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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB59F it is the complementary color #214A60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB59F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEB59F shade: #E3B59A, #F4C7AD, #FFD9C0, #FFEBD3 and #FFFDE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB59F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEB59F shade: #DEB59F, #CDA38C, #BC9179, #AB7F66 and #9A6D53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEB59F shade: #DEB5A0, #DEA4A0 and #DEA0A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEB59F shade: #DEB5A0, #DEC6A0, #DED7A0, #D4DEA0 and #C3DEA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEB59F shade matches the following richer shades: #DEB5A0, #E8B295, #F3AF8B and #FDAC81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEB59F shade: #DEB5A0, #D4B8AA, #C9BCB4, #BFBFBE and #B5C2C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEB59F shade: #DEA0AC, #DEA4A0, #DEB4A0, #DEC5A0 and #DED6A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEB59F shade: #C98662, #D39E81, #DEB5A0, #E9CDBE and #F3E5DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEB59F shade: #DEB59F, #BDDEA0 and #A0A4DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEB59F shade: #DEB59F, #A0DEB4 and #B4A0DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEB59F shade: #DEB59F, #BDDEA0, #A0C9DE and #C1A0DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEB59F shade: #DEB59F, #AADEA0, #A0C9DE and #D4A0DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 28 / 13

HEX #DEB59F

RGB 222 181 159

HSL 20.95, 0.49%, 0.75%

LAB 76.73, 11.61, 16.79

 

Complementary color

CMYK 66 / 23 / 0 / 62

HEX #214A60

RGB 33 74 96

HSL 200.95, 0.49%, 0.25%

LAB 29.58, -6.79, -17.21

 

CMYK 0 / 20 / 32 / 11

HEX #E3B59A

RGB 227 181 154

HSL 22.19, 0.57%, 0.75%

LAB 77.11, 12.88, 20.08

 

CMYK 0 / 18 / 29 / 4

HEX #F4C7AD

RGB 244 199 173

HSL 21.97, 0.76%, 0.82%

LAB 83.49, 12.28, 19.04

 

CMYK 0 / 15 / 25 / 0

HEX #FFD9C0

RGB 255 217 192

HSL 23.81, 1%, 0.88%

LAB 89.25, 9.54, 17.22

 

CMYK 0 / 8 / 17 / 0

HEX #FFEBD3

RGB 255 235 211

HSL 32.73, 1%, 0.91%

LAB 94.05, 3.01, 14.09

 

CMYK 0 / 1 / 10 / 0

HEX #FFFDE6

RGB 255 253 230

HSL 55.2, 1%, 0.95%

LAB 98.92, -3.16, 11.24

 

CMYK 0 / 18 / 28 / 13

HEX #DEB59F

RGB 222 181 159

HSL 20.95, 0.49%, 0.75%

LAB 76.73, 11.61, 16.79

 

CMYK 0 / 20 / 32 / 20

HEX #CDA38C

RGB 205 163 140

HSL 21.23, 0.39%, 0.68%

LAB 70.22, 12.21, 17.84

 

CMYK 0 / 23 / 36 / 26

HEX #BC9179

RGB 188 145 121

HSL 21.49, 0.33%, 0.61%

LAB 63.61, 12.89, 18.98

 

CMYK 0 / 26 / 40 / 33

HEX #AB7F66

RGB 171 127 102

HSL 21.74, 0.29%, 0.54%

LAB 56.88, 13.68, 20.23

 

CMYK 0 / 29 / 46 / 40

HEX #9A6D53

RGB 154 109 83

HSL 21.97, 0.3%, 0.46%

LAB 50.02, 14.6, 21.62

 

CMYK 0 / 18 / 28 / 13

HEX #DEB5A0

RGB 222 181 160

HSL 20.32, 0.48%, 0.75%

LAB 76.75, 11.75, 16.28

 

CMYK 0 / 26 / 28 / 13

HEX #DEA4A0

RGB 222 164 160

HSL 3.87, 0.48%, 0.75%

LAB 72.64, 20.87, 10.49

 

CMYK 0 / 28 / 28 / 13

HEX #DEA0A0

RGB 222 160 160

HSL 0, 0.48%, 0.75%

LAB 71.7, 23.02, 9.15

 

CMYK 0 / 18 / 28 / 13

HEX #DEB5A0

RGB 222 181 160

HSL 20.32, 0.48%, 0.75%

LAB 76.75, 11.75, 16.28

 

CMYK 0 / 11 / 28 / 13

HEX #DEC6A0

RGB 222 198 160

HSL 36.77, 0.48%, 0.75%

LAB 80.99, 2.75, 22.16

 

CMYK 0 / 3 / 28 / 13

HEX #DED7A0

RGB 222 215 160

HSL 53.23, 0.48%, 0.75%

LAB 85.34, -6.05, 28.07

 

CMYK 5 / 0 / 28 / 13

HEX #D4DEA0

RGB 212 222 160

HSL 69.68, 0.48%, 0.75%

LAB 86.39, -13.35, 29.36

 

CMYK 12 / 0 / 28 / 13

HEX #C3DEA0

RGB 195 222 160

HSL 86.13, 0.48%, 0.75%

LAB 85.19, -19.58, 27.54

 

CMYK 0 / 18 / 28 / 13

HEX #DEB5A0

RGB 222 181 160

HSL 20.32, 0.48%, 0.75%

LAB 76.75, 11.75, 16.28

 

CMYK 0 / 23 / 36 / 9

HEX #E8B295

RGB 232 178 149

HSL 20.96, 0.64%, 0.75%

LAB 76.78, 15.79, 22.4

 

CMYK 0 / 28 / 43 / 5

HEX #F3AF8B

RGB 243 175 139

HSL 20.77, 0.81%, 0.75%

LAB 77.03, 20.55, 28.29

 

CMYK 0 / 32 / 49 / 1

HEX #FDAC81

RGB 253 172 129

HSL 20.81, 0.97%, 0.75%

LAB 77.26, 25.06, 34.11

 

CMYK 0 / 18 / 28 / 13

HEX #DEB5A0

RGB 222 181 160

HSL 20.32, 0.48%, 0.75%

LAB 76.75, 11.75, 16.28

 

CMYK 0 / 13 / 20 / 17

HEX #D4B8AA

RGB 212 184 170

HSL 20, 0.33%, 0.75%

LAB 76.79, 7.8, 10.79

 

CMYK 0 / 6 / 10 / 21

HEX #C9BCB4

RGB 201 188 180

HSL 22.86, 0.16%, 0.75%

LAB 77.09, 3.21, 5.68

 

CMYK 0 / 0 / 1 / 25

HEX #BFBFBE

RGB 191 191 190

HSL 60, 0.01%, 0.75%

LAB 77.31, -0.18, 0.49

 

CMYK 10 / 3 / 0 / 21

HEX #B5C2C9

RGB 181 194 201

HSL 201, 0.16%, 0.75%

LAB 77.65, -3.06, -5.04

 

CMYK 0 / 28 / 23 / 13

HEX #DEA0AC

RGB 222 160 172

HSL 348.39, 0.48%, 0.75%

LAB 71.99, 24.72, 2.95

 

CMYK 0 / 26 / 28 / 13

HEX #DEA4A0

RGB 222 164 160

HSL 3.87, 0.48%, 0.75%

LAB 72.64, 20.87, 10.49

 

CMYK 0 / 19 / 28 / 13

HEX #DEB4A0

RGB 222 180 160

HSL 19.35, 0.48%, 0.75%

LAB 76.5, 12.28, 15.93

 

CMYK 0 / 11 / 28 / 13

HEX #DEC5A0

RGB 222 197 160

HSL 35.81, 0.48%, 0.75%

LAB 80.74, 3.27, 21.81

 

CMYK 0 / 4 / 28 / 13

HEX #DED6A0

RGB 222 214 160

HSL 52.26, 0.48%, 0.75%

LAB 85.08, -5.54, 27.72

 

CMYK 0 / 33 / 51 / 21

HEX #C98662

RGB 201 134 98

HSL 20.97, 0.49%, 0.59%

LAB 61.95, 21.75, 29.8

 

CMYK 0 / 25 / 39 / 17

HEX #D39E81

RGB 211 158 129

HSL 21.22, 0.48%, 0.67%

LAB 69.39, 15.94, 22.83

 

CMYK 0 / 18 / 28 / 13

HEX #DEB5A0

RGB 222 181 160

HSL 20.32, 0.48%, 0.75%

LAB 76.75, 11.75, 16.28

 

CMYK 0 / 12 / 18 / 9

HEX #E9CDBE

RGB 233 205 190

HSL 20.93, 0.49%, 0.83%

LAB 84.33, 7.44, 11.05

 

CMYK 0 / 6 / 9 / 5

HEX #F3E5DD

RGB 243 229 221

HSL 21.82, 0.48%, 0.91%

LAB 91.83, 3.42, 5.59

 

CMYK 0 / 18 / 28 / 13

HEX #DEB59F

RGB 222 181 159

HSL 20.95, 0.49%, 0.75%

LAB 76.73, 11.61, 16.79

 

CMYK 15 / 0 / 28 / 13

HEX #BDDEA0

RGB 189 222 160

HSL 91.94, 0.48%, 0.75%

LAB 84.79, -21.73, 26.93

 

CMYK 28 / 26 / 0 / 13

HEX #A0A4DE

RGB 160 164 222

HSL 236.13, 0.48%, 0.75%

LAB 68.97, 11.42, -29.77

 

CMYK 0 / 18 / 28 / 13

HEX #DEB59F

RGB 222 181 159

HSL 20.95, 0.49%, 0.75%

LAB 76.73, 11.61, 16.79

 

CMYK 28 / 0 / 19 / 13

HEX #A0DEB4

RGB 160 222 180

HSL 139.35, 0.48%, 0.75%

LAB 83.45, -28.13, 14.37

 

CMYK 19 / 28 / 0 / 13

HEX #B4A0DE

RGB 180 160 222

HSL 259.35, 0.48%, 0.75%

LAB 69.55, 19.71, -28.73

 

CMYK 0 / 18 / 28 / 13

HEX #DEB59F

RGB 222 181 159

HSL 20.95, 0.49%, 0.75%

LAB 76.73, 11.61, 16.79

 

CMYK 15 / 0 / 28 / 13

HEX #BDDEA0

RGB 189 222 160

HSL 91.94, 0.48%, 0.75%

LAB 84.79, -21.73, 26.93

 

CMYK 28 / 9 / 0 / 13

HEX #A0C9DE

RGB 160 201 222

HSL 200.32, 0.48%, 0.75%

LAB 78.76, -8.73, -14.85

 

CMYK 13 / 28 / 0 / 13

HEX #C1A0DE

RGB 193 160 222

HSL 271.94, 0.48%, 0.75%

LAB 70.7, 23.77, -26.87

 

CMYK 0 / 18 / 28 / 13

HEX #DEB59F

RGB 222 181 159

HSL 20.95, 0.49%, 0.75%

LAB 76.73, 11.61, 16.79

 

CMYK 23 / 0 / 28 / 13

HEX #AADEA0

RGB 170 222 160

HSL 110.32, 0.48%, 0.75%

LAB 83.61, -28.33, 25.13

 

CMYK 28 / 9 / 0 / 13

HEX #A0C9DE

RGB 160 201 222

HSL 200.32, 0.48%, 0.75%

LAB 78.76, -8.73, -14.85

 

CMYK 5 / 28 / 0 / 13

HEX #D4A0DE

RGB 212 160 222

HSL 290.32, 0.48%, 0.75%

LAB 72.5, 29.82, -23.95

 

Description

Color code: HEX #DEB59F | qconv.com Color code: HEX #DEB59F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 181 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 181 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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