0.73%

LAB 69.7, 34.84, -28.28

 

Description

Color code: HEX #DEAD95 | qconv.com Color code: HEX #DEAD95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 173 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 173 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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