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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB578 it is the complementary color #214A87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEB578 shade: #E3B573, #F4C786, #FFD999, #FFEBAC and #FFFDBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEB578 shade: #DEB578, #CDA365, #BC9152, #AB7F3F and #9A6D2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEB578 shade: #DEB477, #DE9977, #DE7D77 and #DE7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEB578 shade: #DEB477, #DED077, #D0DE77, #B4DE77 and #98DE77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEB578 shade matches the following richer shades: #DEB477, #EBB769 and #F9BA5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEB578 shade: #DEB477, #D0B285, #C2AF92, #B5ACA0 and #A7AAAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEB578 shade: #DE7C77, #DE9877, #DEB377, #DECE77 and #D2DE77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEB578 shade: #CE9035, #D6A256, #DEB477, #E6C798 and #EED9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEB578 shade: #DEB578, #8DDE77 and #8A77DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEB578 shade: #DEB578, #77DEB3 and #B377DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEB578 shade: #DEB578, #8DDE77, #77A2DE and #C777DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEB578 shade: #DEB578, #77DE80, #77A2DE and #DE77D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 46 / 13

HEX #DEB578

RGB 222 181 120

HSL 35.88, 0.61%, 0.67%

LAB 76.03, 7.06, 36.58

 

Complementary color

CMYK 76 / 45 / 0 / 47

HEX #214A87

RGB 33 74 135

HSL 215.88, 0.61%, 0.33%

LAB 31.74, 8.2, -38.29

 

CMYK 0 / 20 / 49 / 11

HEX #E3B573

RGB 227 181 115

HSL 35.36, 0.67%, 0.67%

LAB 76.45, 8.61, 39.79

 

CMYK 0 / 18 / 45 / 4

HEX #F4C786

RGB 244 199 134

HSL 35.45, 0.83%, 0.74%

LAB 82.81, 7.82, 38.48

 

CMYK 0 / 15 / 40 / 0

HEX #FFD999

RGB 255 217 153

HSL 37.65, 1%, 0.8%

LAB 88.54, 4.79, 36.43

 

CMYK 0 / 8 / 33 / 0

HEX #FFEBAC

RGB 255 235 172

HSL 45.54, 1%, 0.84%

LAB 93.3, -2.22, 33.08

 

CMYK 0 / 1 / 25 / 0

HEX #FFFDBF

RGB 255 253 191

HSL 58.13, 1%, 0.87%

LAB 98.14, -8.82, 30

 

CMYK 0 / 18 / 46 / 13

HEX #DEB578

RGB 222 181 120

HSL 35.88, 0.61%, 0.67%

LAB 76.03, 7.06, 36.58

 

CMYK 0 / 20 / 51 / 20

HEX #CDA365

RGB 205 163 101

HSL 35.77, 0.51%, 0.6%

LAB 69.55, 7.88, 37.91

 

CMYK 0 / 23 / 56 / 26

HEX #BC9152

RGB 188 145 82

HSL 35.66, 0.44%, 0.53%

LAB 62.97, 8.84, 39.3

 

CMYK 0 / 26 / 63 / 33

HEX #AB7F3F

RGB 171 127 63

HSL 35.56, 0.46%, 0.46%

LAB 56.28, 9.99, 40.72

 

CMYK 0 / 29 / 71 / 40

HEX #9A6D2C

RGB 154 109 44

HSL 35.45, 0.56%, 0.39%

LAB 49.48, 11.37, 42.05

 

CMYK 0 / 19 / 46 / 13

HEX #DEB477

RGB 222 180 119

HSL 35.53, 0.61%, 0.67%

LAB 75.76, 7.49, 36.76

 

CMYK 0 / 31 / 46 / 13

HEX #DE9977

RGB 222 153 119

HSL 19.81, 0.61%, 0.67%

LAB 69.22, 21.94, 28.26

 

CMYK 0 / 44 / 46 / 13

HEX #DE7D77

RGB 222 125 119

HSL 3.5, 0.61%, 0.67%

LAB 62.95, 36.83, 19.86

 

CMYK 0 / 46 / 46 / 13

HEX #DE7777

RGB 222 119 119

HSL 0, 0.61%, 0.67%

LAB 61.7, 39.93, 18.15

 

CMYK 0 / 19 / 46 / 13

HEX #DEB477

RGB 222 180 119

HSL 35.53, 0.61%, 0.67%

LAB 75.76, 7.49, 36.76

 

CMYK 0 / 6 / 46 / 13

HEX #DED077

RGB 222 208 119

HSL 51.84, 0.61%, 0.67%

LAB 82.9, -7.1, 45.7

 

CMYK 6 / 0 / 46 / 13

HEX #D0DE77

RGB 208 222 119

HSL 68.16, 0.61%, 0.67%

LAB 85.5, -19.66, 48.63

 

CMYK 19 / 0 / 46 / 13

HEX #B4DE77

RGB 180 222 119

HSL 84.47, 0.61%, 0.67%

LAB 83.59, -30.33, 45.86

 

CMYK 32 / 0 / 46 / 13

HEX #98DE77

RGB 152 222 119

HSL 100.78, 0.61%, 0.67%

LAB 81.97, -40.26, 43.51

 

CMYK 0 / 19 / 46 / 13

HEX #DEB477

RGB 222 180 119

HSL 35.53, 0.61%, 0.67%

LAB 75.76, 7.49, 36.76

 

CMYK 0 / 22 / 55 / 8

HEX #EBB769

RGB 235 183 105

HSL 36, 0.76%, 0.67%

LAB 77.61, 9.98, 46.44

 

CMYK 0 / 25 / 63 / 2

HEX #F9BA5C

RGB 249 186 92

HSL 35.92, 0.93%, 0.67%

LAB 79.63, 13.25, 55.41

 

CMYK 0 / 19 / 46 / 13

HEX #DEB477

RGB 222 180 119

HSL 35.53, 0.61%, 0.67%

LAB 75.76, 7.49, 36.76

 

CMYK 0 / 14 / 36 / 18

HEX #D0B285

RGB 208 178 133

HSL 36, 0.44%, 0.67%

LAB 74.15, 4.44, 27.03

 

CMYK 0 / 10 / 25 / 24

HEX #C2AF92

RGB 194 175 146

HSL 36.25, 0.28%, 0.67%

LAB 72.37, 2.26, 17.37

 

CMYK 0 / 5 / 12 / 29

HEX #B5ACA0

RGB 181 172 160

HSL 34.29, 0.12%, 0.67%

LAB 70.78, 1.13, 7.31

 

CMYK 3 / 2 / 0 / 32

HEX #A7AAAD

RGB 167 170 173

HSL 210, 0.04%, 0.67%

LAB 69.46, -0.48, -1.92

 

CMYK 0 / 44 / 46 / 13

HEX #DE7C77

RGB 222 124 119

HSL 2.91, 0.61%, 0.67%

LAB 62.74, 37.35, 19.57

 

CMYK 0 / 32 / 46 / 13

HEX #DE9877

RGB 222 152 119

HSL 19.22, 0.61%, 0.67%

LAB 68.98, 22.48, 27.95

 

CMYK 0 / 19 / 46 / 13

HEX #DEB377

RGB 222 179 119

HSL 34.95, 0.61%, 0.67%

LAB 75.51, 8.02, 36.44

 

CMYK 0 / 7 / 46 / 13

HEX #DECE77

RGB 222 206 119

HSL 50.68, 0.61%, 0.67%

LAB 82.38, -6.08, 45.07

 

CMYK 5 / 0 / 46 / 13

HEX #D2DE77

RGB 210 222 119

HSL 66.99, 0.61%, 0.67%

LAB 85.64, -18.88, 48.85

 

CMYK 0 / 30 / 74 / 19

HEX #CE9035

RGB 206 144 53

HSL 35.69, 0.61%, 0.51%

LAB 64.42, 15.34, 55.25

 

CMYK 0 / 24 / 60 / 16

HEX #D6A256

RGB 214 162 86

HSL 35.63, 0.61%, 0.59%

LAB 70.04, 10.97, 46.33

 

CMYK 0 / 19 / 46 / 13

HEX #DEB477

RGB 222 180 119

HSL 35.53, 0.61%, 0.67%

LAB 75.76, 7.49, 36.76

 

CMYK 0 / 13 / 34 / 10

HEX #E6C798

RGB 230 199 152

HSL 36.15, 0.61%, 0.75%

LAB 81.8, 4.29, 27.59

 

CMYK 0 / 9 / 22 / 7

HEX #EED9B9

RGB 238 217 185

HSL 36.23, 0.61%, 0.83%

LAB 87.63, 2.31, 18.4

 

CMYK 0 / 18 / 46 / 13

HEX #DEB578

RGB 222 181 120

HSL 35.88, 0.61%, 0.67%

LAB 76.03, 7.06, 36.58

 

CMYK 36 / 0 / 46 / 13

HEX #8DDE77

RGB 141 222 119

HSL 107.18, 0.61%, 0.67%

LAB 81.42, -43.87, 42.7

 

CMYK 38 / 46 / 0 / 13

HEX #8A77DE

RGB 138 119 222

HSL 251.07, 0.61%, 0.67%

LAB 55.96, 31.26, -50.27

 

CMYK 0 / 18 / 46 / 13

HEX #DEB578

RGB 222 181 120

HSL 35.88, 0.61%, 0.67%

LAB 76.03, 7.06, 36.58

 

CMYK 46 / 0 / 19 / 13

HEX #77DEB3

RGB 119 222 179

HSL 154.95, 0.61%, 0.67%

LAB 81.52, -39.92, 11.9

 

CMYK 19 / 46 / 0 / 13

HEX #B377DE

RGB 179 119 222

HSL 274.95, 0.61%, 0.67%

LAB 59.94, 42.23, -43.72

 

CMYK 0 / 18 / 46 / 13

HEX #DEB578

RGB 222 181 120

HSL 35.88, 0.61%, 0.67%

LAB 76.03, 7.06, 36.58

 

CMYK 36 / 0 / 46 / 13

HEX #8DDE77

RGB 141 222 119

HSL 107.18, 0.61%, 0.67%

LAB 81.42, -43.87, 42.7

 

CMYK 46 / 27 / 0 / 13

HEX #77A2DE

RGB 119 162 222

HSL 214.95, 0.61%, 0.67%

LAB 65.78, 1.45, -34.92

 

CMYK 10 / 46 / 0 / 13

HEX #C777DE

RGB 199 119 222

HSL 286.6, 0.61%, 0.67%

LAB 62.18, 47.86, -40.04

 

CMYK 0 / 18 / 46 / 13

HEX #DEB578

RGB 222 181 120

HSL 35.88, 0.61%, 0.67%

LAB 76.03, 7.06, 36.58

 

CMYK 46 / 0 / 42 / 13

HEX #77DE80

RGB 119 222 128

HSL 125.24, 0.61%, 0.67%

LAB 80.58, -49.18, 36.99

 

CMYK 46 / 27 / 0 / 13

HEX #77A2DE

RGB 119 162 222

HSL 214.95, 0.61%, 0.67%

LAB 65.78, 1.45, -34.92

 

CMYK 0 / 46 / 4 / 13

HEX #DE77D5

RGB 222 119 213

HSL 305.24, 0.61%, 0.67%

LAB 64.59, 52.83, -31.05

 

Description

Color code: HEX #DEB578 | qconv.com Color code: HEX #DEB578 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 181 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 181 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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